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Journal articles on the topic 'Egyptian Hieroglyphs'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Bianchi, Robert Steven, and W. V. Davies. "Egyptian Hieroglyphs." Classical World 82, no. 6 (1989): 461. http://dx.doi.org/10.2307/4350475.

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2

Onderka, Pavel, and Christian E. Loeben. "From Egypt, with love: Lepsius and the tradition of writing modern names in Egyptian hieroglyphs." Annals of the Náprstek Museum 41, no. 2 (2020): 17–33. http://dx.doi.org/10.37520/anpm.2020.005.

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The present article surveys Karl Richard Lepsius’ (1810–1884) love for producing modern compositions of Egyptian hieroglyphic texts, and in particular, for writing modern names in Egyptian hieroglyphs. The survey is carried out in the context of new discoveries of such texts on objects kept in the collections of Museum August Kestner in Hanover and the National Museum – Náprstek Museum of Asian, African and American Cultures in Prague. Two newly identified and interpreted texts come from the bases of modern imitations of ancient Egyptian scarabs, which were produced – no doubt under the superv

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3

Thuault, Simon. "L’iconicité des hiéroglyphes égyptiens." Zeitschrift für Ägyptische Sprache und Altertumskunde 147, no. 1 (2020): 106–14. http://dx.doi.org/10.1515/zaes-2020-0029.

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SummaryAlthough mutilation is a well-known process of Egyptian hieroglyphic writing system, its involvement in signs’ figurativity and iconicity has benefited of less attention. Yet, the mutilation practice could have deep consequences for the grammatological nature of hieroglyphs, implying alterations in our analysis of the whole Egyptian scriptural functioning. Thus, this paper aims to shed light, through examples of mutilated signs, on the iconic essence of the affected hieroglyphs: does the alteration of a sign impact its iconicity and, due to this, its raison d’être in a clause or a lexem

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4

Graham, Ian. "Homeless hieroglyphs." Antiquity 62, no. 234 (1988): 122–26. http://dx.doi.org/10.1017/s0003598x00073609.

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Recently, more than ever, Mesoamericanists have had reason to share in the regret felt by Egyptologists at one aspect of the history of antiquities-looting in Egypt - one clearly tinged with tragic irony. For, as Brian Fagan (1975: 11, 261) and others have pointed out, attempts to remove sculpture from ancient Egyptian sites on a large scale began only in the 1820s, and that was just the period when Champollion was achieving his basic decipherment of Egyptian hieroglyphic writing. Since the coveted basrelief sculptures usually had to be prised from their settings by using chisels and crowbars,

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5

Robinson, Andrew. "The race to decipher Egyptian hieroglyphs." Science 369, no. 6511 (2020): 1574. http://dx.doi.org/10.1126/science.abd4740.

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6

Foster, Frances. "BEES AND VULTURES: EGYPTIAN HIEROGLYPHS IN AMMIANUS MARCELLINUS." Classical Quarterly 70, no. 2 (2020): 884–90. http://dx.doi.org/10.1017/s0009838820000865.

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In his Res Gestae, the historian Ammianus Marcellinus describes the Egyptian city of Thebes and the obelisks that can be found there. There is an unusual passage in which he describes hieroglyphic writings. He goes on to show, through two examples, how hieroglyphs might seem bizarre, but in fact contain their own logic which can be explained (Amm. Marc. 17.4.10–11, translation mine): non enim ut nunc litterarum numerus praestitutus et facilis exprimit quicquid humana mens concipere potest, ita prisci quoque scriptitarunt Aegyptii, sed singulae litterae singulis nominibus seruiebant et uerbis;

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7

Giovino, Mariana. "Egyptian Hieroglyphs on Achaemenid Period Cylinder Seals." Iran 44, no. 1 (2006): 105–14. http://dx.doi.org/10.1080/05786967.2006.11834682.

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8

Breyer, Francis. "Ein neues System zur graphematischen Transliteration der altägyptischen Hieroglyhenschrift." Lingua Aegyptia - Journal of Egyptian Language Studies 27 (2019): 17–39. http://dx.doi.org/10.37011/lingaeg.27.02.

