Dissertations / Theses: 'Edvard Grieg'

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Oelmann, Klaus Henning. "Edvard Grieg : Versuch einer Orientierung /." Egelsbach ; New York : Hänsel-Hohenhausen, 1993. http://catalogue.bnf.fr/ark:/12148/cb35799052j.

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Koyle, Douglas Metcalf. "The foreshadowing of musical impressionism in the works of Edvard Grieg." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1146152928.

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Loesti, Friedhelm. "Musikalische Charakteristik in den lyrischen Klavierstücken von Edvard Grieg." Stuttgart Ibidem-Verl, 2006. http://d-nb.info/987813544/04.

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Ohlwein, Anna-Lena. "Grieg och fred : Hur jag som violinist kan använda mig av fingersättningar och pianostämman i instuderingen av sonater." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2978.

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Det här arbetet handlar om min instuderingsprocess av Edvard Griegs sonat för violin och piano op. 8. Under arbetets gång har jag huvudsakligen fokuserat på två frågeställningar: Hur kan jag använda fingersättningar på bästa sätt för att underlätta för intonation och musikalisk idé? Hur kan pianostämman i en sonat för violin och piano hjälpa mig att tolka violinstämman? De fingersättningar som föreslogs i utgåvan jag använde fungerade inte så bra för mig. Detta fick mig att fundera över hur man kan använda fingersättningar för att underlätta för intonation och musikalisk intention. På grund av styckets överlag något folkliga karaktär har jag utgått ifrån vilka fingersättningar som känns mest naturliga för att få fram ett så enkelt och lättillgängligt uttryck som möjligt. Dessutom studerade jag pianostämman innan violinstämman för att kunna basera frasering och musikaliska idéer på harmonik och andra impulser som ofta kommer från pianostämman.

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Sagona, Amalia. "Edvard Grieg’s Ballade in the Form of Variations on a Norwegian Melody, Op.24, for Piano, and Old Norwegian Melody with Variations, Op.51, for Two Pianos: An Analytical Overview and Interpretive Study of the Variation Procedure." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1257892076.

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Bergan, Caroline Patricia. "EDVARD GRIEGRecognizing the Importance of the Nationalist Composer on the International StageIPA Transliteration of Three Song Cycles." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1590059725731227.

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Lee, Sungyo. "Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984142/.

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The purpose of this document is threefold. First, it demonstrates what Grieg contributes to the musical text compared with the original Peters edition, particularly, those additions that refer to expression, interpretation, and style. Second, this document focuses on presenting Grainger's changes that were approved by Grieg. Third, the document evaluates Grainger's own suggestions for pedaling, hand redistribution and fingering, addition of notes, tempo markings, and other performance guidelines.

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Sobba, Lyle Andrew. "An examination of major works for wind band and brass ensemble: “Funeral march for brass choir” by Edvard Grieg, “Dance mix” by Rob Smith, and “An original suite” by Gordon Jacob." Kansas State University, 2011. http://hdl.handle.net/2097/8524.

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Master of Music Department of Music Frank C. Tracz The following report is research and analysis of major wind band literature for the Graduate Conducting Recital performed by the Kansas State University Wind Ensemble on March 13th, 2011 under the direction of Lyle Sobba. The repertoire for the concert was comprised of the following pieces: Funeral March for Brass Choir by Edvard Grieg, Dance Mix by Rob Smith, and An Original Suite by Gordon Jacob. This examination, through thorough research and theoretical analysis, is a compilation of the documents created to effectively rehearse the compositions. The report also contains documents pertaining to the planning and executing of the Graduate Conducting Recital.

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Skovdahl, Åsenblad Ingrid. "Griegjubiléet 1943 : Ett avgörande slag mellan radikal kulturnationalism och patriotism om framtidens musikliv." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-377480.

