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Journal articles on the topic 'Edwardian Era'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Adler, Kathleen. "THE EDWARDIAN ERA: WHOSE HISTORIES?" Art History 12, no. 1 (1989): 118–21. http://dx.doi.org/10.1111/j.1467-8365.1989.tb00341.x.

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Burki, Talha Khan. "Frederick Treves: saviour of the Edwardian era." Lancet Gastroenterology & Hepatology 3, no. 11 (2018): 741. http://dx.doi.org/10.1016/s2468-1253(18)30316-9.

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3

Pichler, Andreas. "The Spatial Turn of Geography during the Edwardian Era." Commonwealth Essays and Studies 38, no. 2 (2016): 93–108. http://dx.doi.org/10.4000/ces.4904.

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4

Ottewill, Roger. "Churches and Adult Education in the Edwardian Era: Learning from the Experiences of Hampshire Congregationalists." Studies in Church History 55 (June 2019): 494–510. http://dx.doi.org/10.1017/stc.2018.20.

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Through their enthusiastic embrace of the doctrine of the ‘institutional church’, late Victorian and Edwardian Congregationalists demonstrated their commitment to, inter alia, the intellectual development of church members and adherents. Many churches, large and small, sponsored mutual improvement societies, literary and debating societies and programmes of public lectures, as well as ad hoc talks, covering every conceivable subject from the natural sciences to contemporary social and political issues. What motivated Congregationalists to engage in activities of this kind, and to what extent w

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5

Collins, Tony. "The Ambiguities of Amateurism: English Rugby Union in the Edwardian Era." Sport in History 26, no. 3 (2006): 386–405. http://dx.doi.org/10.1080/17460260601066050.

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6

Person, Leland S. "Henry James and Queer Filiation: hardened bachelors of the Edwardian era." Nineteenth-Century Contexts 41, no. 4 (2019): 443–45. http://dx.doi.org/10.1080/08905495.2019.1623459.

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7

Tsai, H. H. "Scottish Women Medical Pioneers: Manchuria 1894 — 1912." Scottish Medical Journal 37, no. 2 (1992): 56–59. http://dx.doi.org/10.1177/003693309203700211.

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In Edwardian Britain, less than 2% of all registered medical practitioners were women. Yet during that era, women played a significant role in providing medical care and education in what were lonely, harrowing and difficult conditions in the Third World. This is the story of how a group of Scottish women doctors brought Western medicine to a remote region of Manchuria between 1894 and 1912.

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8

Light, Alison. "Exhibition the ‘Edwardians’. An Exhibition and a Critique:‘Dont’ Dilly-Dally On The Way!’: Polities and Pleasure in ‘The Edwardian Era’." History Workshop Journal 26, no. 1 (1988): 158–62. http://dx.doi.org/10.1093/hwj/26.1.158.

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Garcia Palma, Mercedes. "Michael Anesko. Henry James and Queer Filiation: Hardened Bachelors of the Edwardian Era." ES Review. Spanish Journal of English Studies, no. 41 (October 26, 2020): 177–81. http://dx.doi.org/10.24197/ersjes.41.2020.177-181.

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10

Lebedev, D. L. "O. BIRDSLEY AND A. RACKHAM: THE FINE OF INFLUENCE." Arts education and science 1, no. 1 (2021): 97–107. http://dx.doi.org/10.36871/hon.202101011.

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Art critics rarely write about the creative connection between Aubrey Beardsley (1872–1898), a prominent representative of book and magazine graphics of the decadence era, and the famous Edwardian illustrator Arthur Rackham (1867–1939), limiting themselves, as a rule, to a couple of dry facts. Despite this, there is evidence of the influence of the former on the latter, which requires careful study. Rackham turned to Beardsley's work many times, his opinion about the outstanding fin de siecle graphics changed over time, allowing him to acquire certain features of his early deceased contemporar

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11

Schneer, Jonathan. "Politics and Feminism in “Outcast London”: George Lansbury and Jane Cobden's Campaign for the First London County Council." Journal of British Studies 30, no. 1 (1991): 63–82. http://dx.doi.org/10.1086/385973.

