Dissertations / Theses on the topic 'EDITORIAL’S WORK'

This thesis offers a new perspective on the cultural contribution of Louis Aimé-Martin, best known as the principal editor of Bernardin de Saint-Pierre. The thesis begins in chapter 1 with a critical analysis of the posthumous edition of Bernardin’s Essai sur J.-J. Rousseau. This text, singled out by the scholar, Maurice Souriau, as an exemplar of Aimé-Martin’s editorial negligence, introduces a theme sustained throughout chapter 2. This study of part of the Correspondance de J.-H. Bernardin de Saint-Pierre, in revealing Aimé-Martin’s emotive handling of the manuscripts he works from, leads to a necessary consideration of other, more objective editorial ventures in chapter 3. Attention turns from Bernardin’s legacy to an investigation of Aimé-Martin as a reputed authority on the lives and works of a host of French personalities from across the centuries. In light of those undertakings independent of Bernardin, the following chapters go on to broaden our understanding of Aimé-Martin, revealing some of his own literary endeavours. Reflections on the Lettres à Sophie sur la physique, la chimie et l’histoire naturelle (1810) in chapter 4, and Raymond (1811) in chapter 5, testify to Aimé-Martin’s interest in contemporary issues from feminine pedagogy to the moralisation of the peasant class. Such concerns eventually culminate in the philosophy of the Education des mères (1834), considered in chapter 6. It is this œuvre, with its promotion of a new, more accessible spirituality and its proposed revisions of the educative system, which truly sees Aimé-Martin engage with the socio-political agenda of his day. Chapter 7 looks further, then, at Aimé-Martin’s immersion in the cultural community of his time, drawing in particular on the revelations of his correspondence with Alphonse de Lamartine. The renowned editor is thus shown to be a transitional figure, holding a torch for the memory of an eighteenth-century icon while also shining a light of hope and inspiration for the people of the early decades of the nineteenth.

The technical limitations ofthe guitar present composers who do not play the instrument themselves but who wish to compose for it with difficulties that can often only be overcome by close collaboration with a performer. It is these difficulties that have discouraged composers from writing for the instrument on their own initiative, and it was not until the early twentieth century that non-guitarist composers were commissioned by performers, most notably the Spaniard Andres Segovia. The Italian Mario Castelnuovo-Tedesco was one such composer. He eventually became so intrigued by the guitar that he wrote numerous works for it, often on his own initiative, and dedicated them to various performers. He would also give the instrument a prominent place in various chamber ensembles. It appears that the instrument's technical limitations remained beyond his grasp, and his compositions present performers with numerous problematic passages. However, it was never his intention to write in a way that would conform to what was technically acceptable at the time. Instead he aimed to renew the repertoire, and he provided performers with a text that always needed to be adapted for performance. In order to produce texts that were commercially viable, the published editions of his works for guitar had to be heavily edited. In so doing, the composer's notation was obscured by the many alterations which reflect the editors' views as to what constituted technically acceptable solutions to otherwise demanding passages. This thesis examines Castelnuovo-Tedesco's contributions to the guitar repertoire, and it evaluates how his music was edited for publication. Comparative source studies are presented of three of his compositions that date from the same period yet were published under very different circumstances. In order to classify the differences in the sources, this thesis evaluates the nature of revisions and their underlying intentions. In addition, it categorizes the various editorial changes that are commonly found in music for guitar by non-guitarist composers.- This provides a framework for a methodology according to which new critical editions ofthe three works are presented. This study shows that what would normally be considered to be the most authoritative source (the printed editions, because they would have been approved by the composer) does not necessarily provide the best base for a modem critical edition. What appears to be an authorized text turns out not to reflect most accurately what the composer intended. Although no methodology can be comprehensive and applicable to all works by any composer, this thesis seeks to develop a general set of editorial principles that are potentially applicable to the editing ofother works for guitar by non-guitarist composers.

