Relevant bibliographies by topics / Editoriality

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Editoriality'

Author: Grafiati
Published: 19 April 2025

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Journal articles on the topic "Editoriality"

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Alghazo, Sharif, Khulood Al-Anbar, Abdel Rahman Altakhaineh, and Marwan Jarrah. "First language and second language English editorialists’ use of interactional metadiscourse." Discourse and Interaction 16, no. 2 (December 20, 2023): 5–28. http://dx.doi.org/10.5817/di2023-2-5.

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This study explores the use of interactional1 metadiscourse by first language (L1) and second language (L2) English editorialists. The study uses Hyland’s (2019) model of metadiscourse to analyse 80 editorials published between 2020 and 2021 in The Guardian and The Jordan Times newspapers (40 from each newspaper). A mixed-method approach – adopting quantitative and qualitative measures – was used to analyse the data. The frequency of interactional metadiscourse resources was statistically examined to find similarities and differences (if any) between the two corpora. The analysis revealed a statistically significant difference in the use of interactional metadiscourse resources in the editorials of the two newspapers. For instance, L2 editorialists used fewer hedges in their editorials and more boosters than L1 editorialists. In addition, engagement markers were used the most by L1 editorialists. The study provides some implications for editorialists who write in English and recommendations for future research.
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RODRIGO CONCEPCION MORALES and MARK IVAN MALLARE GOMEZ. "A Filipino-American Contrastive Study on Newspaper Genre: A Response to Post Pandemic Period." Open Access Research Journal of Multidisciplinary Studies 6, no. 2 (December 30, 2023): 038–48. http://dx.doi.org/10.53022/oarjms.2023.6.2.0046.

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The study attempted to contrastively compare editorial headlines of two writing cultures, Filipino and American. The objectives of the study were identifying the types of editorial headlines employed in the Manila Bulletin (henceforth MB) and Washington Post (henceforth WP), determining the particular presupposition triggers evident in the two writing cultures, and providing pedagogical implications in light of the findings of the study. Sixty-two editorial headlines from MB and WP were utilized during the surge of the Omicron Variant, extracted from December 1, 2021 to January 31, 2022. The findings of the study revealed that American editorialists favored producing verbal headlines because of the low-culture attribution, directness and explicitness of American editorialists compared to its counterpart with its high-culture attribution, indirectness and implicitness of Filipino editorialists. As far as the usage of presupposition triggers are concerned in writing headlines, Filipino editorialists preferred to write existential presupposition triggers than what American editorialists did because Filipinos are perceived as reader-responsible, whereas Anglo-Americans are known as writer-responsible. Pedagogical implications and research directions were provided.
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Manzini, Eduardo José, Débora Regina de Paula Nunes, Dirce Shizuko Fujisawa, Fabiana Cia, and Márcia Denise Pletsch. "EditorialI." Revista Brasileira de Educação Especial 22, no. 1 (March 2016): 7–8. http://dx.doi.org/10.1590/s1413-65382216000100001.

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Zinghi, Gianfranco, and Marco d’Imporzano. "Editoriali." Archivio di Ortopedia e Reumatologia 119, no. 3-4 (March 2009): 1. http://dx.doi.org/10.1007/s10261-009-0001-3.

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Zinghi, Gianfranco, and Marco d’Imporzano. "Editoriali." Archivio di Ortopedia e Reumatologia 119, no. 3-4 (March 2009): 1. http://dx.doi.org/10.1007/s10261-009-0016-9.

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Stolzi, Irene, Irene Ceccatoni, Natalìa Cecconi, Ginevra Detti, Federico Fidanza, Giulia Lari, Lapo Montelatici, et al. "Editoriali." La Nuova Giuridica 2, no. 2 (January 19, 2023): I—V. http://dx.doi.org/10.36253/lng-1965.

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Rodrigo Concepcion Morales and Mark Ivan Mallare Gomez. "Interactional Voices from Newspaper Editorials: A Filipino-American Contrastive Study." Open Access Research Journal of Multidisciplinary Studies 7, no. 2 (May 30, 2024): 098–109. http://dx.doi.org/10.53022/oarjms.2024.7.2.0029.