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This article examines Jane Cobden's campaign for the London County Council (L.C.C.) in 1888–89 and its controversial aftermath. Cobden's effort, a pioneering political venture of British feminism, illuminates late-Victorian concepts of gender. It provides at once an anticipation of, and a distinct contrast to, the militant suffragism of the Edwardian era. In addition, it suggests new ways of thinking about the connection between women's-suffragist and labor politics. Perhaps because the campaign was a comparatively obscure incident when measured against the broad sweep of British political his

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12

Djaha, Siti Susanti Mallida. "THE EMERGENCE OF NEW MEDIUM." Notion: Journal of Linguistics, Literature and Culture 1, no. 1 (2019): 21. http://dx.doi.org/10.12928/notion.v1i1.712.

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This study aims at finding the development of new medium of drama in English literary history. From the very first emergence of drama, the plays that have been written were performed in the theater and in many kinds of theater were appears to represent some ideas from the society. As time passing by, these kind of theater had a kind of transformation to be the new medium that we called motion picture. This motion picture began with the silent movie, then it became the talking picture, and it was improved to be the cinema. In its development until today, which we had been known as the movie. Th

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13

Kaplan, Joel, and Sheila Stowell. "The Dandy and the Dowager: Oscar Wilde and Audience Resistance." New Theatre Quarterly 15, no. 4 (1999): 318–31. http://dx.doi.org/10.1017/s0266464x00013257.

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Oscar Wilde was punished not for failing to amuse the high society audiences for which he wrote, but for offending that society's sexual attitudes. Ironically, as Joel Kaplan and Sheila Stowell point out, his death transformed him ‘from a criminal outcast to a figure both redeemed and bankable’. For those who wished to exploit his theatrical legacy, the problems arose first of sufficiently dissociating the plays from what was perceived as their author's irredeemable behaviour – and then of finding a theatrical language to make the ridiculing of Victorian virtues risible for a society which had

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14

Francmanis, John. "National music to national redeemer: the consolidation of a ‘folk-song’ construct in Edwardian England." Popular Music 21, no. 1 (2002): 1–25. http://dx.doi.org/10.1017/s0261143002002015.

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The Musical Renaissance of the late Victorian era incurred both rediscovery and reappraisal of the English musical heritage. The isolated endeavours of a handful of pioneering collectors from the oral tradition stimulated the institution of a Folk-Song Society with the aim of gathering what remained of a rapidly disappearing national resource. This article examines competing interpretations of the nature and potential application of folk-song. Cecil Sharp, who quickly assumed leadership of the folk-song movement, adopted and refined the notion that communal origin and transmission imbued folk-

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15

Neuendorf, Mark. "Psychiatry’s ‘Others’? Rethinking the Professional Self-Fashioning of British Mental Nurses c. 1900–20." Medical History 63, no. 3 (2019): 291–313. http://dx.doi.org/10.1017/mdh.2019.28.

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Despite facing manifold social and educational barriers, British asylum nurses across the long nineteenth century articulated distinctive professional identities as a means of leveraging their position in the medical hierarchy. This article draws upon a corpus of previously unattributed contributions to the Asylum News (1897–1919) – one of the first journals produced for the edification of asylum workers – to illustrate the diversity of medical personae developed and disseminated by these employees in the Edwardian era. Through scientific and creative works, nurses engaged with the pressing so

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Hamlett, Jane. "“Rotten Effeminate Stuff”: Patriarchy, Domesticity, and Home in Victorian and Edwardian English Public Schools." Journal of British Studies 58, no. 1 (2019): 79–108. http://dx.doi.org/10.1017/jbr.2018.171.

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AbstractDuring the nineteenth century, British public schools became increasingly important, turning out thousands of elite young men. Historians have long recognized the centrality of these institutions to modern British history and to understandings of masculinity in this era. While studies of universities and clubs have revealed how fundamental the rituals and everyday life of institutions were to the creation of masculinity, public schools have not been subjected to the same scrutiny. Approaches to date have emphasized the schools’ roles in distancing boys from the world of the home, domes

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17

Magee, Gary B. "Technological Divergence in a Continuous Flow Production Industry: American and British Paper Making in the Late Victorian and Edwardian Era." Business History 39, no. 1 (1997): 21–46. http://dx.doi.org/10.1080/00076799700000002.

