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1

The Edwardian era. B.T. Batsford, 1986.

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2

Dallaston, Sarah. Around Foxton: Memories of an Edwardian Childhood. Heart of Albion Press, 1991.

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3

Club, Antique Collectors', ed. Vernon Ward: Child of the Edwardian era. Antique Collectors' Club, 1988.

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4

Great Britain. Public Record Office., ed. Bon voyage!: Travel posters of the Edwardian era. HMSO, 1996.

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5

European royalty of the Victorian and Edwardian era. Seaby, 1986.

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6

Edwardian Halifax: Postcard glimpses of an era, 1900-1920. Nimbus, 1998.

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7

Gregory, Alexis. The gilded age: The super-rich of the Edwardian era. Cassell, 1993.

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8

Gregory, Alexis. The Gilded age: The super-rich of the Edwardian era. Cassell, 1993.

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9

1902-2000, Cartland Barbara, ed. Priklíùcheniíà gert︠s︡ogini: Roman. ĖKSMO, 2003.

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10

Leopold Maxse and the National review, 1893-1914: Right-wing politics and journalism in the Edwardian era. Garland Pub., 1989.

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11

Beckett, Jane. Edwardian Era. Universe Books, 1991.

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12

Gallery, Barbican Art, ed. The Edwardian era. Barbican Art Gallery, 1987.

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13

Jane, Beckett, Cherry Deborah, and Barbican Art Gallery, eds. The Edwardian era. Phaidon and Barbican Art Gallery, 1987.

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14

Edwardian Era Miniatures In 112 Scale. Guild of Master Craftsman Publications, 2011.

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15

John, Fabb, ed. European royalty ofthe Victorian and Edwardian era. Seaby, 1986.

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16

Wigg, Julia. Bon Voyage!: Travel Posters of the Edwardian Era. Stationery Office Books, 1996.

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17

Marin, C. Edwardian Era/Spotlight on History Series No. 074190. Main Line Book Co, 1986.

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18

Wigg, Julia. Bon Voyage!: Travel Posters of the Edwardian Era. Stationery Office Books, 1996.

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19

Spotlight on the Edwardian Era (Spotlight on History). Hodder Wayland, 1987.

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20

Anesko, Michael. Henry James and Queer Filiation: Hardened Bachelors of the Edwardian Era. Palgrave Pivot, 2018.

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21

Anesko, Michael. Henry James and Queer Filiation: Hardened Bachelors of the Edwardian Era. Palgrave Pivot, 2019.

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22

Horn, Pamela. Life below Stairs: The Real Life of Servants, the Edwardian Era to 1939. Amberley Publishing, 2012.

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23

The Ship of Dreams: The Sinking of the Titanic and the End of the Edwardian Era. Atria Books, 2019.

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24

Litchfield, Frederick. Illustrated History of Furniture: Contains 400 Illustrations of Examples from Ancient Times to the Edwardian Era. Arcturus Publishing Limited, 2012.

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25

Darksome Bounds of a Failing World: The Sinking of the Titanic Andthe End of the Edwardian Era. HarperCollins Publishers Limited, 2019.

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26

Darksome Bounds of a Failing World: The Sinking of the Titanic Andthe End of the Edwardian Era. HarperCollins Publishers Limited, 2019.

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27

Alan, Hobart, Hobart Mary, Orpen William Sir 1878-1931, and Pyms Gallery, eds. Alan and Mary Hobart present Orpen and the Edwardian era: Wednesday 4th November to Saturday 5th December 1987. Pyms Gallery, 1987.

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28

Vybirai︠u︡ li︠u︡bovʹ: Roman. "ĖKSMO", 2006.

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29

Vote for Love. Robert Hale Ltd, 1991.

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30

Francis, Ben. ‘I’m Common and I Like ’Em’. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.11.

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This essay sets out to show how class and social mobility are reflected in seven period musicals of the 1960s and 1970s. In Britain the 1960s was a time of social upheaval—a development that was reflected in these shows, which are mostly set in the Victorian and Edwardian era. The essay demonstrates that the shows under discussion, Half a Sixpence, Our Man Crichton, Jorrocks, Ann Veronica, Trelawny, and The Card, are torn between celebrating proletarian vitality and acquiescing to stultifying codes of gentility, with the result that working-class pride was often expressed in genteel terms. Las
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31

Assael, Brenda. Running the Restaurant. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817604.003.0003.

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Chapter 2 examines the restaurant as a business. It offers an explanation for the dramatically contrasting fortunes of London’s restaurants, a sector of the economy characterized by success and expansion as well as by failure and bankruptcy. Consideration is given to how restaurants were financed, how they secured staff and supplies, the incorporation of new technology, and the often ingenious ways that they sought out customers. Restaurant proprietors and managers (and even cooks and chefs) explored a variety of schemes to establish their status as professionals, but these rarely compromised
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32

Seligmann, Matthew S. Prayers. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198759973.003.0005.

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The Edwardian Navy had a pronounced Anglican ethos. Three quarters of its sailors were members of the Church of England, as were all of its chaplains. If there was, thus, ample spiritual provision for the conformist majority, the religious needs of the non-conformist minority were less well catered for. Such discrimination was becoming increasingly unsustainable in the more pluralist era of the early twentieth century. Consequently, in the run-up to 1914, the Admiralty enhanced provision for Presbyterian, Methodist, and Catholic sailors, who were afforded ever-greater access to their clergy wh
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33

Wiseman, Sam. Locating the Gothic in British Modernity. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954897.001.0001.

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The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen’s The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnes
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34

Ingleheart, Jennifer. Masculine Plural. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819677.001.0001.

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The Classics were core to the curriculum and ethos of the intensely homosocial Victorian and Edwardian public schools. Yet ancient homosexuality and erotic pedagogy were problematic to the educational establishment, which expurgated classical texts with sexual content. This volume analyses the intimate nexus between the Classics, sex, and education primarily through the figure of the schoolmaster Philip Gillespie Bainbrigge (1890–1918), whose clandestine writings explore homoerotic desires and comment on classical education. It reprints Bainbrigge’s surviving works: Achilles in Scyros (a verse
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35

Saylor, Eric. Arcadia. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041099.003.0003.

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The Greek province of Arcadia is perhaps the most important locus for pastoralism in a classical context. Arcadian inhabitants such as shepherds, nymphs, and the god Pan play significant roles in both literary and musical contexts, and they can be expressed in an array of settings—not all of which are themselves classical. One such manifestation is “Merrie England,” an amalgamation of tropes and images drawn predominantly from the Elizabethan era and popular among the Victorians and Edwardians. Musical evocations of that site reveal important aspects of how idealized pastoral settings reflecte
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36

Assael, Brenda. The London Restaurant, 1840-1914. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817604.001.0001.

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This book offers the first scholarly treatment of the history of public eating in London in the Victorian and Edwardian eras. The quotidian nature of taking a meal in public during the working day or evening should not be allowed to obscure the significance of the restaurant (defined broadly, to encompass not merely the prestigious West End restaurant, but also the modest refreshment room, and even the street cart) as a critical component in the creation of modern metropolitan culture. The story of the London restaurant between the 1840s and the First World War serves as an exemplary site for
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