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Journal articles on the topic 'Edward S. Curtis'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Faris, James C. "The Navajo photography of Edward S. Curtis." History of Photography 17, no. 4 (1993): 377–89. http://dx.doi.org/10.1080/03087298.1993.10442320.

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2

Egan, Shannon. "Storytellers: Jeff Wall and Edward S. Curtis." Visual Resources 29, no. 3 (2013): 216–45. http://dx.doi.org/10.1080/01973762.2013.814205.

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3

Prins, Harald E. L. "Coming to Light: Edward S. Curtis and the North American Indians. 2000.; Edward S. Curtis and the North American Indian, Incorporated.:Coming to Light: Edward S. Curtis and the North American Indians.;Edward S. Curtis and the North American Indian, Incorporated." American Anthropologist 102, no. 4 (2000): 891–85. http://dx.doi.org/10.1525/aa.2000.102.4.891.2.

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4

Olson, Greg. "The Plains Indian Photographs of Edward S. Curtis." Annals of Iowa 61, no. 2 (2002): 215–16. http://dx.doi.org/10.17077/0003-4827.10580.

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5

Jacknis, Ira. "Edward S. Curtis: An Old Picture in a New Frame:Coming to Light: Edward S. Curtis and the North American Indians." Visual Anthropology Review 16, no. 1 (2000): 88–92. http://dx.doi.org/10.1525/var.2000.16.1.88.

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6

Kukiełko-Rogozińska, Kalina. "Following the Footprints of Edward S. Curtis: A Tale of the Vanishing Race." Przegląd Socjologii Jakościowej 16, no. 2 (2020): 36–45. http://dx.doi.org/10.18778/1733-8069.16.2.03.

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In 2007, Marie Clements, a Canadian playwright, was asked to prepare a play about the cultural history of Canada. She decided to write a play about Edward S. Curtis, the author of an epic series of photographic works titled The North American Indian, published between 1900 and 1930. Clements invited to the project Rita Leistner, a Canadian photographer, who was responsible for the graphic aspect of the play. Her task was to recreate the way taken by Curtis while immortalizing scenes from the life of the indigenous peoples. Both artists took a fascinating journey following the footsteps of Curt

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7

Whiteley, Peter M. "Agential dialogue in the photo-ethnography of Edward S. Curtis." Dialectical Anthropology 39, no. 3 (2015): 347–52. http://dx.doi.org/10.1007/s10624-015-9394-1.

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8

Gidley, Mick. "“The Vanishing Race” in Sight and Sound: Edward S. Curtis's Musicale of North American Indian Life." Prospects 12 (October 1987): 59–87. http://dx.doi.org/10.1017/s0361233300005536.

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On November 19, 1911, Edward S. Curtis (1868–1952), the “photohistorian” of American Indians, wrote to his friend Edmond S. Meany, Professor of History at the University of Washington, about his latest triumphs. “Dear Brother Meany,” he began, “I think we can say that my lecture entertainment ‘arrived’. I wish you could have been present at the Carnegie Hall affair. The tremendous auditorium was filled to overflowing, a sea of people from the stage to the very ‘sky’ itself.” Curtis had been introduced by Henry Fairfield Osborn, Director of the American Museum of Natural History; just before th

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9

Duncan, Russell. "Mick Gidley's 'Edward S. Curtis and the North American Indian, Incorporated'." American Studies in Scandinavia 31, no. 2 (1999): 78–80. http://dx.doi.org/10.22439/asca.v31i2.2778.

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10

Kidwell, Clara Sue. "Edward S. Curtis and the North American Indian, Incorporated. Mick Gidley." Isis 91, no. 1 (2000): 204–5. http://dx.doi.org/10.1086/384709.

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11

Glass, Aaron. "Review Essay: Myth and Miasma in the Framing of Edward S. Curtis." Museum Anthropology 32, no. 1 (2009): 55–58. http://dx.doi.org/10.1111/j.1548-1379.2009.01023.x.

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12

BSUMEK, ERIKA. "Review Of Gidley, Ed., Edward S. Curtis And The North American Indian Project In The Field." Pacific Historical Review 74, no. 1 (2005): 125–26. http://dx.doi.org/10.1525/phr.2005.74.1.125.