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Using categorization of interactive metadiscourse, the present study attempted to contrastively compare editorials of two writing cultures, Filipinos and Americans. The objectives of the study were identifying the cultural features revealed by the Filipino editorialists and Anglo-American editorialists, and determining how the two writing cultures differ in the utilization of interactional metadiscourse resources in their editorials. A total of 180 editorials served as the corpus of the study; 90 from the Philippine Daily Inquirers (PDY) and 90 from the New York Times (NYT). The findings revealed that American editorialists significantly employed metadiscource resources as compared to Filipino editorialists specifically the employment of code glosses and transitional devices. This can be attributed to their writing confidence in utilizing their native language for Americans, while second language for Filipinos. Cultural, political, and social realities also play a critical role in the utilization of metadiscoursal resources in writing.The pedagogical implications were provided for future research directions.
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Cleland, J. G. F., and K. Witte. "Editorialists' reply." BMJ 341, sep15 1 (September 15, 2010): c4991. http://dx.doi.org/10.1136/bmj.c4991.

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Aminabhavi, Tejraj M. "Editorially speaking…" Materials Science for Energy Technologies 1, no. 1 (June 2018): 1–2. http://dx.doi.org/10.1016/j.mset.2018.05.001.

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Aminabhavi, Tejraj M. "Editorially speaking." Materials Science for Energy Technologies 2, no. 1 (April 2019): A1. http://dx.doi.org/10.1016/j.mset.2019.04.001.

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Dissertations / Theses on the topic "Editoriality"

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Corpataux, Matthieu. "Poétique de la typographie en France 1913-1924." Electronic Thesis or Diss., Pau, 2025. http://www.theses.fr/2025PAUU1001.

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Avant 1913, les expérimentations typographiques dans la poésie en France sont rares : environ une par siècle. Le quadruple événement de la réédition du Coup de dés de Mallarmé, de la publication de la Prose du Transsibérien de Cendrars, de l'apparition des premiers calligrammes d'Apollinaire et des revendications théoriques de Marinetti, ouvre, à partir de 1913-1914, à un foisonnement inédit dans l'histoire de la poésie : la typographie devient un outil d'expressivité et de figuration particulièrement fécond. Un grand nombre de poètes s'en emparent (Reverdy, Albert-Birot, Cocteau, Tzara, Arnauld, Dermée, mais aussi Aragon, Éluard, Huidobro, Soupault, Nicolas Beauduin, Juliette Roche, Fernand Divoire…), avant d'unanimement l'abandonner pour des raisons esthétiques et techniques dès 1924.Cette thèse présente une triple ambition : historique tout d'abord par l'identification de ce « moment typographique » entre 1913 et 1924 ; générique et génétique ensuite par l'établissement d'une typologie du « poème typographique » construite sur des critères de fabrication, et le développement d'une génétique éditoriale des poèmes typographiques ; et analytique enfin par l'examen de la part typographique de ces poèmes afin d'en dégager leur poéticité. Ces trois axes entendent élaborer les fondements d'une poétique de la typographie.La poétique de la typographie confirme l'importance d'une étude génétique des oeuvres par la comparaison entre leurs états (manuscrits, pré-éditions, éditions, rééditions, traductions, numérisations) et offre une approche nouvelle, spécifique mais décisive, d'un corpus poétique (canonique et marginalisé) qui ne soit pas strictement texto-centrée, sans être foncièrement sémiologique : une approche typographique. Et en cela, elle conduit à réaffirmer l'importance des conditions de production des poèmes (conditions techniques, matérielles ou socio-économiques) et permet de mesurer la portée de l'intervention éditoriale dans le processus créatif
Before 1913, typographical experimentations in French poetry are rare : around one per century. The quadruple event that was the republishing of Mallarmé's Coup de dés, from the publication of Cendrars's Prose du Transsibérien, that of Apollinaire's first calligrammes, and Marinetti's theoretical claims, leads, as of 1913-1914, to an unprecedented proliferation in the history of poetry : typography becomes a particularly fruitful tool of expressivity and of figuration. A large number of poets make use of it (Reverdy, Albert-Birot, Cocteau, Tzara, Arnauld, Dermée, but also Aragon, Éluard, Huidobro, Soupault, Nicolas Beauduin, Juliette Roche, Fernand Divoire…), before unanimously abandoning it for esthetic and technical reasons as of 1924.This thesis presents three aims : historical, first and foremost, by the identification of the “typographical moment” between 1913 and 1924 ; next, generical and genetic, by the establishment of a typology for the “typographical poem” based on fabrication criteria, as well as the development of an editorial genetics of typographical poems ; and finally, analytical, by the study of the typographical aspect of these poems in order to establish their poeticness. These three axes aim to develop the basis for a poetics of typography.A poetics of typography confirms the importance of a genetic study of works through the comparison of their different states (manuscripts, pre-editions, re-editions, translations, digitization) and offers a new approach, specific but decisive, to a poetic corpus (canonical and marginal) that is not strictly text-centered, without being fundamentally semiological : a typographical approach. In this, it leads us to reaffirm the importance of poetic production conditions (technical conditions, material, or socioeconomic) and allows to measure the scope of editorial intervention in the creative process
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Kelvin, Patricia Rosemary. "Classical rhetoric and contemporary composition at work : a study of editorialists and their writing." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1287422668.

