Relevant bibliographies by topics / Eduardo (1946-....)

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Academic literature on the topic 'Eduardo (1946-....)'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Eduardo (1946-....)"

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Stringuetti, Lucas Mateus. "O Brigadeiro Eduardo Gomes:." História, histórias 4, no. 8 (January 16, 2017): 239–52. http://dx.doi.org/10.26512/hh.v4i8.10955.

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Este texto tem por objetivo realizar uma análise comparativa das obras biográficas que foram escritas ao longo do tempo sobre o Brigadeiro Eduardo Gomes. Assim, serão analisadas as seguintes biografias: Brigadeiro Eduardo Gomes, publicada em 1945, de Gastão Pereira da Silva; O Brigadeiro da Libertação, a segunda edição do livro de Paulo Pinheiro Chagas, editada em 1946; e O Brigadeiro: Eduardo Gomes, trajetória de um herói (2011), escrita por Cosme Degenar Drumond. A ideia é discutir como o perfil político do Brigadeiro Eduardo Gomes foi retratado pelos referidos autores por ocasião da disputa eleitoral em 1945 em suas obras, na eleição em que o Brigadeiro foi candidato à Presidência da República, pela UDN, e, ao mesmo tempo, averiguar além de proximidades e diferenças, como essas obras apresentam suas abordagens do ponto de vista documental e histórico.
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Marichal, Carlos. "Eduardo Turrent: Historia del Banco de México, 1940–1946, vol. 2, Mexico, 2001." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 19, no. 2 (September 2001): 474–77. http://dx.doi.org/10.1017/s021261090000923x.

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Garibaldi P., Alejandro. "Consideraciones sobre el cáncer de la próstata." Anales de la Facultad de Medicina 39, no. 4 (November 18, 2014): 1462. http://dx.doi.org/10.15381/anales.v39i4.10765.

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Hemos comparado la histología de dos lotes de próstatas operadas en el mismo Servicio, con 10 años de intervalo. habiendo encontrado ciertos datos de interés, en relación con el Cáncer de la Próstata. Es así como en el año 1946, el Dr. Eduardo Delgado Castro consignó en su tesis, que sobre 50 próstatas operadas en el Servicio de Urología del Hospital "Daniel A. Carrión", estudiadas histológicamente por el Prof. Pedro Weiss, 18% resultaron ser Adenocarcinomas, 30% fueron consideradas como Adenomas atípicos y el 52% restantes fueron catalogadas como Adenomas benignas.
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Cucchi, Rubén J. "La Revista del Centro de Estudiantes del Doctorado en Ciencias Naturales." Revista del Museo de La Plata 1 (December 29, 2016): 111–18. http://dx.doi.org/10.24215/25456377e022.

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La Revista del Centro de Estudiantes del Doctorado en Ciencias Naturales nació en mayo de 1935, una época en que en la Universidad se priorizaba el profesionalismo por sobre la academia. ¿Por qué considero de interés analizar la aparición de esta revista? En primer lugar no era usual en nuestro país la publicación de una revista científica en el ámbito de las Ciencias Naturales. Sirva de ejemplo que la revista de la Asociación Geológica Argentina recién aparece en 1945. En segundo lugar permitía dar a conocer a investigadores argentinos no sólo en nuestro país sino en el exterior y el intercambio de material bibliográfico con otras instituciones contribuyó a formar el patrimonio de la biblioteca del Centro de Estudiantes. A partir del año 1941 apareció con el nombre de “Holmbergia”, en homenaje a Eduardo L. Holmberg “el primer profesor argentino nativo” y “prócer de nuestra patria” como dijera Jorge A. Crespo en el editorial del n° 6 del tomo III. El análisis de las colaboraciones nos permite conocer a quienes fueron los primeros investigadores argentinos y contribuye al estudio de la historia de la ciencia en nuestro país. Esta revista, publicada con el aporte económico de alumnos, profesores y graduados tuvo dos etapas, desde su fundación en 1935 hasta 1946 y una segunda entre 1956 y 1961 cuando con el nº 17, cesó de publicarse.
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Cárcamo Gebhardt, Nicolás Andrés. "MEDICINA DEL TRABAJO Y PREVISIÓN BIOLÓGICA: CONVERSIÓN DE LA ACCIÓN MÉDICA EN LA OBRA DE EDUARDO CRUZ-COKE LASSABE (CHILE, 1938-1946)." Revista de Historia Social y de las Mentalidades 25, no. 1 (July 14, 2021): 29–64. http://dx.doi.org/10.35588/rhsm.v25i1.4286.

