Academic literature on the topic 'Egypt antiquities'

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Journal articles on the topic "Egypt antiquities"

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Riggs, Christina. "Colonial Visions." Museum Worlds 1, no. 1 (July 1, 2013): 65–84. http://dx.doi.org/10.3167/armw.2013.010105.

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During the Egyptian revolution in January 2011, the antiquities museum in Tahrir Square became the focus of press attention amid claims of looting and theft, leading Western organizations and media outlets to call for the protection of Egypt’s ‘global cultural heritage’. What passed without remark, however, was the colonial history of the Cairo museum and its collections, which has shaped their postcolonial trajectory. In the late nineteenth and early twentieth centuries, the Cairo museum was a pivotal site for demonstrating control of Egypt on the world stage through its antiquities. More tha
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Onderka, Pavel. "Jaroslav Šejnoha and Egypt." Annals of the Náprstek Museum 38, no. 2 (2017): 53–74. http://dx.doi.org/10.1515/anpm-2017-0030.

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In 2012, the National Museum – Náprstek Museum accessioned a collection of 13 Egyptian antiquities from the original ownership of Jaroslav Šejnoha, who served as the Czechoslovak Ambassador to Egypt between 1944 and 1946. The collection consists of 13 highly interesting pieces, dating of which spans from the Pre-Dynastic to Greco-Roman Periods.
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Carruthers, William. "Credibility, civility, and the archaeological dig house in mid-1950’s Egypt." Journal of Social Archaeology 19, no. 2 (January 23, 2019): 255–76. http://dx.doi.org/10.1177/1469605318824689.

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This article argues that forms of civility governing who possessed the credibility to carry out archaeological fieldwork in Egypt changed during the post-Second World War era of decolonization. Incorporating Arabic sources, the article focuses on the preparation of a dig house used during an excavation run by the Egyptian Department of Antiquities and the University Museum of the University of Pennsylvania at the site of Mit Rahina, Egypt, in the mid-1950s. The study demonstrates how the colonial genealogies of such structures converged with political changes heralded by the rise of Egypt's Pr
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Michail, Marc. "The legal protection of Egyptian antiquities in light of digital transformation." Journal of Law and Emerging Technologies 2, no. 2 (October 15, 2022): 13–52. http://dx.doi.org/10.54873/jolets.v2i2.90.

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Historical and cultural heritage serve as a bridge between a country's history and present and serve to define its identity. Egypt therefore takes all necessary steps to safeguard its historical treasures and antiquities by passing laws that serve this objective. There are, however, gaps in each of these laws and regulation that preclude a strict and thorough protection of the Egyptian antiquities. Utilizing contemporary technology has made it easier to sell illicit Egyptian artefacts. Therefore, the Egyptian antiquities cannot get full protection under the laws in place at this time for their
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Roehrenbeck, Carol A. "Repatriation of Cultural Property–Who Owns the Past? An Introduction to Approaches and to Selected Statutory Instruments." International Journal of Legal Information 38, no. 2 (2010): 185–200. http://dx.doi.org/10.1017/s0731126500005722.

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Should cultural property taken by a stronger power or nation remain with that country or should it be returned to the place where it was created? Since the 1990s this question has received growing attention from the press, the public and the international legal community. For example, prestigious institutions such as the J. Paul Getty Museum of Art in Los Angeles and the Metropolitan Museum of Art in New York have agreed to return looted or stolen artwork or antiquities. British smuggler Jonathan Tokeley-Parry was convicted and served three years in prison for his role in removing as many as 2
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Ratnagar, Shereen. "Appropriation and Its Consequences: Archaeology under Colonial Rule in Egypt and India." Journal of Egyptian History 13, no. 1-2 (February 16, 2021): 207–26. http://dx.doi.org/10.1163/18741665-12340055.