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Bianco, Federica. "Innovazione tecnologica ed organizzazione nelle imprese editoriali: il ruolo dei sistemi di gestione dei contenuti." Doctoral thesis, Università degli studi di Padova, 2008. http://hdl.handle.net/11577/3425037.

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Technological innovation is usually associated with performance improvement in terms of products, processes or business meanings. In order to integrate technical solutions firms have to reorganize their business, redefining processes and reforming some decisions to reach higher performance levels. It is important to underline that benefits cannot be achieved only through the new technology adoption, being the result of a real assets reorganization; technology can be considered an enabler in value chain depicting. In the last decades data storage and processing need directs studies on how information and communication technologies (ICTs) affect internal and inter-firm organizational features. This research focus on mutual relation between the adoption of information and content management technologies and the organizational form. Even thought the great number of scientific contributions about the impact of technologies on organizational design dimensions and governance variables, a specific widening on cases where information is core business seems to be lacking; in fact, there are few studies analyzing the role of ICT on governance form definition with regard to specific industries where information or contents are exchange goods. For this reason printing and publishing industry has been chosen for the analysis and as a consequence digital asset management (DAM) systems are examined. The thesis main goal is the analysis of DAM systems role in printing and publishing firms organization. This study also enables supply chain mapping and activities and main processes identification as well as key players and theirs competences recognition. Theory building through case studies is the methodological approach used: ten of the more important and famous Italian firms are involved in the analysis. Organizational dimensions analyzed derive from literature review about the ICT role in organizations and from meetings with consultants and industry experts to consider industry distinctiveness. Comparing data, I identify some organizational dimensions associated with major use of DAM systems and formulate a theoretical framework which is the main contribution of this study. The framework points out how behavior and relationship formalization and knowledge spreading are organizational characteristics used by technology-oriented Italian printing firm as well as interpersonal exchange and skill standardization became their main coordination mechanisms. These dimensions represent organizational design keys for a effective introduction of DAM systems. My framework also analyzes the impact of a specific technology on organizations, highlighting which are main organizational parameters influenced by the use of DAM systems. Finally this framework can support management for a conscious choice of technology implementation suggesting them main benefits and technical problems.
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CASADIO, MARTINA. "Museum Florentinum: retroscena editoriali nelle lettere di Braccio Maria Compagni e Anton Francesco Gori a Monsignor Bottari." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2013. http://hdl.handle.net/2108/201911.

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Checcoli, Paola. "Scambi culturali tra Francia e Italia : questioni di traduzione, ricezione letteraria e politiche editoriali agli inizi del XXI° secolo." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100209/document.

