Relevant bibliographies by topics / Egmont (Beethoven, Ludwig van)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Egmont (Beethoven, Ludwig van)'

Author: Grafiati
Published: 25 February 2023
Last updated: 4 March 2023

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Journal articles on the topic "Egmont (Beethoven, Ludwig van)"

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Hinrichsen, Hans-Joachim. "Johann Wolfgang Goethe / Friedrich Schiller / Ludwig van Beethoven / Friedrich Mosengeil / Franz Grillparzer, Egmont. Hg. von Bodo Plachta. (Stuttgarter Studienausgaben 3) Hiersemann, Stuttgart 2019. 287 S., € 69,–." Arbitrium 39, no. 1 (2021): 86–94. http://dx.doi.org/10.1515/arb-2020-0059.

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Block, Geoffrey, and Paul Robinson. "Ludwig van Beethoven: Fidelio." Notes 54, no. 2 (1997): 479. http://dx.doi.org/10.2307/899539.

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Rishoi, N. "Fidelio. Ludwig van Beethoven." Opera Quarterly 12, no. 4 (1996): 111–14. http://dx.doi.org/10.1093/oq/12.4.111.

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Pines, R. "Fidelio. Ludwig van Beethoven." Opera Quarterly 16, no. 2 (2000): 303–5. http://dx.doi.org/10.1093/oq/16.2.303.

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Thomas, Christopher J. "Fidelio. Ludwig van Beethoven." Opera Quarterly 4, no. 1 (1986): 137–39. http://dx.doi.org/10.1093/oq/4.1.137.

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Graeme, R. "Fidelio. Ludwig van Beethoven." Opera Quarterly 20, no. 2 (2004): 326–29. http://dx.doi.org/10.1093/oq/kbh045.

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Glasow, E. T. "Two Fidelios. Ludwig van Beethoven." Opera Quarterly 14, no. 2 (1997): 152–55. http://dx.doi.org/10.1093/oq/14.2.152.

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Graeme, Roland. "Two Fidelios. Ludwig van Beethoven." Opera Quarterly 7, no. 1 (1990): 215–18. http://dx.doi.org/10.1093/oq/7.1.215.

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ADAMS, PAUL C. "Historical hepatology: Ludwig van Beethoven." Journal of Gastroenterology and Hepatology 2, no. 4 (1987): 375–79. http://dx.doi.org/10.1111/j.1440-1746.1987.tb00176.x.

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Rahayu, Ariesta Dewi. "Bentuk Musik Dan Interpretasi Sonata Piano No. 20, Op. 49 No. 2 Karya Ludwig Van Beethoven." Repertoar Journal 1, no. 1 (2020): 12–22. http://dx.doi.org/10.26740/rj.v1n1.p12-22.

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Jurnal ini berjudul œBentuk Musik dan Intepretasi Sonata Piano No. 20, Op. 49 no. 2 Karya Ludwig Van Beethoven. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan struktur, serta Intepretasi musik karya Ludwig Van Beethoven. Proses penelitian dilakukan dengan menggunakan metode deskriptif analitik. Data dalam penelitian ini diperoleh melalui observasi, wawancara, dan dokumentasi. Teknik analisis data yang digunakan yaitu reduksi data, penyajian data, dan penyimpulan. Adapun uji keabsahan data menggunakan triangulasi. Hasil penelitian ini menunjukan bawha Sonata Piano No. 20, Op. 49 no. 2 karya Ludwig Van Beethoven menggunakan bentuk musik berupa Sonata Form yang terdiri dari Exposition, Development, dan Recapitulation. Dalam pembahasan mengenai intepretasi Sonata Piano No. 20, Op. 49 no. 2 karya Ludwig Van Beethoven terdapat 3 hal penting, yaitu tempo, format lagu dan harmoni.
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Dissertations / Theses on the topic "Egmont (Beethoven, Ludwig van)"

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Stavlas, Nikolaos. "Reconstructing Beethoven : Mauricio Kagel's Ludwig van." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7151/.