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“A new system for transliterating Egyptian hieroglyphs graphematically” The way in which Egyptologists transcribe non-Egyptian words in Egyptian texts is not only very inconsistant, but also very inadequate. Although there have been several attempts to change this, none of these systems has been convincing. Here we propose a new approach for transliterating lexemes written in Egyptian sign by sign, which is based on the transliterations used in different neighboring disciplines. keywords: Transliteration, Syllabische Schrift, Gruppenschrift, Fremdwörter, Umschrift

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9

Polis, Stéphane. "The Functions and Toposyntax of Ancient Egyptian Hieroglyphs." Signata, no. 9 (December 31, 2018): 291–363. http://dx.doi.org/10.4000/signata.1920.

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10

Buchwald, Jed Z. "Thomas Young and the Decipherment of Egyptian Hieroglyphs." L’annuaire du Collège de France, no. 115 (November 1, 2016): 871–72. http://dx.doi.org/10.4000/annuaire-cdf.12658.

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11

Plecher, David A., Florian Herber, Christian Eichhorn, Alexander Pongratz, Gilles Tanson, and Gudrun Klinker. "HieroQuest - A Serious Game for Learning Egyptian Hieroglyphs." Journal on Computing and Cultural Heritage 13, no. 4 (2020): 1–20. http://dx.doi.org/10.1145/3418038.

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12

Elliott, Chris. "Compositions in Egyptian Hieroglyphs in Nineteenth Century England." Journal of Egyptian Archaeology 99, no. 1 (2013): 171–89. http://dx.doi.org/10.1177/030751331309900108.

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13

Filler, Aaron G. "A historical hypothesis of the first recorded neurosurgical operation: Isis, Osiris, Thoth, and the origin of the djed cross." Neurosurgical Focus 23, no. 1 (2007): 1–6. http://dx.doi.org/10.3171/foc-07/07/e6.

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✓A new textual analysis of the central religious aspect of the ancient Egyptian creation myth reveals what appears to be a description of the oldest recorded neurosurgical operation, occurring circa 3000 BC. The analysis results in a hypothesis suggesting that traction reduction was used successfully to reverse a paralyzing cervical spine injury of an early Egyptian leader (Osiris), which inspired the story of his resurrection. The Egyptian mother god Isis, working with the god Thoth (the inventor of medicine), resurrects Osiris by treating his damaged cervical spine. Numerous references in th

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14

Klawitter, Arne. "Athanasius Kircher als Exeget ägyptischer Hieroglyphen und chinesischer Schriftzeichen." Daphnis 43, no. 2 (2015): 392–413. http://dx.doi.org/10.1163/18796583-10000002.

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In many of his lavishly illustrated books, the German Jesuit scholar Athanasius Kircher deals with foreign writing systems such as hieroglyphs and ideograms. He claimed to have deciphered the Egyptian hieroglyphs, and in the supposed iconicity of Chinese written characters he wanted to track down an original resemblance to the objects. In fact, his assumptions were based on serious misunderstandings that were typical of his time. This article explores Kircher’s ‘christological hallucinations’ as a form of the 17th century’s ‘semiotic ideology’ and shows how his views have been adapted until th

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15

Domning, Daryl. "Susanna and the Elders: A Hebrew Legend with Egyptian Wordplay?" Journal for the Study of the Pseudepigrapha 30, no. 3 (2021): 166–71. http://dx.doi.org/10.1177/0951820721995765.

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The Egyptian word seshen (“water lily,” a cognate of the Hebrew name Susanna, written with hieroglyphs depicting a door bolt, a garden pool, and water), may have inspired the setting of the Theodotion form of Daniel 13:1–27. This may constitute a novel type of “bilingual visual paronomasia,” and point to an Egyptian source of the details of Susanna’s bath, absent in the earliest (Old Greek) form of the biblical text of Daniel.

