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Dissertations / Theses on the topic 'Ekphrasis'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Schweinfurth, Dagmar. "Ekphrasis topôn und ekphrasis tropôn Aspekte der topographischen Ekphraseis in der griechischen Prosa der Kaiserzeit und Spätantike /." [S.l. : s.n.], 2005. http://nbn-resolving.de/urn:nbn:de:bsz:16-propylaeumdok-886.

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2

Paraforou, Fani. "Ekphrasis und Geste." Diss., Ludwig-Maximilians-Universität München, 2012. http://nbn-resolving.de/urn:nbn:de:bvb:19-184795.

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3

Zago, Leandro. "Ekphrasis through otherness." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/131012.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2015.<br>Made available in DSpace on 2015-03-18T21:08:56Z (GMT). No. of bitstreams: 1 332877.pdf: 802411 bytes, checksum: 282bf80c1479920de4d7706ad2591940 (MD5) Previous issue date: 2015<br>Abstract : Opposing the contemporary literary reductionism of ekphrasis to a verbal representation of a painting, a sculpture, a drawing, or a photograph, this research views otherness as the object of contemplation. Thro
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4

Coombes, Justin. "Photography, memory and ekphrasis." Thesis, Royal College of Art, 2012. http://researchonline.rca.ac.uk/1280/.

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Recollected Places: Photography, Memory and Ekphrasis. The practice component of my PhD, ‘Recollected Places’, consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. My written thesis, ‘Photography, Memory and Ekphrasis’ looks at a number of artworks from the 1950s to the present day which employ the photography-ekphrasis relationship. ‘Ekphrasis’ is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. It became the object of
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5

Hauck, Evan William. "Vergil's Contribution to Ekphrasis." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384779011.

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Chinn, Christopher M. "Statius and the discourse of ekphrasis /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11467.

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7

Garcia, Gismara Rosane. "Frames literários : a ekphrasis n'O Conquistador /." Araraquara : [s.n.], 2008. http://hdl.handle.net/11449/91584.

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Orientador: Márcia V. Zamboni Gobbi<br>Banca: Leila de Aguiar Costa<br>Banca: Sonia Helena de Oliveira Raimundo Piteri<br>Resumo: Esta dissertação pretende demonstrar a relação que Almeida Faria, escritor português, promove entre palavra e imagem na configuração da narrativa do romance O Conquistador (1990), em que há uma intenção comunicativa e representativa de escrita como forma de expressão do percurso histórico português. Por meio da instrumentação teórica da Ekphrasis, será analisada a relação entre o texto não-verbal das imagens que acompanham toda a trama da obra, desde a capa e nos se
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Garcia, Gismara Rosane [UNESP]. "Frames literários: a ekphrasis n´O Conquistador." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/91584.

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Made available in DSpace on 2014-06-11T19:25:24Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-03-06Bitstream added on 2014-06-13T20:13:46Z : No. of bitstreams: 1 garcia_gr_me_arafcl.pdf: 2698386 bytes, checksum: 57264367d5edcd6e66c4e130e47ad7dc (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Esta dissertação pretende demonstrar a relação que Almeida Faria, escritor português, promove entre palavra e imagem na configuração da narrativa do romance O Conquistador (1990), em que há uma inten
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9

Bruinstroop, Jarad. "Reliefs: Biographical ekphrasis and the Queer artist." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/236549/1/8300771%2BJarad%2BBruinstroop%2BThesis.pdf.

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Situated in the field of creative writing, this project identifies and conceptualises biographical ekphrasis: an emergent subgenre of ekphrasis in which poets respond to both a work of art and to the biography of the artist who created it. This thesis comprises an exegesis, which interrogates the complex relationships between artwork, artist, poet, and audience, and a collection of poems, Reliefs, which won the Thomas Shapcott Prize. Through practice-led research, this project elucidates both biographical ekphrasis’s unique amalgam of fact and fiction and its particular temporal complexities,
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10

Zinz, Jessica Dawn. "The Horse Lies Down Like a Person." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300641286.

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Breen, India R. "Miniature thunder: Inscribing the self in ekphrastic poetry." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/106744/1/India_Breen_Thesis.pdf.