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Eduardo Cruz-Coke Lassabe fue una de las figuras más influyentes en la escena médico-política chilena del siglo XX. Producto de una consideración positiva de sus propuestas de intervención ambiental y de su invariable orientación político-económica, ha permanecido desvinculado historiográficamente de corrientes emparentadas al racismo científico. Esta investigación tensiona su obra médico-social desde los ejes de raza y clase. Mediante el análisis de su proyecto de “conversión de la acción médica” –vigilancia de los supuestos sanos y detección de morbilidad latente de la clase trabajadora– podemos realizar una lectura más profunda respecto un programa integrado de salud nacional, con miras a frenar reivindicaciones por la obtención de derechos sociales.
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Salvucci, Richard J. "Historia del Banco de México: Volumen 2, 1940-1946. By Eduardo Turrent Díaz. Mexico City: Banco de Mexico, 2001. Pp. 419. Tables. Notes. Bibliography. $35.00 paper." Americas 58, no. 3 (January 2002): 494–95. http://dx.doi.org/10.1353/tam.2002.0022.

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Ramassote, Rodrigo. "Cartas de trabalho: a correspondência de Octávio da Costa Eduardo a Melville J. Herskovits." Revista Pós Ciências Sociais 14, no. 27 (February 23, 2017): 231. http://dx.doi.org/10.18764/2236-9473.v14n27p231-248.

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Na primeira metade da década de 1940, o jovem estudante de antropologia Octávio da Costa Eduardo, formado pela Escola Livre de Sociologia e Política, aprofundou sua formação no Departamento de Antropologia da Northwestern University, nos EUA, sob a orientação de Melville J. Herskovits. Em sua pesquisa de campo no estado do Maranhão, realizada entre novembro de 1943 e junho de 1944, ele encaminhou, periodicamente, cartas a seu orientador, nas quais relatava o avanço da pesquisa e informava sobre questões de ordem pessoal. Esta introdução tem como objetivo contextualizar a trajetória acadêmica, as atividades profissionais e a produção intelectual de Costa Eduardo durante o período, a fim de municiar os leitores para o conjunto de vinte cartas que seguem reproduzidas nesta edição.
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Editorial, Comite. "Eduardo Fernández Guerrero." Revista Ciencias Biomédicas 7, no. 2 (November 9, 2020): 201–2. http://dx.doi.org/10.32997/rcb-2016-2847.

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Nació en la población de Arjona, departamento de Bolívar, el 21 deabril de 1932, cursó estudios de bachiller superior en la Universidadde Cartagena entre los años 1944 - 1949. Al año siguiente, con 17 años de edad, se fue a la ciudad de Bogotá y allí realizó estudios en la Universidad Nacional de Colombia, en donde obtuvo el título de Bacteriólogo y Laboratorista Clínico en 1954 con la tesis Viscosidad sanguínea en el estado puerperal y en los individuos normales, —mientras estudiaba fuepreparador de bioquímica por dos años en la misma universidad.
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Furno, Raffaele. "Napoli and the loss of innocence: Three theatrical hypotheses." Forum Italicum: A Journal of Italian Studies 52, no. 2 (February 1, 2018): 523–36. http://dx.doi.org/10.1177/0014585818757195.

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The layers of Neapolitan culture have pinned down the representation of the city to two shifting paradigms: Napoli as a nourishing mother, pregnant in luxurious views of her Gulf and generous products of her land, and, on the opposite side, Napoli as a whore and a witch, a dark sterile entity that devours her children. Both ways, female markers have characterized the construction of Napoli’s cultural identity in the imagery of her intellectuals, story-tellers, and writers. This article will analyze such female reincarnations through the theatrical work of three of the city’s major authors: Eduardo de Filippo’s Filumena Marturano (1946), Roberto de Simone’s melodrama La Gatta Cenerentola (1976), and Annibale Ruccello’s Le cinque rose di Jennifer (1980). Through the metaphor of the lost virginity of the female body, and using different stage languages including drama, comedy, music, and fairy tales, Neapolitan theatre has used tradition and local culture to project Napoli into a wider contemporary intellectual debate. This, I deem, was made possible by the fluid and hybrid nature of “being Neapolitan” which consists of deeply grounded linguistic, religious, culinary, and performative roots and, at once, of a keen awareness that those same roots travelled hundreds of miles and originated from foreign sources, marking Napoli as a quintessential multicultural, proto-European city.
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Ferretti, Sergio F. "Correspondência de Octávio da Costa Eduardo para Melville Herskovits (1943/1944)." Revista Pós Ciências Sociais 14, no. 27 (February 23, 2017): 213. http://dx.doi.org/10.18764/2236-9473.v14n27p213-229.