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Edvard Griegs 100-årsjubileum i juni 1943 var en spänningsfylld händelse i det tyskockuperade norska musiklivet, som i Oslo markerades med tillställningar av bland annat Filharmonisk Selskap, revyscenen Chat Noir och den nazistiska regimen. Genom att diskutera Griegjubiléets politiska signifikans för nazister och anti-nazister (s.k. jøssinger), samt analysera tonsättarens symboliska värde för respektive läger, förklarar uppsatsen varför båda lägren ville fira jubiléet och ha Grieg på sin sida. Huvudsyftet med detta är att öka kunskapen om de musikaliska och kulturella aspekterna av ockupationstiden i Norge. De källor som används är samtida tidningar, arkivmaterial från Kultur- og Folkeopplysningsdepartementet, samt Hans Jørgen Hurums samtidsskildring Musikken under okkupasjonen. Eftersom uppsatsen bygger på tolkning av historiskt material, tillämpas hermeneutisk metod. Uppsatsen visar att nazisterna använde Griegjubiléet som kulturell propaganda, för att ge sken av ett lugnt och harmoniskt musikliv, vilket i sin tur skulle påvisa nationens välmående. Griegjubiléet var viktigt för nazisterna, eftersom Grieg var en viktig symbol för deras radikala kulturnationalism och framtidsvisioner. För jøssingene innebar Griegjubiléet en möjlighet att känna samhörighet med varandra och uttrycka en stilla protest mot regimen i form av bojkotter mot statligt arrangerade Griegkonserter. För dem hade Griegs musik ett trösterikt värde, samtidigt som den i likhet med 1800-talets kulturnationalism fick symbolisera frihet, självständighet och demokrati. Griegjubiléet i Oslo 1943 blev ett avgörande slag mellan radikal kulturnationalism och patriotism om framtidens musikliv, vilket slutade med total bojkott och slutligen död för det offentliga konsertlivet under resten av ockupationen.

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Yun, Xiao. "Tonal Enigmas: A Study of Problematic Openings and Endings." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248491/.

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When talking about tonal music, we sometimes tend to take for granted the idea that the tonic should always be clearly established either at the beginning or the end. However, there are composers who sometimes deviate from the normal path by creating different types of riddles or tonal enigmas in their works. Some of these riddles can be solved later on as the piece progresses; yet others may need to bexplained with the help of some external references. This thesis examines three such examples, each of which poses its unique enigma. The second movement of Bruckner's Symphony No. 1 presents a dualism between Ab and F (paralleled by their dominants Eb and C); Brahms's Alto Rhapsody involves an enormous auxiliary cadence spanning 2/3 of the piece and a seemingly plagal cadence which turns out to be authentic with the V suppressed; and eventually, Grieg's setting of Dereinst, dereinst, Gedanke mein provides a paradoxical ending which may be understood as incorporating the composer's attitude towards the text.

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Rossi, Jérôme. "L'oeuvre symphonique de Frederick Delius (1907-1914) : étude du langage musical et des procédés formels." Paris 4, 2005. http://www.theses.fr/2005PA040129.

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Frederick Delius, musicien anglais (1862-1934), acquit une importante notoriété au début du XXe siècle, au point d'être souvent comparé à Gustav Mahler ou Richard Strauss à son époque. Pourtant son œuvre reste encore largement méconnue, notamment en France où persiste une certaine indifférence à son égard. Ce phénomène est d'autant plus inexplicable que Delius passa près de la moitié de sa vie en France et que sa musique partage nombre de caractéristiques avec celle de Debussy ou de Ravel. En analysant les œuvres de la maturité de Delius, certaines pour la première fois (The Song of the High Hills, North Country Sketches), nous avons tenté de montrer la richesse de son langage musical et la modernité de ses procédés formels. Profondément marqué par l'influence de Wagner et de Grieg, l'art de Delius constitue une réponse personnelle à la question du renouvellement des langages et des styles musicaux au début du XXe siècle. Avec ce travail, nous espérons avoir contribué à évaluer avec plus de justesse la place de Delius dans l'histoire de la musique occidentale et à faire apprécier davantage la singularité de son art Frederick Delius, an English musician (1862-1934), became very famous at the beginning of the XXth century to such an extent that he was often compared to Gustav Malher or Richard Strauss at his time. However, his works still remain virtually unknown, particularly in France where some indifference to them still persists in a way. This phenomenon is all the more inexplicable as Delius spent nearly half of his life in France and as his works share a good many characteristics with Debussy's or Ravel's. Analysing Delius's works in his mature years, the first time for some of them (The Song of the High Hills, North Country Sketches), we have tried to show the richness of his musical language as well as his technical modernity. Deeply marked by Wagner's and Grieg's influences, Delius's art constitutes a personal answer to the question of revitalization of musical styles and languages at the beginning of the XXth century. With this work we have hopes of contributing to value Delius's place in the history of occidental music more accurately and to get the singularity of his art more appreciated

