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Dissertations / Theses on the topic 'Eisenstein'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Viana, Soraia Conceição. "Eisenstein : dialogos orientais." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285062.

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Orientador: Lucia Nagib<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-28T16:54:01Z (GMT). No. of bitstreams: 1 Viana_SoraiaConceicao_M.pdf: 3753236 bytes, checksum: 8b8b6727d13ed8a9a0343815efa221fd (MD5) Previous issue date: 2001<br>Resumo: Elementos da cultura japonesa e chinesa contribuíram para as formulações da proposta de cinema de Sergei Eisenstein. O percurso da análise focaliza: o teatro japonês Kabuki, destacando sua proximidade com a proposta de cinema sonoro de Eisenstein; as gravuras ukiyo-e de Sharaku, as
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2

Jarvis, Katherine. "NTRU over the Eisenstein Integers." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19862.

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NTRU is a fast public-key cryptosystem that is constructed using polynomial rings with integer coefficients. We present ETRU, an NTRU-like cryptosystem based on the Eisenstein integers. We discuss parameter selection and develop a model for the probabilty of decryption failure. We also provide an implementation of ETRU. We use theoretical and experimental data to compare the security and efficiency of ETRU to NTRU with comparable parameter sets and show that ETRU is an improvement over NTRU in terms of security.
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3

Rabello, Marcela Tamm. "O monólogo interior para Eisenstein." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/13286.

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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Comunicação Social, Programa de Pós-Graduação em Comunicação, 2013.<br>Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2013-06-10T12:39:07Z No. of bitstreams: 1 2013_MarcelaTammRabello.pdf: 1013138 bytes, checksum: ec5fc229cf49184d3f40df140e64a82b (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-06-10T13:07:30Z (GMT) No. of bitstreams: 1 2013_MarcelaTammRabello.pdf: 1013138 bytes, checksum: ec5fc229cf49184d3f40df140e64a82b (MD5)<br>Made available in DSpace on 2013-
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4

Araujo, Liane Sousa de. "Esthétique du cinéma : montage, Eisenstein." Thèse, Université du Québec à Trois-Rivières, 1992. http://depot-e.uqtr.ca/5487/1/000597786.pdf.

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5

Ahlén, Olof. "Adelic Eisenstein series on SLn." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/19243.

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Diese Dissertation behandelt automorphe Formen und ihre Fourierentwicklung im Rahmen der Typ IIB Stringtheorie. Besonderes Augenmerk wird auf den zehndimensionalen Fall gelegt sowie auf die torisch kompaktifizierte Theorie in sieben Raumzeitdimensionen mit jeweiligen Cremmer-Julia Symmetrien SL_2 und SL_5. Die Analyse erfolgt vorrangig über dem Adelenring mit dem Hauptergebnis einer Herleitung allgemeiner Ausdrücke für die Fourierentwicklung von Eisensteinreihen in der minimalen und nächstgrößeren (next-to-minimal) automorphen Darstellung beliebiger SL_n.<br>In this thesis, we study automorphi
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6

Heumann, Jay. "Modular symbols, Eisenstein series, and congruences." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44419.

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Let E and f be an Eisenstein series and a cusp form, respectively, of the same weight k ≥ 2 and of the same level N, both eigenfunctions of the Hecke operators, and both normalized so that a₁ = 1. The main result we seek is that when E and f are congruent mod a prime p (which may be a prime ideal lying over a rational prime p > 2), the algebraic parts of the special values L(E,χ,j) and L(f,χ,j) satisfy congruences mod the same prime. More explicitly, the congruence result states that, under certain conditions, τ(χ ̄)L(f,χ,j)/(2πi)^(j−1)Ω_f^(sgn(E)) ≡ τ(χ ̄)L(E,χ,j)/(2πi)^(j)Ω_E (mod p) where t
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7

Robertson, Robert. "Beyond imagination : Eisenstein on audiovisual cinema." Thesis, King's College London (University of London), 2007. https://kclpure.kcl.ac.uk/portal/en/theses/beyond-imagination--eisenstein-on-audiovisual-cinema(75a3805f-92ed-46c0-a6d9-ef80a064acac).html.