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18

Linstrum, Erik. "The Making of a Translator: James Strachey and the Origins of British Psychoanalysis." Journal of British Studies 53, no. 3 (2014): 685–704. http://dx.doi.org/10.1017/jbr.2014.56.

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AbstractBoth critics and defenders of James Strachey's translations of Sigmund Freud have tended to judge their worth by the standard of “accuracy”—in other words, their faithfulness to Freud's theories. This article takes a different approach, tracing Strachey's choices as a translator to his own experiences in Edwardian, wartime, and interwar Britain. Convinced that the ruling elite and the mass public alike were captive to dangerously irrational forces, Strachey saw the science of the unconscious as a vehicle for political and social criticism. As an attempt to mobilize expert knowledge aga

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19

ROBERT MOORE, JAMES. "PROGRESSIVE PIONEERS: MANCHESTER LIBERALISM, THE INDEPENDENT LABOUR PARTY, AND LOCAL POLITICS IN THE 1890s." Historical Journal 44, no. 4 (2001): 989–1013. http://dx.doi.org/10.1017/s0018246x0100214x.

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The Manchester Progressive Municipal Programme of 1894 has been viewed as indicative of a new Liberal approach to labour and social questions, heralding the New Liberalism of the Edwardian era and marking a gradual transition to class-based politics. Rather than focus on the role of senior individuals, such as Manchester Guardian editor C. P. Scott, in fostering the change, this article explores the practical problems of grass-roots party co-operation and the problems that Progressive approaches brought to Liberals. Progressive ideas had already permeated much Liberal thinking before 1890 and

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20

Bar-Haim, Shaul. "The liberal playground." History of the Human Sciences 30, no. 1 (2017): 94–117. http://dx.doi.org/10.1177/0952695116668123.

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The Cambridge Malting House, an experimental school, serves here as a case study for investigating the tensions within 1920s liberal elites between their desire to abandon some Victorian and Edwardian sets of values in favour of more democratic ones, and at the same time their insistence on preserving themselves as an integral part of the English upper class. Susan Isaacs, the manager of the Malting House, provided the parents – some of whom were the most famous scientists and intellectuals of their age – with an opportunity to fulfil their ‘fantasy’ of bringing up children in total freedom. I

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21

Riedi, Eliza. "Options for an Imperialist Woman: The Case of Violet Markham, 1899-1914." Albion 32, no. 1 (2000): 59–84. http://dx.doi.org/10.1017/s0095139000064218.

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Recent years have seen growing interest both in the influence of the British Empire on metropolitan culture—what John M. MacKenzie described as “the centripetal effects of Empire”—and in the relationships between gender and imperialism. Early studies of European women and imperialism described the activities of women as “memsahibs,” travellers and colonists in the nineteenth and early twentieth centuries, challenged the notion that “women lost us the Empire,” and began to analyze the roles of white women in the “man’s world” of imperial rule. More recently attention has been drawn by Vron Ware

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22

Hagfors, Irma. "The Translation of Culture-Bound Elements into Finnish in the Post-War Period." Meta 48, no. 1-2 (2003): 115–27. http://dx.doi.org/10.7202/006961ar.

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Abstract Culture-bound elements, such as proper names and food items, not only place the story of a book in a specific culture and period of time, but also imply certain values and create an ambience. These elements also have an effect on how the reader identifies with the story and characters. Thus, it is important to find the most appropriate strategy to translate such elements. This paper considers the Finnish translation (1949) of Kenneth Grahame’s The Wind in the Willows (1908), a multi-layered and allusive children’s book set in Edwardian England, and some other children’s tales translat

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23

Driver, Felix, and David Gilbert. "Heart of Empire? Landscape, Space and Performance in Imperial London." Environment and Planning D: Society and Space 16, no. 1 (1998): 11–28. http://dx.doi.org/10.1068/d160011.