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Esta tese objetiva demonstrar o percurso editorial do escritor carioca Afonso Henriques de Lima Barreto (1881-1922), analisando as modificações e as permanências no legado editorial do escritor após sua morte. Chamamos de bagatelização a maneira como o escritor juntou os textos do livro Bagatelas, publicado em 1923, modelo que plasmou as edições póstumas organizadas por Francisco de Assis Barbosa. Analisamos o processo de bagatelização da literatura de Lima Barreto por dois vieses: a) o desenvolvido por Lima Barreto, resultado da veia satírica do escritor; e b) a bagatelização realizada por Francisco de Assis Barbosa, motivada pelas exigências inerentes do mercado editorial. Assim, há pelos quatro capítulos que compõem a tese o fio condutor da discussão do processo bagatelizador da obra de Lima Barreto, embasado pela descrição da evolução do mercado editorial brasileiro. No primeiro capítulo, tomamos o espaço temporal de 1909 a 1923, momento da constituição do legado editorial do escritor, com sete obras publicadas. O segundo capítulo compreende o intervalo temporal de 1923 a 1956, quando o legado editorial do escritor é, por um lado, mantido pelas editoras, e por outro sofre alterações e ampliações, atingindo um total de dez volumes. O terceiro capítulo tem por objetivo exclusivo a tentativa de se oferecer ao mercado as obras completas de Lima Barreto, executada por Francisco de Assis Barbosa, com o legado editorial limabarretiano atingindo o total de dezessete volumes. O último capítulo apresenta as tendências editoriais existentes nas publicações das obras de Lima Barreto pós-1956 marcadas por dois aspectos: por um lado a repetição continuada e acrítica dos textos fixados na edição de 1956 por Francisco de Assis Barbosa, quase única referência; por outro, pelo aparecimento de edições que dialogam implicitamente com a edição de 1956, visando a oferecer ao mercado edições distintas do padrão barbosiano.
The thesis aims to demonstrate the editorial course of the works of writer Afonso Henriques de Lima Barreto (1881-1922), analyzing the changes and continuities that have taken place in the editorial writer's legacy after his death. We call bagattelization the way the writer joined the texts of Bagatelas, published in 1923, a model that has shaped the posthumous editions organized by Francisco de Assis Barbosa reflected in the publications of other publishers, subsequent to their work. We examine the process of bagatellization of Lima Barreto literature by two biases: a) developed by Lima Barreto, a result of the satirical vein of the writer; and b) the bagatellization performed by Francisco de Assis Barbosa, resulted by the demands inherent in the publishing market, described in its main trends throughout its evolution until almost our time. The conducting wire of the thesis summarized the discussion of bagatellement’s process of Lima Barreto work was distributed by four chapters. At first, we’ll approach the time interval between 1909-1923, when the editorial writer's legacy constitute oneself , composed by the publication of seven works .The second comprehends the interval 1923-1956 , when the editorial writer's legacy is on the one hand , maintained by publishers , and on the other , undergoes changes and expansions, reaching production of the writer a total of ten volumes.The third has the exclusive purpose of trying to treat Francisco de Assis Barbosa to offer in 1956 by Brasilense publisher to market the complete works of Lima Barreto, with limabarretiano legacy reaching seventeen volumes mark.The final chapter presents existing editorial trends in the publications of the works of Lima Barreto post- 1956 marked by two aspects: on the one hand, the continued and uncritical repetition of the texts set in the edition of 1956 by Francisco de Assis Barbosa, almost unique reference; other by the emergence of issues that implicitly dialogue with the edition 1956, aiming to provide the market with different editions of barbosiano standard while retaining, even residually, however, signals bagatellization process.

