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Books on the topic 'EDITORIAL’S WORK'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Balius, Andreu. Type at work: The use of type in editorial design. Amsterdam: BIS, 2003.

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2

Kamble, Vinay B. Science musings: Selected editorials from DREAM 2047. Noida: Vigyan Prasar, 2009.

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3

Nencioni, Francesca, ed. A Giuseppe Dessí. Lettere editoriali e altra corrispondenza. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-156-0.

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This volume completes the valuable work of cataloguing carried out on the correspondence of Giuseppe Dessí conserved in the 'Alessandro Bonsanti' contemporary archive of Florence. The research, launched by Chiara Andrei in 2003 with the edition of the Corrispondenze familiari (Firenze University Press) and continued in 2009 by Francesca Nencioni with the publication of Lettere di amici e lettori (Firenze University Press), has its third result in this work by Francesca Nencioni, who has indexed the unpublished editorial and professional material, providing it with exhaustive references. The letters make it possible to trace a profile of the writer from his youth through to the 70s, illustrating the historic, political and cultural backdrop against which the events and activities of both his first and second profession developed. This casts light not only his complex professional career, but also on Dessí's collaboration with newspapers and journals, his relations with publishers and his contacts with the world of the mass media. Of particular importance is the appendix of unpublished letters, meticulously edited by Monica Graceffa, comprising the correspondence with two seminal journals of the 1930s and 40s «L'Orto» and «Primato». In the background are the figures of Bottai and Vecchietti and the complex coexistence between the intellectuals of the time and the regime.
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4

Geisel, Ted. The Early Works of Dr. Seuss. Miamisburg, OH: Checker Book Publishing Group, 2005.

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5

Jones, Adam. Raw, medium, well done: A critical review of editorial and quasi-editorial work on pre-1885 European sources for sub-Saharan Africa, 1960-1986. [Madison, WI]: African Studies Program, University of Wisconsin--Madison, 1987.

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6

Law, Roger. A nasty piece of work. Edited by Chester Lewis, Evans Alex, and Booth-Clibborn Edward. London: Booth-Clibborn Editions, 1992.

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7

Airwaves: A collection of radio editorials from the Golden Apple. New York: Fordham University Press, 1999.

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8

Johnson, Haynes. Herblock: The life and work of the great political cartoonist. [Washington, D.C.]: Herb Block Foundation, 2009.

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9

Johnson, Haynes. Herblock: The life and work of the great political cartoonist. [Washington, D.C.]: Herb Block Foundation, 2009.

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10

1909-2001, Block Herbert, and Katz Harry L, eds. Herblock: The life and work of the great political cartoonist. [Washington, D.C.]: Herb Block Foundation, 2009.

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11

Les, Guthman, ed. Paul Conrad: Drawing the line : the collected works of America's premier political cartoonist. Los Angeles, Calif: Los Angeles Times, 1999.

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12

Louw, Raymond. Media and electoral laws: A guide for print and broadcast editorial personnel. Auckland Park, [Johannesburg, South Africa]: Electoral Institute of South Africa, 1999.

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13

Zimkus, Charlie. Drawing A Crowd: An editorial cartoonist's look at Miami University and beyond. Oxford, Ohio: C. Zimkus, 2000.

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14

Iconografie accademiche: Un percorso attraverso il cantiere editoriale delle Symbolicae quaestiones di Achille Bocchi. Bologna: CLUEB, 2012.

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15

Drawn to extremes: The use and abuse of editorial cartoons. New York: Columbia University Press, 2004.

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16

Novelli, Maria Angela. Storia delle "Vite de' pittori e scultori ferraresi" di Girolamo Baruffaldi: Una vicenda editoriale e culturale del Settecento. S. Giovanni in Persiceto (BO): Edizioni Aspasia, 1997.

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17

Fernández-Villamea, Luis. Fuerza Nueva en la retina: Biografía gráfica de un movimiento político. Madrid: Fuerza Nueva, 2006.

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18

Fernández-Villamea, Luis. Fuerza Nueva en la retina: Biografía gráfica de un movimiento político. Madrid: Fuerza Nueva Editorial, 2006.

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19

Paracelsus. Theophrastus on first principles: (known as his Metaphysics) : Greek text and medieval Arabic translation, edited and translated with introduction, commentaries and glossaries, as well as the medieval Latin translation, and with an excursus on Graeco-Arabic editorial technique. Leiden: Brill, 2010.

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20

Paracelsus. Theophrastus on first principles: (transmitted as his Metaphysics) : Greek text and medieval Arabic translation, edited and translated with introduction, commentaries and glossaries, as well as the medieval Latin translation, and with an excursus on Graeco-Arabic editorial technique. Leiden: Brill, 2010.

