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Journal articles on the topic 'Eichendorff, Joseph'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Martiniuk, Nathaschka. "Configurações da melancolia em Eichendorff." Discurso 47, no. 1 (2017): 401–12. http://dx.doi.org/10.11606/issn.2318-8863.discurso.2017.134098.

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O objetivo deste artigo é analisar o poema "Sehnsucht", do escritor romântico Joseph von Eichendorff, à luz da tradição dos estudos da melancolia, que perpassa de Hipócrates ao estudo feito por Klibansky, Panofsky e Saxl, na obra "Saturno e Melancolia". Baseando-se, sobretudo, nas imagens de contemplação e perda, é possível notar como o autor dialoga com essa longa tradição.

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2

Hae Za Rhie. "Autobiographie und Autofiktion bei Joseph von Eichendorff." Koreanische Zeitschrift für Germanistik 58, no. 4 (2017): 27–46. http://dx.doi.org/10.31064/kogerm.2017.58.4.27.

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3

Leech, Tom, and Karl-Heinz Bieler. "Joseph von Eichendorff: Aus dem Leben eines Taugenichts." Die Unterrichtspraxis / Teaching German 26, no. 1 (1993): 119. http://dx.doi.org/10.2307/3531812.

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4

Crichton, Mary C., and Dietmar Kunisch. "Joseph von Eichendorff: Fragmentarische Autobiographie. Ein Formtheoretischer Versuch." German Quarterly 63, no. 1 (1990): 134. http://dx.doi.org/10.2307/406632.

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5

Kunisch, Dietmar. "Joseph von Eichendorff, Das Marmorbild. Eine autobiographische Novelle?" Volume 59 · 2018 59, no. 1 (2018): 195–208. http://dx.doi.org/10.3790/ljb.59.1.195.

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6

Mathias, Dionei. "Sobre o pertencimento na poesia de Joseph von Eichendorff." Revista Texto Poético 14, no. 24 (2018): 171. http://dx.doi.org/10.25094/rtp.2018n24a464.

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Joseph von Eichendorff é um dois mais importantes poetas do Romantismo de expressão alemã. Muitos de seus poemas, repletos de imagens da natureza e tempos passados, abordam uma experiência bem contemporânea: a busca pela sensação de pertencimento. Este artigo pretende discutir como a voz lírica administra esse anseio, como o desejo erótico representa um risco e, por fim, o papel da memória nesse contexto. Nos três poemas analisados, encontramos três etapas diferentes dessa busca. O resultado em todas elas é a ausência de pertencimento.

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7

Wickersham, Erlis. "A Translation from German into English of Joseph von Eichendorff's Romantic Novel Ahnung und Gegenwart (1815) by Joseph von Eichendorff." Goethe Yearbook 24, no. 1 (2017): 297–98. http://dx.doi.org/10.1353/gyr.2017.0022.

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8

Purver, Judith, Ansgar Hillach, and Klaus-Dieter Krabiel. "Joseph von Eichendorff: Werke. Band V: Politische und historische Schriften, Streitschriften." Modern Language Review 85, no. 2 (1990): 511. http://dx.doi.org/10.2307/3731919.

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9

Purver, Judith. "The timeliness of an anachronistic writer: the case of Joseph von Eichendorff." Bulletin of the John Rylands Library 71, no. 3 (1989): 125–40. http://dx.doi.org/10.7227/bjrl.71.3.10.

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10

Hee-Kwon Jang. "Das romantische Motiv von Nacht und Wald in der Naturlyrik bei Joseph von Eichendorff." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 60 (2013): 47–74. http://dx.doi.org/10.30947/zfdsl.2013..60.47.

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11

Dickins, Eric, and Judith Purver. "Hindeutung auf das Hohere: A Structural Study of the Novels of Joseph von Eichendorff." Modern Language Review 86, no. 4 (1991): 1050. http://dx.doi.org/10.2307/3732631.

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12

Purver, Judith, Hermann Kunisch, Helmut Koopmann, Christiane Briegleb, and Clemens Rauschenberg. "Samtliche Werke des Freiherrn Joseph von Eichendorff. Historisch-kritische Ausgabe. Band III: Ahnung und Gegenwart." Modern Language Review 82, no. 3 (1987): 784. http://dx.doi.org/10.2307/3730507.

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13

Zhang, Huanan. "Acceptance and Being Rescued - Comparing the Attitudes toward Nature of Tao Yuanming and Joseph von Eichendorff." Jahrbuch für Internationale Germanistik 2010, no. 1 (2010): 65–74. http://dx.doi.org/10.3726/82036_65.