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Apresentação do problema, informações sobre a vida de Octávio da Costa Eduardo e sobre a Escola Livre de Sociologia e Política de São Paulo. Relato de pesquisas anteriores sobre religiões de origens africanas no Maranhão. Análise da correspondência de Costa Eduardo com Herskovits. Relatos sobre o trabalho de campo no Maranhão e sobre as orientações do professor ao aluno. Comentários sobre a tese de Costa Eduardo sobre o negro no meio urbano e rural do Maranhão. Importância das pesquisas sobre negro no Maranhão e novos interesses profissionais de Costa Eduardo sobre pesquisas de mercado.
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Dissertations / Theses on the topic "Eduardo (1946-....)"

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Scareli, Giovana. "Santo forte : a entrevista no cinema de Eduardo Coutinho." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251699.

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Orientador: Cristina Bruzzo
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Trata-se de uma investigação sobre o filme brasileiro Santo Forte de Eduardo Coutinho, a partir de estudos sobre o diretor, sua vida e obra, com destaque para esse filme e suas formas de produção, enfocando diferentes aspectos ligados às entrevistas: as relações de poder, os contrastes entre o público e o privado; a organização espacial, a presença dos aparelhos de TV e seus diferentes usos, o efeito da câmera, as inserções, as fotografias e, em especial, o investimento diferenciado do diretor para cada personagem no momento da entrevista. Tal investimento no momento do encontro, permite à pessoa entrevistada que seja valorizada e vista como um indivíduo singular, promovendo no caso do filme, uma maior aproximação entre o espectador e a pessoa, para a qual, o cotidiano e a religiosidade estão fortemente misturados.
Abstract: This is a research on the of Brazilian film Santo Forte Eduardo Coutinho, from studies on the director, his life and work, and in this film and its forms of production, focusing on different aspects of interviews: the relationship of power, the contrasts between the public and private, the spatial organization, the presence of the apparatus of TV and its various uses, the effect of the camera, the inserts, the photographs and, in particular, investment director of the differential for each character in the moment the interview. This investment at the meeting, allows the person interviewed who is valued and seen as a singular individual, promoting the film in the case, greater rapprochement between the spectator and the person to which the daily life and religion are strongly mixed.
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
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Almeida, Francisco Eduardo Alves de. "O poder marítimo sob o ponto de vista estratégico entre 1540-1945:uma comparação entre concepções de Alfred Mahan(1840-1914) e Herbert Richmond(1871-1946)/Francisco Eduardo Alves de Almeida." Rio de Janeiro:UFRJ.Instituto de Filosofia e Ciências Sociais, 2009. http://repositorio.mar.mil.br/handle/ripcmb/26358.

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Orientador : Francisco Carlos Teixeira da Silva
Dissertação (mestrado) - Universidade Federal do Rio de Janeiro, Instituto de Filosofia e Ciências Sociais, 2008.
Inclui bibliografias.
Documento disponível em meio magnético na Seção de Multimídia da Biblioteca da EGN (CD-MA-17)
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Jouanna, Françoise. "Les fonctions de l’intertexte catalan dans l’oeuvre romanesque d’Edouardo Mendoza." Paris 4, 2006. http://www.theses.fr/2006PA040212.

