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Journal articles on the topic 'Efoui'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Soubrier, Virginie. "Tragédie et utopie chez Kossi Efoui." Africultures 86, no. 4 (2011): 228. http://dx.doi.org/10.3917/afcul.086.0228.

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2

Ngilla, Sylvie. "Engagement et sacrifice :Happy Endde Kossi Efoui." Africultures 86, no. 4 (2011): 41. http://dx.doi.org/10.3917/afcul.086.0041.

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3

Nony, Anaïs. "Dés-encrage poétique : l'exil dansConcessionsde Kossi Efoui." Africultures 86, no. 4 (2011): 112. http://dx.doi.org/10.3917/afcul.086.0112.

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4

Dechaufour, Pénélope. "Kossi Efoui en compagnonnage avec le Théâtre Inutile." Skenegraphie, no. 1 (December 31, 2013): 41–46. http://dx.doi.org/10.4000/skenegraphie.1045.

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5

Traoré, Dominique. "Pour une herméneutique du théâtre de Kossi Efoui." Africultures 86, no. 4 (2011): 22. http://dx.doi.org/10.3917/afcul.086.0022.

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6

Dechaufour, Pénélope. "La poétique du mouvement dansIo (Tragédie)de Kossi Efoui." Africultures 86, no. 4 (2011): 88. http://dx.doi.org/10.3917/afcul.086.0088.

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7

Delas, Daniel. "EFOUI Kossi, La fabrique de cérémonies, roman, Seuil, 249 p." Études littéraires africaines, no. 11 (2001): 51. http://dx.doi.org/10.7202/1041893ar.

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8

Laurence Barbolosi. "Le Théâtre de Kossi Efoui: polyphonie épique ou épopée lyrique." L'Esprit Créateur 48, no. 3 (2008): 33–40. http://dx.doi.org/10.1353/esp.0.0017.

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9

Chalaye, Sylvie. "Nicolas Saelens hisse la grand-voile du théâtre de Kossi Efoui." Africultures 86, no. 4 (2011): 222. http://dx.doi.org/10.3917/afcul.086.0222.

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10

Lafleur, Maude. "L'impossible retour de Kossi Efoui : quand les racines africaines deviennent fantômes." Études romanes de Brno, no. 1 (2017): 123–32. http://dx.doi.org/10.5817/erb2017-1-11.

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11

de Jesus dos Santos Costa, Daniel. "LE CARREFOUR DE KOSSI EFOUI: OS DIALÓGOS POTENTES DO TEXTO DRAMÁTICO." Revista África e Africanidades 14, no. 38 (2021): 123–32. http://dx.doi.org/10.46696/issn1983-2354.raa.2021v14n38.dossieartefatos2020.p123-132.

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12

Poli, Gianni. "Sylvie Chalaye (dir.), Le théâtre de Kossi Efoui: une poétique du marronnage." Studi Francesi, no. 168 (LVI | III) (December 1, 2012): 622. http://dx.doi.org/10.4000/studifrancesi.3901.

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13

Le Guen, Fanny. "L'évaporation du corps de la femme dans le théâtre de Kossi Efoui." Africultures 86, no. 4 (2011): 141. http://dx.doi.org/10.3917/afcul.086.0141.

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14

Gbanou, Sélom. "EFOUI Kossi, La Polka, roman, Paris, Editions du Seuil, 1998, 157 p." Études littéraires africaines, no. 8 (1999): 56. http://dx.doi.org/10.7202/1042035ar.

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15

Malela, Buata B. "Jeu littéraire et transformation du sujet diasporal : La postmodernité de Léonora Miano." Articles 42, no. 1-2 (2014): 153–74. http://dx.doi.org/10.7202/1021302ar.

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Notre propos porte sur le jeu littéraire, entendu comme le réseau littéraire dans lequel évoluent des agents comme Kossi Efoui, Calixthe Beyala, Sami Tchak, Fatou Diome, Abdourahman Waberi, Alain Mabanckou, Léonora Miano et bien d’autres encore. Plus précisément, il s’agit d’en appréhender l’incidence sur le sujet diasporal qui tente de se (ré)inventer une postmodernité, et ce, à partir de l’exemple paradigmatique de Léonora Miano. L’objectif principal vise à articuler sa production littéraire Tels des astres éteints (2008) et Blues pour Élise (2010) avec le débat portant sur la modernité et l

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16

Dinh Van, Aurélie. "Plasticité du désir de dévoration du monde dans le théâtre de Kossi Efoui." Africultures 86, no. 4 (2011): 156. http://dx.doi.org/10.3917/afcul.086.0156.

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17

Suriam, Suzie. "Désappropriation / réappropriation du corps et de l'espace dans le théâtre de Kossi Efoui." Africultures 86, no. 4 (2011): 180. http://dx.doi.org/10.3917/afcul.086.0180.

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18

Ndome Ngilla, Sylvie. "D'un KO à l'autre : boxe, théâtre et musique chez Kossi Efoui et Koffi Kwahulé." Africultures 77-78, no. 2 (2009): 42. http://dx.doi.org/10.3917/afcul.077.0042.