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Cette Thèse porte sur les échanges culturels entre la France et l’Italie, au début du XXIe siècle, dans le domaine de la traduction littéraire et de l’édition. Son but principal est l’étude des phases qui précèdent, accompagnent et suivent la publication d’une œuvre littéraire française en Italie. Après avoir situé notre sujet dans le cadre des relations historiquement très importantes entre les deux pays dans le domaine littéraire, notre analyse se focalise sur trois moments cruciaux : le choix de l’œuvre ; sa traduction ; sa parution et réception.C’est que le goût, le canon, la tradition littéraire et la culture propres à chacun des deux pays ont une influence certaine sur la réception, sur l’horizon d’attente des lecteurs et des critiques, ainsi que sur les stratégies éditoriales, tout au long des étapes qui vont de l’achat des droits aux décisions « paratextuelles » censées susciter l’intérêt du lecteur ou fournir des informations. Nous ne négligerons pas le rôle du traducteur, véritable « passeur » du texte, ses choix linguistiques et stylistiques étant souvent la clé de la bonne compréhension d’une œuvre. Si la publication et la fortune d’une œuvre littéraire dans un pays étranger sont donc le résultat d’un processus complexe, d’une accumulation stratifiée d’échanges, de stéréotypes, et de multiples interventions d’acteurs différents, notre recherche fait appel à des outils méthodologiques relevant de plusieurs champs disciplinaires, appliqués, enfin, à une sélection des romans publiés en Italie dans les dix dernières années
This thesis focuses on the cultural exchanges between France and Italy in the fields of literary translation and publishing at the beginning of the 21st century. Its main goal is to study the various stages that precede, accompany and follow the publication of a work of French literature in Italy. Having placed our subject in the context of the main historical relations between the two countries in the field of literature, our analysis concentrates on three key moments: the choice of book, its translation and finally, its publication and reception.At the centre of our analysis is the knowledge that the tastes, canons, literary traditions and cultures of the two countries undoubtedly affect the reception of a work and the expectations of readers and critics. We will therefore take into consideration the role of editorial strategies throughout this process from the purchase of the copyright to paratextual decisions, i.e. the methods used to arouse readers’ interest or supply information. We will also examine the figure of the translator, the “driving force” in the text’s transition, as it is often their choice of language and style that provides the key to our understanding of it.Given that the publication and fortune of a literary work in a foreign country are the result of a complex process and a stratified accumulation of exchanges, stereotypes and multiple operations, our research has adopted analytical methods from a wide range of fields and applied them to a selection of novels published in Italy over the last ten years
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Bravetti, Matilde. "La traduzione del romanzo per ragazzi Apache - Girl Warrior di Tanya Landman: Un incontro tra storia, genere e culture." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/9873/.

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This dissertation deals with the translation into Italian of selected passages from the Young Adult historical novel Apache – Girl Warrior by English author Tanya Landman. The book was chosen after contacting Italian publisher Settenove, dedicated to preventing gender-based violence through children's books and essays. The novel, set in the second half of the Nineteenth Century, tells the story of Siki, a fourteen years old Native American girl who decides to become a warrior in order to avenge her family, killed by the Mexicans. The story also deals with the contact and conflict between Native Americans and white settlers during the so-called Apache Wars. Chapter I deals with Apache's genre; it consists in an overview of the historical novel form and its diffusion, both in Italy and in the English-speaking world. Typical features and themes are also dealt with in this chapter. Chapter II is dedicated to Apache's author. Landman's other works and her mission as a writer are taken into account, as well as the inspirations that led her to writing the novel and the process of research on American history it involved. This chapter also includes a comparison between Tanya Landman's and Louise Erdrich's works. In chapter III, Apache is compared to two well-known novels for children and young adults, The little house on the prairie and Caddie Woodlawn; the aim of this is to demonstrate how widespread misrepresentations about Native Americans are in mainstream literature. Chapter IV analyzes the novel and serves as an introduction to its translation, focusing on its plot, themes, characters and language, while chapter V presents the passages I've chosen to translate; their translation can be found later in the same chapter. In chapter VI, I comment on the choices made during the translation process; translation problems are divided into culture-specific, stylistic, semantic and linguistic.
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Pastore, Luca. "Le concentrazioni editoriali: analisi di un fenomeno in crescita." Thesis, 2012. http://eprints.bice.rm.cnr.it/4331/1/tesi_Luca_Pastore_File_unico_con_corr..pdf.