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This practice-led research project considers how the figure of poetic self is inscribed in the ekphrastic poem and looks at how ekphrasis can intersect with confessional poetics to form a hybrid mode. This mode of hybridity guides my own creative practice and creates an expansion of the term ekphrasis, as ekphrasis illuminates that it is never a static interaction, but a mode that entails a verbal representation of the artwork as well as aspects of the confessional self.
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Cole, Brian M. "Ekphrasis and Avant-Garde Prose of 1920s Spain." UKnowledge, 2015. http://uknowledge.uky.edu/hisp_etds/23.

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This dissertation analyzes the prose works of the “Nova Novorum,” a fiction series created and published by José Ortega y Gasset between 1926 and 1929. This collection included six works by four authors, five of which will be discussed in this dissertation. Pedro Salinas’ Víspera del gozo (1926) inaugurated the series. Benjamín Jarnés published two works: El profesor inútil (1926) and Paula y Paulita (1929). Antonio Espina is also responsible for two works: Pájaro pinto (1927) and Luna de copas (1929). The dissertation is divided into five sections. The first chapter introduces the topic of av
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13

Googer, Georgia. "The Radical Ekphrasis Of Gertrude Stein's Tender Buttons." ScholarWorks @ UVM, 2018. https://scholarworks.uvm.edu/graddis/889.

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This thesis offers a reading of Gertrude Stein’s 1914 prose poetry collection, Tender Buttons, as a radical experiment in ekphrasis. A project that began with an examination of the avant-garde imagism movement in the early twentieth century, this thesis notes how Stein’s work differs from her imagist contemporaries through an exploration of material spaces and objects as immersive sensory experiences. This thesis draws on late twentieth century attempts to understand and define ekphrastic poetry before turning to Tender Buttons. Although the question of categorizing Tender Buttons has been an
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14

Holland-Batt, Sarah. "The Gurney: Poetry, Ekphrasis and the Abject Image." Thesis, The University of Queensland, 2019. https://eprints.qut.edu.au/134345/1/s40063672_final_thesis.pdf.

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This research project, situated in the field of creative writing, comprises a creative project, my third book-length collection of lyric poems, The Gurney, and an accompanying exegetical essay, “The Unmistakable Topography of a Body: Poetry, Ekphrasis and the Abject Image.” In The Gurney, I pursue themes and subjects that have preoccupied me as a poet to date, including ekphrasis, travel, violence and extinction in the natural world, the end of love, and the intersections between place, landscape, and history, as well as the new personal and confessional territory of my father’s descent into P
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15

Cheney, David. "The garden ekphrasis, visual aspects of the ancient novel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ47934.pdf.

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16

Anderman, Elizabeth Quainton. "Visible sensations: Ekphrasis and illustration in Victorian sensation novels." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3239461.

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17

Gehrke, Steve. "Michelangelo's seizure." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4463.

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Thesis (Ph.D.)--University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 27, 2009) Vita. Includes bibliographical references.
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18

Foley, Laura-Jane Maria. "Lucian Freud portraits : curatorial ekphrasis in contemporary British poetic practice." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/28205/.

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This PhD presents a new term for contemporary ekphrastic poetry: curatorial ekphrasis. The thesis is composed of two elements, a critical essay followed by a collection of poetry that informs and is informed by the former, Entitled 'Curatorial Ekphrasis in Contemporary British Poetic Practice', the critical essay challenges established critical approaches to ekphrastic poetics by revealing a curatorial practice currently being undertaken by a number of contemporary poets writing about artworks. Chapter One identifies and evaluates key critical texts about ekphrasis and its role in the relation
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19

Marek, Michaela. "Ekphrasis und Herrscherallegorie : antike Bildbeschreibungen im Werk Tizians und Leshardos /." Worms : Werner'sche Verlagsgesellschaft, 1985. http://catalogue.bnf.fr/ark:/12148/cb349848876.

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20

Leitner, Valerie Ann. "Aural ekphrasis and Statian sound in Chaucer's Temple of Mars." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0014349.

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21

Besnard-Scott, Laurence. "Translation beyond words : film adaptations of classical myths as reverse ekphrasis." Thesis, Queen's University Belfast, 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.725390.