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19

Bouchard, Marie-Pierre. "Topographie de la perte. La Fabrique de cérémonies de Kossi Efoui ou l’antéthèse d’une certaine cartographie de la mémoire volontaire d’un continent." Études littéraires 46, no. 1 (2016): 65–76. http://dx.doi.org/10.7202/1035084ar.

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Articulé autour de la notion de « lieu de mémoire », telle que développée depuis les années 1990 notamment par Pierre Nora, et du marché mémoriel qui s’est développé depuis sur les différents sites marqués par le sceau de la violence, cet article propose une lecture de La Fabrique de cérémonies (Éditions du Seuil, 2001), deuxième roman du Togolais Kossi Efoui, intéressée à la fois par la logique et la charge sémantique qu’impose le développement de ce nouvel espace transnational. Concrètement, à travers l’étude de la spatialité tant géographique que textuelle mise en scène dans le roman, il an

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20

Chalaye, Sylvie. "L'Entre-deux rêves de Pitagaba conté sur le trottoir de la radio, de Kossi Efoui." Africultures 55, no. 2 (2003): 210. http://dx.doi.org/10.3917/afcul.055.0210.

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21

Tervonen, Taina, and Kossi Efoui. "Kossi Efoui : « On n'entend pas toutes les voix en même temps dans la même histoire »." Africultures 74-75, no. 3 (2008): 172. http://dx.doi.org/10.3917/afcul.074.0172.

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22

Sylvie Ngilla. "Frapper les rythmes, frapper les corps: dramaturgie du k.o. chez Koffi Kwahulé et Kossi Efoui." L'Esprit Créateur 48, no. 3 (2008): 66–75. http://dx.doi.org/10.1353/esp.0.0026.

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23

Ndour, Emmanuel Mbégane. "La Relation Histoire-Écriture dans Cantique de l'acacia de Kossi Efoui: Pour l'énonciation d'une esthétique diasporique." Nouvelles Études Francophones 34, no. 2 (2019): 84–98. http://dx.doi.org/10.1353/nef.2019.0040.

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24

Gbanou, Sélom Komlan. "Le fragmentaire dans le roman francophone africain." Tangence, no. 75 (April 20, 2005): 83–105. http://dx.doi.org/10.7202/010785ar.

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Résumé Au centre des constellations esthétiques dans le roman africain d’expression française est apparue, ces deux dernières décennies, une forme particulière d’écriture qui rompt avec le récit-fleuve linéairement compact des écrivains de la première génération. L’écriture participe désormais d’un travail de plus en plus conscient d’invention et d’intervention tant sur le langage que sur le corps du projet romanesque pour aboutir à un ensemble hétérogène, à la limite hétéroclite, qui échappe à la forme classique du roman. Les transformations annoncées par des auteurs comme Ahmadou Kourouma, M

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25

Chavelet, Diane. "Kossi Efoui, Dieudonné Niangouna et Bill Kouélany : la figure du trickster au cœur du geste d’écriture et de sa traduction scénique." Horizons/Théâtre, no. 14 (June 1, 2021): 10–27. http://dx.doi.org/10.4000/ht.1299.

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26

Amedegnato, Ozouf Sénamin. "L’Afrique à rebours: la décadence dans un corpus de littérature Togolaise." Nordlit 15, no. 2 (2012): 89. http://dx.doi.org/10.7557/13.2046.

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During the past fifteen years, the West African country of Togo has witnessed the emergence of a new generation of writers - a third generation since independence from colonisation - working in the French language. Born around 1960, these writers have been making their way onto the literary scene since approximately 1990. A certain number of distinctive traits, which have attracted the attention of critics, unequivocally delineate this generation from the two that preceded it. Among these is a new literary aesthetic that resonates with the fin de siècle - with the end of the twentieth century,

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27

Li, Ji-Bin, Li-Fen Feng, Anise M. S. Wu, et al. "Roles of Psychosocial Factors on the Association Between Online Social Networking Use Intensity and Depressive Symptoms Among Adolescents: Prospective Cohort Study." Journal of Medical Internet Research 23, no. 9 (2021): e21316. http://dx.doi.org/10.2196/21316.

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Background The potential mechanisms underlying the association between online social networking use intensity and depressive symptoms are unclear and underresearched. Objective We aimed to investigate the potential roles of interpersonal psychosocial factors on the association between online social networking use intensity and depressive symptoms among early adolescents. Methods A total of 4237 adolescents from a 9-month longitudinal study were included. Score changes (indicated as △) for the social function use intensity (SFUI) and entertainment function use intensity (EFUI) subscales of the

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28

Shen, Rongbo, Fuhao Zou, Jingkuan Song, Kezhou Yan, and Ke Zhou. "EFUI: An ensemble framework using uncertain inference for pornographic image recognition." Neurocomputing 322 (December 2018): 166–76. http://dx.doi.org/10.1016/j.neucom.2018.08.080.

