Relevant bibliographies by topics / Eisenstein

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Academic literature on the topic 'Eisenstein'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Eisenstein"

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Zabrodin, Vladimir V. "On «Pretty Young Lady», Dos Passos and the Textology of «Art»." Journal of Flm Arts and Film Studies 10, no. 1 (2018): 20–30. http://dx.doi.org/10.17816/vgik10120-30.

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The presented text is a publication of archival materials from the Eisensteins Fund in the Russian State Archive of Literature and Art (RGALI). The author of the publication reconstructed and commented some episodes from creative and personal biography of S.M. Eisenstein in the beginning of the 1930's. In particular, some fragments from private correspondence of Eisenstein and Esther Shub сut when published in the 1970s have been restored; the reasons for the reaction of the director to the of Shubs suggestion to make a film based on the novel Manhattan by John Dos Passos have been elucidated.
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Herrera, Juan Carlos Arias. "From the Screen to the Wall: Siqueiros and Eisenstein in Mexico." Mexican Studies/Estudios Mexicanos 30, no. 2 (2014): 421–45. http://dx.doi.org/10.1525/msem.2014.30.2.421.

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The relation between Russian filmmaker Sergei Eisenstein and “The Three Greats” of Mexican muralism has been widely discussed. The opposite connection, the influence of Eisenstein’s ideas and techniques on Mexican artists, however, has been less analyzed. This text examines the relation between Eisenstein’s aesthetic theories and David Alfaro Siqueiros’ poetics of mural painting. Through the analysis of the work The March of Humanity, I propose that Eisenstein and Siqueiros established a productive dialogue focused on the concept of dialectics that, according to them, was the key to producing
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Pönni, Antti. "Einstein, Epstein, Eisenstein." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 30, no. 4 (2018): 19–37. http://dx.doi.org/10.23994/lk.69009.

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Artikkelissa analysoidaan ajatusta neljännestä ulottuvuudesta elokuvassa Sergei Eisensteinin ja Jean Epsteinin kirjoituksissa. Tärkeimmät tarkasteltavat tekstit ovat Eisensteinin ”Neljäs ulottuvuus elokuvassa” (1929) sekä Epsteinin ”Eräistä fotogeenisyyden ehdoista” (1924) ja Intelligence d’un machine (”Koneen äly”, 1946). Neljännen ulottuvuuden ajatus Epsteinilla ja Eisensteinilla juontuu ensisijaisesti Albert Einsteinin suhteellisuusteoriasta, mutta sitä tarkastellaan myös suhteessa muihin, 1900-luvun alussa suosittuihin käsityksiin neljännestä ulottuvuudesta.
 Vaikka Eisensteinin ja Ep
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Rusinova, Elena A. "Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint." Journal of Flm Arts and Film Studies 11, no. 3 (2019): 10–16. http://dx.doi.org/10.17816/vgik11310-16.

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Sergei Mikhailovich Eisenstein is not only a great filmmaker but also one of the first theorists of cinema, whose ideas have not lost their significance to this day. Exploration of Eisensteins theoretical heritage reveals the relevance of many of his propositions based both on the practical experience of the director and on his theoretical conclusions and even insights.Such ideas include, in particular, the concept of audiovisual counterpoint introduced by Eisenstein in the famous manifesto Budushchee zvukovoi fil'my. Zaiavka (Statement on Sound) of 1928. In this manifesto, a number of provisi
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Bugaeva, Lyubov. "Aleksandr Bogdanov and Sergei Eisenstein on Emotions: The Affectional, the Theory of Expressiveness, and the Emotional Script." Cultural Science Journal 13, no. 1 (2021): 101–12. http://dx.doi.org/10.2478/csj-2021-0008.

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Abstract In Empiriomonism, Aleksandr Bogdanov introduces the term ‘affectional’ that he borrowed from Richard Avenarius but revised in the light of William James’s theory of emotions. The ‘affectional’ is an index of energy balance between suffering and pleasure. Employing Bogdanov’s revised notions of affectional as an element of any organization or complex, Sergei Eisenstein develops the principles of expressivity. He sees emotions as an organism’s embodied reaction to its interaction with the environment. Eisenstein proposes a notion of an emotional script, which is a narrative of a prospec
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Oeler, Karla. "Eisenstein and Horror." Journal of Visual Culture 14, no. 3 (2015): 317–31. http://dx.doi.org/10.1177/1470412915608138.

