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Journal articles on the topic 'Edmond Goncourt'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Gama, Zadig. "Idées et Sensations and the Journal des Goncourt in the Brazilian press." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 18, no. 1 (2024): 211–23. http://dx.doi.org/10.51777/relief19412.

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This article reconstructs the means by which the diary of the brothers Edmond and Jules de Goncourt circulated in Brazil from its publication in the 19th century to the present day. It is the result of research carried out in the Brazilian press, where we observe the reworking of the texts from Idées et Sensations and the Journal des Goncourt, works inspired by their diary manuscripts, or the arrangement of their memoirs of literary life. Some passages from the Goncourts' daily writings are translated and read in a press column created to disseminate them, as a physiology or almost inexhaustib

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2

Le Saux, Eva. "Edmond de Goncourt et Jules de Goncourt,." Studi Francesi, no. 198 (LXVI | III) (December 1, 2022): 717–18. http://dx.doi.org/10.4000/studifrancesi.51574.

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3

Dufief, Pierre-Jean. "Edmond de Goncourt et sa double participation au Nouveau Décaméron." Roczniki Humanistyczne 70, no. 5 (2022): 77–86. http://dx.doi.org/10.18290/rh21705.6.

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Cette contribution s’intéresse aux deux seuls contes donnés par Edmond de Goncourt, roi de la septième journée, à l’entreprise collective de Catulle Mendès. Goncourt reprend deux textes tirés d’œuvres anciennes, dont il entreprend la réédition, pour les donner au Nouveau Décaméron. Ceux-ci illustrent la double manière des Goncourt, conteurs fantaisistes et historiens du XVIIIe siècle, en particulier de la femme. L’amour y occupe une place de choix, amour sombre d’un graveur qui devient fou dans « Un aqua-fortiste », et volupté des comédiennes courtisanes du siècle des Lumières dans « La Courti

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4

Gama, Zadig. "A trajetória dos irmãos Goncourt no campo literário francês." Jangada: crítica | literatura | artes 11, no. 1 (2023): e110114. http://dx.doi.org/10.35921/jangada.v11i1.520.

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Este artigo reconstitui a trajetória irmãos Edmond (1822-1896) e Jules (1830-1870) de Goncourt, compreendendo os anos de preparação de suas primeiras obras, sua efetiva entrada campo literário francês e a produção de Edmond sem a colaboração de seu irmão, morto em 1870. Tomando como base a Sociologia da literatura e a História do livro e da edição, observam-se, em um primeiro momento, as inclinações artísticas e, em seguida, as sucessivas apostas dos irmãos Goncourt em diferentes temas e gêneros literários. Isso permite, posteriormente, descrever e analisar a escolha de seus editores para a pu

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5

Fonseca, Carlos Alberto da. "A Pátria em Perigo, de Jules & Edmond de Goncourt. Tradução e notas." Dramaturgias, no. 14 (September 28, 2020): 281–375. http://dx.doi.org/10.26512/dramaturgias14.34380.

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6

Bienert, Michael, Edmond de Goncourt, and Jules de Goncourt. "Welt mit Maleraugen." Literaturblatt für Baden-Württemberg, no. 3 (June 17, 2024): 13. http://dx.doi.org/10.53458/litbw.vi3.12228.

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7

Merello, Ida. "Edmond et Jules De Goncourt, Journal." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 186–87. http://dx.doi.org/10.4000/studifrancesi.30656.

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8

Lühl, Jan, and Hélène Lühl. "Edmond de Goncourt et l'estampe japonaise." Cahiers Edmond et Jules de Goncourt 1, no. 4 (1995): 147–63. http://dx.doi.org/10.3406/cejdg.1995.1564.

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9

Baron, Philippe. "André Antoine et Edmond de Goncourt." Cahiers Edmond et Jules de Goncourt 1, no. 13 (2006): 97–116. http://dx.doi.org/10.3406/cejdg.2006.970.

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10

Merello, Ida. "Edmond et Jules de Goncourt, Journal." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 199. http://dx.doi.org/10.4000/studifrancesi.8326.

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11

Allen, Nancy S. "HOKUSAI. Matthi Forrer , Edmond de Goncourt." Art Documentation: Journal of the Art Libraries Society of North America 8, no. 2 (1989): 107–8. http://dx.doi.org/10.1086/adx.8.2.27948073.

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12

Merello, Ida. "Edmond et Jules de Goncourt, Journal." Studi Francesi, no. 171 (LVII | III) (December 1, 2013): 636–37. http://dx.doi.org/10.4000/studifrancesi.2845.