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29

Yudha, Feizal Mandala, Nurizzati Nurizzati, and Yenni Hayati. "UNSUR BUNYI DALAM BUKU KUMPULAN PUISI TIDAK ADA NEW YORK HARI INI KARYA M. AAN MANSYUR." Jurnal Bahasa dan Sastra 6, no. 3 (2019): 276. http://dx.doi.org/10.24036/81037210.

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This study aimed to describe and analyze the form and use of sound in the Poetry Collection Book Tidak Ada New York Hari Ini by M. Aan Mansyur. To achieve these objectives the theory is used: (1) the nature of poetry, (2) theory of structuralism, (3) elements of poetry building, (4) sound elements in poetry, (5) alliteration and aconance, (6) cacophony and efoni, (7) anaphora and epiphora, and (8) the function of sound in poetry. Based on the analysis in the poetry collection, There is Tidak Ada New York Hari Ini, the work of M. Aan Mansyur, found 14 sounds of alliteration, 24 sounds of aconan

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30

Braga, Ana Cláudia Vieira, Jorge Manoel Adão, and Zeli Ambros. "PNA 2019 – Alguns aspectos dos pensamentos pedagógicos que permeiam a Política Nacional de Alfabetização." Educação, Ciência e Cultura 25, no. 2 (2020): 239. http://dx.doi.org/10.18316/recc.v25i2.6410.

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Este texto faz umaanálisedo Caderno da Política Nacional de Alfabetização (PNA), publicado em abril do ano de 2019 pela Secretaria de Alfabetização (SENAF) do Ministério da Educação (MEC), com vistas à identificação de alguns aspectos dos pensamentos pedagógicos contemporâneos e as fundamentações teóricas educacionais que permeiam o documento.Para alcançarmos uma análise sincrônica, realizamos um resumo do histórico e metodológico da alfabetização no Brasil com o intuito de situar o alcance do pensamento pedagógico que influenciou a concepção da PNA e construímos um quadro comparativo entre o

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31

Guimarães, Emanuelle Frasson, Suliani Rover, and Denize Demarche Minatti Ferreira. "A participação no índice de sustentabilidade empresarial (ISE): Uma comparação do desempenho financeiro de bancos participantes e não participantes da carteira1." Enfoque: Reflexão Contábil 37, no. 1 (2018): 147. http://dx.doi.org/10.4025/enfoque.v37i1.34859.

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O Índice de Sustentabilidade Empresarial (ISE), criado em 2005 pela BM&FBOVESPA, procura estimular práticas sustentáveis e identificar as empresas consideradas socialmente responsáveis. O objetivo deste estudo é realizar uma comparação entre os indicadores contábil-financeiros de bancos participantes e não participantes da Carteira do ISE dos anos de 2014, 2015 e 2016 para verificar se a inserção influencia o desempenho financeiro.Por meio da aplicação de estatísticas descritivas e do teste não paramétrico de Mann-Whitney, não foi possível afirmar que a participação no ISE melhora o desemp

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32

Radhiyah, Isyatur. "DIKSI, GAYA BAHASA, DAN PERMAINAN BUNYI PADA LIRIK LAGU-LAGU MELAYU (DICTION, LANGUAGE STYLE, AND SOUND GAMES ON LYRICS OF MELAYU SONGS)." JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA 8, no. 2 (2018): 204. http://dx.doi.org/10.20527/jbsp.v8i2.5507.

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AbstractDiction, Language Style and Sound Games on Lyrics of Melayu Songs. This study aims to determinethe aesthetic value in the lyrics of melayu songs sung by Ahmad Jais. This research is directed towardsthe lyrics of melayu songs which are more prominent in terms of diction, language style and soundgames that are used specifically to create certain effects, especially aesthetic effects.This research is adescriptive qualitative research using content analysis method. The researchers took as many as 10 lyricsof melayu songs sung by Ahmad Jais.The results showed that the dictions or choice of

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33

"Bibliographie de Kossi Efoui." Africultures 86, no. 4 (2011): 247. http://dx.doi.org/10.3917/afcul.086.0247.

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34

Garnier, Xavier. "Personnages obsédés et résistance du présent dans les romans de Kossi Efoui." ReS Futurae, no. 7 (May 4, 2015). http://dx.doi.org/10.4000/resf.798.

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35

Dante Cordeiro, Helena Talita, and Lindolfo Galvão De Albuquerque. "Validação da escala de atitudes de carreira sem fronteiras e carreira proteana no Brasil." Revista de Carreiras e Pessoas 6, no. 2 (2016). http://dx.doi.org/10.20503/recape.v6i2.29409.

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O objetivo do presente estudo é a validação da escala de atitudes de carreira sem fronteiras e carreira proteana para o Brasil. O estudo é descritivo, quantitativo e a coleta de dados foi realizada através de uma survey eletrônica. A amostra é não probabilística e intencional efoi composta por 2.376 pessoas. Foram utilizadas a análise fatorial exploratória e a análise fatorial confirmatória. Os resultados das análises fatoriais e do alfa de Cronbach afirmam a validade e a confiabilidade do instrumento utilizado. Espera-se que essa validação permita a utilização dessas escalas em futuros estudo

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