Relevant bibliographies by topics / Editorial cartoons

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Academic literature on the topic 'Editorial cartoons'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 June 2025

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Journal articles on the topic "Editorial cartoons"

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Stead, Oliver, and Chern Li Liew. "Editorial cartoon collections: a review of indexing challenges." Aslib Journal of Information Management 72, no. 3 (2020): 421–38. http://dx.doi.org/10.1108/ajim-10-2019-0288.

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PurposeThe difficulty of attributing subject to editorial cartoons for indexing purposes exists both for traditional paper-based cartoon formats and for digitized or born-digital cartoons. This paper presents a selective review of literature on indexing editorial cartoons and the associated challenges.Design/methodology/approachA gap exists in published research on indexing collections of editorial cartoons for online search and retrieval. This paper presents a review of selected works that specifically address the topic of editorial cartoon indexing within a wider context of research that addresses image indexing, subject analysis and indexing challenges more generally. Works that address the interpretation of cartoons by readers and how readers respond to information communicated by editorial cartoons are also considered.FindingsCartoon controversies in transnational and multicultural contexts, experienced through the international news media since 2000, have dramatically increased research attention and publications in this area. Profound changes in media publication since the advent of the Internet have had an impact on editorial cartoonists and cartoon publishing. Subject indexing of editorial cartoons remains a challenge.Research limitations/implicationsThe potential for large indexed cartoon collections to be data-mined for topic modeling for research in the social sciences points to the need for indexers of cartoon collections to improve metadata standards and structures to allow improved access to cartoon metadata for computational analysis.Originality/valueThis paper places discussion of the technical challenges facing indexers of editorial cartoons within a broader context of discussions about the nature and future of editorial cartooning in rapidly changing media and publishing environments.
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Carrizales, Tony. "The Positive Image of Public Servants in Editorial Cartoons (1999 - 2003)." Public Voices 11, no. 1 (2016): 51. http://dx.doi.org/10.22140/pv.101.

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The editorial cartoon has been a part of American culture since the beginning of the nation’s founding. The following review of editorial cartoons takes a specific look at public servants who are not in the political spotlight, such as teachers, police, fire and postal service men and women. Through a review of editorial cartoons from 1999-2003, it becomes apparent that there are positive images of public servants amid the numerous negative ones published daily. The selection of cartoons, most notably those following the attacks of September 11, 2001, highlights that heroism and service can be transcended through cartoons as with any other form of art.
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Hadoko, Cons Tri. "REPRESENTASI KARTUN EDITORIAL JAWA POS BERTEMA KLAIM MALAYSIA TERHADAP WILAYAH DAN HASIL BUDAYA INDONESIA." Jurnal Dimensi Seni Rupa dan Desain 7, no. 2 (2010): 175–92. http://dx.doi.org/10.25105/dim.v7i2.995.

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Abstract The Jawa Post editorial cartoons which appointed Malaysia claimed on Indonesia's teritority and cultural products in this article discussed about Ambalat sea and Indonesia's cultural products which was claimed by Malaysia. Editorial cartoon analisist metode adapted Cartoon analysis Worksheet which was designed by the Education Staff, National Archieves and Records Administration , Washington DC. The analisist clue explained that editorial cartoons described Mlaysia as the guilty side and formalized opinion that Malaysia was thief. then rise term Malingsia not Malaysia anymore, maling mean thief. Those editorial cartoons described asweel Indonesia nation was week nation, not concerned to their national treasure and cultural products, fulfilled by social and economic problems also political intricts which effected inside emasculation. Those made another nation easy to infiltrated, intervantions, agitated Indonesia stability AbstrakKartun editorial jawa Pos yang mengangkat tema kalin Malaysia terhadap wilayah dan hasil buudaya Indoensia dalam tulisan ini membahas tentang laut Ambalat dan klaim hasil budaya Indoensia seperti tari pendet, reog ponorogo , batik, lagi rasa sayange dan sebagainya oleh Malaysia. Metode analisis kartun editorial mengadaptasi Cartoon Analysis Worksheet yang didesain dan dikembangkan oleh The Education Staff, National Archieves and Records Administration, Washington DC. Hasil analisis mengungkapkan bahwa kartu editorial menggam,barkan malaysia sebagai pihak yang bersalah dan membentuk opini bahwa Malaysia adalah pencuri, sehingga muncullah istilah Malingsia bukan lagi Malaysai, maling artinya pencuri
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Pedrazzini, Ana, and Nora Scheuer. "Distinguishing cartoon subgenres based on a multicultural contemporary corpus." European Journal of Humour Research 6, no. 1 (2018): 100. http://dx.doi.org/10.7592/ejhr2018.6.1.pedrazzini.