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Après une étude des circonstances de l’écriture romanesque à Barcelone, où le bilinguisme social catalan/castillan, a permis l’épanouissement de deux littératures, de deux champs littéraires, dans une seconde étape, nous abordons la fonction de l’intertexte littéraire catalan dans l’œuvre romanesque d’Eduardo, en plaçant au centre de cette étude la relation intertextuelle entre La febre d’or de Narcίs Oller et La ciudad de los prodigios publiée en 1986. Cette intertextualité ayant été reconnue par l’auteur nous avons pu imaginer une mise en abyme entre les deux textes qui par un jeu de miroirs, va jusqu’à l’anamorphose. Notre lecture a insisté sur le motif de l’ascension sociale et le thème de la ville, espace cosmopolite, plurilingue dans les deux romans, puis au cours d’une troisième étape nous nous sommes interrogée sur la reprise, l’épuisement et la disparition, du motif et du thème, ceci dans l’ensemble de l’œuvre romanesque d’Eduardo Mendoza
After a study of circumstances of novel writing in Barcelona, where the social bilinguism catalan/castellan, has made easier the full bloom of two literatures, of tow literary fields, in a second step, I will tackle the intertext catalan function in Eduardo Mendoza’s novel works. Let’us place in the center of the study the intertextual relation between La febre d’or published in 1890 and La ciudad de los prodigios, published in 1986. The intertextuality being recognized by the author, so I have been able to think about a mise en abyme between the tow texts which througn a reflection of mirrors becomes an anamorphosis. Our readind has insisted on the pattern of social ascent and the theme of the town, cosmopolitan space, multilingual space in the tow novels, then in a third step, I wonder about the return, the exhaustion and the disappearing of the pattern and the theme in the whole novelisting works of Eduardo Mendoza
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Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.

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The subject of this thesis is an intertextual and psycho-analytic study of the relationship between two major dramatists of twentieth century Italian Theatre, Luigi Pirandello and Eduardo De Filippo. The analysis is in part conducted according to the concept of influence developed by Harold Bloom in The Anxiety Of Influence and expressed in "Freudian" terms, in which one poet, the later (Eduardo De Filippo), is presumed to "struggle" with or try to surpass his precursor (Luigi Pirandello).
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Dennis, Paul. "Britain and Eduardo Frei's Chilean 'revolution in liberty' : 1964-1970." Thesis, University of Kent, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589928.

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At its origin this study was primarily concerned with British policy towards Chile in the period 1964 to 1970, and, at a wider level, British policy towards Latin America. However, as the thesis evolved it became abundantly clear that issues surrounding US-Chilean relations and Chilean domestic politics would prove integral to its formation. Indeed, not merely as supporting secondary components but as core essential thematic strands. In the nineteenth century, Britain enjoyed a degree of commercial pre-eminence in Latin America, and close trading, diplomatic and cultural relations with a number of the countries of the region. But in the first half of the twentieth century, the UK's links with the continent had become much looser, though they were never severed. For Harold Wilson's Labour governments (1964-66 and 1966-70) the re-forging of intimate relations, particularly in the spheres of trade and commerce, was seen as one way of helping the United Kingdom to overcome the serious economic problems then bedevilling the country. Of all the states of Latin America, it was Chile with which Britain traditionally had enjoyed the warmest and most cordial of relations, and it was Chile that would play a central role in the Labour government's new, or revived, approach to Latin America. Yet, for reasons, which will become clear, by 1970 Chile had been overtaken by Brazil, Mexico and Venezuela as the UK's first-choice commercial partners.
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Hunkel, Andreas. "Eduard Dietz (1866 - 1940) ; Richter, Rechtsanwalt und Verfassungsschöpfer." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/992806178/04.

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Ferreira, Ana Cláudia Fernandes 1973. "Um nome de teoria estabilizado, sentidos em movimento : a semantica argumentativa na historia." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270540.