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13

Zamir, Shamoon. "Native Agency and the Making of The North American Indian : Alexander B. Upshaw and Edward S. Curtis." American Indian Quarterly 31, no. 4 (2007): 613–53. http://dx.doi.org/10.1353/aiq.2007.0042.

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14

MURRAY, DAVID. "Mick Gidley, Edward S. Curtis and the North American Indian, Incorporated (Cambridge: Cambridge University Press, 1998, £37.50, $59.95). Pp. 330. ISBN 0 521 56335 6." Journal of American Studies 35, no. 1 (2001): 133–86. http://dx.doi.org/10.1017/s0021875801366562.

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15

Thornton, Thomas F. "Review: Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka’wakw, and the Making of Modern Cinema by Brad Evans and Aaron Glass, editors, foreword by Bill Holm." Pacific Historical Review 84, no. 4 (2015): 567–68. http://dx.doi.org/10.1525/phr.2015.84.4.567.

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16

HANDLER, RICHARD. "Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka’wakw, and the Making of Modern Cinema. Brad Evans and Aaron Glass, eds. Seattle: University of Washington Press, 2014. 464 pp." American Ethnologist 42, no. 1 (2015): 203–4. http://dx.doi.org/10.1111/amet.12124_24.

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17

Bowes, John P. "Edward S. Curtis and the North American Indian Project in the Field. Edited by Mick Gidley. Lincoln, NE: University of Nebraska Press, 2003. Pp. xiii, 200. Illustrations. Notes. Bibliography. Index. $64.95 cloth; $23.00 paper." Americas 61, no. 1 (2004): 151–52. http://dx.doi.org/10.1353/tam.2004.0082.

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18

Tackabury, Pamela Ann. "The Rocky Mountains by Patricia Trenton and Peter H. Hassrick, and: Masters of Western Art by Mary Carroll Nelson, and: The Vanishing Race and Other Illusions: Photographs of Indians by Edward S. Curtis by Christopher M. Lyman, and: American Women Artists from Early Indian Times to the Present by Charlotte Streifer Rubinstein." Western American Literature 20, no. 1 (1985): 51–54. http://dx.doi.org/10.1353/wal.1985.0098.

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19

SPIES, MARTIN, and OLE A. SÆTHER. "Notes and recommendations on taxonomy and nomenclature of Chironomidae (Diptera)." Zootaxa 752, no. 1 (2004): 1. http://dx.doi.org/10.11646/zootaxa.752.1.1.

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Various issues in taxonomy and nomenclature of Diptera Chironomidae are discussed, in order to formalize and explain scientific names used in the Fauna Europaea database publications. General and specific remarks point out and exemplify the most common causes for erroneous data: insufficient consultation of the primary sources (literature and material), unjustified assumptions of type status, and uncritical handling of untested information. Recommendations are offered on how to avoid or solve such problems, and increase the stability and quality of the chironomid system. In addition to a numbe

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20

Hamilton, K. G. A., and D. W. Langor. "LEAFHOPPER FAUNA OF NEWFOUNDLAND AND CAPE BRETON ISLANDS (RHYNCHOTA: HOMOPTERA: CICADELLIDAE)." Canadian Entomologist 119, no. 7-8 (1987): 663–95. http://dx.doi.org/10.4039/ent119663-7.

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AbstractThe faunas of Newfoundland and Cape Breton include 217 leafhopper species, of which 24 are introduced and 65 are native, common to both islands. Newfoundland has 116 species, of which 86 are new provincial records and 2 are new nearctic records of introduced European species. Cape Breton has 172 species, of which 109 are new records for Nova Scotia. A species previously known as far north as Virginia was found in Cape Breton, 2 New England species were found as far north as Newfoundland, 2 high boreal species were found as far south as Cape Breton, and 42 species previously known from

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21

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 1-2 (1993): 109–82. http://dx.doi.org/10.1163/13822373-90002678.