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A literature review reveals the lack of empirical and theoretical work dedicated to systematically grasping the diversity of cartoons. Most studies have focused on political and/or editorial cartoons and have neglected other subgenres, which however are gaining space in many forms of media—such as gag cartoons. Taking genre discursive studies as a starting point, this paper is aimed at distinguishing cartoon subgenres considering their modal, thematic, pragmatic and rhetorical features. The corpus is composed of 85 cartoons (51 multimodal and 34 solely visual) from 22 countries. This corpus was obtained by means of a questionnaire distributed over 2012-2016 in which cartoonists were asked to choose a cartoon that represented their style and to justify their choice. A combination of both qualitative and multivariate statistical techniques was applied. Results allowed us to distinguish four cartoon subgenres based mostly on thematic and pragmatic features: Daily political; Timeless political; Daily media, arts and sports; and Playful cartoons. From a rhetorical standpoint, Timeless political cartoons showed the highest semiotic density (8-12 resources per cartoon), Daily political cartoons an intermediate density (5-7 resources per cartoon) and Playful cartoons the lowest semiotic density (2-4 resources). This contrast might indicate a difference in the cognitive challenge posed to readers, with a major cognitive effort demanded by political cartoons (Timeless and Daily), in addition to the necessary awareness of current affairs. In line with previous research, metaphor appeared as a characteristic resource in political cartoons followed by irony, sarcasm and allusion. Modal analyses showed that political cartoons relied more on the verbal mode to build their messages than the other subgenres.
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Zarifian, Mohsen. "Literary studies of political caricature: a quantitative analysis of publications indexed in the Scopus." RUDN Journal of Studies in Literature and Journalism 28, no. 1 (2023): 146–56. http://dx.doi.org/10.22363/2312-9220-2023-28-1-146-156.

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The author reviews the past-to-present academic literature on cartoon studies (mainly editorial and political cartoons), that reflects the functional crisis of the cartoon associated with the development of the media space and new challenges. Some of the main trends, taxonomies, and approaches to date in political cartoon research are shown, and some of the weaknesses and strengths in the present field as well as aspects that are underdeveloped or have yet to be explored are highlighted. The articles in English published between 2017 and 2022 were reviewed to provide an understanding of the current state of the matter in various areas. The corpus was gathered by searching publications in international database Scopus. Each paper was classified based on its publication date, place of origin, subject of research, and frequency of citations. The quantitative approach employed enables the tracking of advancement in the field of cartoon studies over a given timeframe. Six distinct aspects pertinent to research in the field of political cartoons are suggested in a holistic approach, although this categorization is by no means all-inclusive and there is substantial overlap. The study of political cartoons during chosen period was more comprehensive and extensive than the study of editorial cartoons. Several proposals for further research in this field were put forward.
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Altun, Hilal Oytun. "Multimodal Metaphors and Metonymies in Editorial Cartoons about Türkiye in Kathimerini." Perspektywy Kultury 45, no. 2 (2024): 473–88. http://dx.doi.org/10.35765/pk.2024.4502.33.