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My PhD thesis proposes to look at film adaptation through a concept derived from ekphrastic discourse in order to delineate a critical space, or ‘ekphrastic third space’, opened up by the process of adaptation. It raises questions about the semiotic dialogue between (moving) image and text, cinema and literature, and how that dialogue is enriched by reconfiguring traditional notions of ekphrasis as ‘reverse ekphrasis’. The chosen case studies - film adaptation of classical myths - reconnect with the origins of ekphrasis as a rhetorical figure, in an attempt to link it with cinema's 'mythical'
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22

Kimberley, Emma. "Ekphrasis and the role of visual art in contemporary American poetry." Thesis, University of Leicester, 2007. http://hdl.handle.net/2381/9042.

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This thesis engages with three US poets – Jorie Graham, Charles Wright and Mark Doty – as well as using other writing, from the Modernists to the ekphrastic collection, to engage with the context of ekphrasis, ‘the verbal representation of visual representation’, in the US. After an introduction that evaluates previous work on ekphrasis and studies the forms of engagement between visual and verbal art, a section of three chapters is devoted to each poet. The first explores Jorie Graham’s work on abstract painting, photography and film, analyzing how she uses the different temporal conventions
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23

Hardaway, Reid F. "Ovid's Wand: the brush of history and the mirror of ekphrasis." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492857067229058.

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24

Tracy, Jordan Elizabeth. "Framing the Sacred in Twentieth- and Twenty-First-Century American Ekphrasis." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556022.

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Framing the Sacred revisits the significance of ekphrasis, the verbal rendering of a visual representation, in modern and contemporary American poetics. Although a seemingly marginal strain of lyric poetry, ekphrasis is a literary crucible in which the problems of representation converge, catalyzing a unique process of enchantment and disenchantment. Through an examination of a number of twentieth- and twenty-first-century poems, I argue that this enchantment has bearing on how we envision the import of religion in twentieth- and twenty-first-century America and its literature. On account of i
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25

Drügh, Heinz. "Ästhetik der Beschreibung poetische und kulturelle Energie deskriptiver Texte (1700 - 2000)." Tübingen Francke, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2778130&prov=M&dok_var=1&dok_ext=htm.

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26

Wengier, Sabrina Emilie. "The Politics and Poetics of Ekphrasis in Nineteenth-Century French Art Novels." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/383.

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This dissertation explores how literary descriptions of visual artworks affect the narrative and descriptive fabric of a text. The novels I examine operate on three textual levels: the painter's creative struggles, his amorous entanglements with his model and/or the painted women of his canvas, and his aesthetic claims to revolutionize painting. My project argues that ekphrasis is a translational mode that takes two forms: the traditional, "contained" description of a visual artwork; and a mode of writing that pervades the entire text and emulates the characteristics of painting. For example,
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27

Donnelly, Brian. "Rebuilding 'The House of Life' : Dante Gabriel Rossetti, ekphrasis and Victorian sexuality." Thesis, University of York, 2004. http://etheses.whiterose.ac.uk/9857/.

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28

Fiebig, Henrique Verri. "Para além do limes: a Germania de Tácito em gênero e germano." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-14012015-122920/.

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Nesta pesquisa, apresentamos uma nova tradução da Germania de Tácito para o português brasileiro, acompanhada de um estudo literário, no qual nos ocuparemos, primeiramente, do estabelecimento do gênero literário deste texto e dos problemas e dificuldades próprios deste e, depois, da construção do êthos da população germânica na obra, considerando preceitos do gênero epíditico da retórica e conceitos relativos à ekphrasis<br>In this research, we present a new translation of Tacitus Germania to Brazilian Portuguese. It is preceded by a literary study that firstly investigates the establishment o
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Massé, Joey. "Jeux et enjeux du regard : entre plaisir et danger : l’œuvre d’art dans le roman de Siri Hustvedt." Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0028/document.