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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Neste trabalho de dissertação, tenciona-se analisar aspectos da obra de Fernando Pessoa na prosa-poética do Livro do Desassossego, de Bernardo Soares. A partir da reflexão sobre o conceito de “livro”, pode-se pensar na teoria da “obra aberta” e nas noções de abertura e infinitude do texto literário. Esse percurso possibilita uma incisiva indagação à própria obra, e ao “livro por vir”, cuja essência está no inconcluso, em fragmentos de um livro nunca concluso ou fechado. Através da análise de algumas de suas edições, tentar-se-á pensar o Livro também através do conceito de work in progress e obra rizomática. A primeira parte deste trabalho tem por objetivo refletir sobre o aporte teórico para confecção da dissertação, através de pensadores, filósofos e críticos como Walter Benjamin (1984), José Guilherme Merquior (1991), Malcolm Bradbury e Frederick r. Karl (1989); Stéphane Mallarmé (1991) e Umberto Eco (1968), Homi Bhabha (2005), Gilles Deleuze e Félix Guattari (2004), Émile Durkheim (1987) e Eduardo Lourenço (1986). A segunda parte é dedicada à metodologia do trabalho, a fim de justificar a escolha do corpus analítico utilizado: edições do Livro do Desassossego realizadas por Leyla Perrone-Moisés (1986), Richard Zenith (2011) e Jerónimo Pizarro (2013). A terceira e a quarta partes são compostas pelo trabalho analítico. Pela análise das edições cotejadas e por meio de uma leitura mais profunda pretende-se a articulação da análise com o aporte teórico e a metodologia. A parte conclusiva do trabalho pretende retomar possíveis achados da análise e sustentar a provocação crítica já iniciada por nomes da literatura, como Eduardo Lourenço e Leyla Perrone-Moisés, segundo os quais o Livro do Desassossego pode ser lido como o símbolo material da certeza de não-fechamento de todos os textos e o possível suicídio da mitologia heteronímica de Fernando Pessoa.
In this dissertation paper, it is an intention to analyze aspects of Fernando Pessoa´s work in the prose-poetic of Livro do Desassossego (Unrest Book) from Bernardo Soares. Starting from the reflection on the concept of “book”, it is possible to think about the theory of the “open work”, and about the literary text´s notions of opening and infinitude. This path enables an incisive quest at the work itself, and at the “book to come”, whose essence is in the inconclusive, in fragments of a book never concluded or closed. Through the analysis of some of its editions, there will be an attempt to think about the book also through the concept of ‘work in progress’ and rhizomatic work. The first part of this work aims at the reflection on the theoretical support for the dissertation confection, through thinkers, philosophers and critics such as Walter Benjamin (1984), José Guilherme Merquior (1991), Malcolm Bradbury e Frederick r. Karl (1989); Stéphane Mallarmé (1991) e Umberto Eco (1968), Homi Bhabha (2005), Gilles Deleuze e Félix Guattari (2004), Émile Durkheim (1987) e Eduardo Lourenço (1986). The second part is dedicated to the paper´s methodology, in order to justify the choice for the utilized analytical corpus: editions of Livro do Desassossego (Unrest Book) accomplished by Leyla Perrone-Moisés (1986), Richard Zenith (2011) e Jerónimo Pizarro (2013). The third and fourth parts are composed by analytical work. Through the collated editions and through a deeper reading, the analysis´ articulation is intended with the theoretical support and the methodology. The paper´s conclusive part intends to recapture possible analysis´ findings and support the critical provocation already initiated by literary names such as Eduardo Lourenço e Leyla Perrone-Moisés, according to whom Livro do Desassossego (Unrest Book) might be read as a material symbol for the certainty of all the texts’ non-closing and the possible suicide of Fernando de Pessoa´s heteronymic mithology.

