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Academic literature on the topic 'Editors – Japan – Fiction'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Editors – Japan – Fiction"

1

Denham, Bryan. "Oriental Irritants and Occidental Aspirants: Immigrant Portrayals in Hearst Magazines, 1905–1945." Journalism & Communication Monographs 24, no. 1 (2022): 4–64. http://dx.doi.org/10.1177/15226379211070038.

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William Randolph Hearst became editor and proprietor of the San Francisco Examiner in 1887, and by 1935, he had assembled a media empire consisting of nearly 30 major newspapers, 13 magazines, 8 radio stations, 3 news wires, and 2 motion picture companies. Most scholarship about Hearst has focused on his newspapers; less studied have been the magazines he acquired early in the 20th century. This monograph examines immigrant representations in Hearst magazines published between 1905 and 1945, focusing on how magazine fiction, nonfiction, and “fact-fiction” articles presented immigrants and immi

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2

Trihartono, Agus, Purwowibowo Purwowibowo, Budi Santoso, and Abubakar Eby Hara. "Pembawa Pesan Terdepan: Diaspora Dalam Gastrodiplomasi Indonesia (The Front Messenger: Diaspora in Indonesia Gastro Diplomacy)." Jurnal ENTITAS SOSIOLOGI 9, no. 1 (2020): 1. http://dx.doi.org/10.19184/jes.v9i1.20786.

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This paper discusses the role of diaspora in Indonesian gastro-diplomacy. As a new country in culinary diplomacy, the role of the Indonesian diaspora is not dominant but not unimportant. The diaspora directly or not has popularized Indonesian food in foreign countries. Some of them have successfully managed Indonesian restaurants, although there are also some who are less successful. Learning from the experiences of countries already established in this culinary diplomacy such as India, China, Turkey and Vietnam, Indonesia needs to popularize more Indonesian food in many activities such as foo

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3

Idesawa, Masanori. "Looking Toward the Next Ten Years." Journal of Robotics and Mechatronics 31, no. 1 (2019): 6. http://dx.doi.org/10.20965/jrm.2019.p0006.

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As its first issue was published in 1989, the Journal of Robotics and Mechatronics (JRM) has been in existence for 30 years. Its entrance into its fourth decade this year coincides with the change in the name of the Japanese era, marking a joyous milestone. During the three decades since the JRM was founded, much progress has been made in the areas covered by it, and these areas have expanded to encompass very diverse fields. It was around 1988, when I was at the Institute of Physical and Chemical Research (RIKEN), that I received a letter from Kazuo Yamafuji, later the first Editor-in-Chief o

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4

Sulz, David. "Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories. ed. by H. Thompson." Deakin Review of Children's Literature 2, no. 2 (2012). http://dx.doi.org/10.20361/g2wk5g.

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Thompson, Holly (editor). Tomo: Friendship through Fiction: An Anthology of Japan Teen Stories. Berkeley, CA: Stone Bridge Press, 2012. Print.Shortly after the Great East Japan Earthquake (and tsunami) of 11 March 2011, Holly Thompson came up with a unique idea to contribute to the recovery. The resulting anthology of prose, verse, and graphic art stories by authors and artists from around the world who share a connection to Japan will generate some financial help to support young people affected by this disaster. More importantly, it will contribute to a deeper understanding of, and connectio

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Chen, Jasmine Yu-Hsing. "Beyond Words." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3033.

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Introduction Despite the expansive and multimodal realm of Chinese Boys’ Love (BL) culture (also known as danmei in Chinese), audio works have been notably absent from scholarly discussions, with the focus predominantly being on novels (e.g. Bai; Zhang). This article aims to fill this gap by delving into the transformative impact of sound on narrative engagement within the Chinese BL culture. Focussing on the audio drama adaptations of Grandmaster of Demonic Cultivation (modao zushi, hereafter Grandmaster), originally a serialised Chinese BL novel, this analysis aims to unravel the meticulousl

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6

Dickison, Stephanie. "So Many Books, So Little Time." M/C Journal 8, no. 4 (2005). http://dx.doi.org/10.5204/mcj.2405.

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   As a writer, researcher and avid book reader, I am drawn to books about books. But ever-so tentatively, as I know they can only mean one thing—more titles in which to add to my ever-growing list of books that I must have, that I must read, and that I will eventually feel compelled to write about.  Recently, I finished So Many Books, So Little Time: A Year of Passionate Reading by Sara Nelson. Ms. Nelson is a librarian and knows whereof she speaks. She is unequivocal in her broad selection and speaks at length about things that only book munchers like myself kno

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7

Young, Sherman. "Beyond the Flickering Screen: Re-situating e-books." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.61.

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The move from analog distribution to online digital delivery is common in the contemporary mediascape. Music is in the midst of an ipod driven paradigm shift (Levy), television and movie delivery is being reconfigured (Johnson), and newspaper and magazines are confronting the reality of the world wide web and what it means for business models and ideas of journalism (Beecher). In the midst of this change, the book publishing industry remains defiant. While embracing digital production technologies, the vast majority of book content is still delivered in material form, printed and shipped the o

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Pearce, Lynne. "Diaspora." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.373.

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For the past twenty years, academics and other social commentators have, by and large, shared the view that the phase of modernity through which we are currently passing is defined by two interrelated catalysts of change: the physical movement of people and the virtual movement of information around the globe. As we enter the second decade of the new millennium, it is certainly a timely moment to reflect upon the ways in which the prognoses of the scholars and scientists writing in the late twentieth century have come to pass, especially since—during the time this special issue has been in pre

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Books on the topic "Editors – Japan – Fiction"

1

The Great Passage: A Novel. Amazon Crossing, 2017.

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The Great Passage: A Novel. Amazon Crossing, 2017.

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3

Jacobowitz, Seth, and Aaron William Moore, eds. Hirabayashi Hatsunosuke Reader. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350378186.

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This edited volume assembles a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan’s foremost intellectuals, translated for the first time into English. It begins with an introduction by the editors, Seth Jacobowitz and Aaron William Moore, that contextualizes Hirabayashi’s significance as a non-doctrinaire Marxist cultural critic, visionary thinker, and much-beloved popular fiction writer. The ‘Short Stories’, features a selection of Hirabayashi’s literary work, including science fiction (‘The Artificial Human’), detective fiction (‘This is How I Died!’), and more idi

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4

Dragon Ball Vol 5 Vizbig Edition Dragon Ball Vizbig Editions. Viz Media, 2009.

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Book chapters on the topic "Editors – Japan – Fiction"

1

Parsell, Diana P. "Eyes on Japan." In Eliza Scidmore. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198869429.003.0015.

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Abstract Eliza Scidmore is reporting from the Far East for the Chicago Daily Tribune when war breaks out in 1904 between Japan and Russia. The assignment becomes a professional embarrassment when she discovers the editors have been misrepresenting her and her work. After the assignment, she arranges to visit Matsuyama and other prisoner-of-war camps to find out how Japan is observing POW accords adopted at the 1899 International Peace Conference in the Hague. She finds Japan’s conduct exemplary and turns her findings into her only published work of fiction, As the Hague Ordains (1907). On a tr

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