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21

Dimitri, Gutas, ed. Theophrastus on first principles: (known as his Metaphysics) : Greek text and medieval Arabic translation, edited and translated with introduction, commentaries and glossaries, as well as the medieval Latin translation, and with an excursus on Graeco-Arabic editorial technique. Leiden: Brill, 2010.

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22

The Way editorial cartoons work. Fort Atkinson, WI: Highsmith, 1995.

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23

McCay, Winsor. Winsor McCay: The Editorial Works. Checker Book Publishing Group, 2006.

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24

Howells, Coral Ann, Paul Sharrad, and Gerry Turcotte. Editorial Note. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0002.

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THE system of referencing adopted in this volume depends on a distinction between primary and secondary works. Primary works (novels, short stories, and essays) are referred to by title and date in the text, and do not appear in the bibliography. Quotations from novels are normally identified by a chapter reference, so that they can be easily found without referring to a specific edition. However, in the case of novels without numbered chapter breaks (such as Michael Ondaatje’s ...
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25

Crane, Ralph, Jane Stafford, and Mark Williams, eds. Editorial Note. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0002.

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THE system of referencing used in this volume distinguishes between primary and secondary works. Primary works are referred to by title and date in the text, and do not appear in the bibliography. Quotations from novels are identified by a chapter reference rather than a page number, so that they can be easily found without reference to a specific edition. All quotations from secondary material are referenced in the body of the text by page number. All secondary sources cited are listed in the bibliography, which adopts an author/date variation of the MLA referencing system....
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26

The Way Editorial Cartoons Work: Booklet With 16 Transparencies. Highsmith Inc, 1998.

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27

Balius, Andreu. Type at Work: The Use of Type in Editorial Design. Gingko Press, 2003.

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28

Dixon, David. Watts My Line?: The Life and Work of Editorial Artist, Lawrie Watts. Redline Books, 2007.

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29

Thomas Hobbes : Leviathan: Editorial Introduction. Oxford University Press, 2014.

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30

Designing with Color: How the Language of Color Works and How to Manipulate It in Your Graphic Designs. New York, USA: F&W Media, Incorporated, 1993.

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31

Christin, Angele. Metrics at Work. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691175232.001.0001.

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When the news moved online, journalists suddenly learned what their audiences actually liked, through algorithmic technologies that scrutinize web traffic and activity. Has this advent of audience metrics changed journalists' work practices and professional identities? This book documents the ways that journalists grapple with audience data in the form of clicks, and analyzes how new forms of clickbait journalism travel across national borders. Drawing on four years of fieldwork in web newsrooms in the United States and France, including more than one hundred interviews with journalists, the book reveals many similarities among the media groups examined—their editorial goals, technological tools, and even office furniture. Yet the book uncovers crucial and paradoxical differences in how American and French journalists understand audience analytics and how these affect the news produced in each country. American journalists routinely disregard traffic numbers and primarily rely on the opinion of their peers to define journalistic quality. Meanwhile, French journalists fixate on internet traffic and view these numbers as a sign of their resonance in the public sphere. The book offers cultural and historical explanations for these disparities, arguing that distinct journalistic traditions structure how journalists make sense of digital measurements in the two countries. Contrary to the popular belief that analytics and algorithms are globally homogenizing forces, the book shows that computational technologies can have surprisingly divergent ramifications for work and organizations worldwide.
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32

Brooks, Charles. Best Editorial Cartoons of the Year 2008 (Best Editorial Cartoons of the Year). Pelican Publishing Company, 2007.

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33

Society, Christian Science Publishing, ed. Tributes from the press: Editorial comments on the life and work of Mary Baker Eddy. Boston, Mass., U.S.A: Christian Science Pub. Society, 1993.

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34

Photographers at Work: Essential Business and Production Skills for Photographers in Editorial, Design, and Advertising. New Riders, 2015.

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35

Society, Christian Science Publishing, ed. Tributes from the press: Editorial comments on the life and work of Mary Baker Eddy. Boston, Mass., U.S.A: Christian Science Pub. Society, 1993.

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36

Hancock, Maxine. ‘Nor do thou go to work without my Key’. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.25.

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A full reading of John Bunyan’s works demands that attention be paid not only to the central text, but also to the marginal notes. This chapter reviews the history of critical and editorial attention given to Bunyan’s marginal notes, and considers what is known regarding their import for Bunyan and for his seventeenth-century readers. In assessing the ongoing significance of the marginal notes for critical readings of Bunyan’s texts, this chapter also examines taxonomies of the functions and effects of these, as well as current theories of margination. Possible future directions for further work on the marginal notes are also considered as offering potentially enriching readings of Bunyan, in terms of the mimetic and dialogic aspects of the notes.
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37

Tolochko, O. P., ed. Galician–Volhynian Chronicle: Textology. PH “Akademperiodyka”, 2020. http://dx.doi.org/10.15407/akademperiodyka.419.929.