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13

Marangoni, Alessandra. "Edmond et Jules de Goncourt, Théâtre." Studi Francesi, no. 199 (LXVII | I) (April 1, 2023): 180. http://dx.doi.org/10.4000/studifrancesi.52971.

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14

Dufief, Pierre-Jean. "Edmond de Goncourt, Œuvres narratives complètes." Cahiers Edmond et Jules de Goncourt, no. 25 (November 1, 2019): 196–97. http://dx.doi.org/10.4000/cejdg.961.

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15

Merello, Ida. "Edmond et Jules de Goncourt, Œuvres complètes." Studi Francesi, no. 167 (LVI | II) (July 1, 2012): 351–52. http://dx.doi.org/10.4000/studifrancesi.4150.

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16

Merello, Ida. "Edmond et Jules De Goncourt, Œuvres complètes." Studi Francesi, no. 165 (LV | III) (December 1, 2011): 665. http://dx.doi.org/10.4000/studifrancesi.5089.

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17

Cabanès, Jean-Louis. "Edmond de Goncourt, La Maison d’un artiste." Cahiers Edmond et Jules de Goncourt, no. 25 (November 1, 2019): 195–96. http://dx.doi.org/10.4000/cejdg.960.

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18

Le Saux, Eva. "Edmond et Jules de Goncourt, Journal des Goncourt, tome V: 1869-1871." Studi Francesi, no. 199 (LXVII | I) (April 1, 2023): 180–81. http://dx.doi.org/10.4000/studifrancesi.52986.

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19

Figueira Gama, Zadig Mariano. "prefácio antes do romance: Germinie Lacerteux no Brasil." Lingüística y Literatura 44, no. 84 (2023): 231–51. http://dx.doi.org/10.17533/udea.lyl.n84a10.

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O artigo apresenta e analisa a inscrição sociodiscursiva do romance Germinie Lacerteux (1865), escrito pelos irmãos Edmond (1822-1896) e Jules (1830-1870) de Goncourt, no campo literário brasileiro. Em um primeiro momento, observam-se as condições de produção do romance na França. Isso permite, em seguida, investigar sua circulação e recepção crítica no Brasil. Finalmente, tenta-se compreender o processo de incorporação de valores estéticos, reconhecidos pela crítica francesa e brasileira como característicos do estilo dos irmãos Goncourt e marcadamente presentes em Germinie Lacerteux, aos rom

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20

Таран, Зінаїда Михайлівна. "НОВАТОРСТВО ЕДМОНА ГОНКУРА В РОМАНІ «ДІВКА ЕЛІЗА»". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 160–69. https://doi.org/10.5281/zenodo.45554.

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The article discusses the novel by the French writer Edmond Goncourt «La Fille Élisa» («The Girl Eliza») as a manifestation of artistic innovation. The sole activity of E. Goncourt (after the death of the brother of Jules) was the subject of special study, so the study of the novel heritage of E. Goncourt’s late period of creativity is important for the expansion of ideas about the specifics of the literary process in France of the late nineteenth century and the development of the European novel. This article defines the innovation of the writer in coverin

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21

Dufief, Pierre-Jean. "En marge : Hugues Rebell et Edmond de Goncourt." Cahiers Edmond et Jules de Goncourt 1, no. 3 (1994): 50–52. http://dx.doi.org/10.3406/cejdg.1994.1286.

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22

Lefrère, Jean-Jacques. "Edmond de Goncourt dans le Journal de Brinn'Gaubast." Cahiers Edmond et Jules de Goncourt 1, no. 4 (1995): 290–94. http://dx.doi.org/10.3406/cejdg.1995.1579.

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23

Dufief, Pierre-Jean. "Lettres de Frédéric Masson à Edmond de Goncourt." Cahiers Edmond et Jules de Goncourt 1, no. 12 (2005): 167–74. http://dx.doi.org/10.3406/cejdg.2005.958.

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24

Baron, Philippe. "Une correspondance Edmond de Goncourt - Emmy de Némethy." Cahiers Edmond et Jules de Goncourt 1, no. 16 (2009): 153–59. http://dx.doi.org/10.3406/cejdg.2009.1024.

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25

Tilby, Michael. "Flaubert, Edmond De Goncourt, and Gavarni’s ‘Immoral’ Débardeurs." French Studies Bulletin 39, no. 146 (2018): 1–6. http://dx.doi.org/10.1093/frebul/kty001.

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26

Sadkowska, Agata. "Edmond et Jules de Goncourt en Pologne (1860-1918)." Cahiers Edmond et Jules de Goncourt 1, no. 13 (2006): 237–50. http://dx.doi.org/10.3406/cejdg.2006.1117.