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Keller, Travis Lee. "An examination of selected works for high school euphonium students : Conqueror by Leonard B. Smith, In the Hall of the Mountain King by Edvard Grieg, Allerseelen by Richard Strauss, Pearl by H.A. Vandercook, Andante et Allegro by J. Ed. Barat, Andante et Allegro by J. Guy Ropartz, and Morceau Symphonique by Alexandre Guilmant." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1357.

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Christensen, Cheryl Ann. "Music and text interpretation, melodic motive, and the narrative path in Edvard Grieg's Haugtussa, Op. 67 /." Thesis, 2003. http://www.lib.utexas.edu/etd/d/2003/christensenca036/christensenca036.pdf#page=3.

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許嚴尹. "Interpretation on Six Songs, Op. 48, by Edvard Grieg." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/4vz82w.

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碩士 國立臺南藝術大學 音樂學系碩士班 105 Norwegian composer Edvard Grieg (1843-1907) composed a set of German songs between 1884 and 1889, published under the title of Sechs Lieder, Op. 48. It includes Gruss, Dereinst Gedanke Mein, Lauf der Welt, Die Verschwiegene Nachtigall, Zur Rosenzeit and Ein Traum six songs. The lyric of each song was written by different poets and belongs to different styles and different periods. The diverse atmosphere of each song is reflected in Grieg’s music. This set of songs, therefore, is full of various expressions and becomes one of the most famous vocal works of Grieg. The discussion of this essay is based on a singer's point of view on three aspects. First of all, it is important to understand the relevance between the text and musical elements Grieg designed for it. Secondly, it is also important to see how Grieg displayed the natural rhythm and diction of the text without sacrificing beautiful melody, so the singer can convey different expressions of each song precisely. Finally the essay ends with discussing how a singer interprets the unique style of each song honestly based on objective analysis.

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Chang, Ya-Jie, and 張雅絜. "An Analysis of《Holberg Suite》Opus 40 by Edvard Grieg." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/00356312642402618142.

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碩士 國立臺南大學 音樂學系音樂科教學碩士班 104 Edvard Hagerup Grieg (1843-1907) was one of the most important composers, conductors and pianists of Norway, and the representative of Nationalism of the nineteenth century. His works contain strong characteristics of folklore, legends, literature, or natural scenic elements. This thesis analyzes the style and characteristics of 《Holberg Suite, Op. 40》by studying the bibliography of Grieg and his music. This thesis contains five chapters: chapter one provides the study scope and direction, the second chapter studies the life and the general compositional styles and techniques of his era. Chapter three gives an introduction of Grieg’s music styles by studying some of his works, the fourth chapter analyzes the formal structure, melodic materials, tonalities, harmony, and rhythmic patterns of his 《Holberg Suite, Op. 40》. The final chapter summarizes this study, and provides some suggestions for students, educators, and future researchers.

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Chuang, Yea-ting, and 莊雅婷. "A Study of Edvard Grieg 《Ballade in G Minor, Op.24》." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/5xw4ca.