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This research presents the first stage of a composer-filmmaker's exploration of Eisenstein's ideas on audiovisual cinema, an attempt to answer this question: how does Eisenstein contribute to our understanding of cinema as an audiovisual medium? In the first chapter, Audiovisual Counterpoint, the influences on Eisenstein of Hans Richter, James Joyce, and Chinese landscape painting are shown. These influences are related to the polyphonic technique of fugue, and how Eisenstein found in this musical technique a method for structuring audiovisual cinema. The second chapter, Organic Unity, feature
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8

Lenz, Felix. "Sergej Eisenstein: Montagezeit Rhythmus, Formdramarturgie, Pathos." Paderborn München Fink, 2005. http://d-nb.info/988603152/04.

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9

Cabral, Marcelo Grimm. "Eisenstein e a psicologia da arte." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/91258.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Psicologia, Florianópolis, 2008<br>Made available in DSpace on 2012-10-23T20:39:06Z (GMT). No. of bitstreams: 1 273739.pdf: 7990605 bytes, checksum: 9105912a56a486a31a8bcea890ff6668 (MD5)<br>Este trabalho parte da obra teórica e cinematográfica do cineasta soviético Sergei Eisenstein. O foco da pesquisa incide sobre a sua transição do teatro ao cinema e sobre a formulação do seu cinema intelectual, buscando discutir a dimensão psicológica de suas teorias. Para i
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10

Caspar, Alexander. "Kummer-Chern-Eisenstein motives via Hilbert modular surfaces." Bonn : Mathematisches Institut der Universität, 2003. http://catalog.hathitrust.org/api/volumes/oclc/54890946.html.

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11

Takemori, Sho. "p-adic Siegel-Eisenstein series of degree two." 京都大学 (Kyoto University), 2013. http://hdl.handle.net/2433/175093.

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12

Yu, Shucheng. "Second moments of incomplete Eisenstein series and applications." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:108115.

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Thesis advisor: Dubi Kelmer<br>We prove a second moment formula for incomplete Eisenstein series on the homogeneous space Γ\G with G the orientation preserving isometry group of the real (n + 1)-dimensional hyperbolic space and Γ⊂ G a non-uniform lattice. This result generalizes the classical Rogers' second moment formula for Siegel transform on the space of unimodular lattices. We give two applications of this moment formula. In Chapter 5 we prove a logarithm law for unipotent flows making cusp excursions in a non-compact finite-volume hyperbolic manifold. In Chapter 6 we study the counting p
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13

Rodrigues, Damiana Cerqueira Campos. "O cinema teatral de Eisenstein : década de 1920." reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/5641.

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Dissertação (mestrado)-Universidade de Brasília, Departamento de Artes Visuais, Instituto de Artes, Brasília, 2007.<br>Texto liberado parcialmente pelo autor. Conteúdo: Sumário, Resumo, Abstract, Introdução, Conclusão, Referências Bibliográficas, Filmografia de Eisenstein, Galeria de Imagens.<br>Submitted by Mariana Fonseca Xavier Nunes (nanarteira@hotmail.com) on 2010-09-18T02:45:44Z No. of bitstreams: 1 2007-Damiana Cerqueira Campos Rodrigues.pdf: 2638761 bytes, checksum: 63e4e92243ec1e88479af6ec13f8f6b3 (MD5)<br>Approved for entry into archive by Lucila Saraiva(lucilasaraiva1@gmail.com)
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14

Powell, Kevin James. "Modular Symbols Modulo Eisenstein Ideals for Bianchi Spaces." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556600.

