Relevant bibliographies by topics / Eidetika / Dissertations / Theses
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Dissertations / Theses on the topic 'Eidetika'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Consult the top 19 dissertations / theses for your research on the topic 'Eidetika.'

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1

Kaushik, Rajiv. "Towards a phenomenology of religious experience : from eidetics to the longing of flesh." Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429296.

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2

Schnitzius, Michael P. "Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149660/.

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David Lewin, in his 1986 article “Music Theory, Phenomenology, and Modes of Perception,” offers a promising methodological approach for the analysis of tonal music from a phenomenological perspective. Lewin’s phenomenological method has a propensity to render seemingly contradictory readings in such a way that their respective validities can be preserved by articulating them within differentiated contexts. Expanding upon Lewin’s phenomenological work with analyzing tonal music, I propose that a phenomenological investigation of an atonal song, Webern op. 3, no. 1, from within a variety of diff
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3

Sheing, Mario. "“The Problem of the Extension of the Eidetic World: Republic VII and Parmenides”." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/119588.

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For some of Plato’s commentators some passages of the Republic and the Parmenides provide a clear guideline regarding the extension of the noetic “world”, namely, a criterion that allows us to know what kind of Platonic forms there are, and which there are not. There are forms only for a pair of opposite properties such as “big” and “small”; indeed, smallness itself is not what appears to the senses, since each sensible instance of smallness appears “mixed” with its opposite, bigness. On the contrary, things that are perceived by the senses such as fingers, do not have an eidos. However, a mor
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4

Borcak, Fedja. "Den ordlösa kroppens närmande : Eidetisk och kroppslig perception i Harold Pinters The Dwarfs." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-7091.

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5

ALMEIDA, VICTOR NAINE DE. "THE EIDETIC MOSAIC AND THE SCIENCE OF ORIGIN: CRITIC AND MAGIC IN WALTER BEJMAIN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16483@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta pesquisa pretende abordar o que o filósofo Walter Benjamin tem a dizer sobre crítica e magia - exploradas na linguagem - para chegar a uma concepção monadológica do tempo e da matéria. Dialogando com inúmeros pensadores, obras e coisas, sua filosofia busca conceber através de ensaios (contrários aos textos acadêmicos e sistemáticos) o que ele chama de ciência da origem, tocando tempo, forma e matéria como que condensados em fragmentos da história. Esses fragmentos são como pequenos cacos de um grande mosaico ou vitral sagrad
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6

Behrenshausen, Bryan G. "Touching is Good: An Eidetic Phenomenology of Interface, Interobjectivity, and Interaction in Nintendo's "Animal Crossing: Wild World"." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/BehrenshausenBG2007.pdf.

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7

Mouton, Jacques P. "Drawing the building and building the drawing." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45292.

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The way we build is inherently bound to methods implemented when representing any proposed intervention. Superficially, it would seem that the techniques used for representing architecture have rapidly progressed, especially with regard to the influence technology has on the depiction of architectural form in a graphically accessible manner. However, when critically examining the consequential products that arise from either method, it becomes evident that very little has been gained through employing these new methods of creation and depiction. Through accepting, wholeheartedly, drawing conve
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8

Harris, Ronald T. "Entering Zion with singing." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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9

Vallor, Honor Penelope. "How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4659.

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A study of Gothic influences and eidetic imagery evident in eight Blake color plates to demonstrate that, when interpreted together with key Blake poems, unity of body and soul can be accomplished by means of the visionary imagination.
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10

Hopkins, Burt. "De regreso a la fuente del platonismo en la filosofía de las matemáticas: la crítica de Aristóteles a los números eidéticos." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113145.

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De acuerdo con la así llamada concepción platonista de la naturaleza de las entidades matemáticas, las afirmaciones matemáticas son análogas a las afirmaciones acerca de objetos físicos reales y sus relaciones, con la diferencia decisiva de que las entidades matemáticas no son ni físicas ni espacio temporalmente individuales, y, por tanto, no son percibidas sensorialmente. El platonismo matemático es, por lo tanto, de la misma índole que el platonismo en general, el cual postula la tesis de un mundo ideal de entidades –eídē– que a la vez están separadas (chōristón) y son el fundamento cognitiv
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11

Masselot, Nathanaël. "Temps et individuation : le sens du transcendantal dans la philosophie de Kant et de Husserl : métaphysique, ontologie, phénoménologie." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30024/document.