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‘Eisenstein and Horror’ places Eisenstein’s unfinished work, Method (2002 [1932–46]) in dialogue with key concepts that have been brought to bear on cinematic horror: ambivalence, excess, affect, and abjection. It argues that in Method, Eisenstein, largely through the astounding range of his examples, de-emphasizes the difference between narrative and non-narrative in favor of a broader compositional perspective that can only strengthen accounts of horror as reflex, and of self-referential horror. In Method, Eisenstein develops the idea that foundational structures of art (metaphor, metonymy,
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Kuzovkina, Tatyana D. "Lotman about Eisenstein: Context Reconstruction." LITERARY FACT, no. 1 (27) (2023): 112–30. http://dx.doi.org/10.22455/2541-8297-2023-27-112-130.

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Ethics played an important role for Yu.M. Lotman when he judged some phenomenon of art or the personality of the creator. He thought filmmaker S.M. Eisenstein was a brilliant avant-garde artist, though indifferent to moral issues, and therefore condemned Eisenstein for distorting of history to justify Stalin’s dictatorship. The article deals with Lotman’s reviews of works and personality of Eisenstein: from the earliest — 1945 (Lotman did not like the first series of “Ivan the Terrible”) — to the latest, recorded in the dictated texts of the early 1990s. The literary interest of the 1960s in s
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Khrenov, Nikolai Andreyevich. "S.M. Eisenstein’s Aesthetics in Semiotic Perspective." Journal of Flm Arts and Film Studies 7, no. 1 (2015): 8–25. http://dx.doi.org/10.17816/vgik718-25.

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The article is devoted to the semiotic interpretation of the theoretical heritage of S.M. Eisenstein, the film maker who anticipated the structuralist approach which has been so popular from the 1960s. Back in the 1960s, Eisensteins heritage attracted the attention of Academician Vyacheslav Ivanov because he found there he found a trend for understanding cinema as a language or, to be more precise, as a semiotic system. Vyacheslav Ivanov could not but notice it, as the formation of semiotics methodology in Russia is associated with his name. No wonder that he would reflect on the background of
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Ryabchikova, Natalie S. "Sergei Eisenstein’s “Confusion of Feelings”: Overcoming Apprenticeship Though the Biography of the Teacher." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 3 (September 2024): 75–94. http://dx.doi.org/10.35852/2588-0144-2024-3-75-94.

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The article examines the relationship between two innovators of 20th-century theatre and cinema — Vsevolod Meyerhold and Sergei Eisenstein — and more specifically, how this re- lationship is refracted through Eisenstein’s texts (and imagination). Meyerhold, as Eisenstein’s mentor, serves as a key element in Eisenstein’s model of understanding his own development and identity as a creator. However, this understanding is not direct but is conveyed through a series of reflections, refractions, and metaphors: Saturn devouring his children; Freud push- ing away his students; Anatole France and his
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Khrenov, Nikolai Andreyevich. "Eisenstein’s Aesthetics in Semiotic Perspective." Journal of Flm Arts and Film Studies 7, no. 2 (2015): 8–19. http://dx.doi.org/10.17816/vgik728-19.

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The article is devoted to the semiotic interpretation of the theoretic heritage of the film director Sergey Eisenstein by Vyacheslav Ivanov whose jubilee has been recently celebrated. Sergey Eisenstein foresaw the structural methodology that became so popular after the 60s. Vyacheslav Ivanov is known for his vast range of academic interests. The present article is focused on his interest in cinema, in particular - the theoretic heritage of Eisenstein. This interest may be explained by Vyacheslav Ivanovs assertion, that Eisenstein tended to see cinema as a language or, more specifically, a sign
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Dissertations / Theses on the topic "Eisenstein"

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Viana, Soraia Conceição. "Eisenstein : dialogos orientais." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285062.

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Orientador: Lucia Nagib<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-28T16:54:01Z (GMT). No. of bitstreams: 1 Viana_SoraiaConceicao_M.pdf: 3753236 bytes, checksum: 8b8b6727d13ed8a9a0343815efa221fd (MD5) Previous issue date: 2001<br>Resumo: Elementos da cultura japonesa e chinesa contribuíram para as formulações da proposta de cinema de Sergei Eisenstein. O percurso da análise focaliza: o teatro japonês Kabuki, destacando sua proximidade com a proposta de cinema sonoro de Eisenstein; as gravuras ukiyo-e de Sharaku, as
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Jarvis, Katherine. "NTRU over the Eisenstein Integers." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19862.