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The goal of this thesis is two-fold. First, it gives an efficient method for calculating the action of Hecke operators in terms of "Manin" symbols, otherwise known as "M-symbols," in the first homology group of Bianchi spaces. Second, it presents data that may be used to understand and better state an unpublished conjecture of Fukaya, Kato, and Sharifi concerning the structure of Bianchi Spaces modulo Eisenstein ideals [5]. Swan, Cremona, and others have studied the homology of Bianchi spaces characterized as certain quotients of hyperbolic 3-space [3], [13]. The first homology groups are generat
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15

Fleig, Philipp [Verfasser]. "Kac-Moody Eisenstein series in string theory / Philipp Fleig." Berlin : Freie Universität Berlin, 2014. http://d-nb.info/1046832980/34.

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16

Turner, N. C. "Un-silencing the space of Eisenstein : a contemporary visual analysis of the use of space in Sergei Eisenstein's early silent films." Thesis, University of Liverpool, 2018. http://livrepository.liverpool.ac.uk/3027057/.

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17

Linck, Gabriela Wondracek. "Adorno, Eisenstein e tradução em Notícias da Antiguidade Ideológica (2008)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-30012015-101157/.

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Minha dissertação se divide em três partes. A primeira é dedicada à trajetória de Alexander Kluge na televisão, no cinema e em sua incursão por outras formas midiáticas, de modo a verificar o percurso que tornou possível o projeto estético de \"Notícias da Antiguidade Ideológica\" (2008). A segunda é uma contextualização de \"Notícias da Antiguidade Ideológica\" (2008), que parte das anotações de Eisenstein, escritas entre 1927 e 1929, sobre filmar O Capital de Marx segundo a lógica de Ulysses, de James Joyce, e é concluída com uma análise de como Kluge se aproximou de tais ideias do diretor r
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18

Gozze, Diego Melem 1980. "As artes em geral no específico cinematográfico de Sergei Eisenstein /." São Paulo, 2019. http://hdl.handle.net/11449/182466.

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Orientador(a): Omar Khouri<br>Banca: Jose Leonardo do Nascimento<br>Banca: Neide Jallageas de Lima<br>Resumo: O propósito desta dissertação é abordar a relação de estreita proximidade entre o cinema e as artes em geral a partir das teorias de Sergei Eisenstein, um dos mais importantes cineastas da primeira metade do século XX e um dos principais teóricos da história do cinema mundial. Para ele, todos os processos e os procedimentos da linguagem cinematográfica já existiam, antes, nas outras formas de arte. Portanto, a partir de sua própria concepção de específico cinematográfico, que compreend
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19

Hannouch, Hanin Issa. "Art history as Janus : Sergei Eisenstein on the visual arts." Thesis, IMT Alti Studi Lucca, 2017. http://e-theses.imtlucca.it/235/1/Hannouch_phdthesis.pdf.

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My dissertation deals with the connection between cinema and art history, and their respective ways of looking upon artworks, exemplified by the writings of Sergei Eisenstein (18981948) on the visual arts. In the first part of my work, I focus on four of Eisenstein’s texts dealing with three painters he considers cinematic: “Yermolova” (1937) studying Valentin Serov’s portrait of Maria Yermolova, “El Greco” ( 1937) and “El Greco y el Cine” (written between 1939 and 1941) considering the Cretan painter Doménikos Theotokópoulos, and lastly “Piranesi or the Fluidity of Form” (undated,
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20

Weiss, Katherine. "James Joyce and Sergei Eisenstein: Haunting Samuel Beckett's Film." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/2282.

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Samuel Beckett's Film has been the focus of several articles in the past decade. While current investigations of Beckett's film are diverse, what most of them share is their dependence on biographical data to support their readings. Many scholars who have written on Beckett's failed cinematic excursion, for example, point to Beckett's letter of 1936 to Sergei Eisenstein. However, the link between Beckett's interest in film and his admiration for James Joyce has sadly been overlooked. Both Irish writers saw the artistic possibilities in film and both admired the Russian silent film legend, Serg
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21

Ackerman, Ada. "Regards de Sergueï Eisenstein sur l’oeuvre d’Honoré Daumier : une réception méconnue." Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100203.