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Political cartoon is a multimodal genre that mainly relies on metaphors and metonymies. The main characteristics of political cartooning are, first, to expose the negative; second, to condense multidimensional complexities down into simplified depictions. Kathimerini, one of the oldest newspapers in the Greek press, interprets the news with editorial cartoons, which it publishes regularly. In this study, editorial cartoons in Kathimerini’s online English edition and those related to Türkiye were studied from the perspective of conceptual mapping theory. Interculturally recognizable scenarios function as readyto-use metaphorical conceptualizations in the cartoons. The involved parties are represented via predefined metonymic relations in such drawings. In other words, the selected properties of the source domain are projected onto the target domain by metonymy. In general, the messages in the cartoons are transmitted through metonymic relations more frequently than other strategies. Thus, formulaic multimodal expressions based on metonymy are produced as a result of the images to cooccur in regular patterns in various contexts.
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Prabha P, Lakshmi, and Dr Abhishek Das. "Conceptual Blending in Indian Political Cartoon Discourse." Indian Journal of Mass Communication and Journalism 3, no. 2 (2023): 32–38. http://dx.doi.org/10.54105/ijmcj.c1065.123223.

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Conceptual blending theory has been used by scholars to study various genres of texts. Scholars studying cartoons in particular have used it to study how metaphors and metaphorical blending are used in cartoons to construct meaningful texts. This paper studies selected Indian political cartoons using the Conceptual Blending Theory of Fauconnier and Turner. The themes of the cartoons chosen for the study focused on various social issuesthat were part of the media discourse in contemporary times. The study was conducted to understand how cartoons depicting social issues used metaphoric blending to visualise an issue. The paper found that the graphic form of the political cartoon mediates the understanding of a communicative event through the use of cognitive devices like metaphoric blends. It was found that novel metaphoric blends were created in a cartoon text depending on the nature of the issue and that these metaphorical blends are regulated by context and background knowledge regarding the event being represented. It was also observed that the novelty of metaphoric blends in Indian editorial cartoons depended on the social, political and cultural context. Meanwhile, the metaphoric blends also draw into it everyday objects and scenarios that structure the meaning potential of the political cartoon. Another relevant finding is regarding how certain cartoon texts had more than one conceptual blend, forming a network of blends that worked in conjunction with each other. Furthermore, it was observed how conceptual blends in cartoons aided in anchoring the meaning of the cartoon and prevented polysemic confusion. The findings of the research prove that cognitive devices are prevalent in cartoon texts and could significantly direct their interpretation and use.
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Mahamood, Muliyadi. "THE ROLE OF CARTOON IN THE FORMATION OF ASIAN COMMUNITY: ART HISTORY ANALYSIS." Historia: Jurnal Pendidik dan Peneliti Sejarah 13, no. 1 (2017): 27. http://dx.doi.org/10.17509/historia.v13i1.7703.

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Cartoon art is a form of visual communication that can effectively convey a message and social criticism. In the Malaysian context, the editorial cartoons have been proven as effective since the beginning of independence until now. Even so, the form and style of criticism have always been changing through the time and are influenced by environmental, socio-political, legal and media ownership factors. Through formalistic and contextual analysis of selected works from Malaysia, particularly in Lat cartoons, this paper seeks survey and examines the existence of Asian cartoon style role towards the formation of the Asian community.
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Shakeel, Zoya, and Muhammad Farooq Alam. "Multimodal Genre Analysis of Political Cartoons during Pakistan's Economic Crisis." Global Digital & Print Media Review VI, no. I (2023): 290–97. http://dx.doi.org/10.31703/gdpmr.2023(vi-i).23.

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This article analyzes the genre of political cartoons through the prism of multi-modality, focusing on editorial cartoons published in the Dawn newspaper during the 2023 economic crisis in Pakistan. The purpose of the study is to evaluate the visual and linguistic strategies used by cartoonists to convey political messages in a humorous way and analyze how these messages are interpreted by the audience. The research design utilizes a qualitative methodology that involves a deep evaluation of linguistic elements of cartoons and Kress and Leeuwen's framework for analyzing visual grammar. The findings of this study imply that political cartoons use various visual and linguistic elements, including exaggeration, contrast, framing, metaphors, and irony, to convey critical commentary on social and political issues. Overall, this study adds to the body of knowledge in the field of political cartoon analysis and sheds light on the genre traits and communicative techniques utilized in political cartoons.
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Meyer, Harriet S. "Editorial Cartoons." JAMA 296, no. 18 (2006): 2263. http://dx.doi.org/10.1001/jama.296.18.2264-a.