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27

Dufief, Pierre-Jean. "Edmond de Goncourt et la biographie historique : Mademoiselle Clairon." Cahiers Edmond et Jules de Goncourt 1, no. 17 (2010): 63–72. http://dx.doi.org/10.3406/cejdg.2010.1032.

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28

Cabanès, Jean-Louis, Edmond de Goncourt, and Jules de Goncourt. "Edmond et Jules de Goncourt : « Le Roi des drôles »." Cahiers Edmond et Jules de Goncourt 1, no. 23 (2016): 125–28. http://dx.doi.org/10.3406/cejdg.2016.1201.

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29

Merello, Ida. "Edmond et Jules de Goncourt, Œuvres complètes, Œuvres romanesques." Studi Francesi, no. 164 (LV | II) (September 1, 2011): 444–45. http://dx.doi.org/10.4000/studifrancesi.5718.

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30

Piva, Franco. "Edmond et Jules de Goncourt, L’art du xviiie siècle." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 169–70. http://dx.doi.org/10.4000/studifrancesi.8252.

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31

Duffy, L. "EDMOND & JULES DE GONCOURT: L'Art du XVIIIe siecle." French Studies 64, no. 1 (2009): 92–93. http://dx.doi.org/10.1093/fs/knp189.

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32

Raffi, Maria Emanuela. "Michael Tilby, Flaubert, Edmond de Goncourt, and Gavarni’s “Immoral” Débardeurs." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 598. http://dx.doi.org/10.4000/studifrancesi.21556.

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33

Takaï, Nao. "Edmond de Goncourt et la mode féminine fin-de-siècle." Cahiers Edmond et Jules de Goncourt, no. 25 (November 1, 2019): 101–13. http://dx.doi.org/10.4000/cejdg.991.

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34

Kulak, Ewa Krystyna. "Wizerunki niezamężnych służących w wybranych dziełach literatury francuskiej XIX wieku." Res Gestae 15 (February 6, 2023): 67–80. http://dx.doi.org/10.24917/24504475.15.5.

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The paper analyses the image of female domestic servants and their condition as unmarried women in three examples of nineteenth-century French literature: A Simple Heart by Gustave Flaubert (1875), Germinie Lacerteux (1865) by Edmond and Jules de Goncourt and Diary of a Chamber-maid (1900) by Octave Mirbeau. The protagonists of these stories represent interesting versions of stereotypical images present in a great number of contemporary works: the life of a loyal and sacrificed servant (Flaubert), the sad history of a servant succumbing to sexual temptations (E. and J, de Goncourt) and the sub

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35

Ferrari, Nicola. "Katherine Ashley, Edmond de Goncourt and the Novel: Naturalism and Decadence." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 188. http://dx.doi.org/10.4000/studifrancesi.30673.

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36

Ferrari, Nicola. "Katherine Ashley, Edmond de Goncourt and the Novel: Naturalism and Decadence." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 187. http://dx.doi.org/10.4000/studifrancesi.30657.

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37

Dufief, Pierre. "Un chapitre inédit de La Fille Élisa, par Edmond de Goncourt." Cahiers Edmond et Jules de Goncourt 1, no. 9 (2002): 189–91. http://dx.doi.org/10.3406/cejdg.2002.892.

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38

Cabanès, Jean-Louis. "Lettres d'Ernest Chesneau à Edmond et Jules de Goncourt (1863-1884)." Cahiers Edmond et Jules de Goncourt 1, no. 11 (2004): 225–45. http://dx.doi.org/10.3406/cejdg.2004.941.

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39

Gaviglio-Faivre d'Arcier, Catherine. "Le chassé-croisé de deux bibliophiles : Lovenjoul et Edmond de Goncourt." Cahiers Edmond et Jules de Goncourt 1, no. 12 (2005): 175–94. http://dx.doi.org/10.3406/cejdg.2005.959.

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40

Warner, Pamela J. "La politique identitaire du japonisme : Edmond de Goncourt et Hayashi Tadamasa." Cahiers Edmond et Jules de Goncourt 1, no. 18 (2011): 83–101. http://dx.doi.org/10.3406/cejdg.2011.1055.

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41

Emery, Elizabeth. "Madame Desoye, “First Woman Importer” of Japanese Art in Nineteenth-Century Paris." Journal of Japonisme 5, no. 1 (2019): 1–46. http://dx.doi.org/10.1163/24054992-00051p01.

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Abstract The shop run by Madame Desoye at 220, rue de Rivoli in Paris is legendary in Japonisme studies thanks to the writings of Edmond de Goncourt and Philippe Burty, yet the identity of the woman hidden behind this married name, like the extent of her participation in Japoniste activities, has long remained a mystery. The present article draws upon new archival research to provide information about the life of Louise Mélina Desoye, née Chopin (1836-1909) and her important contributions to the first wave of French Japonisme.