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-Louis Allaire, Samuel M. Wilson, Hispaniola: Caribbean chiefdoms in the age of Columbus. Tuscaloosa: University of Alabama Press, 1990. xi + 170 pp.-Douglas Melvin Haynes, Philip D. Curtin, Death by migration: Europe's encounter with the tropical world in the nineteenth century. Cambridge: Cambridge University Press, 1989. xviii + 251 pp.-Dale Tomich, J.H. Galloway, The sugar cane industry: An historical geography from its origins to 1914. Cambridge: Cambridge University Press, 1989. xii + 266 pp.-Myriam Cottias, Dale Tomich, Slavery in the circuit of sugar: Martinique and the world economy,

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22

Alkubaisy, Ahmed P. "“I Wish to be Free of All Things I Am Not and Will Never Be”: Reorientation of Self Through the (re)Framing of (post)Colonial Consciousness in Marie Clements’ The Edward Curtis Project." Mount Royal Undergraduate Humanities Review (MRUHR) 4 (March 9, 2017). http://dx.doi.org/10.29173/mruhr355.

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The works of Edward Curtis are weighty historical records considered as seminal projects that have been the international communities main representations of Aboriginal cultures and their peoples. However, Curtis' projects, as ethno-anthropological work, limit the avenues of representation afforded to Aboriginal peoples; through attempting to preserve an image of authenticity, Curtis' work entraps and filters the multifaceted compontents of Aboriginal culture(s) into a homogenous static group through a colonial lens. In opposition to these colonial standards, contemporary aboriginal literature

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23

"Edward S. Curtis and the North American Indian, Incorporated." Choice Reviews Online 36, no. 06 (1999): 36–3512. http://dx.doi.org/10.5860/choice.36-3512.

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24

"Edward S. Curtis and the North American Indian project in the field." Choice Reviews Online 41, no. 10 (2004): 41–6099. http://dx.doi.org/10.5860/choice.41-6099.

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25

"Edward S. Curtis and the North American Indian Project in the Field." Annals of Iowa 63, no. 2 (2004): 216. http://dx.doi.org/10.17077/0003-4827.10801.

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26

"Heart of the circle: photographs by Edward S. Curtis of Native American women." Choice Reviews Online 35, no. 08 (1998): 35–4683. http://dx.doi.org/10.5860/choice.35-4683.

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27

YABLON, NICK. "For the Future Viewer: Salvage Ethnography and Edward Curtis's “The Oath – Apsaroke”." Journal of American Studies, March 12, 2019, 1–31. http://dx.doi.org/10.1017/s0021875819000070.

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Since its reclamation in the 1970s, Edward S. Curtis's project to exhaustively photograph and describe American Indian cultures in the early twentieth century has invited shifting critical assessments. Complicating earlier arguments that it represents a nostalgic and inauthentic drama of a “vanishing” race, in which Indians functioned merely as props, recent scholars seek to recover his sitters’ agency or contemporary artists’ acts of reclamation. This article contributes to those efforts, but by exploring the temporal ambiguities inherent in the notion – then common among ethnographic photogr

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28

"Return to the land of the head hunters: Edward S. Curtis, the Kwakwaka'wakw, and the making of modern cinema." Choice Reviews Online 52, no. 02 (2014): 52–0740. http://dx.doi.org/10.5860/choice.52-0740.

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29

Miller, Edward D. "Why Does Love Tear Us Apart?" M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2006.

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"Love Will Tear Us Apart" When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, taking different roads. Then love, love will tear us apart, again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal that we've kept through our lives But love, love will tear us apart, again. Love, love will tear us apart, again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth,

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30

Iannopollo, Emily, Ryan Plunkett, and Kara Garcia. "Surface-based analysis of cortical thickness and volume loss in Alzheimer’s disease." Proceedings of IMPRS 2, no. 1 (2019). http://dx.doi.org/10.18060/23524.

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Background and Hypothesis: Magnetic resonance imaging (MRI) has become a useful tool in monitoring the progression of Alzheimer's disease. Previous surface-based analysis has focused on changes in cortical thickness associated with the disease1. The objective of this study is to analyze MRI-derived cortical reconstructions for patterns of atrophy in terms of both cortical thickness and cortical volume. We hypothesize that Alzheimer’s Disease progression will be associated with a more significant change in volume than thickness. Experimental Design or Project Methods: MRI data was obtaine

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