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Dissertations / Theses on the topic "Editorial cartoons"

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Mahamood, Muliyadi. "Malay editorial cartoons : the development of style and critical humour." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360973.

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Barker, Benjamin Guy. "Newspaper editorial cartoons : where art, rhetoric and metaphor meet reality." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3004154/.

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Operating as a form of visual news discourse, editorial cartoons hold a unique commentary position within the news agenda. Utilising artistic and rhetorical devices, cartoon illustrators provide supplementary (and sometimes alternate) viewpoints on current news events; their visuals becoming frames for organising social knowledge in addition to capturing the essence of issues or events. By doing so, audiences are presented with “a number of different condensing symbols that suggest the core frame of any issue portrayed” (Gamson and Stuart, 1992, pg. 60). This thesis reflects upon the evolution of editorial cartoons as a genre of socio-political commentary. Scrutinising a corpus of images taken from the 2010 British General Election, the study outlines the aesthetic, communicative and rhetorical features which enhance the form’s position within visual imagery; highlighting their capability in adapting to societal, political or aesthetic change. Drawing upon the works of Lakoff and Johnson (1980), Herrmann (2013) and Ritchie (2013), the thesis also illustrates how a conceptual approach towards editorial cartoon metaphors can amplify the forms’ convergence/divergence with the news agenda of its host publication. Lastly, a combination of quantitative and qualitative analyses within a unified case study framework will highlight the capacity of editorial cartoonists to provide autonomous perspectives on evolving news events.
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Hunter, John Mark. "The effects of teaching strategy and cognitive style on student interpretations of editorial cartoons." Diss., Virginia Tech, 1991. http://hdl.handle.net/10919/39957.

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Many people assume that editorial cartoons are easily understood by the bulk of the population. For this reason, editorial cartoons are often used as teaching materials in the classroom. Recent research, however, raises doubts as to the effectiveness of this practice. Investigations by Bedient (1971) and DeSousa & Medhurst (1982) determined that the majority of students (grade 5 through college) could not interpret editorial cartoons. These investigators went on to suggest that a logical next step would be to determine if editorial cartoon literacy can be taught. The cognitive style of the participants was examined to determine if the different teaching strategies were differentially effective vis-a-vis field dependence and field independence. Two presentations (treatments) were designed to model methods of reading editorial cartoons. The Whole Cartoon Analysis presented 25 editorial cartoons along with a 100-200 word interpretation of each cartoon. The Parse Analysis Treatment was accomplished in three steps rather than the one for the Whole method. In step one, the whole cartoon is presented with a short gloss of the meaning. In step two all of the cartoon is visually suppressed except for one visual meaning element. This element of the cartoon is discussed and then the next element of the cartoon is added, and so on until the entire cartoon is back on the screen at which point the overall meaning is discussed. The dependent variable of the investigation was the two-part Editorial Cartoon Interpretation Task. Part A asked each participant to enumerate the symbols in the cartoon and define them as to meaning. Part B asked the participant to write a short thematic interpretation of the cartoon. A two-way Analysis of Variance on the data revealed no significant differences in either the main effects or the interaction.<br>Ed. D.
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Mushohwe, Knowledge. "An analysis of selected cartoons published during Zimbabwe's 2008 elections." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1609.