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碩士 國立中山大學 音樂學系研究所 103 Edvard Hagerup Grieg was the most representative Norwegian composer in the nineteenth century, who dedicated himself to promote the Norwegian folk music to become internationally renowned . Grieg entered the Leipzig Conservatory when he was fifteen years old, since then the penetrating influence of German Romantic music has been significant in his early years of compositional periods. After graduating from Leipzig Conservatory, Grieg was strongly inspired by the patriotic musicians and began to compose works containing Norwegian folk elements within German traditional formal structure, which led to the new path for Romantic music genre. The first chapter of this report mainly discusses the historical development of Norwegian Human Arts during the Nationalism flourishing in the nineteenth century. The second chapter introduces Grieg’s musical learning experience. The third chapter explores the application of Norwegian folk elements in Grieg’s piano works. The final chapter first focuses on the compositional background of Grieg Ballade in G Minor, Op. 24, and then offers detailed analytical discussion to comprehend the unique musical language of Grieg.

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I-Hsien, Chen, and 陳以先. "The Interpretation and Analysis of Edvard Grieg''s C minor Violin Sonata." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/06370521842062695261.

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Huang, Wei-Lian, and 黃維廉. "The Analysis and Interpretation of “Sechs Lieder, Op.48” by Edvard Grieg." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/mnj79g.

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CHU, SHEND-YI, and 朱盛宜. "An Analysis and Interpretation of Sechs Lieder, Op.48 by Edvard Grieg." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/53265353975421519456.

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碩士 臺北市立大學 音樂學系碩士班 102 The musician of Norwegian, Edvard Hagerup Grieg (1843-1907) was a composer, a pianist and a conductor of the Nationalist in the nineteenth-century music. Grieg not only was one of the most important musicians in the nineteenth century in Scandinavia, but also the foremost advocate of Norwegian folk music. His creations combined folk tunes and tradition of romantic music. This study aimed to investigate Grieg's art of songs, Sechs Lieder, Op. 48, which were created in 1884 and 1889. In this work, he used the musical background of German with Norway's own culture to create a style of music with strong ethnic characteristics, so that Grieg gained a status of composing art songs successfully. This paper is divided into five chapters to discuss: The first chapter is an introduction; The second chapter takes composer's family background as a starting point to research the Nationalist music of the Nordic and Norwegian folk music; The third chapter mentions Grieg's life and his style of composing art songs, also investigates the background of works and poets; The fourth chapter includes detailed analyse of the songs and interpretations of performance, analyzes Grieg's way of creation, proposes interpretations and insights on the performance, helps readers understand the point of this study; The fifth chapter is a summary of this paper. According to established studies, the author present the results, ideas and conclusions of this research orderly and completely.

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Che, Liu Wei, and 劉威哲. "Sonata for Violin and Piano No.2, Op.13 by Edvard Grieg（1843-1907）." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/z2qwnp.

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碩士 實踐大學 音樂學系碩士班 101 Edvard Grieg (1843-1907), one of the great 19th-century Norwegian musicians, was born in magnificent mountains and rivers of the country. Grieg, a composer of the Nationalistic School of Music, often showcased the beauty of his motherland in his music. Grieg Norwegian incorporated elements of Norwegian folk dance and the ancient musical instruments Hardanger Fiddle in his three violin sonatas. Through his music, Grieg was able to clearly depict the unique sound of his home country, and allowed people to see the scenic beauty Northern Europe In this paper, the author will discuss The Second Violin Sonata in the following order: the first chapter is an introduction, a motivation for this study; The second chapter describes features of Grieg's life and creations, and is divided into four periods; The third chapter discusses the Norwegian folk dances and folk instruments Hardanger Fiddle, and also introduces Norway's surviving national dance styles and folk instruments; The fourth chapter is a detailed musical analysis and an interpretation and violin technique exploration with author’s personal style of bowing and fingerings; The final chapter is the author's conclusions which summarizes the Grieg’s unique marriage of Norwegian Dance and Hardanger Fiddle for portraying Norwegian music which made Grieg a sensation and a iconic representative of the Nationalistic Music.

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Lu, Guann-Ling, and 盧冠伶. "An Analysis and Interpretation of Edvard Grieg《Cello Sonata in A minor, op.36》." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/13466495330104830460.