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Questo lavoro intende essere, insieme, un'analisi delle cause e delle conseguenze del fenomeno delle concentrazioni editoriali nel nostro Paese. Sempre con maggior frequenza si assiste, oggi, allo sviluppo e alla crescita dimensionale di pochi grandi gruppi editoriali che, mediante l'attuazione di strategie atte ad acquisire spazi fondamentali all'interno della filiera in cui operano, diversificano le proprie linee di produzione e ambiti di business. Si osserva così un processo di concentrazione verticale e orizzontale, difficilmente reversibile, che contraddistingue il nostro panorama editoriale e quello dei principali paesi occidentali. L'irreversibilità di questo processo è alimentata da elementi di diversa natura, che possono essere però ricondotti a due aspetti fondamentali: le logiche economico-finanziare che investono anche l'industria editoriale, e l'inadeguatezza del sistema di norme antitrust che regola il mercato editoriale italiano. Parallelamente alla crescita dimensionale dei grandi gruppi editoriali e all'affermazione delle loro logiche commerciali, si assiste alla difficoltà crescente delle aziende medio piccole, che operano nel medesimo settore, di rispondere in modo competitivo alle aggressive logiche produttive, distributive e promozionali di queste concentrazioni aziendali che, grazie anche all'ausilio di capitali extra editoriali, riescono a espandere il loro core business a tutta una serie di attività contigue a quelle del mondo editoriale. Al fine di comprendere la natura e l'evoluzione del fenomeno delle concentrazioni nell'editoria libraria del nostro Paese, è indispensabile analizzare l'espansione, le potenzialità e le strategie di sviluppo delle cinque imprese che dominano il mercato editoriale italiano: Mondadori, RCS, G&MS, Giunti e Feltrinelli. Queste, infatti, offrono l'esempio concreto di come attuare un vantaggio competitivo attraverso acquisizioni delle imprese concorrenti, integrazioni verticali e conseguente controllo dei segmenti strategici dell'intera filiera editoriale. Contestualmente le norme largamente permissive in materia antitrust permettono ai grandi gruppi editoriali di pianificare la propria crescita dimensionale, determinando così in Italia la nascita di un sistema editoriale oligopolistico. Il controllo del settore da parte di questi gruppi sembra totale: possiedono gli strumenti di produzione e i veicoli di promozione, le reti di distribuzione e i canali di vendita, rendendo agli editori indipendenti particolarmente difficile fare a meno dei loro servizi o sottrarsi alla loro influenza. La logica commerciale che regola il funzionamento della catena del libro è dunque nelle mani dei grandi gruppi e ciò impone serie difficoltà agli editori e ai librai indipendenti che sempre più frequentemente sono costretti a cessare la loro attività. Le scarse informazioni a disposizione riguardo queste tematiche sono certamente tra gli aspetti che più hanno contribuito nella decisione di realizzare tale studio; e l'analisi dei dati disponibili, relativi alla produzione libraria nel nostro paese, testimonia