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During Zimbabwe’s 2008 harmonised elections the country’s media laws had a direct impact on the way editorial cartoonists expressed themselves. Although the online newspapers were unregulated and the print media published under Zimbabwe’s media laws, Public Order and Security Act and Access to Information and Protection of Privacy act - the editorial cartoons from both sources show deliberate bias towards one candidate and contempt towards the main rival. The study contextualises the understanding of the editorial cartoon, as practised in an environment of freedom of speech and defined by the four categories identified by Press (1981) and Manning and Phiddian (2004), and delineates the effect of media laws on the newspaper industry in Zimbabwe. The four categories of editorial cartoons identified are descriptive editorial cartoons, laughing satirical editorial cartoons, destructive satirical editorial cartoons, and savage indignation editorial cartoons. The study reviews eight editorial cartoons, read using a semiotic framework investigating non-verbal communication, as defined and suggested by Du Plooy (1996), and a text and language grid, as suggested by Leech (1974), according to the criteria of symbols/metaphors, exaggeration/distortion, stereotypes, caricature, irony, captions, and background knowledge, as developed by Fetsko (2001). A comparative analysis of the cartoons reveals that objectives and functions of the unregulated zimonline.co.za and the regulated the Herald newspapers are the same. They constitute propagandistic representations of Zimbabwean politics that are more an extension of political ideology than they are a reflection of the country’s sociopolitical landscape.
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Vokey, Scott Winston. "Noble workers and ugly overlords, class and politics in the editorial cartoons of three Toronto newspapers during the early 1930s." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq36093.pdf.

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Thomas, Julie George. "Information Censorship: A Comparative Analysis of Newspaper Coverage of the Jyllands-Posten Editorial Caricatures in Cross-Cultural Settings." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc31550/.

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The identification and examination of cultural information strategies and censorship patterns used to propagate the controversial issue of the caricatures in two separate cultural contexts was the aim of this dissertation. It explored discourse used for the coverage of this topic by one newspaper in a restrictive information context and two newspapers in a liberal information context. Message propagation in a restrictive information environment was analyzed using the English daily Kuwait Times from the Middle East; the liberal information environment of the US was analyzed using two major dailies, the New York Times and the Philadelphia Inquirer. The study also concurrently identifies and elaborates on the themes and frames through which discourse was presented exposing the cultural ideologies and premises they represent. The topic was approached with an interdisciplinary position with the support and applicability testing of Chatman's insider-outsider theory within information science and Noelle-Neumann's spiral of silence theory and Herman and Chomsky's propaganda model based in the area of mass communication. The study has also presented a new model of information censorship - circle of information censorship, emphasizing conceptual issues that influence the selection and censorship of information.
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Blois, Maria Tereza Cattacini. "Referenciação e humor em charges políticas." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/14287.

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Made available in DSpace on 2016-04-28T19:33:45Z (GMT). No. of bitstreams: 1 Maria Tereza Cattacini Blois.pdf: 2016172 bytes, checksum: c929b1f60890841b929f3bffdb3feae3 (MD5) Previous issue date: 2014-02-27<br>This study aims to identify and analyze referencing as a strategy in building humor in editorial cartoons. The above mentioned objectives were motivated by the observation of political cartoons regarding the mensalão scandal, in which we found the recurrence of referencing in cartoons creation process, thus revealing the writer s communicative purpose and guiding the reader in the construction of meaning. To achieve our purpose, we built up the corpus of this study with eleven cartoons from the newspaper Folha de S. Paulo, selected between August and October 2012, about the judgment treated by the media as the biggest corruption case in the Brazilian political history, and we proceeded the analysis based on the referencing studies as those performed, today, in the field of texts studies in an interactional sociocognitive perspective as well as on humor studies. In this investigation, we found out that referencing builds the humorous speech through different modalities of language, allowing the construction of the subject in the cartoon review also influencing the meaning effects promoted by the written media. Moreover, we have observed the mensalão - which is the main topic of the cartoons - and we have found out through the present analysis that the subject is classified and reclassified in the discursive activity, in which the politician image is projected, thereby influencing the opinion of newspaper readers<br>Objetivamos, neste trabalho, identificar e analisar a referenciação como estratégia na construção do humor em charges jornalísticas. Tais objetivos foram motivados pela observação de charges políticas referentes ao mensalão, nas quais encontramos a recorrência da referenciação na produção da charge, revelando assim, o propósito comunicativo do escritor e orientando o leitor na construção de sentido. Para atingir nosso propósito, constituímos o corpus do trabalho com onze charges do jornal Folha de S. Paulo, selecionadas de agosto a outubro de 2012, acerca do julgamento que foi tratado pela mídia como o maior caso de corrupção da história política brasileira, e procedemos com a análise baseando-nos nos estudos de referenciação tal como realizados, hoje, no campo dos estudos do texto, em uma perspectiva sócio-cognitiva interacional bem como nos estudos do humor. Nesta investigação, verificamos que a referenciação constitui o discurso humorístico por meio de diferentes modalidades da linguagem possibilitando a construção do referente na crítica da charge, e influenciando os efeitos de sentidos promovidos pela mídia escrita. Além disso, observamos o mensalão - que é tema das charges e constatamos que, na análise realizada, o referente é categorizado e recategorizado na atividade discursiva, no qual é projetada a imagem do político, influenciando, assim, a opinião dos leitores do jornal
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Osborne, Kristen J. "Graphic dissent the editorial cartoon view of urban conflict, 1992-2001 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 3.11 Mb., 216 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3220790.