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碩士 國立臺北教育大學 音樂學系碩士班 104 Abstract Edvard Grieg (1843-1907) was one of the representative figure in Nationalistic Music in 19th-Century. Norway, his hometown, is the source of inspiration for his compositions. Like a landscape painter, Grieg brushed his compositions with Norwegian folk music style themes and made them have great diversities just like Nature. Grieg was not good at writing large-scale compositions such as symphonies, but his piano concerto in a minor were surprisingly popular. Grieg liked to compose shorter and smaller pieces so that he can emphasize the feeling he had toward melodies. Cello Sonata in A minor, op.36 was dedicated to his brother John Grieg and written in 1883. This article analyzes Grieg’s Cello Sonata Op. 36 in A Minor, starting from the composer’s background and life, resting upon his composing styles, including the composition structure, form and motifs. The author will later put into practice a performing interpretation according to the previous mentioned, in hope of bringing the original thoughts of the composer to the stage.

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Bornhofen, Matthias. "Die musikalische Charakterisierung der norwegischen Trolle : eine Untersuchung an ausgewählten Werken von Edvard Grieg, Johan Halvorsen und Harald Sæverud /." 2004. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015643778&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Yu-Wei, Huang, and 黃玉瑋. "The Analysis and Interpretation of Edvard Grieg Violin Sonata No.1 in F major, Op.8." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/46731019333960850772.

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Lee, Yi-Ching, and 李怡靜. "The Interpretation in performance of Edvard Grieg Sonata for piano and violin No.3 op.45." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/34872978340405601364.

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碩士 東吳大學 音樂學系 103 The Norwegian composer Edvard Hagerup Grieg wrote three sonatas for violin and piano, in this thesis, the sonata No. 3 in c minor is taken as a target to discuss the characteristics. Grieg finished this sonata in the 1887, the maturity stage of his creation. This work is written in a typical sonata form with a Norwegian Nationalism style, it is also the most popular piece of the three works and widely considered a supreme work of Grieg. Base on these reasons, we want to further realize how Grieg used and developed nationalism in the compositions, also, we discussed the characteristics of the music and the interpretation issue through analysis the musical form and the glossaries of musical terminology. There are four chapters in the thesis: chapter one is introduction; chapter two is the analysis of musical form and style according to the viewpoint of harmony, tonality, melody, tempo and rhythm; chapter three is the dissection of interpretation of bowing and fingering; the chapter four is conclusion. Lee, Yi-Ching Violin Recital J.S Bach ( 1685-1750)：Partita for Solo Violin no.2 in d minor, BWV 1004: V. Ciaccona Achille-Claude Debussy (1862-1918): Sonata for Piano and Violin No.3 in g minor I. Allegro Vivo II. Intermède III. Très animé W.A Mozart (1756-1791)：Sonata for Piano and Violin in G major, KV. 301 I. Allegro con spirito II. Allegro E. Grieg (1843-1907) : Sonata for piano and violin No.3 in c minor, op.45 I. Allegro molto ed appassionato II. Allegretto espressivo alla Romanza III. Allegro animato

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Wang, pin-ting, and 王品婷. "An Interpretation of Edvard Grieg’ s Sonata for Piano and Violin No. 1 in F Major, Op. 8." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/h3be2u.

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碩士 臺北市立大學 音樂學系 107 Edvard Hagerup Grieg (1843-1907) was one of the most celebrated Norwegian composer,pianist and conductor of the 19th century. His compositional style was deeply influenced by Romanticism, and Nationalism. Incidentally, he was one of the activists who started the development of The Nationalism in Northern Europe. His works ranged from vocal, piano,chamber, to orchestral music. "Sonata for Piano and Violin No. 1 in F Major, Op. 8" was the first violin sonata composedby Edvard Grieg in 1865. At the time, Grieg was 22 years old. The dissertation will studyEdvard Grieg’s musical life and compositional style, analyzing the work based on its musical structure and characteristics. With the analysis, the dissertation will propose interpretations of the composition, with suggested fingerings and bowings by the author, to provide readers with a reference. In this dissertation, the author focuses on Grieg’s "Sonata for Piano and Violin No. 1 in F Major, Op. 8", which will be divided into five chapters. The first chapter illustrates the author’s motivation, purpose and research method. The second chapter introduces Grieg’s life, the compositional style and the similar features between his three violin sonatas. The third chapter is the analysis of the musical structures, motives, and folk musical materials in his Violin Sonata No. 1, Op. 8. The forth chapter illustrates musical characteristics and interpretation propositions. The fifth chapter is the conclusion of the dissertation.