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Cette thèse se donne pour ambition d'éclairer un aspect méconnu de l'oeuvre et de la pensée de Sergueï Eisenstein, en se concentrant sur la relation privilégiée qu'il entretient durant toute sa vie avec l'art de Daumier. Tout en traversant l'oeuvre graphique, théâtrale, cinématographique et théorique d'Eisenstein, cette recherche entend également révéler Daumier sous un nouveau jour, en faisant découvrir la réception dont il jouit en Russie et en U.R.S.S. Il s'agira par la même occasion d'exposer et d'interroger le regard stimulant et original qu'Eisenstein porte sur l'art de Daumier. Ce parco
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22

Lövgren, Håkan. "Eisenstein's labyrinth : aspects of a cinematic synthesis of the arts." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 1996. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-69526.

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23

Chapdelaine, Hugo. "Elliptic units in ray class fields of real quadratic number fields." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102967.

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Let K be a real quadratic number field. Let p be a prime which is inert in K. We denote the completion of K at the place p by Kp. Let ƒ > 1 be a positive integer coprime to p. In this thesis we give a p-adic construction of special elements u(r, ??) ∈ Kxp for special pairs (r, ??) ∈ (ℤ/ƒℤ)x x Hp where Hp = ℙ¹(ℂp) ℙ¹(ℚp) is the so called p-adic upper half plane. These pairs (r, ??) can be thought of as an analogue of classical Heegner points on modular curves. The special elements u(r, ??) are conjectured to be global p-units in the narrow ray class field of K of conductor ƒ. The construction
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24

Pereira, Erivoneide Marlene de Barros. "A cinematografia de Serguei Eisenstein: imagem, som e sentido em Aleksandr Niévski." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-20022015-151453/.

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Propõe-se, nesta dissertação, identificar e analisar elementos da cinematografia do cineasta russo (soviético) Serguei M. Eisenstein que seriam fundamentais para a construção do filme como um texto artístico. Selecionou-se, como objeto de análise, o longa-metragem lançado em 1938, Aleksandr Niévski. Examina-se, ao longo da análise, elementos como a construção de personagem, o desenvolvimento do tema, o enquadramento, o som e a mise-en-scène. Parte-se da hipótese de que o filme, sendo um texto artístico, ainda que a sua produção esteja enraizada nas diretrizes do Realismo Socialista, não se lim
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Moraes, Maria Fernanda Riscali de Lima. "A fotografia do conflito: uma parceria entre Sergei Eisenstein e Eduard Tissé." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-01122015-101949/.

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São muitas as parcerias no cinema, mas a que relaciona o diretor de cena ao diretor de fotografia é certamente a principal. A proposta desta dissertação de mestrado é analisar o estilo de fotografia criado por Eduard Tissé em três dos filmes que trabalhou com Eisenstein. A metodologia teórica da pesquisa baseia-se em Roland Barthes a partir da análise do artefato primeiro do cinema, que é o fotograma. As dimensões sociais ligadas ao materialismo dialético e suas aplicações ao filme, na forma como o espectador promove a leitura de sentidos, preocupavam o diretor soviético. Com isso evidencia-se
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Fauchille, Bernard. "Peinture et cinema : le theme du masque chez s.m. eisenstein (1898-1948)." Lille 3, 1988. http://www.theses.fr/1988LIL30022.

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Le theme du masque apparait a travers l'interpretation que le cineaste s. M. Eisenstein nous donne du visage. Neuf sens ont ete discernes : sens originel i (la fete) et ii (le casque), masque mortuaire, maquillage, construction d'un personnage, masque a transformation, le totem, l'idolatrie, le masque psychologique. A chaque sens ont ete observees des references a diverses mythologies, et a l'histoire de l'art dont le cineaste fait un usage abondant. Ont ete soulignees les distorsions, les "oublis", et les preoccupations, avouees ou non, du cineaste, qui propose une nouvelle mythologie pour le
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Nowland, Kevin John. "Properties of SU(2, 1) Hecke-Maass cusp forms and Eisenstein series." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1543417235410827.