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La notion d’individu fait l’objet d’une intuition triviale. Notre expérience nous la livre si naturellement qu’elle semble constituer le socle élémentaire de toute ontologie naïve. Mais en philosophie, le problème de l’individuation ouvre un vaste champ de problèmes métaphysiques traités dans la postérité scolastique d’Aristote. Dénoncée et ré-élaborée dans l’ontologie fondamentale de Heidegger comme métaphysique du Dasein à la faveur d’une critique de Kant, prolongée et dépassée dans la phénoménologie de la donation, la métaphysique semblerait évacuée de la pensée moderne post-kantienne, a fo
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12

Rogove, John. "Une science sans présupposés ? : intuition eidétique et structure méréologique entre réduction phénoménologique et réductionnisme logico-empiriste." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040029.

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Cette thèse cherche d’abord à confronter les prétentions respectives des méthodes phénoménologique et analytico-linguistique classiques à fournir chacune une explication de la connaissance a priori des nécessités d’essence qui soit aussi dépourvue que possible de présupposés et de pétitions de principe. Le problème précis autour duquel se noue cette confrontation est celui de la possibilité des vérités a priori matérielles. Dans un premier temps, nous proposons une lecture et une résolution méréologiques de ce problème en termes husserliens de touts composés des parties dépendantes, qui permet
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13

Morales, Hernandez Mauricio. "Médiatisation technologique et voix du réel. : une anthropologie historique du regard — de la trace à l'écran." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0041.

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Nous partons du constat de l’importance de l’image dans le processus d’anthropogénèse, car la fixité de l’image se dévoile comme une médiation temporelle, c’est-à-dire, comme la création d’un temps rapporté médiatisant notre rapport au réel et transgressant par là notre champ perceptif. À ce titre, l’histoire de l’image apparaît comme le développement de divers modèles eidétiques statiques qui vont être en négociation et relation permanente avec les modèles eidétiques dynamiques : le langage, les gestes, l’outillage, la musique, la danse, l’habitat ; modèles qui en contrepartie sont des médiat
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14

Ascarate, Coronel Luz Maria. "Psyché ranimée. Imagination et émancipation dans la philosophie de Paul Ricœur." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0063.

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Nous identifions la contribution de l’anthropologie phénoménologique de Ricœur à la philosophie sociale, sous la double perspective de l’imagination et de l’émancipation, afin de répondre aux défis du temps de la crise du sens, crise qui se manifeste comme une perte des fondements. Au regard des analyses de Ricœur sur l’imagination, dont nombre d’entre elles restent encore non publiées, nous pensons comme suit : la phénoménologie de la fiction de Paul Ricœur contribue à penser l’expérience du sujet comme le fondement de l’imaginaire social du point de vue constitutif. De cette manière, nous co
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15

Srbová, Kateřina. Master's thesis, 2005. http://www.nusl.cz/ntk/nusl-366551.

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16

Lien, Tzu-Hsien, and 連子閑. "「Eidetic Object」of the Adolescent Subject." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50873089757124202278.

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碩士<br>國立臺南藝術大學<br>造形藝術研究所<br>98<br>This thesis mainly to clarify my creative process and sorted out many forms during creating as a basis for discussion. 　　The main concept of this thesis is－「Eidetic Object」of the Adolescent Subject, adolescent is a state of incompletely socialization, adolescent was not modeled deliberately but been awared during clarifying the process of creation.「Eidetic Object」 represented the messages that still refused to grow up inside consciousness and subconsciousness, the memories of father and pets in childhood was the key to influent my consciousness the most, and
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17

Behrenshausen, Bryan G. "Touching is good : an eidetic phenomenology of interface, interobjectivity, and interaction in Nintendo' "Animal crossing: wild world" /." 2007. http://www.library.umaine.edu/theses/pdf/BehrenshausenBG2007.pdf.

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18

Latham, Michael. "From the spiritual in art to degenerate art : aesthetics, perception, cultural politics /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss9934082.

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19

Labuschagne, Ilze. "Landscape experience : an archetypal landscape approach to water spaces." Diss., 2013. http://hdl.handle.net/2263/32815.

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Aesthetics were the main passion of early century landscape architects. A focus on the concern with ecology followed, while the late twentieth century landscape architecture developed towards a concentration on restoration and recovery and so focussed more on redeployment than replacement (Campbell 2006). Today, in the twenty-first century, mankind is overwhelmed with issues of global warming, exhausted natural resources, and disappearing ecologies. Landscape architects are focused on providing sustainable landscapes from which both humans and nature can benefit. Attempts to create parks or g
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