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Abstract The beginnings of archaeology in Egypt and in India are the subject of this paper. In both countries, antiquities were carried away by the powerful. Moreover, the hubris of the colonial powers ruling both countries made it inevitable that not only antiquities, but knowledge about the past, were appropriated in different ways. For modern Egyptians, the Pharaonic past was remote in culture and distant in time. The people themselves were until fairly recently prevented from learning the Pharaonic writing, once it was deciphered, by various ways and means. In contrast, in India the coloni
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Friedman, David A. "Josephus on the Servile Origins of the Jews." Journal for the Study of Judaism 45, no. 4-5 (September 23, 2014): 523–50. http://dx.doi.org/10.1163/15700631-12340063.

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The story of the Israelites’ slavery in Egypt and subsequent redemption is the central narrative element of the Pentateuch. Josephus’ claim that he was providing an accurate account of the Jews’ ancient history in Jewish Antiquities thus meant that he had to address the Jews’ servile origins; however, first-century Roman attitudes toward slaves and freedmen would have made this problematic for ideological and political reasons. Although Josephus added references to Jews’ slavery to the account of Jewish history in Jewish Antiquities, he appears deliberately to downplay the Jews’ servile origin
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Moser, Stephanie. "The Antiquities Trade in Egypt 1880–1930. The H.O. Lange Papers." Journal of the History of Collections 30, no. 3 (November 1, 2017): 533–34. http://dx.doi.org/10.1093/jhc/fhx042.

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Jiménez, Lissette M., Christine A. Fogarty, and Edward M. Luby. "More Than “A Room of Antiquities” at the Global Museum: Constructing New Meanings Through the Provenance Research of an Ancient Egyptian Legacy Collection." Collections: A Journal for Museum and Archives Professionals 18, no. 2 (March 2, 2022): 301–32. http://dx.doi.org/10.1177/15501906221081114.

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Non-systematically excavated archaeological legacy collections of antiquities are often undervalued or overlooked by museums because of their unknown provenience and questionable or problematic provenance. This article describes how extensive research into the provenance of an ancient Egyptian legacy collection purchased in Egypt in 1884 by Adolph Sutro that is now stewarded by the Global Museum at San Francisco State University exposes a new expansive research potential for the collection, enabling Museum Studies students and faculty and museum staff to construct innovative interpretive frame
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Shalem, Avinoam. "Experientia and Auctoritas: ʿAbd Al-Latif Al-Baghdadi’s Kitāb Al-Ifāda Wa’l-Iʿtibār and the Birth of the Critical Gaze". Muqarnas Online 32, № 1 (27 серпня 2015): 197–212. http://dx.doi.org/10.1163/22118993-00321p10.

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This short study looks into the mind of the Ayyubid intellectual Abd al-Latif al-Baghdadi, also known as al-Labbad, who was born in Baghdad in 1162 and died there in 1231–32 at the age of 69. The focus of this article is his famous book Kitāb al-Ifāda wa’l-iʿtibār fi’l-umūr al-mushāhada wa’l-ḥawadith al-muʿāyana bi-arḍ Miṣr (The Book of Instruction and Admonition on the Things Seen [mushāhada] and Events Recorded [muʿāyana] in the Land of Egypt), which, as I argue, is al-Baghdadi’s clear manifestation of his “change of mind” in the fields of scholarship and methods of learning. It seems that a
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Dissertations / Theses on the topic "Egypt antiquities"

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Patten, Shirley Fay. "Pottery from the late period to the early Roman period from Dakhleh Oasis, Egypt." Australia : Macquarie University, 2000. http://hdl.handle.net/1959.14/44492.

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Thesis (PhD)--Macquarie University, Division of Humanities, Dept. of Ancient History, 2000.<br>Bibliography: p. 475-498.<br>PART I -- Thesis introduction -- Location, environment and routes of the Western Desert -- Cultural, historical and archaeological setting of Dakhleh Oasis -- Introduction to the vessel typology -- Introduction to the site catalogue -- Technology of pottery manufacture -- Fabrics and wares -- Conclusion -- PART II -- The vessel typology -- The site catalogue.<br>This thesis analyses a body of largely unpublished ceramic material from Dakhleh Oasis in the Western Desert of
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Grady, Gillian Leigh. "On display : a localized study of exhibitions of antiquities from the Mediterranean and Egypt." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/36784.