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Orientador: Claudia Regina Castellanos Pfeiffer
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta dissertação, inscrita no projeto História das Idéias Lingüísticas no Brasil, teve como objetivo estudar alguns aspectos da configuração da semântica argumentativa em produções de Carlos Vogt e Eduardo Guimarães,em torno das décadas de 1970e 1980. Neste estudo, realizei análises sobre o nome semântica argumentativa ao lado de outros nomes de teoria presentes nas produções destes autores. Estas análises permitiram uma compreensão sobre a estabilização do nome semântica argumentativa em seus estudos e, ao mesmo tempo, sobre os sentidos deste nome em movimento. Este funcionamento da semântica argumentativa enquanto um nome de teoria estabilizado com sentidos em movimento é compreendido a partir de relações interdiscursivas produzidas por condições materiais específicas: condições históricas gerais da produção do conhecimento sobre a linguagem e condições históricas específicas ao domínio da semântica argumentativa,na relação com as instituições onde as pesquisas dos autores foram produzidas
Abstract: This thesis, part of the History of Linguistic Ideas in Brazil project, studies aspects of the argumentative semantics in works of Carlos Vogt and Eduardo Guimarães, that was produced during the 1970s and 1980s. This study analyses the name argumentative semantics, in relation to other names that designate a theoretical domain in the works of these authors. These analyses had allowed to an understanding on the stabilization of the name argumentative semantics in his works and the meanings of this name in movement. The functioning of argumenta tive semantics as an established name with changing meanings is understood on the basis of interdiscursive relations produced by specific material conditions: the general historical conditions of the production of the knowledge of language, and the specific historical conditions of the argumenta tive semantics domain. These conditions are discussed in relation to the institutions where the research of the authors was produced.
Mestrado
Linguistica
Mestre em Linguística
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Huston, Carol. "Eduardo Paolozzi and J.G. Ballard : representing new British modernities, c. 1966-1980." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/eduardo-paolozzi-and-jg-ballard-representing-new-british-modernities-c-1966--1980(97dadfe7-8ca9-4c36-86ae-3fcbcad61a7b).html.

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The significance of the relationship between Scottish artist Sir Eduardo Paolozzi (1924-2005) and English novelist J.G. Ballard (1930-2009) has previously been overlooked in art historical and literary scholarship. This thesis fills this research gap through the analysis of how the pair’s works overlapped thematically to represent a particular strain of British modernity. By looking at shared cultural circumstances after World War II, parallels will be drawn between the work of Paolozzi and Ballard in the late years of British modernism. Drawing upon the topics of science fiction, Surrealism, the neo-avant-garde and militaristic and crash aesthetics, this thesis explores the various themes which Paolozzi and Ballard encountered during the period of their friendship. Overall, this comparative analysis reveals that despite dissimilar upbringings, Paolozzi and Ballard’s harrowing experiences of the Second World War culminated in a dual reaction against the stagnant flow of British modernism during the late postwar era. My thesis demonstrates this through their involvement with literary magazines as well as their mutually shared interests as expressed in their works of art and writings. By creating works which appropriated early twentieth century traditions, Paolozzi and Ballard rejected their immediate modernist inheritance and turned to the modernist past with renewed avant-garde intent. As exemplified in their works, the pair together represented the late postwar transition of British modernity during the dawn of what would come to be called ‘postmodernism’.
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Gort, Oliver Jordina. "Eduard Toda i Güell. Ideologia i escriptura (1855-1941)." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/285581.

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Aquesta tesi està centrada en la figura del diplomàtic i escriptor Eduard Toda i Güell. L'objectiu primordial d'aquest estudi és el de definir el pensament , l'estil d'escriptura i les influències ideològiques i literàries del personatge partint de l'anàlisi dels seus textos , però també a través de la seva obra humana, les seves relacions , els seus viatges i les seves implicacions en el camp polític, social i cultural del país. Per a això s'analitza el seu epistolari, la creació de la seva biblioteca i els seus donatius de llibres i col•leccions en diferents biblioteques i arxius del país, la selecció dels llibres que va adquirir i les possibles lectures que van formar el seu pensament i l'escriptura dels seus textos, discursos, articles i llibres . L'anàlisi de l'obra d'Eduard Toda estudia, principalment, el sentit final de cada llibre i del conjunt de la seva obra. L'estudi estableix el perquè , la metodologia i el valor dels llibres i articles que va escriure. Mostra la finalitat de la seva escriptura i també de tota aquella obra material i espiritual que no forma part de l'escriptura -és el cas de les restauració arquitectònica de monuments com el monestir de Santa Maria de Poblet- però que també constitueix la seva obra global. L'estudi i anàlisi de l'obra d'Eduard Tota vol aprofundir en el seu ideologia i extreure la base del seu pensament per entendre millor al personatge, i descobrir quin va ser el motor que va generar una personalitat tan polièdrica i l'energia que impulsava cada projecte i cada acció de la seva vida.
This thesis is centered on the figure of the diplomat and writer Eduardo Toda i Güell. The primary objective of this study is to define thinking, writing style and the ideological and literary influences of the character from the analysis of texts, but also through his human work, their relationships, their travel and their implications in political, social and cultural fields in the country. To do so his correspondence, his library creation and his donations of books and collections in various libraries and archives in the country were analyzed, as well as the selection of books which acquired and possible readings that shaped his thinking and writing of texts, speeches, articles and books. The analysis of the work of Eduardo Toda studies mainly the ultimate meaning of each book and the whole of his work. The study establishes the reason, the methodology and the value of books and articles written. It displays the purpose of his writing and also of all that material and spiritual work that is not part of the script –that is the case of architectural restoration of monuments such as the Monastery of Santa Maria de Poblet- but also its global workforce. The study and analysis of the work of Eduardo Toda want to deepen their ideology and extract the basis of their thinking to better understand the character, and discover what the engine was that generated such a multifaceted personality and energy that drive each project and each action of his life.
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Garino, Laurence. "Le miroir aux écritures : l'intertextualité dans les romans de Eduardo Mendoza." Aix-Marseille 1, 1995. http://www.theses.fr/1995AIX10052.

