Academic literature on the topic 'Edipo re (Motion picture)'

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Journal articles on the topic "Edipo re (Motion picture)"

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Hennig-Thurau, Thorsten, André Marchand, and Barbara Hiller. "The relationship between reviewer judgments and motion picture success: re-analysis and extension." Journal of Cultural Economics 36, no. 3 (July 4, 2012): 249–83. http://dx.doi.org/10.1007/s10824-012-9172-8.

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Adji, Alberta Natasia. "REVEALING THE RE-TRANSFORMATION OF 9 SUMMERS 10 AUTUMNS." Paradigma, Jurnal Kajian Budaya 8, no. 1 (July 31, 2018): 99. http://dx.doi.org/10.17510/paradigma.v8i1.185.

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<p><span style="font-size: medium;"><em>9 Summers 10 Autumns</em> (2011) is an inspirational autobiographical novel about a young man from a small city of Batu who later succeeded in pursuing his dream by working in the United States. The novel was written according to Iwan Setyawan’s life story and it has been made into a movie by the same name in 2013. Two years later, the movie was adapted into an augmented motion picture hinted illustrative book which is said to be the first kind to appear in Indonesia that combines novel, comic, app and film together. Somehow this phenomenon has also contributed to the rising trend of films adapted into books in Indonesia, such as <em>Assalamualaikum Beijing</em> (2015), <em>What’s Up with Love?</em> (2016), and others. This study caters for Iwan Setyawan’s strategy in achieving legitimacy in the arena of Indonesian Literature and his American Dream Ideals that are depicted within the book. The discussion is carried out within the perspectives of Pierre Bourdieu’s field of cultural production theory as well as sociology of literature approach in highlighting the phenomenon of transformation from novel into film and eventually into augmented motion picture hinted illustrative book. Later, the study discovers that it has changed the image of Indonesian art and literary world in which such prestigious legitimacy can now be achieved through commercial strategies, making it seem dynamic but at the same time questionable in its most authentic sense. </span></p>
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Saul, Gerald, and Chrystene Ells. "Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices." Acta Universitatis Sapientiae, Film and Media Studies 16, no. 1 (August 1, 2019): 103–26. http://dx.doi.org/10.2478/ausfm-2019-0006.

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Abstract The article looks at German Expressionist cinema through the eyes of contemporary, non-commercial filmmakers, to attempt to discover what aspects of this 1920s approach may guide filmmakers today. By drawing parallels between the outsider nature of Weimar artist-driven approaches to collaborative filmmaking and twenty-first-century non-mainstream independent filmmaking outside of major motion picture producing centres, the writers have attempted to find ways to strengthen their own filmmaking practices as well as to investigate methods of re-invigorating other independent or national cinemas. Putting their academic observations of the thematic, technical, and aesthetic aspects of Expressionist cinema into practice, Ells and Saul illustrate and discuss the uses, strengths, and pitfalls, within the realm of low-budget art cinema today.
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CONSIDINE, MARK, SIOBHAN O’SULLIVAN, MICHAEL MCGANN, and PHUC NGUYEN. "Locked-in or Locked-out: Can a Public Services Market Really Change?" Journal of Social Policy 49, no. 4 (November 14, 2019): 850–71. http://dx.doi.org/10.1017/s0047279419000941.

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AbstractAustralia’s welfare-to-work system has been subject to ongoing political contestation and policy reform since the 1990s. In this paper we take a big picture look at the Australian system over time, re-visiting our earlier analysis of the impact of marketisation on flexibility at the frontline over the first ten years of the Australian market in employment services. That analysis demonstrated that marketisation had failed to deliver the service flexibility intended through contracting-out, and had instead produced market herding around a common set of standardised frontline practices. In the interim, there have been two further major redesigns of the Australian system at considerable expense to taxpayers. Re-introducing greater flexibility and service tailoring into the market has been a key aim of these reforms. Calling on evidence from an original, longitudinal survey of frontline employment service staff run in 2008, 2012 and 2016, this paper considers how the Australian market has evolved over its second decade. We find remarkable consistency over time and, indeed, evidence of deepening organisational convergence. We conclude that, once in motion, isomorphic pressures towards standardisation quickly get locked into quasi-market regimes; at least when these pressures occur in low-trust contracting environments.
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ZHENG, YAN, and SHIBAO ZHENG. "AN EFFICIENT OVERLAPPING BLOCK SELECTION METHOD IN MULTI-FRAME SKIPPING TRANSCODING." Journal of Circuits, Systems and Computers 18, no. 02 (April 2009): 325–37. http://dx.doi.org/10.1142/s0218126609005095.