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16

Clere, J. J., and Henry George Fischer. "Ancient Egyptian Calligraphy. A Beginner's Guide to Writing Hieroglyphs." Journal of Egyptian Archaeology 71 (1985): 18. http://dx.doi.org/10.2307/3821663.

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17

Barucci, Andrea, Costanza Cucci, Massimiliano Franci, Marco Loschiavo, and Fabrizio Argenti. "A Deep Learning Approach to Ancient Egyptian Hieroglyphs Classification." IEEE Access 9 (2021): 123438–47. http://dx.doi.org/10.1109/access.2021.3110082.

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Lang, Johannes K., and Herbert Kolenda. "First appearance and sense of the term “spinal column” in ancient Egypt." Journal of Neurosurgery: Spine 97, no. 1 (2002): 152–55. http://dx.doi.org/10.3171/spi.2002.97.1.0152.

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✓ In contemporary anatomical nomenclature terms have often been derived from an ancient perspective of the human body. The term “spinal column” was used in ancient Egypt, symbolized by the “djet column.” The authors discuss the first appearance of the term “spinal column,” taking the ancient Egyptian interaction between religion and daily life into consideration, and they describe the different segments of the spinal column known to the ancient Egyptians. Inspection of medical papyri provides insight into the knowledge held by ancient Egyptian physicians and embalmers. It is assumed that hiero

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19

Di Paola, F., and L. Inzerillo. "3D RECONSTRUCTION-REVERSE ENGINEERING – DIGITAL FABRICATION OF THE EGYPTIAN PALERMO STONE USING BY SMARTPHONE AND LIGHT STRUCTURED SCANNER." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2 (May 30, 2018): 311–18. http://dx.doi.org/10.5194/isprs-archives-xlii-2-311-2018.

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This paper presents a pipeline that has been developed to acquire a shape with particular features both under the geometric and radiometric aspects. In fact, the challenge was to build a 3D model of the black Stone of Palermo, where the oldest Egyptian history was printed with the use of hieroglyphs. The dark colour of the material and the superficiality of the hieroglyphs' groove have made the acquisition process very complex to the point of having to experiment with a pipeline that allows the structured light scanner not to lose the homologous points in the 3D alignment phase. For the textur

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Duque Domingo, Jaime, Jaime Gómez-García-Bermejo, and Eduardo Zalama. "Egyptian Shabtis Identification by Means of Deep Neural Networks and Semantic Integration with Europeana." Applied Sciences 10, no. 18 (2020): 6408. http://dx.doi.org/10.3390/app10186408.

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Ancient Egyptians had a complex religion, which was active for longer than the time that has passed since Cleopatra until our days. One amazing belief was to be buried with funerary statuettes to help the deceased carry out his/her tasks in the underworld. These funerary statuettes, mainly known as shabtis, were produced in different materials and were usually inscribed in hieroglyphs with formulas including the name of the deceased. Shabtis are important archaeological objects which can help to identify the owners, their jobs, ranks or their families. They are also used for tomb dating becaus

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21

Ashby, Solange. "J. Taylor Westerfeld, Egyptian Hieroglyphs in the Late Antique Imagination." Canadian Journal of History 55, no. 1-2 (2020): 128–30. http://dx.doi.org/10.3138/cjh-55-1-2-br01.

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22

Duque-Domingo, Jaime, Pedro Herrera, Enrique Valero, and Carlos Cerrada. "Deciphering Egyptian Hieroglyphs: Towards a New Strategy for Navigation in Museums." Sensors 17, no. 3 (2017): 589. http://dx.doi.org/10.3390/s17030589.

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23

Clère, J. J. "Book Review: Ancient Egyptian Calligraphy. A Beginner's Guide to Writing Hieroglyphs." Journal of Egyptian Archaeology 71, no. 1_suppl (1988): 18–19. http://dx.doi.org/10.1177/030751338507101s13.

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24

Love, Edward O. D. "Egyptian Hieroglyphs in the Late Antique Imagination by Jennifer Taylor Westerfeld." Journal of Early Christian Studies 29, no. 1 (2021): 163–65. http://dx.doi.org/10.1353/earl.2021.0007.