sia le criticità che affliggono la piccola editoria indipendente, sia il perpetrarsi e acuirsi delle logiche commerciali imposte dai grandi gruppi editoriali. Le logiche di produzione sono sempre più orientate dai processi di finanziarizzazione, tendendo a negare al libro il ruolo di veicolo per la formazione culturale: i titoli in commercio aumentano, la tiratura media diminuisce insieme ai processi qualitativi di selezione e i libri escono dal mercato velocemente, al pari di qualsiasi altro prodotto. Questo comporta un generale scadimento dell'offerta culturale e una progressiva estinzione della bibliodiversità nel panorama editoriale, in Italia e non solo; un'omologazione dell'offerta proporzionale tanto all'espansione dei grandi gruppi editoriali, quanto alla crescente difficoltà delle realtà indipendenti di collocarsi competitivamente nel mercato. Come può essere garantita, infatti, la pluralità delle idee e dei contenuti se circa il 70% del mercato editoriale è controllato esclusivamente da cinque o sei aziende? Le classifiche dei libri più venduti nel nostro paese sono la cartina al tornasole di questa situazione, testimoniando come nei dieci libri più venduti, il rapporto sia in media di otto a due per i grandi gruppi editoriali. Questo lavoro mostra come sarebbe di fondamentale importanza che il dibattito sul problema delle concentrazioni editoriali, e parallelamente sulle difficoltà dell'editoria indipendente, avesse margini di ampio respiro e non coinvolgesse esclusivamente gli operatori del settore, al fine di limitare il controllo totale su ciò che viene pubblicato e su ciò che dovrà essere letto. Il pluralismo dei contenuti deve obbligatoriamente passare per una maggiore attenzione alle problematiche che vengono vissute e denunciate dagli editori indipendenti, almeno di quelli che puntano ancora sulla costituzione di un catalogo duraturo e su un progetto editoriale di lungo respiro, piuttosto che su prodotti editoriali frutto di logiche commerciali. Le riflessioni sull'importanza dell'indipendenza editoriale e sulla possibilità di operare nel campo dei contenuti in maniera scevra da condizionamenti, sta oggi coinvolgendo sempre di più il dibattito culturale internazionale: il problema delle concentrazioni editoriali sembra non avere confini, e con modalità e caratteristiche differenti ha già da anni interessato gli Stati Uniti, la Francia e molti altri Paesi occidentali. Un baluardo, contro i crescenti fenomeni di concentrazione e di omologazione della cultura, può essere rappresentato dalla piccola e media editoria indipendente, che oggi sempre di più, invece di abdicare sotto il peso di una concorrenza sleale, cerca di organizzarsi e di reagire moltiplicando le proprie strategie di resistenza, con le quali contribuire alla difesa di un'editoria caratterizzata dalla pluralità, impegnata e attenta alla qualità dei prodotti editoriali.
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GUERRIERI, ELENA. ""Come scrittore di lettere sono un cattivo scrittore". L'opera di Vasco Pratolini attraverso i carteggi editoriali." Doctoral thesis, 2017. http://hdl.handle.net/2158/1087140.