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Lin, Yu-Chieh, and 林郁箑. "A Stylistic and Interpretative Study on the Third Movement of Cello Sonata in A Minor by Edvard Grieg." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/77952814961989814358.

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碩士 國立臺南藝術大學 音樂學系碩士班 103 Edvard Grieg (1843-1907), the representative Norway composer of musical nationalism, was active in the age of nationalism rising in the nineteenth century. The changes of this era affected his life and the direction of compositional styles. Edvard Grieg, who loved his motherland, often integrated traditional folk songs, dances, and scenery beauty as his misucal elements, achieving the unique Norwegian music. In his career, his compositions focused on piano works along with some songs and chamber works. His only Cello Sonata in A Minor displayed its importance, The third movement of this sonata is the foundation of discussion and interpretation for this thesis. Three major directions were divided in sequence here. First, the origins of Musical nationalism and the affected countries were discussed. Then, Norwegian history, culture, and musical traditions were explained. Furthermore, the life of Grieg was introduced to induce the characteristics and style of his works. Finally, to understand the compositional background of his music as the basis and then to analyze its sonata form structure and interpretation of the third movement of Cello Sonata in A Minor.

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Chang, Minju, and 張敏茹. "An Analysis and Interpretation of Ballade in the Form of Variations on a Norwegian Folk Song, Op. 24 by Edvard Grieg." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/18976330645475730150.

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碩士 輔仁大學 音樂研究所 100 The Norwegian musician Edvard Hagerup Grieg is the nineteenth - century Nationalist composer, pianist and conductor. Grieg was not only one of the major Scandivanian musicians of his generation, but was also the premier promoter of Norwegian folk music by virtue of his combining folk melodies and Romantic tradition in his works. Grieg was undoubtedly a fine pianist, both as soloist and vocal accompanist, and he composed numerous Lieder and Lyric pieces for voice and piano, as well as effective chamber music. Among Grieg’s piano works is the Ballade Op. 24, a most significant work that has seldom been performed at concerts in recent years. Grieg began composing the Ballade in 1875 and completed it in 1876. The work is actually a theme (based on a Norwegian folk song) with fourteen sections that exhibit distinctive rhythmic, harmonic, melodic, and nationalistic features. This thesis will discuss Grieg’s life, the stylistic characteristics of his piano music, compare the theme of the Ballade with the original folk song on which it is based, and then analyze the variational sections. This study will conclude with a discussion of interpretation and performance issues.

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Chen, Hsuan-Chun, and 陳宣君. "The Analysis and the Interpretation of Edvard Hagerup Grieg Sonata for Piano and Violin No.1 in F Major, Op.8." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/xps595.

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碩士 國立臺灣師範大學 表演藝術研究所 106 Edverd Grieg (1843-1907) was the representative of Norwegian composers in the 19th century, also known for his important contribution to Nationalism. Throughout his life, Grieg made a great contribution to the promotion of traditional Norwegian music and blended the elements into his works, which was the reason Norwegian folk music had formed a prominent feature of his style. Besides, Edverd Grieg was excellent in depicting natural scenery. He was inspired by the unique landscape and the scenes around him in Norwegian, and he showed the beautiful terrain and human culture through musical notes in one composition after another. Grieg’s music mostly include piano works and vocal works; nevertheless, a few chamber music or orchestra compositions could be also found. “Sonata for piano and violin No.1 in F Major, Op.8” was his debut chamber work, composed at his age of 22. Back then, he had just finished the studies in the education institute and went on his learning journey to Denmark, where Grieg got acquainted with some musicians with admiration for Norwegian culture, consequently bringing influences on his music style thereafter. The classical sonata form and Norwegian folk music style were blended together, which marked the beginning of interweaving chamber music with various elements. This thesis contains five chapters. In chapter one, the author describes the research motive and purpose. Chapter two gives a general picture of nationalism and the biography of Edverd Grieg, introduces his composition style and crucial works, and illustrates the writing background. Chapter three and four deal with the analysis of composition and the issue of collaborative piano. And finally comes chapter five as the conclusion.