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14

Wiemer, Claudia. "Bieler, Karl-Heinz; Jenkins, Eva-Maria: Joseph von Eichendorff: »Aus dem Leben eines Taugenichts«. München: Klett Edition Deutsch, 1991 (Stundenblätter Deutsch als Fremdsprache)." Informationen Deutsch als Fremdsprache 20, no. 2-3 (1993): 163–65. http://dx.doi.org/10.1515/infodaf-1993-202-313.

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15

Lukas, Katarzyna. "Schulzowska „teoria obrazu” w interpretacji Anny Juraschek." Schulz/Forum, no. 15 (September 24, 2020): 231–40. http://dx.doi.org/10.26881/sf.2020.15.14.

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The article is a review of and a discussion with the recent monograph by Anna Juraschek, Die Rettung des Bildes im Wort. Bruno Schulz’ Bild-Idee in seinem prosaischen und bildnerischen Werk, Göttingen 2016. Juraschek has put forward the following thesis: alongside his own specific philosophy of language expressed in his narrative works and essays, Bruno Schulz also suggests a particular philosophy of image/picture, which he develops in his visual art. This “program” is not specified and may be reconstructed only by interpreting his graphic works; it is, however, corroborated by the poetics of

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16

Scheitler, Irmgard. "Joseph von Eichendorffs "Die Freier"." Die Musikforschung 61, no. 2 (2021): 109–21. http://dx.doi.org/10.52412/mf.2008.h2.487.

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17

Sung-Kun Hong. "Die Ikonizitaet der Naturbilder Joseph von Eichendorffs." Koreanische Zeitschrift für Germanistik 49, no. 2 (2008): 239–54. http://dx.doi.org/10.31064/kogerm.2008.49.2.239.

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18

Kremer, Detlef. "Joseph von Eichendorffs ,,Mondnacht” und die romantische Naturphilosophie." Zeitschrift für Germanistik 19, no. 1 (2009): 97–107. http://dx.doi.org/10.3726/92124_97.

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19

BROWN, MARSHALL. "Negative Poetics: On Skepticism and the Lyric Voice." Representations 86, no. 1 (2004): 120–40. http://dx.doi.org/10.1525/rep.2004.86.1.120.

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ABSTRACT Beginning with negative formulations found in many lyric poems, this essay argues that poetry in general skeptically distances the speaking voice from the authorial perspective, even in poems that have been taken to express direct personal feeling. German Romantic examples (Wilhelm Müüller's ““Der Neugierige”” as set by Franz Schubert, Goethe's ““Meeresstille,”” and Joseph von Eichendorff's ““Mittagsruh””) are featured, with the intent of suggesting a general account of the lyric voice.

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20

Hae Za Rhie. "Eine Studie über Joseph von Eichendorffs ErzählungenDie Zauberei im Herbst und Das Marmorbild." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 63 (2014): 331–60. http://dx.doi.org/10.30947/zfdsl.2014..63.331.

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21

Schodrok, Christine. "DAS HERZ DER WELT." Revista Letras 7 (November 26, 2010). http://dx.doi.org/10.5380/rel.v7i0.20024.

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22

Eichner, Hans. "Sämtliche Werke des Freiherrn Joseph von Eichendorff. Historisch-kritische Ausgabe. — Joseph von Eichendorff, Werke in sechs Bänden." Arbitrium 15, no. 2 (1997). http://dx.doi.org/10.1515/arbi.1997.15.2.224.

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23

Kurzke, Hermann. "Joseph von Eichendorff, Gedichte. Versepen. Hg. von Hartwig Schultz." Arbitrium 7, no. 1 (1989). http://dx.doi.org/10.1515/arbi.1989.7.1.93.

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24

Brandt, Marion, Alexander Höllwerth, Joanna Smereka, and Jarochna Dąbrowska-Burkhardt. "Informationen und Berichte." Convivium. Germanistisches Jahrbuch Polen, December 30, 2008, 433–46. http://dx.doi.org/10.18778/2196-8403.2008.19.

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„Günter Grass. Literatur – Kunst – Politik“. Internationale Konferenz. Gdańsk, 4.-6.10.2007 „‚Kleine Literaturen‘ oder Regionalliteratur – Reichweite, Funktion und Besonderheit“. Polnisch-deutsch-nordisches Symposium. Szczecin und Pobierowo, 6./7.-9.10.2007 „Felix Austria – Dekonstruktion eines Mythos? Das österreichische Drama und Theater seit Beginn des 20. Jahrhunderts“. Łódź, 15.-17.11.2007 „Joseph Freiherr von Eichendorff. 150 Jahre später“. Internationale Tagung in Wrocław, 29.11.-1.12.2007 „Wort – Satz – Text. Einheit und Vielfalt der modernen germanistischen Sprachwissenschaft“. Intern

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25

Purver, Judith. "Joseph von Eichendorff im Urteil seiner Zeit. Sämtliche Werke des Freiherrn Joseph von Eichendorff. Historisch-kritische Ausgabe. Bd. XVIII. Hg. von Günter und Irmgard Niggl." Arbitrium 6, no. 3 (1988). http://dx.doi.org/10.1515/arbi.1988.6.3.288.