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The museum world is constantly facing new challenges about how to utilize its collections in order to engage visitors and tap into new audiences. The antiquities of the ancient Mediterranean and Egypt have consistently been on display in various exhibitions and museums in the United States. Using the city of Philadelphia as a geographical locus, this paper will examine the success and shortcomings of various styles of exhibition. Using new museum theory from Janet Marstine and the concept of the social life of things by Arjun Appadurai, this paper examines the exhibits, the motivation behin
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Fabiani, Michelle Rose Dippolito. "Strategic vs. opportunistic looting| The relationship between antiquities looting and armed conflict in Egypt." Thesis, University of Maryland, College Park, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10248606.

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<p> Antiquities are looted from archaeological sites across the world, seemingly more often in areas of armed conflict. Previously, the relationship between antiquities looting and armed conflict has been assessed with qualitative case studies and journalistic evidence?due to a lack of data. This study considers the relationship between antiquities looting and armed conflict in Egypt from 1997 &ndash; 2014 with a newly collected time series dataset. A combination of Lag-augmented Vector Autoregression (LA-VAR) and Autoregressive Distributed Lag Models (ARDL)?is used to look at both the overall
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Warda, Aleksandra Andrea. "Egyptian draped male figures, inscriptions and context, 1st century BC - 1st century AD." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669919.

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Van, Pelt Willem Paul. "Pyramids, proteins, and pathogens : a cultural and scientific analysis of Egyptian Old Kingdom pyramid mortars." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708868.

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Droux, Xavier. "Riverine and desert animals in predynastic Upper Egypt : material culture and faunal remains." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d6d885a7-86f9-4d51-b4d5-bb21b26d2897.

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Animals were given a preponderant position in Egyptian art, symbolism, and cultual practices. This thesis centres on the relationship between humans and animals during the predynastic period in Upper Egypt (Naqada I-IIIB, 4th millennium BCE), focusing on hippopotamus and crocodile as representatives of the Nile environment and antelope species as representatives of the desert environment. Depictions of these animals are analysed and compared with contemporary faunal remains derived from activities such as cult, funerary, or every day consumption. The material analysed covers several centuries:
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Sowada, Karin N. "Egypt in the Eastern Mediterranean during the Old Kingdom : a re-appraisal of the archaeological evidence." Phd thesis, School of Archaeology, Classics and Ancient History, 2002. http://hdl.handle.net/2123/4127.

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Lorand, David. "Etude des contextes historiques et architecturaux de la statuaire royale de Sésostris Ier." Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210199.

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Kheperkarê Sésostris Ier est le deuxième souverain de la 12ème dynastie (vers 1958 – 1913 avant notre ère). Son règne, globalement bien documenté, a vu la (re)construction de plusieurs des principaux sanctuaires divins d’Égypte, dont ceux d’Amon-Rê à Karnak et d’Atoum à Héliopolis, et est à l’origine d’œuvres littéraires de première importance – certaines étant par ailleurs analysées en tant que pièces de propagande en faveur du roi après l’assassinat de son père, le pharaon Amenemhat Ier. Enfin, cette période est marquée par de nombreuses expéditions, militaires ou non, à destination de la Nu
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Swart, Lisa. "A stylistic comparison of selected visual representations on Egyptian funerary papyri of the 21st Dynasty and wooden funerary stelae of the 22nd Dynasty (c. 1069 -715 B. C. E.)." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/19897.

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Thesis (DPhil)--Stellenbosch University, 2004.<br>ENGLISH ABSTRACT: This dissertation examines illustrated funerary papyri and wooden funerary stelae for information they can provide about the organization of artists in the 21st and 22nd Dynasty. It is an inquiry into the relationship between visual representation on the funerary papyri of the 21st Dynasty and wooden stelae of the 22nd Dynasty. An attempt is made to determine whether it is possible to identify the work of individual artists and workshops involved in producing the illustrated funerary papyri and wooden stelae, and in wh
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Degremont, Audrey. "Croyances funéraires et pratiques du mythe en Egypte ancienne: étude du programme décoratif (texte, image et architecture) de six tombes thébaines privées de l'époque préamarnienne." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209084.

