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Books on the topic 'Edipo re (Motion picture)'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Pasolini, Pier Paolo. Il vangelo secondo Matteo ; Edipo re ; Medea. [Milano?]: Garzanti, 1991.

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2

Oedipe roi de Pasolini: Poétique de la mimèsis. Paris: L'Harmattan, 2012.

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3

Biasi-Richter, Gigliola. Pier Paolo Pasolini e l'amore per la madre: metamorfosi di un sentimento: Indagine psicoanalitica ispirata dai film Edipo re e Medea. Osnabrück: Rasch, 2001.

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4

Verneuil, Henri. Mayrig: Re cit. Paris: R. Laffont, 1993.

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5

Moscati, Camillo. Ridolini: Il re della risata. Genova: Editoriale Lo Vecchio, 1987.

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6

Diang'a, Rachael. African re-creation of western impressions: A focus on the Kenyan film. Saarbrücken, Germany: LAP Lambert Academic Pub. Gmbh & Co., 2011.

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7

Joʻ, Khaṅʻ Moṅʻ. Nhacʻ chayʻ rā cu Mranʻ māʹ rupʻ rhaṅʻ re cīʺ kroṅʻʺ (1920-88) nhaṅʻʹ Mranʻ māʹ ganthavaṅʻ rupʻ raṅʻ ʼanupaññā rhaṅʻ (20). Ranʻ kunʻ: Ne Myuiʺ Cā padesā, 2012.

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8

1926-, Sin Sang-ok, ed. Nae re Kim Chŏng-il imneda: Sugi. Sŏul-si: Haengnim Chʻulpʻan, 1994.

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9

Re-visioning of the heroic journey in postmodern literature: Toni Morrison, Julia Alvarez, Arthur Miller, and American beauty. Lewiston, N.Y: Edwin Mellen Press, 2006.

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10

Weber-Feve, Stacey. Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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11

Weber-Feve, Stacey. Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting of France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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12

Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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13

Blazej, Lucian Robert. Notice of determination: [Metro Theater adaptive re-use project, 2055 Union Street]. San Francisco, Calif: Planning Dept., 2011.

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14

Re-Locating the Sounds of the Western. Taylor & Francis Group, 2018.

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15

Leonard, Kendra Preston, and Mariana Whitmer. Re-Locating the Sounds of the Western. Taylor & Francis Group, 2018.

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16

Leonard, Kendra Preston, and Mariana Whitmer. Re-Locating the Sounds of the Western. Taylor & Francis Group, 2018.

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17

Leonard, Kendra Preston, and Mariana Whitmer. Re-Locating the Sounds of the Western. Taylor & Francis Group, 2018.

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18

Leonard, Kendra Preston, and Mariana Whitmer. Re-Locating the Sounds of the Western. Taylor & Francis Group, 2018.

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19

1966-, Plate S. Brent, ed. Re-viewing The passion: Mel Gibson's film and its critics. New York: Palgrave Macmillan, 2004.

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20

Plate, S. Brent. Re-Viewing The Passion: Mel Gibson's Film and Its Critics. Palgrave Macmillan, 2004.

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21

Plate, S. Brent. Re-Viewing The Passion: Mel Gibson's Film and Its Critics. Palgrave Macmillan, 2004.

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22

Re-Agitator: A Decade of Writing on Takashi Miike. FAB Press, 2013.

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23

ʼAnupaññā re cīʺ kroṅʻʺ poʻ mha raṅʻ lhuiṅʻʺ khatʻ saṃ myāʺ. Ranʻ kunʻ: Cacʻ saññʻ toʻ Cā pe, 2001.

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24

Leutrat, Jean-Louis. L'Année dernière à Marienbad (Last Year in Marienbad) (BFI Film Classics). British Film Institute, 2001.

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25

Choe, Un-hui. Nae re Kim Chong-il imneda: Sugi. Haengnim Chulpan, 1994.

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26

Dwyer, Michael D. Back to the Fifties: Nostalgia, Hollywood Film, and Popular Music of the Re-Generation. Oxford University Press, Incorporated, 2015.

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27

Planet of the Apes: Re-imagined by Tim Burton. New York: Newmarket Press, 2001.

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28

1966-, Salisbury Mark, ed. Planet of the Apes: Re-imagined by Tim Burton. New York : Newmarket Press, 2001.

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29

Orson Welles: Volume 2: Hello Americans. Viking Adult, 2006.

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30

Callow, Simon. Orson Welles: Volume 2: Hello Americans (Orson Welles). Penguin (Non-Classics), 2007.

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31

1945-, Novy Marianne, ed. Transforming Shakespeare: Contemporary women's re-visions in literature and performance. New York: St. Martin's Press, 1999.

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32

Lee, Sangjoon. Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.001.0001.

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This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. The book adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. The book reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. The book elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. The book demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. This book reanimates this almost-forgotten history of cinema and the film industry in Asia.
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