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In this paper we address the ways in which global processes of imperialism helped to constitute the cultural geography of the capital cities of Europe. London is our focus, not least because its representation as an imperial city during the modern period was particularly fraught with difficulty. In the first section of the paper we consider the value and limitations of a ‘post-colonial’ perspective, and specifically the extent to which the discourse of imperial cities was European rather than national in character. In the second section we turn to London, widening the conventional focus on the

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24

McCarthy, Helen. "Flexible Workers: The Politics of Homework in Postindustrial Britain." Journal of British Studies 61, no. 1 (2022): 1–25. http://dx.doi.org/10.1017/jbr.2021.126.

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AbstractThis article opens up a new perspective on market liberalism's triumph in the late twentieth century through an examination of the political battles that were fought in Britain over the regulation of homework. Ubiquitous in the late Victorian era, this form of waged labor was curtailed by Edwardian wage regulations but resurged in the 1970s as a result of competition from low-wage economies abroad and fast-changing consumer tastes. Alongside growing use of homeworkers in consumer industries, new information technologies made it increasingly possible for some forms of professional work

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25

Catháin, Máirtín Ó. "‘Dying Irish’: eulogising the Irish in Scotland in Glasgow Observer obituaries." Innes Review 61, no. 1 (2010): 76–91. http://dx.doi.org/10.3366/inr.2010.0004.

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The Glasgow Observer newspaper, founded in 1885 by and for the Irish community in Scotland regularly published both lengthy and brief funereal and elegiac obituaries of the Irish in Scotland in the nineteenth and early twentieth centuries. They marshal an impressive, emotive and oftentimes contradictory body of evidence and anecdote of immigrant lives of the kind utilised, and as often passed over, by historians of the Irish in Britain. They contain, however, a unique perspective on the march of a migrant people bespoke of their experiences and, perhaps more importantly, the perception of thei

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26

Mitra, Rajarshi. "To Hunt or Not to Hunt: Tiger Hunting, Conservation and Collaboration in Colonial India." International Journal for History, Culture and Modernity 7, no. 1 (2019): 815–39. http://dx.doi.org/10.18352/hcm.587.

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As the Edwardian era came to an end in Britain and its Empire began to decline, the glorious days of tiger hunting in India were being measured against a genuine fear of the total extinction of tigers. This article maps the precarious position of Indian tigers in the hands of hunters against the rising concern over preservation of the species in the first half of the twentieth century. Ranging from the bureaucratic to the overtly sentimental and personal, these attitudes, taken together, reveal a pre-‘Project Tiger’ conservation milieu in colonial India. They help us to judge the cultural stat

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27

Stiebel, Lindy. "‘A quintessentially English designer’ from Durban: Victor Stiebel’s South African Childhood (1968)." Fashion, Style & Popular Culture 00, no. 00 (2021): 1–17. http://dx.doi.org/10.1386/fspc_00061_1.

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Victor Stiebel (1907–76), in his obituary in The Times, was described as a well known and highly esteemed British couturier. Yet, for the first eighteen years of his life, Stiebel lived unremarkably in Durban, South Africa, with his middle-class colonial family. In an article written by a fashion historian who appraised his importance within the British fashion industry, Stiebel is described as the quintessential English designer. How did this ‘Englishness’ develop and what evidence do we see of this quality in his autobiography South African Childhood (1968) that covers his childhood years? T

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28

Fair, John D. "Labour's Rise and the Liberal Demise: A Quantitative Perspective on the Great Debate, 1906–1918." Albion 34, no. 1 (2002): 58–73. http://dx.doi.org/10.2307/4053441.

