Academic literature on the topic 'Ekphrasis poetry'

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Journal articles on the topic "Ekphrasis poetry"

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Zuhair Al-Wattar, Shaymaa. "Breaking the Spell of the Male Gaze in Selected Women's Ekphrastic Poems." Journal of Education College Wasit University 2, no. 37 (2019): 20. http://dx.doi.org/10.31185/eduj.vol2.iss37.1106.

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For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets. The literary world has given poems that tackle artwork the name: ekphrasis. Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets. However, ekphrasis is powerfully gendered that privileged male gaze. Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.
 Women poets refuse to adhere to the gendered
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Zhitenev, Aleksandr A. "ON SEVERAL ‘HERMITAGE’ EKPHRASES BY VIKTOR KRIVULIN." Вестник Пермского университета. Российская и зарубежная филология 13, no. 1 (2021): 83–89. http://dx.doi.org/10.17072/2073-6681-2021-1-83-89.

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In the practice of the Soviet literary underground, it was important to restore connections with tradition, hidden or edited according to the ideological models. Dialogue with tradition was recognized as a condition for achieving creative independence and cultural identity. Naturally, many texts created outside official Soviet literature have a wide layer of intertextual and intermedial references, often pointing to cultural layers and semantic areas that are not related to each other. A typical example of such an allusional multilayeredness and polyreferentiality is poetic ekphrasis. One of t
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Jabbar, Amjed L. "The Manipulation of History and Memory in Contemporary American Poetry: A Study of Ekphrasis in the Poetry of Jorie Graham." Al-Adab Journal 2, no. 111 (2015): 45–62. http://dx.doi.org/10.31973/aj.v2i111.1596.

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Ekphrasis enables poets to invade the most difficult and sensitive areas of thought without the pressure of direct expression. Ekphrastic poetry has a tendency to draw together contradictions; the work of art acting as intermediary between points of opposition, tension and contrast. The presence of the ekphrastic object in a poem is an acknowledgement of the unbridgeable hermeneutic gap between poetry, history and the real, indeed it often acts as the marker that exposes this gap. Also in a practical way, through both its critical and art-historical backgrounds, the practice of ekphrasis is lo
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Lovatt, Helen. "Statius' Ekphrastic Games: Thebaid 6.531-47." Ramus 31, no. 1-2 (2002): 73–90. http://dx.doi.org/10.1017/s0048671x00001375.

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Statius is the arch-describer. Even when it was universally agreed that his poetry was essentially second-rate hack-work, his ability to evoke the visual and his relationship to works of art provided fascination and interest. Yet the ekphraseis in the Thebaid have not received much detailed critical attention. This paper looks at the double ekphrasis of the prizes at the end of the chariot race in Thebaid 6. If ekphraseis tend to be ignored and passed over, if ekphraseis are moments outside narrative, still visions for the viewer in the text, interludes, as it were, then an ekphrasis within a
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Brînzeu, Pia. "Shakespeare, the Ekphrastic Translator." Linguaculture 2015, no. 1 (2015): 89–97. http://dx.doi.org/10.1515/lincu-2015-0038.

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Abstract In The Rape of Lucrece, the Shakespearean heroine admires a wall-painting illustrating a scene from the Trojan War. The two hundred lines of the poem in which Lucrece describes the ancient characters involved in the war represent a remarkable piece of ekphrastic transposition. It produces a vivid effect in the poem’s narrative, draws attention to the power of ekphrasis in guiding the reader’s interpretation, and represents an unrivalled example of embedded ekphrasis, unique in Renaissance poetry.
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Markov, Aleksandr V. "Complex ekphrasis in Russian poetry: basics of theory and one case." Vestnik of Kostroma State University, no. 2 (2019): 91–97. http://dx.doi.org/10.34216/1998-0817-2019-25-2-91-97.

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Along with a simple ekphrasis, a description of a separate work, we would like to single out a complex ekphrasis, a description of the whole museum hall or museum collection. Such a description implies an intense experience of space and is possible primarily in descriptive lyrics with intense drama. In the complex ekphrasis, one can see the infl uence not only of tastes, but also of artistic criticism ideas of the time. It is proved that the poem "The Escape to Egypt" by Nikolay Zabolotsky (1955) is a complex ekphrasis, which arose under the indirect infl uence of Charles Pierre Baudelaire’s p
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Barry, P. "Contemporary Poetry and Ekphrasis." Cambridge Quarterly 31, no. 2 (2002): 155–65. http://dx.doi.org/10.1093/camqtly/31.2.155.