Mestrado em Gestão de Recursos Humanos
O presente estudo pretende analisar os antecedentes que contribuem para promoção do bem-estar no trabalho no contexto Português, no caso específico duma organização do sector editorial português. O estudo foi feito com uma amostra de 101 colaboradores, que representam 87,1% da organização em análise. Os dados foram recolhidos através da aplicação de um questionário individual e anónimo. Os resultados demonstraram correlações positivas significativas entre o bem-estar no trabalho (BET) e as variáveis satisfação com a organização, identificação com a organização, exigências do trabalho, controlo do trabalho, autonomia no trabalho, autoeficácia e perceções de justiça (distributiva, procedimental, interpessoal e informacional). Através da técnica de regressão múltipla, verificou-se que as variáveis satisfação com a organização; autonomia no trabalho; exigências no trabalho; justiça informacional e identificação com a organização têm um maior poder de explicação do BET. No seu conjunto, estas variáveis explicam 67.1% da variância do BET.
The present study analyses antecedents of well-being at work in the Portuguese organizational context and for the specific case of an organization of the publishing sector. The study was undertaken with a sample of 101 employees, representing 87,1% of the total number of employees. Data was collected through individual and anonymous questionnaires. Results show significant positive correlations between well-being at work (WBW) and the variables satisfaction with the organization, identification with the organization, job demands, job control, job autonomy, self-efficacy and perceptions of justice (distributive, procedural, interpersonal and informational). Through multiple regression analysis it was found that satisfaction with the organization, job autonomy, job demands, informational justice and identification with the organization have the highest predictive power. Taken together, these variable account for 67,1% of variance in WBW.

From the time of the "war on poverty" of 1964, to the era of "welfare reform" in 1990s, the federal welfare system underwent a change from a model that acted to protect citizens from the vagaries of the market economy to one that mandated their participation in the paid labor force. For a shift in policy of this magnitude to occur and be unquestioningly accepted by the public, a significant change also had to occur in how poverty and welfare issues were discussed and perceived over the intervening years. Using discourse analysis, this study examines how editorials in elite newspapers framed the issues of poverty and welfare in the months prior to the passage of the Economic Opportunity Act (1964) and the Personal Responsibility and Work Opportunity Reconciliation Act (1996). It also addresses how newspaper editorials influenced public perception about the nature and causes of poverty and welfare reliance.