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Wagner, John D. "The Goldwater Presidential Campaign: A Comparative Study of How the Arizona Republic and Arizona Daily Star Provided Editorial, Column and Political Cartoon Coverage." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292153.

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Delegá, Etson. "O Polichinello (1876): a expressão da imprensa ilustrada em São Paulo." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/1857.

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Made available in DSpace on 2016-03-15T19:42:24Z (GMT). No. of bitstreams: 1 Etson Delega.pdf: 10544660 bytes, checksum: c0bb8e101a4e2c91808a5aca5fb30c74 (MD5) Previous issue date: 2012-12-10<br>This paper deals with the analysis of the satirical weekly O Polichinelo, published in the city of São Paulo, in 1876. From the study of the publication itself, its editorial staff, the style and the theme of its cartoons, as well as the context of the historical moment, this text seeks the relations between the weekly and that time of great political turmoil in Brazil, and, in particular, the province of São Paulo. In those days in the Second Empire, Abolition and Republican causes gained strength and became manifest through the press. The cartoon illustrated periodicals used the critical mood to spread opinions about these topics. O Polichinello, as an exponent from this press, would not be different. But what was the stance of the journal? What causes it defended? The articles and, in particular, the cartoons contained in its pages, give clues for understanding the intentions and influences behind the weekly and how it manifested in its language.<br>Esta dissertação trata da análise do semanário satírico ilustrado O Polichinelo, publicado na cidade de São Paulo, em 1876. A partir do estudo da publicação em si, de seu corpo editorial, do traço e da temática de suas charges, bem como a contextualização do momento histórico retratado nelas, este texto busca situar as relações do periódico com o momento de grande agitação política em que vivia o Brasil, e em especial a então província de São Paulo. Naqueles dias do Segundo Reinado, a Abolição e a causa republicana eram movimentos que ganhavam força e se manifestavam através da imprensa. A caricatura e a charge nos periódicos ilustrados utilizavam o humor crítico para destilar suas opiniões a respeito desses temas; com O Polichinello, não seria diferente. Qual seria então o posicionamento do periódico? Que causas ele defendia? Os textos e, em especial, as charges contidas em suas páginas, dão as pistas para a compreensão das intenções e influências por trás do semanário e de como isso se manifestava em sua linguagem.
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Books on the topic "Editorial cartoons"

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Adder, Michael De. dePictions: Editorial cartoons. Nimbus Publishing, 2013.

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Wells, Clyde. The Clyde Wells cartoon book: Editorial cartoons. Augusta Chronicle, 1989.

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Hall, Ed. Code red: Editorial cartoons. Ed Hall, 2003.

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Hill, Draper. Political asylum: Editorial cartoons. Art Gallery of Windsor, 1985.

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Horsey, Dave. One man show: Editorial cartoons. Seattle Post-Intelligencer, 1999.

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May, Las. Las May's classic editorial cartoons. Pelican Publishers Limited, 2014.

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Tamayo, Evora. La caricatura editorial. Editorial Pablo de la Torriente, 1988.

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Fatunla, Tayo. Tayo thro' the years: Editorial cartoons. Folta, 2000.

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Gbenro, Boye. Selected editorial cartoons from Boye Gbenro's portfolio. Concord Press, 1985.

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Combs, Paul. Drawn by fire: Fire service editorial cartoons. PennWell Corp., 2010.