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Cette thèse de doctorat a pour but d’analyser les relations entre le texte et l’image dans trois romans de Siri Hustvedt : The Blindfold (1992) What I Loved (2003) et The Blazing World (2014). L'auteur introduit dans ses récits de nombreuses et longues ekphraseis qui saturent visuellement le texte. Les œuvres d'art décrites, majoritairement fictives, font appel à des techniques et des médiums variés (peinture, photographie, installation, vidéo). L'auteur invente des œuvres d'art qui évoluent au fur et à mesure des romans, passant de deux dimensions à trois dimensions et d'images fixes à des im
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Brown, James Hamilton Starkey Kathryn. "Imagining the text ekphrasis and envisioning courtly identity in Wirnt von Gravenberg's Wigalois /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,431.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2006.<br>Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages." Discipline: Germanic Languages; Department/School: Germanic Languages.
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Singer, Rüdiger [Verfasser]. "Mimen-Ekphrasis : Schauspielkunst in der Literatur um 1800 und um 1900 / Rüdiger Singer." Göttingen : V&R Unipress, 2018. http://www.v-r.de/.

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Dion, Damien. "Récits, fictions, descriptions : l'ekphrasis comme pratique artistique." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H315.

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L’ekphrasis est traditionnellement définie comme la description verbale d’un objet artistique réel ou fictif. Elle est ainsi représentative d’un phénomène d’interférence entre le factuel et le fictionnel, mais également entre le verbal et le visuel. C’est avec le développement de démarches artistiques qui émergent dans les années 1960 que va s’opérer un véritable tournant linguistique et narratif de l’art où l’œuvre, sa documentation, son commentaire ou son récit vont se croiser, se fondre parfois, pour voir émerger des entités hybrides, parfois ambiguës. Par ailleurs, les stratégies de dis-co
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Toropov, Stephen William. "Interpretation As Art: A Collection and Examination of Ekphrastic Poetry." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429877149.

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Drahos, Jonathan Wade. "Shakesperean and Marlovian Epyllion : dramatic ekphrasis of Venus and Adonis and Hero and Leander." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5911/.

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This thesis is a practice-as-research project ‘articulating and evidencing’ (Nelson, 2013, p. 11) research and practical explorations of Christopher Marlowe’s \(Hero\) \(and\) \(Leander\) and William Shakespeare’s \(Venus\) \(and\) \(Adonis\), using a method defined in the thesis as ‘dramatic ekphrasis’. A theatrical adaptation of the works — staged using the language of both poems as an amalgamated visual and acoustic theatre piece — exposes (through practice) the authors’ transgressive sexual and amorous themes. The narrative poems of Shakespeare and Marlowe are interpreted as having cultura
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Paraforou, Fani [Verfasser], and Oliver [Akademischer Betreuer] Jahraus. "Ekphrasis und Geste : Ansätze zur Dekonstruktion eines komplexen Verhältnisses / Fani Paraforou. Betreuer: Oliver Jahraus." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1075456576/34.

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Cunningham, Kay M. "Transforming texts : adaptation and ekphrasis in the poetry of Derek Mahon and Paul Muldoon." Thesis, University of Sheffield, 2012. http://etheses.whiterose.ac.uk/15008/.

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This thesis will explore the historical inheritance and use of adaptation and ekphrasis in the poetry of Derek Mahon and Paul Muldoon. Both poets include other texts in their work to perpetuate dialogues on history, aesthetics and poetic form, using images, symbols and formal structures to question what poetry can or should do. Looking at the revisionary power of language this thesis will turn to examples of adaptation and revision in the work of each poet. In the poetry of Mahon, it will show how ekphrasis engages with questions of history and aesthetics through the relationship between visua
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Divett, Andrew Brennan. "Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955012/.

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Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the c
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Montalbano, Kathryn. "Ecstasis of ekphrasis dialectically (de)framing self in John Banville's The book of evidence /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3658.

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Weber, Megan M. "PATRIARCHAL TYRANTS AND FEMALE BODIES: EKPHRASIS IN DRAMA AND THE NOVEL IN ENGLAND, 1609-1798." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1554488740730581.

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Forwood, Matthew. "Poetry and the Rise of the Renaissance Artist: An investigation into the interdisciplinary nature of the Renaissance." Thesis, Department of History, 2011. http://hdl.handle.net/2123/7979.

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This thesis investigates the role poetry played in the rise of the Renaissance artist. It argues that the poetic technique ekphrasis influenced the theoretical writings of Leon Battista Alberti (1404-1472) and became the basis for Giorgio Vasari’s praise of Michelangelo as ‘divine’ (1550). It shows how poetry became a source of inspiration, in subject matter and in technique, of Sandro Botticelli’s illustrations of the Divine Comedy (1480-1500). It investigates how Alberti and Leonardo da Vinci argued that painting should be considered a dignified profession in wider society and how their argu
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Shiel, Erin Patricia. "Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15995.