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42

Gama, Zadig. "Sœur Philomène, dos irmãos Goncourt, das páginas aos palcos." Urdimento: Revista de Estudos em Artes Cênicas 4, no. 49 (2023): 1–25. http://dx.doi.org/10.5965/1414573104492023e0207.

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O objetivo deste artigo é contribuir para o conhecimento que se tem sobre a estreia das duas primeiras temporadas do Théâtre Antoine, em 1887, na França. Trata-se, mais precisamente, de voltar o olhar para a adaptação para o teatro do romance Sœur Philomène (1861), escrito pelos irmãos Edmond e Jules de Goncourt, feita por Jules Vidal e Arthur Byl, e montada na ocasião da estreia de sua segunda temporada. Interrogam-se, assim, as condições nas quais essa adaptação foi produzida assim como sua circulação e recepção junto à crítica teatral feita na imprensa. Isso permite reconstituir, apresentar

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43

Dufief, Pierre-Jean. "Agata Sadkowska-Fidala, Edmond et Jules de Goncourt en Pologne (1860-1918)." Cahiers Edmond et Jules de Goncourt, no. 26 (January 2, 2021): 219–20. http://dx.doi.org/10.4000/cejdg.770.

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44

Cabanès, Jean-Louis. "Edmond et Jules de Goncourt, Deux Sous de vérité. Perles du Journal." Cahiers Edmond et Jules de Goncourt, no. 25 (November 1, 2019): 199. http://dx.doi.org/10.4000/cejdg.964.

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45

Cabanès, Jean-Louis. "Edmond et Jules de Goncourt, Œuvres d’histoire. Portraits intimes du XVIIIe siècle." Cahiers Edmond et Jules de Goncourt, no. 25 (November 1, 2019): 197–99. http://dx.doi.org/10.4000/cejdg.963.

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46

Desurvire, Emmanuel. "Charles Edmond Chojecki et les frères Goncourt, une amitié de trente-huit ans." Cahiers Edmond et Jules de Goncourt 1, no. 21 (2014): 213–29. http://dx.doi.org/10.3406/cejdg.2014.1185.

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47

Kawthar Daouda, Marie. "La Vanité à l’usage des demoiselles : savoir-vivre et savoir-mourir dans le roman d’éducation pour filles dans le Second Empire." Quêtes littéraires, no. 8 (December 30, 2018): 76–87. http://dx.doi.org/10.31743/ql.3482.

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Les années 1850 voient s’installer le Second Empire après un demi-siècle houleux où s’illustre la vanité du pouvoir temporel. Toutes deux légitimistes, Sophie Rostoptchine, comtesse de Ségur, et Victorine Monniot, ont laissé une empreinte profonde dans l’éducation des jeunes filles du Second Empire. Leur enseignement, fondé sur une interprétation concrète du catéchisme catholique, illustre les principes chrétiens de renonciation aux biens matériels enseignés par le memento mori tout en se faisant l’écho des angoisses de l’époque. L’article se propose d’étudier la présence de la vanité comme ou

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48

González, Mónica. "Del orientalismo de segundo grado en Rubén Darío. Imaginarios sensoriales, regímenes sinestésicos y lo ‘sublime doméstico’ en Azul..." Taller de Letras, no. 70 (2022): 100–111. http://dx.doi.org/10.7764/tl70100-111.

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En este artículo propongo otra aproximación a la genealogía de la renovación poética de Rubén Darío en Azul…, vinculada a las materias y afectos que circulan en la obra, para lo cual analizo la incorporación en el lenguaje estético de lo que llamo orientalismo de “segundo grado” (Roberto Schwarz), ideología consumida periféricamente por las oligarquías decimonónicas chilenas. En diálogo con el orientalismo metropolitano de Edmond de Goncourt, sugiero la idea de “sublime doméstico” para distinguir la valoración emergente de una obra artística localizada entre lo artesanal y lo industrial –valor

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49

Lucet, Sophie. "La Patrie en danger, de Jules et Edmond de Goncourt, un drame historique à contretemps ?" Cahiers Edmond et Jules de Goncourt 1, no. 13 (2006): 55–76. http://dx.doi.org/10.3406/cejdg.2006.968.

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50

Jordan, Tristan. "Le dossier Edmond de Goncourt dans les Archives de la Préfecture de police de Paris." Cahiers Edmond et Jules de Goncourt 1, no. 18 (2011): 155–58. http://dx.doi.org/10.3406/cejdg.2011.1061.

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