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25

Bald Romano, Irene, William John Tait, Christina Bisulca, Pearce Paul Creasman, Gregory Hodgins, and Tomasz Wazny. "An Ancient Egyptian Senet Board in the Arizona State Museum." Zeitschrift für Ägyptische Sprache und Altertumskunde 145, no. 1 (2018): 71–85. http://dx.doi.org/10.1515/zaes-2018-0005.

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Summary This article discusses a fragment of a rare, wooden slab-style Egyptian senet board that was given to the Arizona State Museum, University of Arizona (Tucson, Arizona) in 1922 by Lily S. Place, an American who lived in Cairo in the 1910s and 1920s and purchased ancient Egyptian objects from dealers and in the bazaars; it has no ancient provenience. Using a multi-disciplinary approach, the authors provide a reading and interpretation of the incised hieroglyphs, establish a radiocarbon date for the game board from 980 to 838 B.C.E., identify the wood as Abies (fir), probably Abies cilici

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26

Cavaleri, Tiziana, Stefano Legnaioli, Francesca Lozar, et al. "A Multi-Analytical Study of an Ancient Egyptian Limestone Stele for Knowledge and Conservation Purposes: Recovering Hieroglyphs and Figurative Details by Image Analysis." Heritage 4, no. 3 (2021): 1193–207. http://dx.doi.org/10.3390/heritage4030066.

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A multi-analytical study was carried out on an ancient Egyptian limestone stele with red figures and hieroglyphs (S. 6145) coming from the village of Deir el-Medina and belonging to the collection of the Museo Egizio (Turin, Italy). With the support of a multidisciplinary team, a project for the preservation and conservation of this stele provided an opportunity to carry out a very detailed study of the object. Petrographic and mineralogical analysis led to the characterization and dating of the limestone, and ultrasonic tests were of great help in shedding light on the state of preservation o

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27

Loprieno, Antonio, Mark Collier, and Bill Manley. "How to Read Egyptian Hieroglyphs: A Step-by-Step to Teach Yourself." International Journal of African Historical Studies 33, no. 1 (2000): 183. http://dx.doi.org/10.2307/220295.

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28

Chadwick, Robert. "The Story of Decipherment from Egyptian Hieroglyphs to Maya Script. Maurice Pope." Near Eastern Archaeology 62, no. 4 (1999): 255–56. http://dx.doi.org/10.2307/3210738.

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29

JESPERSEN, BJØRN, and CHRIS REINTGES. "TRACTARIAN SÄTZE, EGYPTIAN HIEROGLYPHS, AND THE VERY IDEA OF SCRIPT AS PICTURE." Philosophical Forum 39, no. 1 (2008): 1–19. http://dx.doi.org/10.1111/j.1467-9191.2007.00279.x.

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30

Corre, Alan D. "The Story of Decipherment: From Egyptian Hieroglyphs to Maya Script: Maurice Pope." Digest of Middle East Studies 8, no. 2 (1999): 46–47. http://dx.doi.org/10.1111/j.1949-3606.1999.tb00809.x.

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31

Robinson, Shannon Marie. "From Hieroglyphs to Hashtags: The Information-Seeking Behaviors of Contemporary Egyptian Artists." Art Documentation: Journal of the Art Libraries Society of North America 33, no. 1 (2014): 107–18. http://dx.doi.org/10.1086/675710.

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32

Frandsen, Paul J. "On Categorization and Metaphorical Structuring: Some Remarks on Egyptian Art and Language." Cambridge Archaeological Journal 7, no. 1 (1997): 71–104. http://dx.doi.org/10.1017/s0959774300001487.