Цель магистерской диссертации заключается в выявлении редакторских маркетинговых стратегий наполнения университетских корпоративных СМИ с последующим составлением рекомендаций. Редакторский подход к изучению проблем функционирования корпоративной прессы и, прежде всего, создания качественного контента определяет новизну исследования. Работа проведена на примере русскоязычного и испаноязычного изданий, что обусловило введение в научный оборот нового корпуса текстов и позволило определить эффективные стратегии формирования материалов корпоративного издания в разных лингвокульутрах. В исследовании на разных этапах был использован следующий материал. Для понимания процесса и тенденций моделирования коммуникативных стратегий и тактик в вузовских, российских и зарубежных СМИ методом сплошной выборки было проанализировано свыше 1500 текстов разных жанров из газет «Уральский федеральный» и «Gaceta UNAM» из 80 номеров за 2016–2018 г. Для уточнения портрета аудитории был проведен опрос, результатами которого стали 438 реакций 100 респондентов. Также материалом для исследования послужило свыше 1500 структурных элементов (заголовочный комплекс, концовки) журналистских материалов газет «Уральский федеральный» и «Gaceta UNAM» для анализа архитектоники СМИ. Магистерская диссертация состоит из введения, двух глав, заключения и библиографического списка. В первой главе рассматривается место корпоративных СМИ в системе инструментов брендирования и продвижения вуза, теоретические подходы изучения аудитории СМИ, в частности, через результаты опроса раскрывается образ целевого читателя университетской газеты «Уральский федеральный». Его основные характеристики были распределены в четыре обобщающие группы по степени важности для участников социологического опроса. Во второй главе представлен анализ коммуникативной, тематической и структурно-содержательной стратегий формирования контента корпоративных университетских изданий. В процессе исследования было выделено две доминирующих коммуникативных стратегии «свой круг» и «апелляции к ценностям», которые были подразделены на тактики. И газета «Уральский федеральный», и «Gaceta UNAM» стремятся к позитивной самопрезентации. К общим относятся тактики «свой-чужой», «территориального признака», «аббревиации», «кооперации», у которых, однако, иногда может быть разная подача в зависимости от издания. Например, «Уральский федеральный» описывает своего через местоимение мы, а «Gaceta UNAM» характеризует других. То же касается и импликатур, которые в газете «Уральский федеральный» отталкивают читателя от чужих, а в газете «Gaceta UNAM» привлекают к своим. «Gaceta UNAM» обладает индивидуальными тактиками, отличающими ее от газеты «Уральский федеральный». К ним относятся тактика формирования активной гражданской позиции и тактика постановки гендерного вопроса. Таким образом, мексиканский университет стремится объединить аудиторию еще и рассматриваемым кругом тем. Проведенный анализ заголовочного комплекса в газетах «Уральский федеральный» и «Gaceta UNAM» позволяет судить о наличии четырех характерных элементах: заголовки, подзаголовки (надзаголовки), вставки, рубрики. Газета УрФУ стремится к сочетанию информативных и эмотивных составляющих заголовочной системы, использует в качестве наименований цитаты, вопросы, а также иллюстративные и оценочные высказывания. Газета UNAM избегает использования экспрессивных заголовков, из чего становится видно редакторскую политику, а именно стремление позиционировать СМИ как деловое издание, представляющее аналитические материалы. Концовки текстов поддерживают заданный тон изложения. У материалов UNAM всегда есть подведение итогов, финальное мнение и оценка. А в «Уральском федеральном» частотна концовка-напоминание, а также концовка-отсылка к информации на других ресурсах. В проведенном исследовании также предложен общий алгоритм работы современного редактора над материалами вузовских медиа и индивидуальные рекомендации для каждой рассматриваемых газет.
The purpose of the master's thesis is to identify editorial marketing strategies for filling the University corporate media, followed by recommendations. The editorial approach to the study of the problems of the corporate press functioning, and, above all, the creation of high-quality content, determines the novelty of the research. The work is carried out on the example of Russian and Spanish-language publications, which led to the introduction of a new set of texts into scientific usage and allowed to determine effective strategies for the formation of corporate publications in different linguocultures. The following material was used in the study at different stages. To understand the process and trends of modeling communicative strategies and tactics in higher education Russian and foreign mass media, by the method of continuous sampling over 1,500 texts of different genres from the Newspapers «Ural Federal» and «Gaceta UNAM» of 80 numbers for 2016-2018 were analyzed. For determining the profile of a typical student of the Ural Federal University a survey has conducted, the results of which were 438 responses of 100 respondents. More than 1500 structural elements (headline complex, endings) of journalistic materials of the newspapers «Ural Federal» and «Gaceta UNAM» for the analysis of architectonics of mass media also served as a material for research. The master's thesis consists of an introduction, two chapters, conclusion and bibliography. The first chapter displays the place of corporate media in the system of branding tools and promotion of the University, theoretical approaches to the study of the media audience, in particular, through the results of the survey reveals the image of the target reader of the University newspaper «Ural Federal». Its main characteristics were divided into four generalizing groups according to the degree of importance for the participants of the sociological survey. The readers of the University media consider the communicative and cognitive needs to be fundamental for a typical student, therefore, the speech impact will be effective and communication successful if the corporate media will take into account certain interests during preparation of the materials. The second chapter represents an analysis of communicative, topical, structural and content strategies of corporate University publications, as well as a general algorithm of the modern editor's work on the materials of University media and individual recommendations for each of the examined newspaper. In the process of the research two dominant communicative strategies “the circle” and “appeal to values” were identified and subdivided on tactics. Both the the corporate newspaper of the Ural Federal University («Ural Federal») and the National Autonomous University of Mexico («Gaceta UNAM») crave for positive self-presentation. The common tactics include “friend-stranger”, “territorial attribute”, “abbreviation”, “cooperation”, which, however, can sometimes have a different presentation depending on the publication. For instance, the “Ural Federal” describes us through a pronoun we, and “Gaceta UNAM” characterizes others. The same applies to implicatures, which in the newspaper "Ural Federal" repel the reader from others, and in the newspaper "Gaceta UNAM" attract to theirs. «Gaceta UNAM» has individual tactics that distinguish it from the Ural Federal newspaper. These include the tactics of forming an active citizenship and the tactics of raising the gender issue. Thus, the University of Mexico seeks to unite the audience with the range of topics covered. The analysis of the headline complex in «Ural Federal» and «Gaceta UNAM» newspapers makes it possible to judge about the presence of four characteristic groups of elements: headings, subheadings (overheads), insertions, headings. UrFU newspaper strive to the combination of informative and emotive components of the heading system and uses quotations, questions, illustrative and evaluative statements as titles. UNAM newspaper avoids the use of expressive headlines, from which it becomes apparent editorial policy, namely the desire to position the media as a business media presenting analytical materials. The endings of the texts maintain a given tone of presentation. UNAM materials always have a summary, final opinion and evaluation. And in «Ural Federal» ending reminder, as well as ending, sending information to other resources, can be encountered frequency. The study also proposed a general algorithm for the work of a modern editor on the university media materials and the individual recommendations for each of the newspapers, which were taken into consideration.