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The results of a long-term project of textological examination of a landmark chronicle of the XIII century, the Galician–Volhynian Chronicle, are presented. Methodical reading and fragmentary explanatory commentary of its text clarifies and substantiates the main milestones in the history of the chronicle: the origin of the current structure of the text; stages of its formation and their sequence; chronology of “editorial episodes”; timing of various fragments of text to certain “editorial episodes”; text sources. The book contains research, systematic commentary, word indexes for the text of the Galician–Volhynian Chronicle (according to the oldest Ipatiev list), as well as a bibliographic index of works on the Galician–Volhynian Chronicle.
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38

du Plessis, Paul J., Clifford Ando, and Kaius Tuori. A Word from the Editors. Edited by Paul J. du Plessis, Clifford Ando, and Kaius Tuori. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198728689.013.1.

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This chapter sets out the larger framework of the volume. It describes and contrasts different ways of undertaking Roman legal history, and explains the approach of the present volume. The chapter urges that a rich contextualisation of law in the circumstances of its production and subsequent interpretation accords with deeply held Roman beliefs about the nature of law. It sets ancient and modern notions of the autonomy of law (and the forms of legal historical study that autonomous law might seem to require) in conversation with the autonomy of law as political project in practice. The hard-won social and institutional authority of the Roman jurists is situated in comparative relation to political contests in early modern England among sources of law. Finally, the chapter explain compromises and choices made in the editorial process.
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39

O'Shaughnessy, William. AirWAVES! A collection of Radio Editorials from the Golden Apple. Fordham University Press, 1999.

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40

Eddy, Mary Baker. Editorial Comments On The Life And Work Of Mary Baker Eddy - Dicoverer And Founder Of Christian Science. Eddy Press, 2007.

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41

Malcolm, Noel, ed. The Clarendon Edition of the Works of Thomas Hobbes, Vol. 3: Leviathan: Editorial Introduction. Oxford University Press, 2012. http://dx.doi.org/10.1093/actrade/9780199602636.book.1.

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42

Libri e carte di un archivio editoriale: Einaudi, 1933-1991. Torino: G. Einaudi, 1991.

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43

Edward, Booth-Clibborn, ed. European illustration: The twelvth annual of European editorial, book, poster, advertising, unpublished work, film animation and design art. London: European Illustration, 1985.

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44

Unk. Tributes from the Press Editorial Comments on the Life & Work of Mary Baker Eddy (Twentieth-century biographers series). Writings of Mary Baker Eddy, 1993.

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45

Widor, Charles-Marie. Symphonie V. Edited by John R. Near. A-R Editions, 2007. http://dx.doi.org/10.31022/n015.

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Charles-Marie Widor continued to develop the genre of the organ symphony in his second set of four works, published as Symphonies pour orgue, opus 42 (1878–87). The introduction to this edition of Widor's Symphonie V includes a list of the sources, a statement of editorial policies, and information about Widor's registrations. Symphonie V in F Minor seems to have been one of Widor's favorites, as he often performed it complete. The work is in five movements, including the famous Toccata finale. Had Widor composed no other organ music, this symphony alone would have assured him a permanent place in the repertoire. (Revised 2nd edition.)
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46

American Illustration Celebrating the Tenth Annual of American Editorial, Advertising, Poster, Book, Promotion Art, Maps and Charts, Unpublished Work,. Watson-Guptill Pubns, 1992.

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47

American Illustration 6: The Sixth Annual of American Editorial, Book, Advertising, Poster, Promotion Art, Unpublished Work and Film Animation. Harry N Abrams, 1987.

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48

Law, Roger. Nasty Piece of Work: Art of "Spitting Image". Booth-Clibborn Edns., 1993.

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49

Simpson, Erik. Orality and Improvisation. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.24.

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The presence of orality or improvisation in literary texts implies a process of remediation, or the reworking of one medium (speech) into another (print). This chapter addresses ways in which British Romantic writers effected this remediation, especially when portraying the creative processes of minstrels and improvisers in literary works. After introducing key works of theory and criticism bearing on Romantic orality, the chapter analyses the rise of literary minstrelsy in the work of writers such as Walter Scott, who used editorial paratexts to frame the content of minstrelsy in the scholarly conventions of print. It then examines the growth of improvisation as an alternative mode to minstrelsy and shows how literary improvisation was notable for the prominence of women writers in its creation and practice. The chapter closes with a treatment of later blackface minstrelsy’s complex relationship to Romantic representations of orality.
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50

(Designer), Frankfurt Balkind Partners, and Edward Booth-Clibborn (Editor), eds. American Illustration 12: The 12th Annual of American Editorial, Book, Advertising, Posters/Maps, Graphics, Unpublished Work And Video (American Illustration). Rizzoli International Publications, 1994.

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