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This article discusses some aspects of the way the ancient Egyptians classified their world. The Egyptian method of representation aimed at showing things as they existed in the imagination of the artist who accordingly rendered them as they ‘really were’, and not as they were seen, that is, without having recourse to foreshortening, shadow, perspective. What is stored is a mental image of the prototype or ‘genus’ of the object. Linguistic and pictorial material provide evidence of the existence of inalienable properties of a given mental picture. Another set of components is the interactional

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33

Kotsur, A. "EGYPTOLOGIST Ye. V. CHEREZOV (1912-1988) AND HIS SCIENTIFIC LEGACY." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 140 (2019): 27–30. http://dx.doi.org/10.17721/1728-2640.2019.140.7.

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The article deals with Yevgeniy Vikentiyovych Cherezov, the most important milestones of his life, with his scientific and pedagogical activity as well-known Ukrainian Egyptian, Doctor of Historical Sciences, professor, long time head of the Department of History of the Ancient World and Middle Ages of Chernivtsi University. The focus is on poorly researched pages of biography of a scientist and teacher. Separately are analyzed his scientific works, in particular, concerning Ancient Egypt. The scientist’s publication has been characterized the problems of decoding of Egyptian hieroglyphs on sp

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Zaslavsky, Claudia. "The Influence of Ancient Egypt on Greek and Other Numeration Systems." Mathematics Teaching in the Middle School 9, no. 3 (2003): 174–78. http://dx.doi.org/10.5951/mtms.9.3.0174.

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You may have learned how the ancient Egyptians wrote numbers. For example, for the number 600, you would write a symbol for a scroll six times. Actually, ancient Egypt had two main systems of writing: hieroglyphic and hieratic. Hieroglyphics, dating back over 5,000 years, were used mainly for inscriptions on stone walls and monuments. Hieratic writing was a cursive script suitable for writing on papyrus, the Egyptian form of paper. Much of our knowledge of ancient Egyptian mathematics comes from a papyrus written by the scribe Ahmose around 1650 B.C.E. Although he wrote in hieratic script, rec

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‫القبيسي‬, ‫بهجت‬. "‫أحمد باشا كمال فقيه الهيروغليفية العربي المصري‬ (Ahmed Kamal Pasha The Philologist of Egyption Hieroglyphs)". Abgadiyat 6, № 1 (2011): 33–43. http://dx.doi.org/10.1163/22138609-90000002.

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Ahmed Kamal Pasha is the clerk who wrote a lexicon which has not seen light because of the tendentious (unfair) orientalists. Ahmed Kamal Pasha is the first Arabic philologist who ascribed the Egyptian dialects to the Arabs throughout [Mystification (Slang)] and [philology]. This research displays the efforts of Ahmed Kamal Pasha and his ideology as philologist, and not as a linguist. This research explains the effect of [Orientale] on the Arab history; some were fair, others were tendentious and another group collected the important information for us. However, the destiny of the clerk, the E

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Benes, Tuska. "The Shared Descent of Semitic and Aryan in Christian Bunsen’s History of Revelation." Philological Encounters 2, no. 3-4 (2017): 270–95. http://dx.doi.org/10.1163/24519197-12340027.

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The desire to uphold monogenesis encouraged Christian Bunsen (1791-1866) to bridge the Semitic and Indo-European language families. Bunsen’s identifying ancient Egyptian as a linguistic bridge had implications for the supposed history of God’s revelation to humankind, as well as for German conceptions of “Semitic” as a racial category in the 1840s. The rise of Sanskrit as a possible Ursprache, as well as new critical methods and the rationalist critique of revelation, altered the position Egypt once held in ancient wisdom narratives. However, the gradual decipherment of hieroglyphs and efforts

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Frank, Robbert, and Frank Robbert. "Precipitaten." Forum+ 26, no. 3 (2019): 36–44. http://dx.doi.org/10.5117/forum2019.3.fran.