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Universidade Federal Fluminense, Colégio Universitário Geraldo Reis - COLUNI, Niterói, RJ
Esta pesquisa de caráter qualitativo e interdisciplinar vinculada à área de Estudos de Linguagem tem como principal objetivo investigar os modos de renovação de diferentes contratos de comunicação literários correspondentes às edições mais recentes de três textos, dois do gênero conto – Conto de escola de Machado de Assis e De cima para baixo de Artur Azevedo – e um do gênero crônica – Será o Benedito! de Mário de Andrade –, produzidos entre o último quartel do século XIX e a primeira metade do século XX. Nessas edições mais recentes, os textos exclusivamente verbais de autores-escritores brasileiros canônicos transformam-se em textos híbridos verbo-visuais pelo trabalho dos autoresilustradores Nelson Cruz, Marcelo Ribeiro e Odilon Moraes, e pela iniciativa dos editores. Com base nos pressupostos da Teoria Semiolinguística de Análise do Discurso, eixo teórico-metodológico desta pesquisa, e, subsidiariamente, nos estudos dos paratextos editoriais, na Semiótica da imagem visual, bem como nos estudos da interação palavraimagem no livro ilustrado e no livro com ilustração, pretende-se demonstrar como esses textos, reeditados na primeira década do século XXI, com ilustrações de autoresilustradores brasileiros consagrados, integram contratos de comunicação literários que se renovam. A hipótese é a de que a ocorrência de tal processo de renovação deve-se, principalmente, à transformação dos textos verbais em textos híbridos verbo-visuais; à redefinição dos parceiros iniciadores do processo de produção da encenação narrativa com a inclusão dos autores-ilustradores; à redefinição dos parceiros do processo de interpretação da encenação narrativa com a inclusão do leitor criança, em virtude de sua inscrição nos textos híbridos como leitor destinatário, inscrição essa não prevista nos contratos anteriores; à intensificação dos efeitos de sentido visados a partir tanto da conformação dos paratextos editoriais, que constituem a mise-en-scène material e discursiva dos livros correspondentes aos contratos de comunicação renovados, quanto da interação entre as partes verbal e visual dos textos. Com isso, os livros correspondentes aos contratos de comunicação literários renovados estariam identificados com a literatura de potencial destinação infantil
This paper of qualitative and interdisciplinary nature linked to the area of Language Studies has as its main objective the investigation of the renewal ways of different literary contracts of communication corresponding to the most recent editions of three texts, two short stories – Conto de escola by Machado de Assis and De cima para baixo by Artur Azevedo – and one chronicle – Será o Benedito! by Mário de Andrade –, written between the last quarter of the 19th century and the first half of the 20th century. In these most recent editions, the exclusively verbal texts of canonical Brazilian writer-authors are transformed into verbal-visual hybrid texts by the work of illustrator-authors such as Nelson Cruz, Marcelo Ribeiro and Odilon Moraes, and by the editors’ initiative. Based on the assumptions of the Semiolinguistic Theory of Discourse Analysis, which is the theoretical-methodological framework of this investigation, and also based, in a subsidiary way, on the studies of the editorial paratexts, on the Semiotics of the visual image, as well as on the studies of the word-image interaction in picturebooks and in the book with illustration, this paper intends to demonstrate how these texts, reprinted in the first decade of the twenty-first century, with illustrations by acclaimed Brazilian illustrator-authors, integrate literary contracts of communication that are renewed. The hypothesis is that the occurrence of this renewal process is mainly due to the transformation of the verbal texts into hybrid verbal-visual texts; the redefinition of the initiating partners of the production process of the narrative staging by including the illustrator-authors; the redefinition of the partners of the process of interpretation of the narrative mise-en-scène by including children readers, because of their integration in the hybrid texts as target readers, a hypothesis which was not incorporated in the previous contracts; the intensification of meaning effects aimed at both the conformation of the editorial paratexts, which constitute the material and discursive mise-en-scène of the books corresponding to the renewed contracts of communication, and the interaction between the verbal and visual parts of the texts. Thus, the books corresponding to the renewed literary contracts of communication would be identified as literature potentially targeted for children readers