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The subject of this dissertation is Ludwig van, Mauricio Kagel’s tribute to Beethoven on the occasion of the 200th anniversary of the latter’s birth, which consists of three separate, but closely related, versions: a film, a musical score and a recording. The main aim of this project is to analyse the performance problems that musicians have to face when realising the score Ludwig van, which is an entirely indeterminate collage of Beethoven’s music, and to suggest ways of tackling them. For this purpose, all three versions of the work are studied in this thesis. The film is examined in terms of the issues it raises concerning Beethoven’s reception and of the function of its music, which consists of unusual performances of Beethoven’s works. The score is analysed from the perspective of postmodern theory and 20th-century art movements, while the roles of the composer and the performer are discussed and redefined. The recording is studied as a sample of how Kagel himself chose to realise his own score. Finally, the difficulties I encountered in my own attempts to realise Ludwig van are discussed, and the ways in which I dealt with them are presented. The conclusion at which this dissertation arrives is that, in works of such indeterminacy as Ludwig van, the performers are required to step outside their conventional role and act partly as composers. Compared to works that are considered challenging to the performer in the conventional sense, of requiring technical virtuosity, this work presents a more fundamental challenge, which has to do with overcoming personal boundaries: it asks the performer not to execute a pre-composed work, but to create their own version of Ludwig van. Since very little has been written about Ludwig van by performers with an academic background, this thesis can offer valuable assistance to prospective performers of the work in their attempt to balance between the highly charged conceptual aspect of the composition and the practical need to achieve its successful performance.
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Schröter, Axel. "Der Name Beethoven ist heilig in der Kunst : Studien zu Liszts Beethoven-Rezeption /." Sinzig : Studio, 1999. http://catalogue.bnf.fr/ark:/12148/cb370339005.

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Stahl, Christina M. "Was die Mode streng geteilt?! Beethovens Neunte während der deutschen Teilung." Mainz London Berlin Madrid New York, NY Paris Prague Tokyo Toronto Schott, 2009. http://d-nb.info/993890512/04.

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Kim, Jungsun. "Voice and genre in Beethoven's Deux grandes sonates pour le clavecin ou piano-forte avec un violoncelle obligé, op. 5." connect to online resource, 2004. http://www.unt.edu/theses/open/20041/kim%5Fjungsun/index.htm.

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Bischoff, Bodo. "Monument für Beethoven : die Entwicklung der Beethoven-Rezeption Robert Schumanns /." Köln : C. Dohr, 1994. http://catalogue.bnf.fr/ark:/12148/cb35740612r.

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Breitweg, Jörg. "Vokale Ausdrucksformen im instrumentalen Spätwerk Ludwig van Beethovens /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1997. http://catalogue.bnf.fr/ark:/12148/cb358695754.

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Gallin, Stanislav. "Ludwig van Beethoven - Pět sonát pro klavír a violoncello." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79093.

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Daniel, Ryan James. "The piano and violoncello sonatas of Ludwig Van Beethoven." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/10390.

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Ludwig van Beethoven's Sonatas for Piano and Violoncello have been somewhat neglected in terms of published study. Drabkin (1991a, n.p.) considers that the early sonatas "have received far less attention than they deserve", a deficiency which Lockwood attributes, in the case of the cello sonatas in particular, to the portrayal of Beethoven's early compositions as "forerunners of later greatness [rather] than as significant products of their own time and circumstances" (1986, 17). Given the enormity of the composer's entire works, and the stature of his symphonies, concertos, piano sonatas, choral works and string quartets, it is perhaps not surprising that relatively little attention has been paid to the cello sonatas. Yet, according to Stevens, these works "are so well embedded in the repertory that they claim immediate discussion" (1957, 263). Musicologists such as Fortune consider the opus 5 sonatas to be "among the finest of Beethoven's early works" (1973, 210). In addition, the cello sonatas fall into the category of chamber music for piano and strings, a body of works which Marston feels contains "extraordinary stylistic development" (1991b, 228). Chapter one provides a background to the development of the cello, the origin's of Beethoven's piano and cello sonatas, and a general discussion of the composer's stylistic periods. Each of chapters two to six contains a study of one of the five sonatas, looking specifically at two areas: the combination of the piano and the cello, and the form and structure. In chapter seven, thematic unity is discussed. The conclusion contains general observations about the sonatas formed during the writing of this dissertation.
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Carr, Cassandra Irene. "Wit and humor as a dramatic force in the Beethoven piano sonatas /." Thesis, Connect to this title online; UW restricted, 1985. http://hdl.handle.net/1773/11223.

