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1

1961-, Johnson George M., ed. Late-Victorian and Edwardian British novelists. Detroit, MI: Gale Research Inc., 1995.

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1961-, Johnson George M., ed. Late-Victorian and Edwardian British novelists. Detroit: Gale Research, 1999.

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M, Johnson George, ed. Late-Victorian and Edwardian British novelists, first series. Detroit: Gale Research Inc, 1995.

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4

Smith, Marie. The Mammoth Book of Golden Age Detective Stories: Victorian and Edwardian Novels, Novellas, and Tales of Crime. Edited by Marie Smith. New York: Carroll and Graf Publishers, 1994.

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5

Miller, Jane Eldridge. Rebel women: Feminism, modernism, and the Edwardian novel. Chicago: University of Chicago Press, 1997.

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Kingsbury, Kate. Ringing in murder. New York: Berkley Prime Crime, 2009.

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7

Jones, Charlotte. Realism, Form, and Representation in the Edwardian Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857921.001.0001.

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‘The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another,’ wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the ‘real’ of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James’s account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as ‘synthetic realism’. In new readings of Edwardian novels (including Conrad’s Nostromo and The Secret Agent, Wells’s Tono-Bungay, and Ford’s The Good Soldier), Jones revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel’s imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualisation of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
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8

Joseph, Bruccoli Matthew, Fred M. Clark, and Richard Layman. Dictionary of Literary Biography: Late-Victorian and Edwardian Novelists:First Series (Dictionary of Literary Biography). Thomson Gale, 1995.

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9

Bjorken-Nyberg, Cecilia. Player Piano and the Edwardian Novel. Taylor & Francis Group, 2016.

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Bjorken-Nyberg, Cecilia. Player Piano and the Edwardian Novel. Taylor & Francis Group, 2016.

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11

Bjorken-Nyberg, Cecilia. Player Piano and the Edwardian Novel. Taylor & Francis Group, 2016.

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12

Player Piano and the Edwardian Novel. Taylor & Francis Group, 2015.

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13

Bjorken-Nyberg, Cecilia. Player Piano and the Edwardian Novel. Taylor & Francis Group, 2016.

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14

REBEL WOMEN: Feminism, Modernism and the Edwardian Novel. Virago, 1994.

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15

Anti-Feminism in the Victorian Novel (Victorian & Edwardian Anti-feminism). Thoemmes Continuum, 2002.

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16

Realism, Form, and Representation in the Edwardian Novel: Synthetic Realism. Oxford University Press, 2020.

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17

Byrd, Hunter. Education of Alice Bloom: An Erotic Novel of Edwardian London. BookBaby, 2013.

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18

Harris, Catherine. Edwardina : a Novel: Dedicated to Mrs. Souter Johnston; VOL. I. Gale NCCO, Print Editions, 2017.

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19

Ringing in Murder. Brekley, 2008.

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20

Nicholls, Stewart. West End Royalty. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.7.

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Ivor Novello represents the stylistic bridge between Edwardian operetta and post-Second World War British musical comedy. This essay charts the development of British operetta, which was dominated by Novello, in the context of changing public attitudes, artistic influences, and world events. Consideration will be given to how Novello and his contemporaries were obliged to adapt their style to compete with the changes in British musical theatre in the late 1940s, what kind of legacy their works have left, why the pieces are seldom performed today, and why much of British musical theatre of this period has been forgotten. Whilst some of the contemporary neglect of English operetta may be attributed to the loss of some of the original material (such as libretti, sheet music, and orchestrations) and the lack of adequate recordings, the question will be considered whether the work of Novello and his fellow writers is actually worth reviving.
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21

Yates, Dornford. Berry and Co. Pinnacle Press, 2017.

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Yates, Dornford. Berry and Co. Pinnacle Press, 2017.

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Smithers, A. J. Berry and Co. IndyPublish, 2007.

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Yates, Dornford. Berry and Co. House of Stratus, Incorporated, 2011.

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Smithers, A. J. Berry and Co. BiblioBazaar, 2007.

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Smithers, A. J. Berry and Co. IndyPublish, 2007.

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Yates, Dornford. Berry and Co. IndyPublish.com, 2009.

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Yates, Dornford. Berry and Co. House of Stratus, Incorporated, 2011.

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Yates, Dornford. Berry and Co. IndyPublish.com, 2009.

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Yates, Dornford. Berry and Co. Creative Media Partners, LLC, 2008.

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Yates, Dornford. Berry and Co. House of Stratus, Incorporated, 2011.

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Yates, Dornford. Berry and Co. Creative Media Partners, LLC, 2008.

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33

Smithers, A. J. Berry and Co. (Large Print Edition). BiblioBazaar, 2007.

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Yates, Dornford. Berry and Co. Creative Media Partners, LLC, 2010.

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Yates, Dornford. Berry and Co. General Books LLC, 2010.

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36

Yates, Dornford. Berry and Co. Independently Published, 2021.

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