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NTRU is a fast public-key cryptosystem that is constructed using polynomial rings with integer coefficients. We present ETRU, an NTRU-like cryptosystem based on the Eisenstein integers. We discuss parameter selection and develop a model for the probabilty of decryption failure. We also provide an implementation of ETRU. We use theoretical and experimental data to compare the security and efficiency of ETRU to NTRU with comparable parameter sets and show that ETRU is an improvement over NTRU in terms of security.
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Rabello, Marcela Tamm. "O monólogo interior para Eisenstein." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/13286.

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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Comunicação Social, Programa de Pós-Graduação em Comunicação, 2013.<br>Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2013-06-10T12:39:07Z No. of bitstreams: 1 2013_MarcelaTammRabello.pdf: 1013138 bytes, checksum: ec5fc229cf49184d3f40df140e64a82b (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-06-10T13:07:30Z (GMT) No. of bitstreams: 1 2013_MarcelaTammRabello.pdf: 1013138 bytes, checksum: ec5fc229cf49184d3f40df140e64a82b (MD5)<br>Made available in DSpace on 2013-
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Araujo, Liane Sousa de. "Esthétique du cinéma : montage, Eisenstein." Thèse, Université du Québec à Trois-Rivières, 1992. http://depot-e.uqtr.ca/5487/1/000597786.pdf.

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Ahlén, Olof. "Adelic Eisenstein series on SLn." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/19243.

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Diese Dissertation behandelt automorphe Formen und ihre Fourierentwicklung im Rahmen der Typ IIB Stringtheorie. Besonderes Augenmerk wird auf den zehndimensionalen Fall gelegt sowie auf die torisch kompaktifizierte Theorie in sieben Raumzeitdimensionen mit jeweiligen Cremmer-Julia Symmetrien SL_2 und SL_5. Die Analyse erfolgt vorrangig über dem Adelenring mit dem Hauptergebnis einer Herleitung allgemeiner Ausdrücke für die Fourierentwicklung von Eisensteinreihen in der minimalen und nächstgrößeren (next-to-minimal) automorphen Darstellung beliebiger SL_n.<br>In this thesis, we study automorphi
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Heumann, Jay. "Modular symbols, Eisenstein series, and congruences." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44419.

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Let E and f be an Eisenstein series and a cusp form, respectively, of the same weight k ≥ 2 and of the same level N, both eigenfunctions of the Hecke operators, and both normalized so that a₁ = 1. The main result we seek is that when E and f are congruent mod a prime p (which may be a prime ideal lying over a rational prime p > 2), the algebraic parts of the special values L(E,χ,j) and L(f,χ,j) satisfy congruences mod the same prime. More explicitly, the congruence result states that, under certain conditions, τ(χ ̄)L(f,χ,j)/(2πi)^(j−1)Ω_f^(sgn(E)) ≡ τ(χ ̄)L(E,χ,j)/(2πi)^(j)Ω_E (mod p) where t
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Robertson, Robert. "Beyond imagination : Eisenstein on audiovisual cinema." Thesis, King's College London (University of London), 2007. https://kclpure.kcl.ac.uk/portal/en/theses/beyond-imagination--eisenstein-on-audiovisual-cinema(75a3805f-92ed-46c0-a6d9-ef80a064acac).html.

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This research presents the first stage of a composer-filmmaker's exploration of Eisenstein's ideas on audiovisual cinema, an attempt to answer this question: how does Eisenstein contribute to our understanding of cinema as an audiovisual medium? In the first chapter, Audiovisual Counterpoint, the influences on Eisenstein of Hans Richter, James Joyce, and Chinese landscape painting are shown. These influences are related to the polyphonic technique of fugue, and how Eisenstein found in this musical technique a method for structuring audiovisual cinema. The second chapter, Organic Unity, feature
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Lenz, Felix. "Sergej Eisenstein: Montagezeit Rhythmus, Formdramarturgie, Pathos." Paderborn München Fink, 2005. http://d-nb.info/988603152/04.