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Nel lavoro di tesi sono pubblicati i carteggi inediti intercorsi tra Vasco Pratolini e i principali editori, Enrico Vallecchi, Arnoldo e Alberto Mondadori e Valentino Bompiani; i documenti epistolari, che coprono complessivamente un arco di tempo che va dalla fine degli anni Trenta alla fine degli anni Ottanta, sono corredati da annotazioni e presentati da una Introduzione critico-descrittiva. La tesi comprende anche tre Appendici, dove si è pubblicata una selezione delle corrispondenze intercorse tra lo scrittore e i collaboratori delle tre case editrici, significative ai fine della comprensione della figura e dell'opera dello scrittore.
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VITALE, Maria Melania. "Prospettive editoriali per l’Epistolario di Giovanni Verga. «Amici e relazioni letterarie» degli anni milanesi (1872-1885)." Doctoral thesis, 2022. http://hdl.handle.net/11570/3228879.

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La tesi raccoglie per la prima volta in un’edizione critico-filologica commentata le lettere scambiate da Giovanni Verga con un eterogeneo gruppo di corrispondenti – amici, letterati, politici, critici, ammiratori – in un arco temporale che si colloca nel primo periodo del soggiorno milanese (1872-1885). Il lavoro si articola in due parti. La prima è suddivisa in cinque capitoli: nei primi due si ricostruisce la lunga storia editoriale dei carteggi di Verga e delle sue carte manoscritte, definendo motivazioni e limiti delle recensio nonché strumenti e metodi utilizzati; il terzo capitolo affronta il particolare problema della tradizione indiretta di alcune missive e segnala un importante ritrovamento per gli studi sul secondo Ottocento: l’Archivio di Felice Cameroni, di cui si fornisce un primo ragguaglio; il quarto capitolo è dedicato al peculiare problema dell’edizione delle minute verghiane, attualmente trasmesse solo dai Microfilm Mondadori e spesso indispensabili per sopperire a lacune documentarie e recuperare il carattere dialogico di un rapporto epistolare; infine, nel capitolo quinto si è dato spazio ad alcune questioni di taglio critico che l’edizione del corpus ha messo in luce. La seconda parte del lavoro è costituita dal corpus epistolare. Alla nota al testo segue l’edizione commentata delle lettere, ordinate cronologicamente. Il corpus comprende 882 documenti di cui 255 scritti da Giovanni Verga e 627 inviati allo scrittore da 208 mittenti. Concludono la tesi tre ‘Appendici’: la prima riporta brevi cammei biografici dei corrispondenti; la seconda riguarda gli errori o le sviste di catalogazione riscontrati all’interno dell’‘Epistolario Verga’ della Biblioteca Regionale Universitaria di Catania e dovute al nuovo ordinamento archivistico del fondo; la terza appendice offre un elenco completo delle lettere organizzato alfabeticamente per mittente.
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CORSI, MARCO. "Canone e Anticanone. Per la poesia negli anni Novanta." Doctoral thesis, 2013. http://hdl.handle.net/2158/801675.

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La tesi di dottorato perlustra, secondo vari criteri, le fasi costitutive del canone poetico contemporaneo: dapprima attraverso la pubblicazione di testi e autori su riviste di settore, quindi nelle varie collane editoriali e, in ultimo, in antologie e storie della letteratura. Viene quindi rappresentato un movimento complesso che si somma alla presenza sul campo di gruppi e tendenze, nonché alla determinazione di alcuni canoni editoriali definiti specie nell'ultimo trentennio del Novecento.
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Books on the topic "Editoriality"

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Curzi, Sandro. Editoriali (1989-1993). Acireale: Bonanno editore, 1993.

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Stefano, Verdino, ed. Giudizi del lettore: Pareri editoriali. Genova: Il melangolo, 2006.

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Roberta, Turchi, ed. Polemiche editoriali: Prefazioni e polemiche. Venezia: Marsilio, 2009.

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Pavese, Cesare. Officina Einaudi: Lettere editoriali 1940-1950. Torino: Einaudi, 2008.

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editor, Pierini Simona, ed. "Spazio": Gli editoriali e altri scritti. Milano: Christian Marinotti edizioni, 2019.

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Pavese, Cesare. Officina Einaudi: Lettere editoriali 1940-1950. Torino: Einaudi, 2008.

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Giovanni, Vragnaz, ed. Questioni di architettura: Editoriali di "Casabella". Torino: G. Einaudi, 1986.

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Ranieri, Varese, ed. Gli editoriali da "Notizie da Palazzo Albani". Urbino: Accademia Raffaello, 2014.

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Nencioni, Francesca, ed. A Giuseppe Dessí. Lettere editoriali e altra corrispondenza. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-156-0.

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This volume completes the valuable work of cataloguing carried out on the correspondence of Giuseppe Dessí conserved in the 'Alessandro Bonsanti' contemporary archive of Florence. The research, launched by Chiara Andrei in 2003 with the edition of the Corrispondenze familiari (Firenze University Press) and continued in 2009 by Francesca Nencioni with the publication of Lettere di amici e lettori (Firenze University Press), has its third result in this work by Francesca Nencioni, who has indexed the unpublished editorial and professional material, providing it with exhaustive references. The letters make it possible to trace a profile of the writer from his youth through to the 70s, illustrating the historic, political and cultural backdrop against which the events and activities of both his first and second profession developed. This casts light not only his complex professional career, but also on Dessí's collaboration with newspapers and journals, his relations with publishers and his contacts with the world of the mass media. Of particular importance is the appendix of unpublished letters, meticulously edited by Monica Graceffa, comprising the correspondence with two seminal journals of the 1930s and 40s «L'Orto» and «Primato». In the background are the figures of Bottai and Vecchietti and the complex coexistence between the intellectuals of the time and the regime.
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Evola, Julius. La biblioteca esoterica: Evola, Croce, Laterza : carteggi editoriali. Roma: A. Pellicani, 1997.