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Wang, Lin-Chih, and 王琳之. "The Analysis and Collaborative Piano Performance Interpretation of Sonata for Cello and Piano in A Minor, Op. 36 by Edvard Grieg." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/08058940296039119250.

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碩士 國立臺南藝術大學 鋼琴合作藝術研究所 101 This thesis aimed to explore the Cello Sonata in A Minor, op. 36, composed by Edvard Grieg (1843-1907) and also to provide a different aspect of interpretation for the piece from a collaborative pianist’s point of view. The most famous and popular chamber works of Grieg are three violin sonatas, string quartet, and the Cello Sonata. Grieg’s musical training was based on the German Romantic Era. His style of composition is traditional, but his music character is fulfilled by the atmosphere of Norwegian nature, reflecting the wide nature and dry, cold weather. Greig was influenced not just by Norwegian dance and music, also Norwegian elements and the images were all weaved into his music. It became a very unique and personal style. Grieg unique personal composition style is combined by the following element: chromatic melody, majors and minors transformation, western church mode scales, dominate pedal, exchanging melody and folk dance rhythm. This thesis will begin from the Edvard Grieg’s biography, and follow by the annotations and analysis of the piece. The main focus will be through analyzing the piece, the author will provide a new aspect of the structure and the interpretation of Cello Sonata in A Minor, op. 36 from a collaborative pianist’s view.

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Lin, May-yin, and 林美吟. "A Study of Sonata for Piano and Violin No.2, Op.13 by Edvard Grieg (1843-1907)/May-yin Lin Violin Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/99822411648590445978.

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碩士 東吳大學 音樂學系 99 Among Edvard Grieg’s works of chamber music, there are three violin sonatas which have been significantly recognized and appreciated. In this study, the author focuses on Grieg’s second violin sonata, Opus 13. This thesis is divided into five chapters as follows. The first chapter is introduction stating research motivation and purpose, as well as literature review. The second chapter introduces Grieg’s life, the composing background and the shared features of the three sonatas. The third chapter is musical analysis of Violin Sonata No. 2, Op. 13; the analysis is conducted according to the order of three movements. The fourth chapter illustrates music characteristics and performance interpretation. The shared musical features mentioned in the second chapter are discussed in the part of music characteristics; in the meantime, Grieg’s arrangement of musical ideas and expression for this piece of work are explored in the part of performance interpretation. In the end, the conclusion is drawn in the fifth chapter conclusion.

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Štěpánková, Barbora. "Klavírní dílo Edvarda Hagerupa Griega, jeho interpretace a možné využití v ZUŠ." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-343242.

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Working in the introduction briefly remind the life of the composer and readers closer Lyrical pieces, which for the analysis of piano works, the author chose. In other chapters focuses on the individual characteristics of the piano music of Edvard Hagerup Grieg and proves it on the selections. Among the discovered features include: inspiration folk creation, simple composition works, playing with basic motive, use of arpeggios, composer's creative work with octave and unison, shortened echoes, long bass, chromatic and diatonic practices and changing hands in the lead melody. It is focused on a brief analysis of the lyrical piece Wedding Day at Troldhaugen, proves on analysis discovered features work and strive to interpret the songs where the author comes from her own experience and from listening to recordings stored on Bergen library and recordings of the Edvard Hagerup Grieg interpretation. In conclusion, the author presents a chapter on the possible use of Lyrical pieces.

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Dissertations / Theses on the topic 'Edvard Grieg'

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