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Cabral, Marcelo Grimm. "Eisenstein e a psicologia da arte." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/91258.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Psicologia, Florianópolis, 2008<br>Made available in DSpace on 2012-10-23T20:39:06Z (GMT). No. of bitstreams: 1 273739.pdf: 7990605 bytes, checksum: 9105912a56a486a31a8bcea890ff6668 (MD5)<br>Este trabalho parte da obra teórica e cinematográfica do cineasta soviético Sergei Eisenstein. O foco da pesquisa incide sobre a sua transição do teatro ao cinema e sobre a formulação do seu cinema intelectual, buscando discutir a dimensão psicológica de suas teorias. Para i
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Caspar, Alexander. "Kummer-Chern-Eisenstein motives via Hilbert modular surfaces." Bonn : Mathematisches Institut der Universität, 2003. http://catalog.hathitrust.org/api/volumes/oclc/54890946.html.

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Books on the topic "Eisenstein"

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Elbert, Luis. Eisenstein-Pudovkin. Cinemateca Uruguaya, 1985.

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Elbert, Luis. Eisenstein-Pudovkin. Cinemateca Uruguaya, 1985.

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Aumont, Jacques. Montage Eisenstein. Indiana University Press, 1985.

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1945-, Christie Ian, and Taylor Richard 1946-, eds. Eisenstein rediscovered. Routledge, 1993.

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Jay, Leyda. Eisenstein at work. Methuen, 1987.

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Withall, Keith. Eisenstein study pack. in the picture publications, 1999.

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Eisenstein, Sergei. Eisenstein on Disney. Methuen, 1988.

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1898-1948, Eisenstein Sergei, Christie Ian 1945-, Elliott David 1949-, Museum of Modern Art (Oxford, England), Hayward Gallery, and Cornerhouse (Gallery : Manchester, England), eds. Eisenstein at ninety. Museum of Modern Art, 1988.

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Eisenstein, Sergei. Eisenstein on Disney. Methuen, 1988.

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Eisenstein, Sergei. The Eisenstein reader. British Film Institute, 1998.

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Book chapters on the topic "Eisenstein"

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Lemmermeyer, Franz. "Eisenstein." In Vom Zählstein zum Computer. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-68110-7_12.

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Howard, Benjamin, and Tonghai Yang. "Eisenstein Series." In Intersections of Hirzebruch–Zagier Divisors and CM Cycles. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23979-3_4.

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Schappacher, Norbert. "Gotthold Eisenstein." In Mathematics in Berlin. Birkhäuser Basel, 1998. http://dx.doi.org/10.1007/978-3-0348-8787-8_7.

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Lemmermeyer, Franz. "Eisenstein Reciprocity." In Springer Monographs in Mathematics. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-662-12893-0_11.

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Wang, Xueli, and Dingyi Pei. "Eisenstein Series." In Modular Forms with Integral and Half-Integral Weights. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29302-3_2.

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Miyake, Toshitsune. "Eisenstein Series." In Springer Monographs in Mathematics. Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/3-540-29593-3_7.

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Berndt, Bruce. "Eisenstein series." In Number Theory in the Spirit of Ramanujan. American Mathematical Society, 2006. http://dx.doi.org/10.1090/stml/034/04.

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Getz, Jayce R., and Heekyoung Hahn. "Eisenstein Series." In An Introduction to Automorphic Representations. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-41153-3_10.

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Berndt, Bruce C. "Eisenstein Series." In Ramanujan’s Notebooks. Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-0965-2_7.

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Condren, Dustin. "Capital." In An Imaginary Cinema. Cornell University Press, 2024. https://doi.org/10.7591/cornell/9781501778469.003.0004.

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This chapter explores Sergei Eisenstein's attempt to adapt Karl Marx's Capital into a film, focusing on Marx's dialectical method rather than literal content. Eisenstein uses dialectical montage to transform abstract economic concepts, such as surplus value and commodity circulation, into dynamic visual expressions that provoke intellectual engagement. He integrates mundane narratives, like a housewife preparing soup, with associative cinematic digressions that reveal the unseen mechanisms of capitalism. Through this approach, Eisenstein seeks to make Marx's critique accessible to average view
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Conference papers on the topic "Eisenstein"

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Wan, Teng, Wenping Ge, Kurban Ubul, and Yifan Liao. "SCMA Codebooks Design for Three Optimization Algorithms Based on Eisenstein Integer Unit Circle." In 2024 IEEE International Conference on Systems, Man, and Cybernetics (SMC). IEEE, 2024. https://doi.org/10.1109/smc54092.2024.10831879.