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This paper presents an overlapping block selection method to determine the dominant macroblock (MB) in multi-frame skipping transcoding to improve picture quality. A non-intra MB in a non-skipped frame should be predicted by a block in another non-skipped frame. The re-constructed motion vector (MV) between two non-skipped frames accumulates prediction error. As the number of frames between two non-skipped frames is increased, such prediction error, or called mismatch error, is also increased. To reduce the impact on the transcoding quality caused by the prediction error, we improve the traditional overlapping block selection method, and propose a most approximate overlapping block to help to determine a dominant MB. In the proposed method, the location of an overlapping block is calculated by adding the accumulated MVs and the position of the current MB. The accumulated MVs are not the real MVs for MBs but the approximate vectors for 16 × 16 overlapping blocks. Simulation shows that the proposed method has a higher performance than the traditional method.
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Slide, Anthony. "Film Journals: An Update: Animation Magazine . ; Black Film Review . ; Cineaction! . ; Columbia Film View . ; Field of Vision . ; Film Theory . ; Film History . ; Illusions . ; Motion Picture . ; The New Magic Lantern Journal . ; On Film . ; Opsis . ; The Perfect Vision . ; Persistence of Vision . ; Picture House . ; Premiere . ; Re/Search ." Film Quarterly 42, no. 1 (October 1988): 29–32. http://dx.doi.org/10.1525/fq.1988.42.1.04a00060.

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Kavka, Gregory S. "Disability and the Right to Work." Social Philosophy and Policy 9, no. 1 (January 1992): 262–90. http://dx.doi.org/10.1017/s0265052500003678.

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It is, perhaps, a propitious time to discuss the economic rights of disabled persons. In recent years, the media in the United States have re-ported on such notable events as: students at the nation's only college for the deaf stage a successful protest campaign to have a deaf individual ap-pointed president of their institution; a book by a disabled British physicist on the origins of the universe becomes a best seller; a pitcher with only one arm has a successful rookie season in major league baseball; a motion-picture actor wins an Oscar for his portrayal of a wheelchair-bound person, beating out another nominee playing another wheelchair-bound person; a cancer patient wins an Olympic gold medal in wrestling; a paralyzed mother trains her children to accept discipline by inserting their hands in her mouth to be gently bitten when punishment is due; and a paraplegic rock climber scales the sheer four-thousand-foot wall of Yosemite Valley's El Capitan. Most significantly, in 1990, the United States Congress passed an important bill – the Americans with Disabili-ties Act – extending to disabled people employment and access-related protections afforded to members of other disadvantaged groups by the Civil Rights Act of 1964.
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Wu, Hui. "Shakespeare in Chinese Cinema." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (December 31, 2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.

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Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, such as A Woman Lawyer (from The Merchant of Venice, 1927), and A Spray of Plum Blossoms (from The Two Gentlemen of Verona, 1931). The most recent Chinese adaptations/spinoffs include two 2006 films based on Hamlet. After a brief review of Shakespeare’s history in the Chinese cinema, this study compares the two Chinese Hamlets released in 2006—Feng Xiaogang’s Banquet and Hu Xuehua’s Prince of the Himalayas to illustrate how Chinese filmmakers approach Shakespeare. Both re-invent Shakespeare’s Hamlet story and transfer it to a specific time, culture and landscape. The story of The Banquet takes place in a warring state in China of the 10th century while The Prince is set in pre-Buddhist Tibet. The former as a blockbuster movie in China has gained a financial success albeit being criticised for its commercial aesthetics. The latter, on the other hand, has raised attention amongst academics and critics and won several prizes though not as successful on the movie market. This study examines how the two Chinese Hamlet movies treat Shakespeare’s story in using different filmic strategies of story, character, picture, music and style.
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Ahuja, Rakesh, and Dr Sarabjeet Singh Bedi. "Video Watermarking Scheme Based on Candidates I-frames for Copyright Protection." Indonesian Journal of Electrical Engineering and Computer Science 5, no. 2 (February 1, 2017): 391. http://dx.doi.org/10.11591/ijeecs.v5.i2.pp391-400.