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Verdonk, Peter. "Painting, poetry, parallelism: ekphrasis, stylistics and cognitive poetics." Language and Literature: International Journal of Stylistics 14, no. 3 (2005): 231–44. http://dx.doi.org/10.1177/0963947005054479.

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Ekphrasis is a sub-genre of poetry addressing existent or imaginary works of art. Though now a term in poetics, its cultural roots go back to classical rhetoric, which shows that the two have always been in an osmotic relationship. In a wider context, ekphrasis is also the natural outcome of the traditionally strong bond in Western art between poetry and the visual arts, which Aristotle regarded as imitative arts because both make use of mimetic representation. This close link found its fullest expression in Horace’s famous simile Ut pictura poesis. Different periods of Western art history had
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Mathur, Divya. "Ekphrasis: Poetry That Deciphers Art." Motifs : An International Journal of English Studies 3, no. 2 (2017): 73. http://dx.doi.org/10.5958/2454-1753.2017.00010.1.

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Nasyrova, Diana R. "EKPHRASIS IN E.E. CUMMINGS’ POETRY." Volga Region Pedagogical Search 32, no. 2 (2020): 133–39. http://dx.doi.org/10.33065/2307-1052-2020-2-32-133-139.

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Dissertations / Theses on the topic "Ekphrasis poetry"

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Chinn, Christopher M. "Statius and the discourse of ekphrasis /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11467.

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Gehrke, Steve. "Michelangelo's seizure." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4463.

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Thesis (Ph.D.)--University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 27, 2009) Vita. Includes bibliographical references.
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Zinz, Jessica Dawn. "The Horse Lies Down Like a Person." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300641286.

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Kimberley, Emma. "Ekphrasis and the role of visual art in contemporary American poetry." Thesis, University of Leicester, 2007. http://hdl.handle.net/2381/9042.

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This thesis engages with three US poets – Jorie Graham, Charles Wright and Mark Doty – as well as using other writing, from the Modernists to the ekphrastic collection, to engage with the context of ekphrasis, ‘the verbal representation of visual representation’, in the US. After an introduction that evaluates previous work on ekphrasis and studies the forms of engagement between visual and verbal art, a section of three chapters is devoted to each poet. The first explores Jorie Graham’s work on abstract painting, photography and film, analyzing how she uses the different temporal conventions
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Toropov, Stephen William. "Interpretation As Art: A Collection and Examination of Ekphrastic Poetry." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429877149.

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Hardaway, Reid F. "Ovid's Wand: the brush of history and the mirror of ekphrasis." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492857067229058.

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Campanello, Kimberly. "Writing the sheela-na-gig : semiotic complexity, ekphrasis, and poetic persona in the poetry collection 'Strange Country'." Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/25958/.

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This mixed-mode PhD comprises an ekphrastic poetry collection, Strange Country, and a critical component that accounts for my research and writing processes and articulates my poetics of ekphrasis as practised in the collection. Strange Country focuses on sheela-na-gigs, stone carvings of naked female figures that prominently depict the vulva, which are found on medieval churches, castles, wells, and town walls in Ireland, England, Scotland, and Wales. Historians and archaeologists, as well as poets, have suggested that they were/are variously meant to: act as warnings against lust and sin; wa
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Tracy, Jordan Elizabeth. "Framing the Sacred in Twentieth- and Twenty-First-Century American Ekphrasis." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556022.

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Framing the Sacred revisits the significance of ekphrasis, the verbal rendering of a visual representation, in modern and contemporary American poetics. Although a seemingly marginal strain of lyric poetry, ekphrasis is a literary crucible in which the problems of representation converge, catalyzing a unique process of enchantment and disenchantment. Through an examination of a number of twentieth- and twenty-first-century poems, I argue that this enchantment has bearing on how we envision the import of religion in twentieth- and twenty-first-century America and its literature. On account of i
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Divett, Andrew Brennan. "Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955012/.

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Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the c
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Cunningham, Kay M. "Transforming texts : adaptation and ekphrasis in the poetry of Derek Mahon and Paul Muldoon." Thesis, University of Sheffield, 2012. http://etheses.whiterose.ac.uk/15008/.