Thesis (M.A.)--Indiana University, 2007.
Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).

Longtemps délaissée comme source primaire des études historiques en Espagne, la presse est devenue, depuis les travaux pionniers d'Alberto Gil Novales, une source incontournable pour nombre de chercheurs. A côté des rubriques consacrées aux seules informations et des articles de fond, qui intéressent essentiellement l'histoire événementielle et celle des mentalités, les diverses annonces qu'accueillent généralement les périodiques permettent des études socio-économiques particulièrement utiles en ce qui concerne le XVIII° siècle. María José Seoane a déjà exploité ce genre de sources pour la période 1808-1819 à partir de la Gaceta de Madrid et du Diario de Madrid. Pour notre part, nous attachant à la période qui couvre le règne de Charles IV (1788-1808) et utilisant les annonces de librairie publiées dans l'ensemble des périodiques madrilènes de cette période, nous entendons ne pas nous contenter dans notre thèse de produire les listes des ouvrages annoncés mais, à partir de celles-ci, faire le bilan de la production imprimée pendant la seconde moitié du XVIII° siècle, étudier les réseaux de diffusion de ces ouvrages ainsi que les stratégies mises en place par les auteurs et les éditeurs avant de constater les succès et échecs de leurs entreprises. Nous pensons apporter ainsi une contribution utile à l'étude du livre et de la lecture et permettre ainsi de mieux appréhender ce qui fut le premier vecteur de diffusion des Lumières en Espagne
Long neglected as a primary source of historical studies in Spain, the Press has become a valuable source for a lot of researchers since the pioneering work of A.G.N. Alongside sections solely devoted to information and feature stories, which are of particular interest to the history of events and mentalities, the numerous notices which make up the contents of periodicals allow for particularly useful socio-economic studies as regards the eighteenth century.Maria José Seoane already relied on this kind of sources from La Gaceta de Madrid and Diario de Madrid for the period spanning between 1808 and 1819. As far as we are concerned, focusing on the period covering Charles IV's reign (1788-1808) and using bookshop publications from all of Madrid 's periodicals of the time, we intend not to confine our thesis to the simple enumeration of the reading lists but, on the contrary, to evaluate the print production of the second half of the eighteenth century, at the light of those reading lists. We also intend to study the diffusion networks as well as the strategies that were developed by writers and editors alike before the successes or failures of their undertaking. We thus hope to make a valuable contribution to the study of books and book reading and therefore allow for a better understanding of what was the first vehicle for the dissemination of the ideas of The Enlightenment in Spain

presente relatório pretende apresentar o trabalho realizado no estágio curricular em edição, realizado no Serviço Editorial do Município da Póvoa de Varzim e inserido no plano de estudos do mestrado em Estudos Editoriais, com data de início em novembro de 2017 e data de conclusão em abril de 2018. O trabalho aqui relatado tem como intuito demonstrar o papel desempenhado enquanto assistente editorial e tecer considerações e reflexões críticas. Para o efeito, apresento os vários projetos editoriais nos quais estive envolvida e analiso diferentes aspetos no desenvolvimento desses projetos. Dentro da gestão editorial vários temas poderiam ser alvo de análise, no entanto, o principal eixo deste trabalho prende-se com a questão do planeamento e da gestão do tempo. Considerado um fator crítico da gestão editorial, procuramos, ao longo da redação deste relatório, demonstrar quais as razões, os responsáveis e as principais ilações a retirar desta reflexão
Mestrado em Estudos Editoriais