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Geïnspireerd door de grottekeningen van Lascaux, Egyptische hiëroglyfen en protoschriften uit Mesopotamië, werkt het kunstenaarsduo Frank&Robbert Robbert&Frank aan nieuwe objecten waarin ze hun eigen leven en werk documenteren in eenvoudige symbolische lijntekeningen. Deze tekeningen zijn een manier om zichzelf, de wereld waarin ze leven en hun kunstpraktijk onder de loep te nemen. Tegelijk creëren ze een basis om ook minder grijpbare ideeën en systemen te vertalen. Zoals de Egyptenaren in hun muurschilderingen niet enkel de dagelijkse handelingen uitbeeldden, maar ook hun kosmologisch

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Ashrafian, H. "Deciphering the death of Jean-François Champollion (1790–1832), the man who decoded ancient Egyptian hieroglyphs." Neurophysiologie Clinique/Clinical Neurophysiology 45, no. 2 (2015): 178–79. http://dx.doi.org/10.1016/j.neucli.2014.10.002.

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39

Vinson, Steve. "How to Read Egyptian Hieroglyphs: A Step-by-Step Guide to Teach Yourself. Mark Collier , Bill Manley." Journal of Near Eastern Studies 61, no. 3 (2002): 231–32. http://dx.doi.org/10.1086/469038.

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Einaudi, Silvia. "Quelques observations sur l’écriture rétrograde dans les tombes thébaines de l’époque tardive." Trabajos de Egiptología. Papers on Ancient Egypt, no. 9 (2018): 65–79. http://dx.doi.org/10.25145/j.tde.2018.09.02.

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The “retrograde” writing is characterised by an inversion in the reading sequence of the hieroglyphs, which—either in columns or in lines—are to be read in the “opposite direction”, counter to what we would expect from the signs’ direction. Throughout Egyptian history, this writing system was used to inscribe funerary texts on tomb walls and certain objects of the funerary equipment (sarcophagi, stelae, papyri). Several theories, involving technical or theological issues, have been advanced to explain the use of retrograde writing. During the Late Period, this system was widely used in the mon

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Loprieno, Antonio. "Review of Collier & Manley (1998): How to read Egyptian hieroglyphs: A step-by-step guide to teach yourself." Written Language and Literacy 4, no. 2 (2001): 227–30. http://dx.doi.org/10.1075/wll.4.2.09lop.

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Willems, Harco. "“Cylinder seals for the lower classes”." Zeitschrift für Ägyptische Sprache und Altertumskunde 145, no. 2 (2018): 187–204. http://dx.doi.org/10.1515/zaes-2018-0017.

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Summary Egyptologists have paid much attention to inscribed administrative seals and their impressions. By contrast, the so-called figure seals, which render no or hardly any text, but instead use icons and signs inspired on hieroglyphs which however yield no coherent sense, have received far less attention. Usually this material is related to the lower strata of society. According to current interpretations, it is rooted in the Egyptian culture of the later Old Kingdom and First Intermediate Period. The phenomenon would be a corollary of the decreasing prominence of central state authority in

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Levchenko, Nataliia, Olena Liamprekht, Oksana Zosimova, Olena Varenikoba, and Svitlana Boiko. "Emblematic Literature as a Form of Biblical Hermeneutics." Revista Amazonia Investiga 9, no. 32 (2020): 61–69. http://dx.doi.org/10.34069/ai/2020.32.08.7.

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The article defines the basic principles of the influence of biblical hermeneutics on the poetics of Ukrainian Baroque emblematic literature, which were determined by its general development trends. The four-sense biblical hermeneutics, founded by the Greek and Roman Church Fathers, played an important role in the formation of Ukrainian Baroque literature that mainly developed within the theological framework. The principles of biblical hermeneutics eventually began to go beyond the theological literature. Thus, the medieval interest in symbol and allegory led to the appearance of “empresas” –

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Rojas, Felipe. "THE CHRISTIAN RECEPTION OF HIEROGLYPHS - (J.T.) Westerfeld Egyptian Hieroglyphs in the Late Antique Imagination. Pp. xiv + 242, ills. Philadelphia: University of Pennsylvania Press, 2019. Cased, £50, US$59.95. ISBN: 978-0-8122-5157-9." Classical Review 72, no. 1 (2021): 311–14. http://dx.doi.org/10.1017/s0009840x21003449.