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This thesis will explore the historical inheritance and use of adaptation and ekphrasis in the poetry of Derek Mahon and Paul Muldoon. Both poets include other texts in their work to perpetuate dialogues on history, aesthetics and poetic form, using images, symbols and formal structures to question what poetry can or should do. Looking at the revisionary power of language this thesis will turn to examples of adaptation and revision in the work of each poet. In the poetry of Mahon, it will show how ekphrasis engages with questions of history and aesthetics through the relationship between visua
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Books on the topic "Ekphrasis poetry"

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Musical ekphrasis: Composers responding to poetry and painting. Pendragon Press, 2000.

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Museum mediations: Reframing ekphrasis in contemporary American poetry. Routledge, 2005.

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Description in classical Arabic poetry: Waṣf, ekphrasis, and interarts theory. Brill, 2003.

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Joan, Krieger, ed. Ekphrasis: The illusion of the natural sign. Johns Hopkins University Press, 1992.

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Virgil's epic designs: Ekphrasis in the Aeneid. Yale University Press, 1998.

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Getting the picture: The ekphrastic principle in twentieth-century Spanish poetry. Bucknell University Press, 1997.

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The ekphrastic encounter in contemporary British poetry and elsewhere. Ashgate, 2012.

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Écfrasis e imitación artística en la poesía hispánica contemporánea: Diez propuestas. Renacimiento, 2012.

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L'ecphrasis dans la poésie espagnole: 1898-1988. Lambert-Lucas, 2010.

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Clemente, Linda M. Literary objets d'art: Ekphrasis in medieval French romance, 1150-1210. P. Lang, 1991.

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Book chapters on the topic "Ekphrasis poetry"

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Ellis, Jonathan. "Ekphrastic Poetry." In A Companion to Poetic Genre. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444344318.ch43.

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Boyd, Candice P. "Ekphrastic poetry as method." In Geopoetics in Practice. Routledge, 2019. http://dx.doi.org/10.4324/9780429032202-11.

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Boyd, Candice P. "Ekphrastic poetry as method." In Geopoetics in Practice. Routledge, 2019. http://dx.doi.org/10.4324/9780429032202-13.

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Rodríguez, Macarena Rodríguez. "William Wordsworth’s Ekphrastic Poetry." In Painting Words. Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-8.

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Keefe, Anne. "An Organism of Words: Ekphrastic Poetry and the Pedagogy of Perception." In Art's Teachings, Teaching's Art. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-7191-7_5.

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Gulla, Amanda Nicole, and Molly Hamilton Sherman. "What We Talk About When We Talk About Texts: Landscape with the Fall of Icarus and Ekphrastic Poetry." In Inquiry-Based Learning Through the Creative Arts for Teachers and Teacher Educators. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57137-5_3.

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Smith, Steven D. "The Chaste Bee and the Promiscuous Bee: Poetic Self-Reflexivity in John of Gaza’s Ekphrasis and the Cycle of Agathias." In Studi e testi tardoantichi. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.stta-eb.5.119223.

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Miller, Andrew D. "The Suppressed Ekphrasis." In Poetry, Photography, Ekphrasis. Liverpool University Press, 2015. http://dx.doi.org/10.5949/liverpool/9781781381908.003.0005.

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Miller, Andrew D. "The Anti-Ekphrasis." In Poetry, Photography, Ekphrasis. Liverpool University Press, 2015. http://dx.doi.org/10.5949/liverpool/9781781381908.003.0008.

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Miller, Andrew D. "Introduction." In Poetry, Photography, Ekphrasis. Liverpool University Press, 2015. http://dx.doi.org/10.5949/liverpool/9781781381908.003.0001.

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Conference papers on the topic "Ekphrasis poetry"

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Bykova, A. M. "Between painting and literature: 3 types of ekphrasis in Polish poetry of the 20th century (analysis of selected examples)." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-78.

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Trefonides, Nicholas, and Emmanuel Saake. "Sociopolitical Network for Ekphrastic Poetry and Algorithmic Co-authoring." In 2019 Sixth International Conference on Social Networks Analysis, Management and Security (SNAMS). IEEE, 2019. http://dx.doi.org/10.1109/snams.2019.8931815.

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