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Book chapters on the topic "Editorial cartoons"

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Zainuddin, Nasa’ie, and Muliyadi Mahamood. "National Identity in Lat’s Editorial Cartoons." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_4.

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Groarke, Leo. "Chapter 3. Editorial cartoons and ART." In Multimodal Argumentation and Rhetoric in Media Genres. John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/aic.14.04gro.

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Pinto, Jeremy J., and Fauzan Mustaffa. "Faizati’s Editorial Cartoons: A Semiotic Analysis." In Proceedings of the 3rd International Conference on Creative Multimedia 2023 (ICCM 2023). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-138-8_20.

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Zakaria, Muhammad Hisyam, and Muliyadi Mahamood. "A Critical Analysis of Rossem Editorial Cartoons." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_42.

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Djouldé, Christelle Amina. "The Economy of Corruption in Cameroonian’s Cartoons." In The Oxford Handbook of the Economy of Cameroon. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780192848529.013.14.

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Abstract This contribution analyzes editorial cartoons with a view to decoding paradigms of corruption in Cameroon, a major obstacle to the country’s economic progress. In the light of the “pictorial turn,” it examines how satiric images are material that make it possible to understand the complexity of corruption. Her contribution combines the comparison of various sources to shows how the editorial cartoon offers a painting of corruption. It also discusses the relationship between “the tyranny of corruption” and the persistence of Cameroon’s under-development.
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"Editorial Cartoons as Social Documents." In The Carnivalization of Politics. McGill-Queen's University Press, 1995. http://dx.doi.org/10.1515/9780773565487-003.

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"Credits for Photographs and Editorial Cartoons." In Broken Trust. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824838089-025.

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Endong, Floribert Patrick C., and Eugenie Grace Essoh. "Representing Trump and Trumpism Through Caricature." In Advances in Media, Entertainment, and the Arts. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-9312-6.ch008.

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This chapter focuses on the Nigerian media representations of Donald Trump's controversial policies, statements and style of government. It specifically examines Nigerian caricaturists' criticism of these aspects of American politics through a semiotic analysis of six editorial cartoons penned by Boglo G. and published in the Nigerian online magazine Nasoweseeam, from 2016 to 2018. In the light of the semiotic analysis conducted in the study, the chapter argues that Nigerian political cartoonists have continuously given a remarkable attention to U.S. politics (notably Trump's presidency), particularly exploring the angle of U.S. policies' impact on Nigeria(ns). Their cartoons have been tapping into both universal myths and local idiosyncrasies to represent the Trump administration in particular, and the American nation as a whole. Such a representation has mostly been negative. Icons, indexes and symbols have thus, most often been mobilized in their cartoons to associate Trump, Trumpism and/or America as a whole with such negativities as racism, Islamophobia, Nazism, xenophobia and authoritarianism, among others.
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Ansell, Joseph P. "A Public Service Artist." In Arthur Szyk. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781874774945.003.0010.

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This chapter discusses Arthur Szyk's illustrations for print advertising. As well as appearing among the news, features, and editorial comment of several American periodicals, Szyk's cartoons also figured in some of these same magazines, and in several others, in a completely different context. Many American corporations used the work of artists in their printed advertising, and Szyk created illustrations for a number of them. Since virtually every American company involved in war material was eager to tell the public about its particular role in the struggle, there were many opportunities for all types of artists. Thus the ranks of editorial cartoonists who also worked on these commercial projects were swelled by numerous other artists and designers, including Szyk.
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Kurt Piehler, G., and Ingo Trauschweizer. "Introduction." In Reporting World War II. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503093.003.0001.

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This introduction provides an overview of literature examining war-time reporting in World War II. It considers the tension between American journalists seeking to accurately report the news and the impact of official censorship and self-censorship. Although supportive of the war effort, many reporters strived to avoid being mere ciphers of the American military and often sought to accurately document events as they unfolded. The journalism of Ernie Pyle and the editorial cartoons of Bill Mauldin proved influential in explaining to fellow GIs and the broader public the experiences of front-line combat troops.
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