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Chłodnicki, Marek, and Krzysztof M. Ciałowicz. "Tell el-Farkha: archaeological fieldwork 2014–2015." Polish Archaeology in the Mediterranean 25 (May 15, 2017): 227–53. http://dx.doi.org/10.5604/01.3001.0010.1831.

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The archaeological site of Tell el-Farkha is composed of three mounds excavated continuously by the Polish team since 1998. In the 2014 and 2015 seasons, covered in this report, investigations were carried out in already opened trenches in three sectors. On the Western Kom, another brewery was explored to add to the already existing set of investigated installations of this kind. It demonstrated three phases of use, the topmost separated from the middle one by a thick layer of burnt soil and ashes. The deposit attests to a conflagration that consumed the entire settlement. The study of a huge

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Gonizzi Barsanti, S., G. Caruso, L. L. Micoli, M. Covarrubias Rodriguez, and G. Guidi. "3D Visualization of Cultural Heritage Artefacts with Virtual Reality devices." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 11, 2015): 165–72. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-165-2015.

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Although 3D models are useful to preserve the information about historical artefacts, the potential of these digital contents are not fully accomplished until they are not used to interactively communicate their significance to non-specialists. Starting from this consideration, a new way to provide museum visitors with more information was investigated. The research is aimed at valorising and making more accessible the Egyptian funeral objects exhibited in the Sforza Castle in Milan. The results of the research will be used for the renewal of the current exhibition, at the Archaeological Museu

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47

Leitz, Christian. "Egyptian Hieroglyphs in the Late Antique Imagination. By Jennifer Taylor Westerfeld. Philadelphia: University of Pennsylvania Press, 2019. Pp. 256 + 15 illustrations. $59.95 (cloth)." Journal of Near Eastern Studies 80, no. 2 (2021): 436–38. http://dx.doi.org/10.1086/716040.

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Stewart, Jon. "Hegel's Analysis of Egyptian Art and Architecture as a Form of Philosophical Anthropology." Owl of Minerva 50, no. 1 (2019): 69–90. http://dx.doi.org/10.5840/owl2019501/26.

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In his different analyses of ancient Egypt, Hegel underscores the marked absence of writings by the Egyptians. Unlike the Chinese with the I Ching or the Shoo king, the Indians with the Ramayana and the Mahabharata, the Persians with the Avesta, the Jews with the Old Testament, and the Greeks with the poems of Homer and Hesiod, the Egyptians, despite their developed system of hieroglyphic writing, left behind no great canonical text. Instead, he claims, they left their mark by means of the architecture and art. This paper explores Hegel’s analysis of the Egyptians’ obelisks, pyramids, sphinxes

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Depuydt, Leo. "Regnal Years and Civil Calendar in Achaemenid Egypt." Journal of Egyptian Archaeology 81, no. 1 (1995): 151–73. http://dx.doi.org/10.1177/030751339508100116.

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This paper describes ancient Egyptian regnal and calendar dating in the Twenty-seventh Dynasty or First Persian Period, reviewing the evidence from Aramaic, cuneiform, Demotic Egyptian, Greek, and hieroglyphic Egyptian sources. A table listing the Egyptian regnal years of Persian kings is appended.

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Kutscher, Silvia. "Multimodale graphische Kommunikation im pharaonischen Ägypten: Entwurf einer Analysemethode." Lingua Aegyptia - Journal of Egyptian Language Studies 28 (November 2020): 81–116. http://dx.doi.org/10.37011/lingaeg.28.03.

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“Multimodal graphic communication in Ancient Egypt: A method for analysis”: This article presents a method to analyse Hieroglyphic-Egyptian artefacts based on the semiotic approach of multimodality. In a first step, the theoretical background of multimodality research is given and its methodological application to Hieroglyphic-Egyptian text-image-compositions is discussed. In a second step, the method is illustrated analysing a relief from an Old Kingdom mastaba in Giza – the will of Wep-em-nefert (G8882). In a third step, some graphic techniques for information structuring are compared to sim

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