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Brames, B. J. "Exploring the Irreducible Support." In Signal Recovery and Synthesis. Optica Publishing Group, 1986. http://dx.doi.org/10.1364/srs.1986.thc3.

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The phase problem confronts one with the task obtaining a function having a specified autocorrelation (or Fourier modulus) which is also consistent with a limited number of object constraints. In many case of interest it is known that the object has compact support; indeed, in two dimensions this is often sufficient to uniquely define it [1]. Nonetheless, one can usually find an autocorrelation such that some object defined on the same compact support is but one of a multitude of functions having that autocorrelation. However, if the object happens to be defined on Eisenstein's support, it has
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Martínez Millana, Elena. "Le Corbusier versus Sergei Eisenstein. La construcción de un sueño." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.824.

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Resumen: Este artículo plantea la revisión de la relación entre el arquitecto Le Corbusier y el cineasta Sergei Eisenstein. Se lanza como hipótesis la posible influencia del cineasta en Le Corbusier. Le Corbusier versus Eisenstein en el sentido más profundo de ‘avanzar en dirección a’: Le Corbusier hacia la cinematografía, no como contraposición. Se esboza el papel de cada figura y su encuentro en el período de 1928-1936, tiempo en que Le Corbusier se aproximó a la Unión Soviética, un contexto que configura un marco complejo a partir del cual es posible entrever aquello que los vincula y que r
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Yildiz, Eda, and Fatih Demirkale. "Quantum codes over Eisenstein-Jacobi integers." In 2017 7th International Conference on Modeling, Simulation, and Applied Optimization (ICMSAO). IEEE, 2017. http://dx.doi.org/10.1109/icmsao.2017.7948934.

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Coelho, D., R. Cintra, L. Souza, A. Madanayake, and V. Dimitrov. "Representação Numérica em Inteiros de Gauss-Eisenstein." In XXX Simpósio Brasileiro de Telecomunicações. Sociedade Brasileira de Telecomunicações, 2012. http://dx.doi.org/10.14209/sbrt.2012.206.

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Qifu Tyler Sun and Jinhong Yuan. "Lattice network codes based on Eisenstein integers." In 2012 IEEE 8th International Conference on Wireless and Mobile Computing, Networking and Communications (WiMob). IEEE, 2012. http://dx.doi.org/10.1109/wimob.2012.6379080.

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Tunali, Nihat Engin, Krishna R. Narayanan, Joseph J. Boutros, and Yu-Chih Huang. "Lattices over Eisenstein integers for compute-and-forward." In 2012 50th Annual Allerton Conference on Communication, Control, and Computing (Allerton). IEEE, 2012. http://dx.doi.org/10.1109/allerton.2012.6483196.

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Thiers, Johann-Philipp, and Jurgen Freudenberger. "Codes over Eisenstein integers for the Niederreiter cryptosystem." In 2021 IEEE 11th International Conference on Consumer Electronics (ICCE-Berlin). IEEE, 2021. http://dx.doi.org/10.1109/icce-berlin53567.2021.9720026.

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Raghavendra, M. A. N. S., Goutham Simha G.D., and Udupi Sripati. "Abelian codes over eisenstein-jacobi integers for MIMO systems." In 2017 International Conference on Advances in Computing, Communications and Informatics (ICACCI). IEEE, 2017. http://dx.doi.org/10.1109/icacci.2017.8126123.

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Liu, Zilong, Pei Xiao, and Zeina Mheich. "Power-Imbalanced Low-Density Signatures (LDS) From Eisenstein Numbers." In 2019 IEEE VTS Asia Pacific Wireless Communications Symposium (APWCS). IEEE, 2019. http://dx.doi.org/10.1109/vts-apwcs.2019.8851632.

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Reports on the topic "Eisenstein"

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Tekir, Ünsal, and Suat Koç. Eisenstein Irreducibility Criterion for Modules. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, 2021. http://dx.doi.org/10.7546/crabs.2021.01.03.

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