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Mühlenweg, Anja. "Ludwig van Beethoven "Christus am Oelberge" op. 85 Studien zur Entstehungs- und Überlieferungsgeschichte /." [S.l. : s.n.], 2005. http://deposit.ddb.de/cgi-bin/dokserv?idn=976055031.

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Books on the topic "Egmont (Beethoven, Ludwig van)"

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Gengler, Gisela. Von der Dämonie zur Harmonie: Eine Interpretation zu Goethes und Beethovens Egmont. Wertverlag Dr. Gengler, 2014.

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Marri, Noemi Vicini. Ludwig van Beethoven. Silver Burdett Co., 1987.

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Werner-Jensen, Arnold. Ludwig van Beethoven. Reclam, 1998.

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Brumariu, Liviu. Ludwig van Beethoven. Editura Fundației "România de Mâine", 1995.

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Richard, Tames. Ludwig van Beethoven. F. Watts, 1991.

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Ludwig van Beethoven. Viking, 1991.

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Adelbert, Schusser, and Historisches Museum der Stadt Wien., eds. Ludwig van Beethoven. Historisches Museum der Stadt Wien, 1995.

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Mayer-Skumanz, Lene. Ludwig van Beethoven. NorthSouth Books, 2007.

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Walbrecker, Dirk. Ludwig van Beethoven. Schott Music, 2011.

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Charlotte, Voake, and Associated Board of the Royal Schools of Music (Great Britain), eds. Ludwig van Beethoven. Moonlight Pub. & ABRSM Pub., 2001.

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Book chapters on the topic "Egmont (Beethoven, Ludwig van)"

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Stephan, Rudolf. "Beethoven, Ludwig van." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_16.

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Tadday, Ulrich, Ulrike Kranefeld, and Ares Rolf. "Ludwig van Beethoven." In Kammermusikführer. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_5.

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Stephan, Rudolf. "Beethoven, Ludwig van." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_15.

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Stephan, Rudolf. "Beethoven, Ludwig van." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_4.

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Busch, Werner, and Martin Geck. "Willibrord Joseph Mähler Ludwig van Beethoven 1803." In Beethoven-Bilder. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04972-8_1.

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Hartung, Günter. "Beethoven, Ludwig van (1770–1827)." In Goethe Handbuch. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03655-1_32.

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Busch, Werner, and Martin Geck. "Dieter Roth Die Badewanne zu »Ludwig van« 1969." In Beethoven-Bilder. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04972-8_16.

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Schloßmacher, Norbert. "Ludwig van Beethoven, Joseph Haydn und (Bad) Godesberg." In Beethoven: Die Bonner Jahre. Böhlau Verlag, 2020. http://dx.doi.org/10.7788/9783412519704.499.

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Gielen, Michael, and Paul Fiebig. "Ludwig van Beethoven die Sinfonien (und »Fidelio«-Ouvertüren)." In Beethoven im Gespräch die neun Sinfonien. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03620-9_2.

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Meißner, Thomas. "Ludwig van Beethoven: Sein Schädel ließ Ebenmaß vermissen." In Der prominente Patient. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-57731-8_4.

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Conference papers on the topic "Egmont (Beethoven, Ludwig van)"

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Siegert, Christine. "Komponisten-Gesamtausgaben im digitalen Zeitalter: Perspektiven und Reflexionen am Beispiel Ludwig van Beethovens." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.95.

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In the field of edition philology a diverse range of digital approaches is being put to the test. Taking Ludwig van Beethoven as a basis, this article demonstrates the limits of printed editions and presents preliminary considerations for a genuinely digital edition of his works. Various versions of the Ninth Symphony, the publisher Sigmund Anton Steiner’s publication concept for the Seventh and Eighth Symphonies and Wellingtons Sieg, which incorporated arrangements for highly diverse scorings, as well as the use of single numbers from the opera Fidelio in other music theatre works of the time, all serve as examples. The significance of metatexts and connections in terms of materiality are also discussed. Conceptional principles of such a Digital Beethoven Edition would include an inclusive approach allowing for multiple perspectives, which greatly expands both the number of sources on which an edition is based and the potential for insight, in contrast with traditional editions.
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Klimenko, Elena, and Pyotr Glubokiy. "Ludwig van Beethoven to the Distant Beloved (An Die Ferne Geliebte). The Story of Creation." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.33.

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