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<p>This paper focuses on moving picture expert group ( MPEG) based digital video watermarking scheme for copyright protection services. The present work implemented the video watermarking technique in which discrete cosine transform (DCT) intermediate frequency coefficients from instantaneous decoder refresh (IDR) frames are utilized. The subset of IDR frames as candidate frames are chosen to reduces the probability of temporal synchronization attacks to achieve better robustness and high visual perceptual quality. A secret key based cryptographic technique is used to enhance the security of embedded watermark. The proposed scheme embedded the watermark directly during the differential pulse code modulation (DPCM) process and extracting through decoding the entropy details. Three keys are required to extract the watermark whereas one of the key is used to stop the extraction process and the remaining two are used to display the watermark. The robustness is evaluated by testing spatial synchronization attacks, temporal synchronization attacks and re-encoding attacks. The present work calculates the simulation results that shows the watermarking scheme achieved high robustness against video processing attacks frequently occur in the real world and perceptibility also obtained without changing the motion vectors during the DPCM process of MPEG-2 encoding scheme.</p>
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Clucas, Stephen. "'The Infinite Variety of Formes and Magnitudes': 16Th- and 17Th-Century English Corpuscular Philosophy and Aristotelian Theories of Matter and Form." Early Science and Medicine 2, no. 3 (1997): 251–71. http://dx.doi.org/10.1163/157338297x00140.

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AbstractIn this article, I argue that the interest on the part of Bacon, Hill, and Warner in corpuscularian interpretations of natural phenomena and their similarity to certain views later held by Digby or Boyle offer a strong indication for the existence of an 'independent English atomistic milieu', a view that fits more closely Porter & Teich's recent model of national contexts for early modern science than Kargon's traditional picture of English atomism as a foreign import. In the course of this article, I consider Francis Bacon's anti-Aristotelian polemic in the light of his continued adherence to a conception of material form and his essentially Aristotelian metaphysics, as well as the relationship between his conception of form and his corpuscular theories of matter. This is followed by an examination of Walter Warner's natural philosophical manuscripts. Particular attention is paid to his Averroist distinction between assistant form (which has the role of an active, organizing, kinetic principle) and insistent forms (passive material formation, according to the nature of the substance and its internal combination or mixture of parts) in his treatment of the atoms of vital spirits and of the transmission of light, an idea that has interesting links to the scholastic notion of the sphaera actiuitatis. It is shown how Warner replaced the assistant form/sphere of activity with an energic principle, which he called vis and which took over many of the characteristics of the formative principles it replaced. I then compare Warner's use of vis with Nicholas Hill's, for whom it represented a hypostatic principle, i.e. an instrument of divine agency in the physical world. Such a strong view of divine causation enabled Hill to undertake a more radical critique of Aristotelian form than was available to Warner. My discussion ends with a look at Boyle's critique of the modern Aristotelian doctrine of forms, and his re-interpretation of form in terms of atomic configuration and the modifications of local motion. I end by suggesting that the 'phasing out' of Aristotelian notions of form, and their replacement with ideas of force or local motion opened the way for a similar 'phasing out' of divine causation, by making force a self-sufficient explanatory principle.
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Dissertations / Theses on the topic "Edipo re (Motion picture)"

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Aich, Priyanka. "The construction and (re)presentation of Indian women in recent mainstream western cinema." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/p_aich_112309.pdf.

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Thesis (M.A. in communication)--Washington State University, December 2009.
Title from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).
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Van, Dyk Stephanie. "Re-interpretation of the cinema." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112443.

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Jones, Carol Byrne. "Anatomy of a co-production : an examination of how Tan ar y Comin became a Christmas re-union." Thesis, University of Wales Trinity Saint David, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683064.