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Les études sur la nécropole thébaine durant le Nouvel Empire se sont surtout concentrées sur le début de la 18ème dynastie et l’époque ramesside (19-20èmes dynasties) et ont permis de définir les caractéristiques propres aux tombes de ces époques. Ces deux périodes sont séparées par une période mouvementée dans le domaine religieux :l’épisode amarnien (règne d’Akhenaton) qui se caractérise par la focalisation du culte sur le dieu solaire Aton.<p>Bien que les idées de l’époque amarnienne aient été longtemps considérées comme innovantes et révolutionnaires, des études récentes ont montré que les
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Books on the topic "Egypt antiquities"

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Davies, W. V. Egypt. London: British Museum Press, 1998.

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Jean, Leclant, Hogarth James, and Nagel Publishers, eds. Egypt. Geneva: Nagel Publishers, 1985.

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Fassone, Alessia. Egypt. Berkeley: University of California Press, 2008.

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Waters, Pat. Ancient Egypt. Edmonton: Duval House Pub., 2004.

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Davies, W. V. Egypt uncovered. New York: Stewart, Tabori & Chang, 1998.

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Welsh, Frances. Tutankhamun's Egypt. Princes Risborough: Shire Pubns., 1993.

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Harris, Geraldine. Ancient Egypt. New York: Facts on File, 1990.

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Steedman, Scott. Ancient Egypt. New York: DK Pub., 1995.

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Gaff, Jackie. Ancient Egypt. Oxford: Heinemann Library, 2005.

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P, Silverman David, ed. Ancient Egypt. London: Piatkus, 1997.

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Book chapters on the topic "Egypt antiquities"

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"The Antiquities of Egypt." In Niebuhr in Egypt, 201–27. The Lutterworth Press, 2014. http://dx.doi.org/10.2307/j.ctt1cgdwjf.17.

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Melman, Billie. "Egyptian Antiquity, Imperial Politics, and Modernity." In Empires of Antiquities, 249–80. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0009.

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Chapter 8 draws the web of relations between Egypt’s antiquity, empire, modernity, and internationalism from the outbreak of the First World War to decolonization. It focuses on the era between Britain’s unilateral granting of formal independence to Egypt in 1922 and the Anglo-Egyptian Agreement of 1936, and sets the imperial preoccupation with ancient Egypt in national and international contexts. The chapter fills a lacuna in the historiography of Egyptology and Egyptomania which has focused on the discovery of the tomb of Tutankhamun in 1922 and has largely overlooked the internationalist angles of the interwar obsession with ancient Egypt. The chapter maps the expansion of interest in Egypt beyond the pharaonic past and considers its extension to prehistoric Egypt. It relates Egyptology to the modernization of travel and speed technologies, and to popular representations of Egypt as a centre of globalized travel in a connective empire. The chapter further considers the roles of the global media in mediating between discoveries and transnational audiences. Following on the theme of the internationalization of Egypt’s past, it considers the presence of Egypt in material culture, particularly in eclectic styles and design which were associated with modernity, such as Art Deco architecture and fashion. One main argument of the chapter is that the interwar discovery of Egypt’s multiple pasts was characterized by an internationalization apparent in the politics of archaeology, the spread of the new regime of antiquities and cooperation between Egyptian nationalists and internationalist bodies, and in the mass production and consumption of Egyptiana.
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Brier, Bob. "Who Owns Tutankhamun?" In Tutankhamun and the Tomb that Changed the World, 257—C19.P23. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197635056.003.0020.

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Abstract The chapter presents an overview of the history of antiquities leaving Egypt, both legally and illegally. In the early part of the nineteenth century almost anything could be taken out of Egypt, and this is when European museums such as the British Museum and the Louvre began building their impressive collections of Egyptian antiquities. In 1883, when the French were in control of the Antiquities Service, it was decreed that foreign excavation teams could keep a portion of the duplicates that they excavated. During this period of division of the finds, many American museums such as the Metropolitan Museum of Art, the Museum of Fine Arts in Boston, and the Oriental Institute of the University of Chicago built their collections. This policy of partage began to change shortly after the discovery of Tutankhamun’s tomb. It was a slow process, but in 1983, Egypt passed Law 117, forbidding the export of any antiquities. This chapter discusses the role of the discovery of Tutankhamun’s tomb in this change.
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Bierbrier, Morris L. "ART AND ANTIQUITIES FOR GOVERNMENT'S SAKE." In Views of Ancient Egypt since Napoleon Bonaparte, 69–76. UCL Press, 2012. http://dx.doi.org/10.4324/9781843147596-3.