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It all started with George Dangerfield's classic description of the circumstances surrounding the demise of Liberal England prior to World War I. He summarily recognized “that the abandonment of respectable punctilios and worn conventions, which was such a feature of society after the war, had already begun before the war.” Though drawn largely within a social context, it was obvious that Dangerfield's portrayal, especially after the precipitate decline of the Liberal Party in the interwar period, was fraught with political implications. An incubation period of almost a generation followed, bu

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29

Powell, John. "John A. Hutcheson Jr. Leopold Maxse and the “National Review,” 1893–1914. Right-Wing Politics and Journalism in the Edwardian Era. (Outstanding Dissertions in Modern European History.) New York: Garland Publishing Inc.1989. Pp. xx, 500. $67.00." Albion 23, no. 1 (1991): 162–64. http://dx.doi.org/10.2307/4050582.

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30

Banks, John S. "Jonathan Edwards Jr.’s Relish for True Religion: The Advance of the New England Theology in the Sermon on the Mount." Evangelical Quarterly 91, no. 1 (2020): 66–92. http://dx.doi.org/10.1163/27725472-09101004.

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Jonathan Edwards Jr. is often portrayed as a spiritless preacher who drove away his congregation with metaphysical preaching. This narrative, produced by the early liberalism of the pre-civil war era, has stuck to Edwards Jr. for nearly two hundred years. Accordingly, this narrative typically describes Edwards Jr. and his fellow New Divinity pastor-theologians as distorting the Edwardsean legacy. This essay begins to amend the inherited narrative by showing that between the younger and elder Edwards there can be no line of demarcation. In particular, the younger shares his father’s relish that

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31

Silver, Carole. "On the Origin of Fairies: Victorians, Romantics, and Folk Belief." Browning Institute Studies 14 (1986): 141–56. http://dx.doi.org/10.1017/s0092472500003503.

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In 1846 William John Thoms, who contributed the term “folklore” to the English language, commented in The Athenaeum that “belief in fairies is by no means extinct in England” (Merton 55). Thoms was not alone in his opinion; he merely echoed and endorsed the words of Thomas Keightley, the author of a popular and influential book, The Fairy Mythology. For believers were not limited to gypsies, fisherfolk, rural cottagers, country parsons, and Irish mystics. Antiquarians of the Romantic era had begun the quest for fairies, and throughout Victoria's reign advocates of fairy existence and investiga

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32

Porter, Laraine. "Women Musicians in British Silent Cinema Prior to 1930." Journal of British Cinema and Television 10, no. 3 (2013): 563–83. http://dx.doi.org/10.3366/jbctv.2013.0158.

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Referencing a range of sources from personal testimonies, diaries, trade union reports and local cinema studies, this chapter unearths the history of women musicians who played to silent film. It traces the pre-history of their entry into the cinema business through the cultures of Edwardian female musicianship that had created a sizeable number of women piano and violin teachers who were able to fill the rapid demand created by newly built cinemas around 1910. This demand was further increased during the First World War as male musicians were called to the Front and the chapter documents the

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33

Kutsenko, Alina A. "DISCOURSE OF THE EDWARDIAN ERA RECONSTRUCTION IN THE TV-FORMAT." Research result. Theoretical and Applied Linguistics 4, no. 1 (2018). http://dx.doi.org/10.18413/2313-8912-2018-4-1-3-12.

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34

O’Hagan, Lauren Alex. "Steal not this book my honest friend : Threats, Warnings, and Curses in the Edwardian Book." Textual Cultures 13, no. 2 (2020). http://dx.doi.org/10.14434/textual.v13i2.31604.

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This article explores the role of the book inscription as an important rite of property in Edwardian Britain (1901–1914). In particular, it uses a multimodal ethnohistorical approach to examine the use of ownership marks as threats, warnings, and curses, and to explore how they were employed by their owners to deter potential malefactors. It reveals that these inscriptions were discursive acts that operated on a cline of politeness that stretched from mitigated to stronger ownership claims. However, while in the Medieval period book curses carried a serious threat of punishment, by the Edwardi

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35

Foliard, Daniel. "Reframing the ‘South’: Divisions of the Globe and British Geographical Imaginations in the Victorian and Edwardian Era." Cahiers victoriens et édouardiens, no. 83 Printemps (June 1, 2016). http://dx.doi.org/10.4000/cve.2486.

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