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Kuchaki, Shalmani Kiarash [Verfasser]. "Uniform Boundedness of Pole Order of General Eisenstein Series / Kiarash Kuchaki Shalmani." Bonn : Universitäts- und Landesbibliothek Bonn, 2020. http://d-nb.info/1219140929/34.

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Mainardi, Fabio. "Sur la conjecture principale pour les corps CM." Paris 13, 2004. http://www.theses.fr/2004PA132008.

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Nous démontrons un résultat partiel dans la direction de la conjecture principale de la théorie de Iwasawa pour les corps CM. La méthode que nous employons est d'associer au module d'Iwasawa d'un corps CM une série d'Eisenstein pour le groupe unitaire GU (2,1). Le terme constant de cette série est le produit de deux valeurs spéciales de fonctions L de Hecke, l'une sur le corps CM et l'autre sur le sous-corps totalement réel. Nous introduisons un idéal Eis, dans l'algèbre de Iwasawa A en 1+d+ variables, supposé controler les congruences entre la série d'Einsenstein et les formes cuspidales. Nou
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Wiessinger, Scott Reinhard. "Film and Music an overlooked synthesis /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/wiessinger/WiessingerS0509.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.<br>Typescript. Chairperson, Graduate Committee: Theo Lipfert. Fractal is a DVD accompanying the thesis. Includes bibliographical references (leaves 22-23).
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Eynon, Andrew David. "Meyerhold and Eisenstein : the creation of a non-realist aesthetic in revolutionary art." Thesis, Keele University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421665.

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32

Sidarenka, Uladzimir [Verfasser], Manfred Akademischer Betreuer] Stede, and Jacob [Gutachter] [Eisenstein. "Sentiment analysis of German Twitter / Uladzimir Sidarenka ; Gutachter: Jacob Eisenstein ; Betreuer: Manfred Stede." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1218405279/34.

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Sowande, Leanne A. "Investigating the efficacy of communicating sustainable development values on film : learning from Eisenstein." Thesis, Cardiff University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585038.

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This study investigates whether participation in a structured and facilitated film-based educational intervention can significantly change the attitudes, values and preferences of individuals about sustainability. Through a before-and-after experimental process, the study's aims were to: (a) determine preferences for architecture and development by a group of citizens in a designated study area; and (b) to determine the efficacy of Film Montage to communicate new values and preferences, about architecture and development, to the participants in the study. Although it is generally and anecodota
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Sidarenka, Uladzimir [Verfasser], Manfred [Akademischer Betreuer] Stede, and Jacob [Gutachter] Eisenstein. "Sentiment analysis of German Twitter / Uladzimir Sidarenka ; Gutachter: Jacob Eisenstein ; Betreuer: Manfred Stede." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1218405279/34.

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Neururer, Michael. "Products of Eisenstein series, their L-functions, and Eichler cohomology for arbitrary real weights." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/31540/.

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One topic of this thesis are products of two Eisenstein series. First we investigate the subspaces of modular forms of level N that are generated by such products. We show that of the weight k is greater than 2, for many levels, one can obtain the whole of M[subspace]k(N) from Eisenstein series and products of two Eisenstein series. We also provide a result in the case k=2 and treat some spaces of modular forms of non-trivial nebentypus. We then analyse the L-functions of products of Eisenstein series. We reinterpret a method by Rogers-Zudilin and use it in two applications, the first concerni
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Ahlén, Olof [Verfasser], Dirk [Gutachter] Kreimer, Hermann [Gutachter] Nicolai, and Guillaume [Gutachter] Bossard. "Adelic Eisenstein series on SLn / Olof Ahlén ; Gutachter: Dirk Kreimer, Hermann Nicolai, Guillaume Bossard." Berlin : Humboldt-Universität zu Berlin, 2018. http://d-nb.info/1185667067/34.

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Sprang, Johannes [Verfasser], Guido [Akademischer Betreuer] Kings, and Shinichi [Akademischer Betreuer] Kobayashi. "Eisenstein series via the Poincaré bundle and applications / Johannes Sprang ; Guido Kings, Shinichi Kobayashi." Regensburg : Universitätsbibliothek Regensburg, 2018. http://d-nb.info/1152437550/34.