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26

Genz, Julia. "Ein anderer Pygmalion – Techniken der Kunstbelebung in Joseph von Eichendorffs Das Marmorbild, Oscar Wildes The Picture of Dorian Gray und Georg Heyms Der Dieb." Arcadia 48, no. 2 (2013). http://dx.doi.org/10.1515/arcadia-2013-0027.

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AbstractThe main issue of the Pygmalion myth is the vitalisation of an artificial woman. In Ovid’s Metamorphoses it is motivated by the intervention of Venus. This article deals with Pygmalion-like protagonists since 1800, in which the crucial point of vitalisation is no longer based on divine volition but on semiotic theories that Winckelmann, Lessing, Goethe and others used in the eighteenth century. In these cases, the protagonist’s perspective gives rise to the impression of vivification. The examples of Joseph von Eichendorff, Oscar Wilde and Georg Heym show that this shift also had an im

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27

Schultz, Hartwig. "Joseph von Eichendorff, Sämtliche Werke. Historisch-kritische Ausgabe. Bd. 12: Briefe 1794-1857. Hg. von Sibylle von Steinsdorff." Arbitrium 12, no. 3 (1994). http://dx.doi.org/10.1515/arbi.1994.12.3.353.

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28

Amarís Duarte, Olga. "Espacio en movimiento: el paisaje dinámico y sintiente en la Italia de "Das Marmorbild" de Joseph von Eichendorff." Revista de Filología Alemana 26 (August 2, 2018). http://dx.doi.org/10.5209/rfal.60141.

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29

Riemen, Alfred. "Franz Xaver Ries, Zeitkritik bei Joseph von Eichendorff (Schriften zur Literaturwissenschaft. Im Auftrag der Görres-Gesellschaft, Band 11). Duncker & Humblot, Berlin 1997." Zeitschrift für deutsche Philologie, no. 2 (July 1, 1998). http://dx.doi.org/10.37307/j.1868-7806.1998.02.15.

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30

Magen, Antonie. "Reinhard Siegert, Die Staatsidee Joseph von Eichendorffs und ihre geistigen Grundlagen. 2008." Arbitrium 27, no. 3 (2009). http://dx.doi.org/10.1515/arbi.2009.110.

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31

"Scores Received - Beethoven Ludwig van, Konzert Nr. 2 in B für Klavier und Orchester/ Concerto No. 2 in B-flat major for Pianoforte and Orchestra, op. 19, ed. Jonathan Del Mar (Kassel, Bärenreiter, 2013), Score, Piano, and Piano Reduction, 74, 35, and 46 pp. - Beethoven Ludwig van, Sonate in f für Klavier/ Sonata in F minor, op. 57, “Appassionata,” ed. Jonathan Del Mar (Kassel, Bärenreiter, 2014), 47 pp. - Beethoven Ludwig van, Concerto No. 4 in G major for Pianoforte and Orchestra, op. 58, ed. Jonathan Del Mar (Kassel, Bärenreiter, 2015), Critical Commentary, 54 pp. - Dvořák Antonín, Smyčcový kvintet G dur/ String Quintet in G major/Streichquintett G-Dur, op. 77, ed. František Bartoš, Antonín Pokorný (Kassel, Bärenreiter, 2014), Miniature Score, 50 pp. - Dvořák Antonín, Smyčcový kvartet č. 2 B dur/ String Quartet No. 2 in B-flat major/Streichquartett Nr. 2 B-Dur, B 17, ed., Antonín Pokorný, Karel Šolc (Kassel, Bärenreiter, 2014), Miniature Score, 73 pp. - Schubert Franz Peter, Sonate in c für Klavier/ Sonata I C minor for Piano, D958, ed. Walburga Litschauer (Kassel, Bärenreiter, 2015), 42 pp. - Schulhoff Erwin, Sonáty č 1-3 pro klavír/ Sonatas Nos. 1-3 for Piano/ Sonaten Nr. 1-3 für Klavier, ed. Michael Kube (Kassel, Bärenreiter, 2014), 66 pp. - Schumann Robert, Liederkreis von Joseph Freiherrn von Eichendorff, op. 39, ed. Hansjörg Ewert (Kassel, Bärenreiter, 2015), 39 pp. - Verdi Giuseppe, Messa da Requiem, ed. Marco Uvietta (Kassel, Bärenreiter, 2014), Score, 321 pp." Nineteenth-Century Music Review 12, no. 2 (2015): 415. http://dx.doi.org/10.1017/s1479409815000440.

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