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Melman, Billie. "“Nefertiti Lived Here”." In Empires of Antiquities, 281–310. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0010.

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Chapter 9 anchors the history of the rediscovery of ancient Egypt in the archaeological site of Tell el-Amarna (Tall al-ʿAmarnah), Pharaonic Akhetaten, the city of the 18th Dynasty Pharaoh Akhenaten (Amenhotep IV), abandoned after his death, together with his religion and cult of the Sun Disc. Excavated before the First World War by German Egyptologists, Amarna was reclaimed by British Egyptological institutions after it. It had a special hold on the archaeological imagination, on visual culture, as well as on the contemporary political imagination. Amarna and its ruler were associated with modernity in discussions on topics ranging from urban and suburban planning and living, through the modern family, to anti-war politics. Amarna’s ephemeral existence was interpreted as a failure of a utopia and as an imperial crisis at the heyday of Egypt’s 18th Dynasty, analogous to the imperial crisis of the 1930s and to issues of Britain’s imperial defence. The chapter, which focuses on the excavations under the directorship of J. D. L. Pendlebury, follows representations of Amarna in popular and professional publications, as well as the material history of the findings and their circulation which reflected the economics of Egyptology. The chapter traces the exchange of Amarna objects for financial support, by museums in the USA (mainly the Brooklyn Museum) and in Belgium. The materiality and mobility of Amarna objects are connected to their value and uses, and their emotional value for collectors and archaeologists. The chapter also offers a history of the feelings towards ancient Egypt, demonstrated in the writing of archaeological workers like Mary Chubb.
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Mairs, Rachel. "Beyond Rosetta." In The Epigraphy of Ptolemaic Egypt, 20–34. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858225.003.0003.

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The discovery and collection of multilingual inscriptions through excavation and the antiquities trade in the nineteenth century played a crucial role in the decipherment of Egyptian scripts. The history of the modern ownership of inscriptions now located in Egypt, Europe, and North America and their role in the development of Egyptology are closely linked. The chapter traces the history of scholarship on several Greek-Egyptian texts, including an unpublished inscription from the Delta, a decree in honour of a member of a prominent family from Upper Egypt, foundation plaques from a temple of Hathor-Aphrodite, and a sphinx from Koptos. The reassembly of stones which were often dispersed and broken into separate pieces through circumstances of excavation or the antiquities market allows us to establish equivalences between Egyptian and Greek concepts, people, and places, and sheds light on the sociolinguistic situation in individual communities, and in Egypt as a whole.
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Melman, Billie. "Ur." In Empires of Antiquities, 159–90. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0006.

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Chapter 5 focuses on Ur, Tell al-Muqayyar, in southern Iraq, and the discovery and popularization, after the First World War, of Sumerian civilization, largely unknown until then. Excavated between 1922 and 1934 by an Anglo-American expedition directed by Leonard Woolley, the most prominent public archaeologist of the Near East between the wars, Ur became a spectacle of a distant antiquity that was related to modernity. The discovery of Ur’s cemeteries, studied here, competed with the contemporary exposure of the tomb of Tutankhamun. The chapter considers Ur’s appeal as an “antique modern”, combining the drawing power of the biblical paradigm manifested in the identification between Ur, Abraham, and the birth of Abrahamic religions, and the appeal of the material riches discovered in the cemeteries, extracted from their place of origin and displayed in metropolitan museums and venues, a process which the chapter recovers. Represented as an Ur-culture, the place of origin of Near Eastern and world civilizations, older than Egypt, Ur was modernized and envisioned as the hub of a global ancient world, a vision that matched mandate notions about the development of Iraq. At the same time, evidence of live burials at the cemeteries was connected to mass killing during the First World War and the commemoration of the war dead. In addition to written, archival, and published sources, the chapter makes use of a wealth of visual representations, including aerial photography, illustrations, and archaeological objects.
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Melman, Billie. "Mandated Pasts." In Empires of Antiquities, 29–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0002.