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Araújo, Edimárcia Ramos de. "A construção de um diálogo entre história e comunicação na obra de Elizabeth Eisenstein." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/13551.

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Dissertação (mestrado)—Universidade de Brasília, Programa de Pós-Graduação em Comunicação, 2013.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2013-07-15T13:30:35Z No. of bitstreams: 1 2013_EdimarciaRamosAraujo.pdf: 1362736 bytes, checksum: 34f5972efaa6261b715add5a2772637d (MD5)<br>Approved for entry into archive by Leandro Silva Borges(leandroborges@bce.unb.br) on 2013-07-15T15:55:25Z (GMT) No. of bitstreams: 1 2013_EdimarciaRamosAraujo.pdf: 1362736 bytes, checksum: 34f5972efaa6261b715add5a2772637d (MD5)<br>Made available in DSpace on 2013-07-15T15:55:25Z (GMT). No. of bits
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Soares, Silnei Scharten. "A formação dos conceitos e o discurso interior em Eisenstein e Vygotsky : montagem teórica." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2001. http://hdl.handle.net/10183/3529.

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Partindo da definição de discurso interior e da análise do processo de formação de conceitos abstratos desenvolvidos pelo psicólogo Lev Vygotsky, faz-se uma aproximação com a teorização do cineasta Sergei Eisenstein sobre as possibilidades de incorporação do discurso interior pelo cinema. Analisam-se as relações entre o conteúdo eminentemente icônico das imagens cinematográficas e os aspectos sensoriais não-verbais presentes no discurso interior, indicados por Vygotsky, com o objetivo de investigar as formas como o discurso cinematográfico articula seus recursos expressivos através da montagem
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Wang, Xiangdong. "Die Eisensteinklasse in H [superscript 1] (SL [subscript 2] (Z), M [subscript n] (Z) und die Arithmetik spezieller Werte von L-Funktionen." Bonn : [s.n.], 1989. http://catalog.hathitrust.org/api/volumes/oclc/23634674.html.

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41

Driencourt, Yves. "Séries d'Eisenstein et fonction êta sur les codes géométriques." Aix-Marseille 2, 1992. http://www.theses.fr/1992AIX22059.

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La premiere partie traite de l'existence d'une formule-limite pour la serie d'eisenstein associee a un sous-groupe de congruence ainsi que des proprietes arithmetiques des sommes de dedekind qui en decoulent. On donne ensuite une presentation adelique de la fonction analogue au logarithme de la valeur absolue de eta intervenant dans la formule-limite, ce qui permet de generaliser la situation classique a un corps de nombres ou a un corps de fonctions. La deuxieme partie est consacree a l'etude des codes geometriques de goppa a l'aide des methodes issues de la geometrie algebrique. On utilise p
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42

Belt, Dustin David. "Topics on the Spectral Theory of Automorphic Forms." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1423.pdf.

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43

Opitz, Sebastian [Verfasser], Jan Hendrik [Akademischer Betreuer] Bruinier, and Nils [Akademischer Betreuer] Scheithauer. "Computation of Eisenstein series associated with discriminant forms / Sebastian Opitz ; Jan Hendrik Bruinier, Nils Scheithauer." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1173323015/34.

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44

Rousse, Pascal. "Penser le montage avec Sergueï Mikhaïlovitch Eisenstein : architectonique et affet : de l'architecture aux arts contemporains." Paris 8, 2010. http://octaviana.fr/document/150172176#?c=0&m=0&s=0&cv=0.

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Selon Eisenstein, le montage est une anamnèse de l'"imagicité" de la perception. Ce qui pose la question de l'"autre scène" de l'inconscient : la théâtralité et la spatialisation de l'affect entre Eros et Thanatos chez Freud. L'Idée esthétique de montage connote la construction, mais aussi sa critique et sa transformation architectonique, entre image et langage, vers un constructivisme artistique qui nous est contemporain. L'écriture labyrinthique d'Eisenstein le rapproche du monologue intérieur de Joyce, espace figural d'une image globale eidétique, dont l'architecture est la métonymie déplac
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Kataeva, Olga. "Le statut du dessin dans l'œuvre de Sergueï M. Eisenstein. Mise en scène, montage, intermédialité." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA009.