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Guilfoyle, Frances Jane. ""A boy's best friend is his mother" cinematic re-tellings of the Ed Gein story /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120299.

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Books on the topic "Edipo re (Motion picture)"

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Pasolini, Pier Paolo. Il vangelo secondo Matteo ; Edipo re ; Medea. [Milano?]: Garzanti, 1991.

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Oedipe roi de Pasolini: Poétique de la mimèsis. Paris: L'Harmattan, 2012.

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Biasi-Richter, Gigliola. Pier Paolo Pasolini e l'amore per la madre: metamorfosi di un sentimento: Indagine psicoanalitica ispirata dai film Edipo re e Medea. Osnabrück: Rasch, 2001.

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Verneuil, Henri. Mayrig: Re cit. Paris: R. Laffont, 1993.

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Moscati, Camillo. Ridolini: Il re della risata. Genova: Editoriale Lo Vecchio, 1987.

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Diang'a, Rachael. African re-creation of western impressions: A focus on the Kenyan film. Saarbrücken, Germany: LAP Lambert Academic Pub. Gmbh & Co., 2011.

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Joʻ, Khaṅʻ Moṅʻ. Nhacʻ chayʻ rā cu Mranʻ māʹ rupʻ rhaṅʻ re cīʺ kroṅʻʺ (1920-88) nhaṅʻʹ Mranʻ māʹ ganthavaṅʻ rupʻ raṅʻ ʼanupaññā rhaṅʻ (20). Ranʻ kunʻ: Ne Myuiʺ Cā padesā, 2012.

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1926-, Sin Sang-ok, ed. Nae re Kim Chŏng-il imneda: Sugi. Sŏul-si: Haengnim Chʻulpʻan, 1994.

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Re-visioning of the heroic journey in postmodern literature: Toni Morrison, Julia Alvarez, Arthur Miller, and American beauty. Lewiston, N.Y: Edwin Mellen Press, 2006.

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Weber-Feve, Stacey. Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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Book chapters on the topic "Edipo re (Motion picture)"

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"The Re-recording Stage." In The Practical Art of Motion Picture Sound, 475–97. Routledge, 2012. http://dx.doi.org/10.4324/9780080927466-20.

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Roche, David. "“Lookin’ Back on the Track, Gonna Do It My Way”." In Quentin Tarantino, 224–43. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819161.003.0007.

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The study of pre-existing music confirms the poetics and politics of these films come together in the very contemporary notion that everything, notably art and identity, is a re-representation. If the songs featured on the original motion picture soundtracks have unquestionably played an important role in constructing the Tarantino brand as an emblem of cool retro, their functions in the films have always been varied and complex: reinforcing and establishing structural and thematic relationships (notably regarding character relations), endowing specific scenes with a certain tone or emotional ambience, and also highly contributing, on a metafictional level, to the political subtexts by way of intertextuality.
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Conference papers on the topic "Edipo re (Motion picture)"

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Kyounghwan Kim, Soongi Hong, and Yoonsik Choe. "Efficient motion re-estimation method based on k-means clustering for spatial resolution reduction transcoding." In 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213332.

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Song, Xue Guan, Lei Cui, and Young Chul Park. "Three-Dimensional CFD Analysis of a Spring-Loaded Pressure Safety Valve From Opening to Re-Closure." In ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25024.

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We describe the dynamic analysis of a spring-loaded pressure safety valve (PSV) using a moving mesh technique and transient analysis in computational fluid dynamics (CFD). Multiple domains containing pure structural meshes are generated to ensure that the correlative mesh could change properly without negative volumes. With a geometrically accurate CFD model including the PSV and vessel rather than only the PSV, the entire process from valve opening to valve re-closure is presented. A detailed picture of the compressible fluid flowing through the PSV is obtained, including flow features in the very small seat region. In addition, the forces on the disc and its motion are monitored. Results from the model were very useful in investigating the dynamic and fluid characteristics of the PSV. Our practical CFD model has the potential to reduce the costs and risks associated with the development of new pressure safety valve designs. Future work will focus on improving the spring stiffness and seat region to eliminate or reduce vibration during the re-closure process.
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