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Chapter 1 examines the new definitions of antiquity that emerged after the First World War and relates them to the new post-war imperial order and international system. It tracks the shift from a perception of ancient objects and monuments as the loot of victors, through their handling within the framework, which had first emerged in the nineteenth century, of laws of war, to their treatment as a part of policies of an imperial peace in the Middle East—in peace treaties and the new mandates system. The chapter follows the internationalization of the discourse on antiquity and the formation of a new “regime of antiquities”, a term referring to international and local mandatory legislation on archaeology and to practices of its monitoring. It offers a view “from above” of the new regime and its formulation by internationalist experts, within the League of Nations and its organizations for intellectual cooperation, such as the International Institute for Intellectual Cooperation (IIIC) and International Museums Office (OIM), and of internationalist apparatuses, as well as considering the implementation of the regime “on the ground” by the antiquities’ administrations in mandate A territories, formerly under Ottoman rule (Palestine and Transjordan, and Iraq), and the nominally independent Egypt. The chapter demonstrates how the internationalist pull and discourse seeped to colonial rhetoric but conflicted with notions of imperial sovereignty and the power of the mandatories to implement policies on the ground. At the same time, visions of regional cooperation amongst archaeologists and national rights to patrimony were adopted by local archaeologists and nationalists.
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Melman, Billie. "The Road to Alexandria, the Paths to Siwa." In Empires of Antiquities, 311–42. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0011.

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Chapter 10 examines the rediscovery, between the early 1920s and the 1950s, of the Graeco-Roman Near East, particularly Egypt. It considers the writings and activities of archaeologists, explorers, modernist writers, and journalists, who experienced and represented Near Eastern remnants of a Hellenism associated with the short-lived world empire of Alexander the Great and its Ptolemaic successors. After briefly considering writings on Graeco-Roman Transjordan, the chapter looks at the imagining and representations of Ptolemaic Alexandria, focusing on the writings of E. M. Forster, Mary Butts, Henry Vollam Morton, and a host of British, American, and Egyptian intellectuals, authors, and explorers. These authors perceived and experienced modern Alexandria as a Greek rather than an Egyptian city and comprehended it by invoking a cosmopolitan Graeco-Roman past. Alexandria served as a launching board to revivals of Alexander’s travels in Egypt’s Western Desert, to the oasis of Siwa, reputed place of his deification. The chapter traces re-enactments of classical texts on Alexander, as a form of appropriation by repetition and interpretation, of an imperial Graeco-Roman past. It demonstrates how imperial visions and itineraries were coupled with technologies of mechanized mobility in the desert in specially developed desert automobiles, iconized as emblems of imperial mobility and modernity. It thus showcases the relationship between the rediscovery of antiquity, technologies, and imperial defence. These are illustrated in the activities of explorer and military man and physicist Ralph Alger Bagnold. Some of the writings examined here expand beyond the formal end of British rule in the Near East, indicating the persistence of British imperial presences in the region immediately before and after the formal end of empire.
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Hanna, Monica. "Cultural Heritage Attrition in Egypt." In Testing the Canon of Ancient Near Eastern Art and Archaeology, 315–18. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190673161.003.0019.

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This chapter is a call to archaeologists and museum curators to reflect upon their roles in the production of knowledge surrounding antiquities and to take more responsibility for historical awareness and appreciation in Egypt. Historical objects transform in significance over time and are in constant re-creation of identity, so we must keep pace with their contemporary relevance, and we should use that relevance to start a discourse on the construction of new identities in relation to cultural memories of the past through the contemporary interpretations of these objects in the daily life of different communities. People cannot appreciate what they do not know; if Egyptians do not have access to the knowledge of their ancient past, they will not understand the value of the significance of its material remains, and will continue to allow, through neglect, the total loss of archaeological sites to looting and commercial urbanization. In the end, this loss will result in a complete attrition of cultural heritage and historical memory that will further lead to a more diluted identity.
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