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Cette thèse étudie le statut du dessin dans l'œuvre de Sergueï M. Eisenstein, à partir de l’étude des rapports entre dessin et montage, entre dessin et mise en scène et de l’examen de la nature intermédiale de l’œuvre d’Eisenstein. Dans le système de ce réalisateur le dessin est au cœur de son processus créatif et devient un milieu-médium à l’intérieur duquel des transferts, passages, transportations de formes, d’images et d’idées sont possibles. Eisenstein s’intéresse au dessin, à la fois, comme processus et comme méthode visuelle universelle de la créativité.On constate l’analogie entre la s
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Ruck, Erica. "Touches visuelles de la pensée." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080099.

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Dans notre travail de recherche nous voulons esquisser une élaborationconceptuelle de la pensée du philosophe-artiste selon Nietzsche, Artaud etEisenstein en tant que « pensée visuelle ». La pensée du philosophe artiste est trèsancienne, elle remonte à Platon, avant de recommencer avec Nietzsche et des’élaborer avec Artaud.En déclarant que la musique et la parole sont liées, Nietzsche appartienttoujours à la tradition platonicienne du philosophe-artiste. Selon lui, la penséeartistese modélise sur la musique parce que la musique est le seul art qui nouspermet d’accomplir des abstractions de la
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Pessoa, Peterson Soares. "Stachka: um ensaio sobre os antagonismos." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-30112010-150826/.

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O presente trabalho analisa a maneira como a noção de encomenda social se apresenta na obra do cineasta soviético Sergei M. Eisenstein (1898-1948), em seu primeiro filme A Greve (Stachka, URSS, 1925) , no âmbito de sua relação com o Construtivismo Russo (vanguarda artística soviética, que perdurou nos primeiros anos da década de 1920) e o movimento da Cultura Proletária (Proletkult) A análise parte da perspectiva proposta pelo historiador François Albera, em Eisenstein et Le Constructivisme Russe (1989), que considera, como fundamento da atividade artística construtivista, sua preocupação com
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Shaheen, Anthony M. "Finite planes and finite upper half planes : their geometry, a trace formula, modular forms, and Eisenstein series /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3167829.

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Wang, Weijia. "Intégrales régularisées et fonctions L de formes modulaires via la méthode de Rogers-Zudilin." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSEN037.

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Les symboles d'Eisenstein, construits par Beilinson dans les années 1980, sont des élémentsspéciaux dans la cohomologie motivique des courbes modulaires. Beilinson a montré que leursintégrales sont des valeurs spéciales de fonctions L de formes modulaires de poids 2.Une partie de cette thèse concerne les intégrales régularisées des éléments de Beilinson. En utilisant une nouvelle méthode de Rogers et Zudilin, nous montrons que ces intégrales sont des valeurs de fonctions L de formes modulaires aux entiers négatifs, généralisant ainsi des travaux récents de Zudilin et Brunault. Notre formule es
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Renault, Jean-Baptiste. "Théorie et esthétiques de la métaphore : la métaphore et son soupçon, entre correspondances et dissemblances, métaphores linguistiques et iconiques." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00916648.

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Il faut reprendre à nouveaux frais la question de la métaphore, (re)définir les contours de la figure d'analogie, pour la sortir de la confusion où l'ont jetée la coupure instituée avec la comparaison et, plus largement, sa théorisation comme substitution d'un mot à un autre, mais aussi pour mettre à l'épreuve la notion de métaphore au cinéma. Il s'agit donc de questionner l'unité du " processus métaphorique ", de trouver le bon niveau permettant de rendre compte de ses pouvoirs, de sa dynamique, et pour cela de refuser l'approche mutilante, sans cesse renaissante, de la rhétorique traditionne
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