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During the course of this Master of Arts (Research) program, I have written The Spirits of Birds, a collection of thirty-five ekphrastic poems relating to contemporary Australian art. The exegesis relating to this poetry collection is the result of my research and reflection on the process of writing these poems. At the outset, my writing responded to artworks viewed in galleries, in books and online. Following the initial writing period, I approached a number of artists and asked if I could interview them about their sources of inspiration and creative processes. Six artists agreed to be inte
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Hannart-Marmor, Yona. "Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030026.

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Notre travail consiste en une étude de l’ekphrasis dans l’écriture de Claude Simon. Il part de l’hypothèse selon laquelle la compréhension de sa nature et de son rôle permettrait d’éclairer des aspects fondamentaux du fonctionnement du texte, révélateurs de l’esthétique du roman simonien dans son ensemble. Pour ce faire, nous commençons par mettre en évidence le caractère ambivalent, paradoxal et subversif de l’ekphrasis simonienne, qui ne constitue pas systématiquement une interruption de la narration, ni une description d’oeuvre d’art. Tirant les conséquences du changement de perspective qu’
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Meredith-Goymour, Hallie. "Texts as contexts for viewing : 'Ekphrasis', inscribed decoration and glass open-work vessels in Late Antiquity." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433319.

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Wagner, Amata [Verfasser], Martin [Akademischer Betreuer] Nies, and Dennis [Akademischer Betreuer] Gräf. "(Un)Bewegte Kunst – Ekphrasis als intermediales Phänomen im Bedeutungssystem Film / Amata Wagner ; Martin Nies, Dennis Gräf." Passau : Universität Passau, 2020. http://d-nb.info/1223171094/34.

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Romagnino, Roberto. "Origine, redéfinition, statut de l’ekphrasis romanesque au XVIIe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040201.

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Notre thèse se propose comme objectif la définition et l’étude du traitement de l’ekphrasis dans la fiction narrative française en prose entre 1585 et 1660. L’ekphrasis y est comprise dans le sens ancien et rhétorique d’un discours doté d’évidence (enargeia), mettant son objet devant les yeux du lecteur/auditeur. En s’appuyant sur une rigoureuse enquête philologique, le présent travail vise d’abord à définir l’origine rhétorique de la notion d’ekphrasis et de tracer sa complexe cartographie sémantique entre l’Antiquité et la première modernité. L’enquête s’efforce ensuite de montrer l’attitude
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Nedelcu, Irina. "'2' : a novel, and, Words & pictures : the miracle of artistic lending and borrowing." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17906.

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December 1989, Romania – a culture steeped in secrecy-fuelled paranoia is reflected in the family of six-year-old Adam Stan, whose father is missing and no one concedes to even talk about it. In the first of two sections of 2, a novel, through the eyes of Adam the child, the narrative explores the fall of Ceaușescu's regime and the incandescent bouts of hope brought on by the first Romanian democratic summer, but overshadowed by the presence of an absent father. Adam keenly experiences the joys and injustices of private and public life in both urban and rural Romanian landscapes, before he is
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47

Roman, Rachel Michelle. "The Beautiful Anatomy." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1305821898.

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48

Rodriguez-Carroll, Natasha L. "Red Factor." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470331179.

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49

Campanello, Kimberly. "Writing the sheela-na-gig : semiotic complexity, ekphrasis, and poetic persona in the poetry collection 'Strange Country'." Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/25958/.

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This mixed-mode PhD comprises an ekphrastic poetry collection, Strange Country, and a critical component that accounts for my research and writing processes and articulates my poetics of ekphrasis as practised in the collection. Strange Country focuses on sheela-na-gigs, stone carvings of naked female figures that prominently depict the vulva, which are found on medieval churches, castles, wells, and town walls in Ireland, England, Scotland, and Wales. Historians and archaeologists, as well as poets, have suggested that they were/are variously meant to: act as warnings against lust and sin; wa
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50

Moore, Zachary Stephen. "Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.

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