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Book chapters on the topic "Editoriality"

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Caporiccio, Elisa, and Ugo Conti. "Ripercorrere la poetica di Libero de Libero: Le odi come mappa del vissuto autoriale." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 143–62. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.09.

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Il contributo vuole impiegare un duplice approccio per leggere Le odi di de Libero come “nucleo poetico” autonomo e mappa di luoghi e temi più cari all’autore. Nella prima parte si ripercorrono le vicende editoriali che hanno portato Le odi ad assumere il loro finale assetto in Scempio e Lusinga; all’approccio filologico si affianca, nella seconda sezione, un commento degli elementi paesaggistici ricorrenti nei testi.
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Dardi, Marco. "Il fascismo immaginario di Odon Por." In Studi e saggi, 119–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-455-7.05.

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A minor but frequent editorialist and contributor to the Fascist press over the 1930s, Odon Por reached the apex of his visibility when he joined Ezra Pound in the attempt to promote policies based on Major Douglas’s Social Credit and Silvio Gesell’s Stamp Scrip. Drawing on various archival sources, the chapter reconstructs Por’s international background, the political protections that allowed him to occupy comfortable positions in the regime’s institutions, and his ideological itinerary from revolutionary syndicalism to guild socialism and from here to a fascism which was more imagined than real. His case is a typical illustration of the appeal that the Italian corporatist model held for anti-capitalist movements in inter-war Europe.
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"editorialist, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1483333208.

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"editorialism, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/4199034598.

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"editorialize, v." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/2948801066.

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"Criteri editoriali." In PARS I: COMMENTARIA ET LEXICA IN AUCTORES, VOL. 1: AESCHINES – BACCHYLIDES, FASC. 4: ARISTOPHANES – BACCHYLIDES, edited by Guido Bastianini, Michael Haslam, Herwig Maehler, Franco Montanari, and Cornelia E. Römer. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110239010.vii.

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"Criteri editoriali." In Commentaria et lexica in auctores Volume 1: Aeschines - Bacchylides Fasc. 3 Apollonius Rhodius – Aristides, edited by Guido Bastianini, Michael Haslam, Herwig Maehler, Franco Montanari, and Cornelia Römer. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110239027.vi.

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"Avvertenze editoriali." In Baccio Bandinelli e le anatomie degli scartafacci, XIII—XIV. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111256085-205.

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"Criteri editoriali." In Euripides, VI—VIII. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111162867-002.

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"Schede editoriali." In Pareri editoriali per Einaudi, 33–202. Quodlibet, 2023. http://dx.doi.org/10.2307/jj.9992360.5.

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Conference papers on the topic "Editoriality"

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Afsarmanesh, Nazanin, Jussi Karlgren, Peter Sumbler, and Nina Viereckel. "Team Harry Friberg at SemEval-2019 Task 4: Identifying Hyperpartisan News through Editorially Defined Metatopics." In Proceedings of the 13th International Workshop on Semantic Evaluation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/s19-2174.

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Ghilas, Victor. "Folklore archives – space for preserving cultural memory." In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.03.

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The article presents the role of folklore archives in society. It proposes to begin by specifying the premises that preceded the appearance and institutionalization of these settlements in European and national culture. The interest in the knowledge and valorization, first editorially, of the oral tradition manifests itself late, precisely in the XVI century. The first, who turn their attention to the recording and conscious collection of folklore, are the philosophers and literati from the West and Northern European countries. The openings offered by the discovery of the value of popular creation (historical, scientific, artistic) amplifies the interest of researchers on the European continent, and not only, for the collection, research and promotion of folklore, strengthening the conviction that it can serve as a source of knowledge of the past, but also as inspiration that can find its valorization in cult creation. Being aware of the importance of the historical and identity dimension of culture based on oral tradition and of its fragility in the perspective of time, the folklore heritage collection becomes a practical necessity of the XX century, which determined the creation of folklore archives.
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