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Ce travail vise a preciser la nature et la portee d'un exemple particulier de renovation romanesque espagnole postmoderne, a partir de l'analyse des mecanisme de deconstruction de la structur du roman monologique traditionnel. Dans une premiere partie, "la verdad sobre el caso savolta" et "la ciudad de los prodigios" constituent le terrain d'exploration des procedes typographiques et chronologiques de fragmentation sequentielle. Les ruptures s'allient a un reseau complexe d'analepses pour remodeler circulairement le trajet narratif. Le texte se construit dans la discontinuite de ce morcellement, et non plus dans la continuite du defilement lineaire. Dans une deuxieme partie, "el misterio de la cripta embrujada" et "el laberinto de las aceitunas" servent l'etude des repercussions du collage discoherent sur le tissu enonciatif et generique. La voix dorenavant syncretique du narrateur place le texte en dialogue avec lui-meme et les autres textes. Polyphonie et plurilinguisme expliquent que l'ecriture soit reecriture. Et le couple parodie-ironie empeche l'installation d'une coherence generique autre que celle fournie par le detournement et le dialogisme. L'ecriture ainsi renovee fonde sa nouveaute sur une edifiante deconstruction qui retrouve les origines mythiques, porteuses du feu sacre de la creation.
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Books on the topic "Eduardo (1946-....)"

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Eduardo Brito, 1905-1946. Santo Domingo, República Dominicana: Ediciones de Taller, 1986.

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2

Hernández, Wilson Roberts. Eduardo Brito, 1905-1946. Santo Domingo, República Dominicana: Ediciones de Taller, 1986.

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Paolozzi, Eduardo. Eduardo Paolozzi: Mythologies : retrospective survey, 1946-1990. London: Scottish Gallery, 1990.

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Paolozzi, Eduardo. Eduardo Paolozzi: Artificial horizons and eccentric ladders : works on paper 1946-1995. London: British Council, 1996.

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Nery, Eduardo. Eduardo Nery, 1956-1996. [Lisboa?]: Culturgest, 1997.

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Universidade Eduardo Mondlane. Centro de Estudos Africanos. Bibliografia, 1976-junho de 1990. Maputo: Centro de Estudos Africanos, Universidade Eduardo Mondlane, 1990.

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Carmona, Gloria. Eduardo Mata (1942-1995): Fuentes documentales. México, D.F: CONACULTA, 2001.

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Bargheer, Eduard. Eduard Bargheer: Aquarelle 1935-1949. Edited by Leppien Helmut Rudolf and Hamburger Kunsthalle. [Hamburg]: Hamburger Kunsthalle, 1996.

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Haring-Smith, Tori. Eduardo deFilippo's Napoli milionaria. Woodstock, Ill: Dramatic Pub., 1996.

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Eduardo Lourenço: Os anos da formação, 1945-1958. Lisboa: Impr. Nacional-Casa da Moeda, 2003.

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Book chapters on the topic "Eduardo (1946-....)"

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Gadamer, Hans-Georg. "Eduard Zeller." In Semper Apertus Sechshundert Jahre Ruprecht-Karls-Universität Heidelberg 1386–1986, 960–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-642-70477-2_34.