The Omega publishing house began its activities in 2013, when it started publishing outdated translations of classic literature, especially those that were no longer protected by copyright. This thesis analyses its activities, mostly during the 2013-2018 period: it focuses on the range of published titles and changes in the editorial approach to texts, with emphasis on classic literature. The publishing houses' activities are examined within the field of Czech publishing landscape and compared to the methods recommended in specialised literature, as well as to other publishers's activites. The thesis then presents a translation and textual analysis of three works (R. Kipling's Selected Short Stories, E. Brontë's Wuthering Heights and C. Dickens's Little Dorrit) published by Omega. A hypothesis about the overall strategy of the publishing house is then formulated based on the findings. Key words: Omega publishing house, sociology of translation, praxeology of translation, publishing policy, editorial work, translator status

The dissertation thesis Collected Works of Jan Patočka as an Editorial Problem deals with both the samizdat and the printed versions of the collected works of Czech philosopher Jan Patočka (1907 - 1977) and other domestic as well as foreign editions of his work. The Archival Collection of Jan Patočka's Work emerged as the side product, to some extent uncoordinated and intuitive, of the sorting of the author's legacy in the years 1977 - 1989. Nevertheless, the 27 volumes of this unpublished edition represent a fully-fledged attempt to organize a critical edition of Patočka's collected works. At the end of the 1980's, an exile edition was intended, as the outcome of the cooperation of domestic, exiled and foreign community of researchers. The post-revolution Collected Works of Jan Patočka have been published since 1996 and, contrary to the previous series, represent a re-arranged and amended edition. The paper follows the process of scientific reflection, which has accompanied the edition of Patočka's works (both edition series were assembled by the same editorial team of Patočka's disciples.) We describe the use of thematic, chronological and other criteria in the course of the organization of the collected works, the transformation and scope of editorial commentaries, especially when dealing with the areas...

The thesis "The Novinář Publishing House Profile" deals with the establishment, structure and production of Novinář publishing house. The first part of the thesis describes the historical events and implications that preceded the creation of Novinář and that had an impact on its activity. A separate chapter refers to conditions and circumstances of publishing specialized books and periodicals for journalists, i. e. the legislature in force and authorities that made decisions regarding the establishment of publishing houses, the editorial work of organizations and the content of books and other publications. One part of the thesis deals also with the education of journalists (through courses, newly established university studies), enhancing their expertise and qualification and the quality of their work, as well as with the related need for specialized publications for journalists and other reasons that led to the creation of Novinář publishing house. The second part of the thesis describes the establishment and operation of Novinář publishing house, its organizational structure and editorial and publishing work (books, journals, other publications). The last chapter presents important people that were involved in creation and operation of the publishing house (the directors).

The aim of the submitted dissertation is to offer a complete bibliographical list of the documented Hebrew and Yiddish production of Prague Jewish printing houses between 1512 and 1672. The list is based on an original and detailed description of the identified editions, including paratexts, types and decorative elements. The introductory synthetic study examines the published production from the viewpoint of its language, contents and genres and the identity of its intended recipients; the motivations of its publishers, as well as their possible orientation towards specific types of texts; the standards, methods and goals of editorial work; the function of rabbinical approbations, protection of publishers rights and control of the published matter by Jewish authorities, and the measure in which the printed body of texts reflects the spiritual and intellectual interests of the readers. The typological and typographical analysis of types and decorative elements serves to attribute the undated and anonymous imprints to specific printing houses and printers, whose complete production is listed and whose activities, social position or economic possibilities are also briefly characterized. An appendix sums up the findings relating to non-Jewish censorship documented in the books themselves. Thanks to...