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Sander, Christian A. "Eduard Christian Arning (1855–1936)." In Pantheon der Dermatologie, 33–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-34093-5_5.

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Kugener, M. A. "EDUARD SACHAU, Syrische Rechtsbücher (herausgegeben und übersetzt von)." In Revue de l’Orient Chrétien (1896-1946), edited by René Graffin, 222–24. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463220754-023.

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Fischer, Donatella. "Strong Women and Nontraditional Mothers:The Female Figures in Napoli Milionaria! and Filumena Marturano by Eduardo de Filippo." In Women in Italy, 1945–1960, 211–23. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601437_14.

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Reulecke, Jürgen. "Anmerkungen zu Eduard Sprangers „Fünf Jugendgenerationen 1900–1949“ aus dem Jahre 1950." In Jahrbuch Jugendforschung, 403–11. Wiesbaden: VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-322-85157-4_20.

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Němec, Jiří. "War die Josephinismus-Interpretation von Eduard Winter aus dem Jahre 1943 eine nationalsozialistische Interpretation?" In Josephinismus zwischen den Regimen, 102–40. Wien: Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205201656-003.

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Dölgee, F. J. "C) BESPRECHUNGEN Eduard Schwartz Kaiser Constantin und die christliche Kirche; Yalerian Sesan Kirche und Staat im römisch-byzantinischen Reiche seit Konstantin dem Großen und bis zum Falle Konstantinopels. I. Band: Die Religionspolitik der christlich-römischen Kaiser von Konstantin." In Oriens Christianus (1901-1941), edited by Anton Baumstark, 145–52. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463217464-014.

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Arndt, Steffen. "»Try to be a good German«. Herzog Carl Eduard von Sachsen-Coburg und Gotha und seine Rolle als Hitlers adeliger Helfer 1905 bis 1945." In Es lebe die Republik?, 106–28. Göttingen: Vandenhoeck & Ruprecht, 2021. http://dx.doi.org/10.13109/9783666311307.106.

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Marrone, Gaetana. "City of Memory." In The Cinema of Francesco Rosi, 218–24. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0007.

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Since he had left Naples in the winter of 1946–1947 Rosi had never felt tempted to return but somehow always looked for creative projects which would lead him back. In 1992, he films Diario napoletano (Neapolitan Diary), an intimate narrative documenting a personal and collective journey. In 2003, Eduardo De Filippo’s art, deeply rooted in human suffering rather than the virtuosity of the stagecraft, persuaded Rosi to direct Napoli milionaria! at the San Carlo Theatre for the Compagnia di Teatro Luca De Filippo. Rosi’s vision of historical continuity between cinema and the theater is embodied in a city where poverty favors corruption, crime, and an insatiable longing for power. For Rosi, Eduardo's play is an appeal for action aimed at recapturing the fundamental values of life: love, honesty, solidarity. Three years later he staged Le voci di dentro and in 2008 Filumena Marturano.
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"Eduardo Rovner (*1942)." In Theater in Argentinien, 275–84. Vervuert Verlagsgesellschaft, 2002. http://dx.doi.org/10.31819/9783964564092-030.

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Conference papers on the topic "Eduardo (1946-....)"

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Vergara-Muñoz, Jaime, and Miguel Martínez-Monedero. "Bab Tut de la medina de Tetuán (Marruecos): estudio y datos para su conservación." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11489.

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Bab Tut of the medina of Tetouan (Morocco): study and data for its conservationAt the beginning of the Spanish Protectorate in Morocco (1912-1956) the medina of Tetouan, with its walls and gates, was perceived as a fundamental part of the traditional city that was to be conserved. It is interesting to consider, in this sense, the concern that since the war of Tetuan (1859) was to obtain an adequate graphic representation of this architecture. Among the Maps of the Spanish Army Geographical Service are the first drawing that were made (scale 1:100) of the gates of the medina. They are signed by Francisco Gómez Jordana; Alejo Corso and Eduardo Álvarez in 1888. The purpose of this study is to publish the Bab Tut survey and its description. Thanks to this drawing we can know the exact status of the gate before the Spanish occupation and establish a documentary base that facilitates the recovery of this defensive heritage of the city of Tetouan.
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