Relevant bibliographies by topics / El castigo sin venganza

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Academic literature on the topic 'El castigo sin venganza'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "El castigo sin venganza"

1

Carreno, Antonio. "La "sin venganza" como violencia: El castigo sin venganza de Lope de Vega." Hispanic Review 59, no. 4 (1991): 379. http://dx.doi.org/10.2307/473341.

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Mancebo Salvador, Yolanda. "«El castigo sin venganza», Conquering the Repertoire." Anuario Lope de Vega Texto literatura cultura 24 (January 31, 2018): 200. http://dx.doi.org/10.5565/rev/anuariolopedevega.244.

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Alvar, Manuel. "Reelaboración y creación en el Castigo sin venganza." Revista de Filología Española 66, no. 1/2 (June 30, 1986): 1–38. http://dx.doi.org/10.3989/rfe.1986.v66.i1/2.461.

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Petro, Antonia. "El chivo expiatorio sustitutorio: El castigo sin venganza." Bulletin of the Comediantes 55, no. 1 (2003): 23–46. http://dx.doi.org/10.1353/boc.2003.0006.

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García Reidy, Alejandro, Ramón Valdés Gázquez, and Germán Vega García-Luengos. "A New («Princeps»?) Edition of «El castigo sin venganza»." Anuario Lope de Vega Texto literatura cultura 27 (January 20, 2021): 270. http://dx.doi.org/10.5565/rev/anuariolopedevega.414.

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Atkins, E. Stewart. "El castigo sin probanza: Papel y perspectiva de Aurora en El castigo sin venganza de Lope de Vega." Bulletin of the Comediantes 66, no. 2 (2014): 67–91. http://dx.doi.org/10.1353/boc.2014.0037.

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de la Haza, J. M. Ruano, and Ricardo Domenech. ""El castigo sin venganza" y el teatro de Lope de Vega." Hispanic Review 57, no. 2 (1989): 237. http://dx.doi.org/10.2307/473505.

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Martínez, Christine D. "Disguised Discourse: Emblems in Lope de Vega's El castigo sin venganza." Bulletin of the Comediantes 46, no. 2 (1994): 207–17. http://dx.doi.org/10.1353/boc.1994.0009.

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Dixon, Victor. "El castigo sin venganza: The Character, Role and Function of Batín." Bulletin of Spanish Studies 92, no. 8-10 (November 26, 2015): 243–53. http://dx.doi.org/10.1080/14753820.2016.1105592.

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MACKENZIE, ANN L. "Some Comments upon Two Recent Critical Editions of "El castigo sin venganza"." Bulletin of Hispanic Studies 68, no. 4 (October 1991): 503. http://dx.doi.org/10.3828/bhs.68.4.503.

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Dissertations / Theses on the topic "El castigo sin venganza"

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Portocarrero, Gonzalo. "Castigo sin culpa, culpa sin castigo." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/114953.

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El presente ensayo tiene como objetivo analizar los antecedentes histórico-culturales de un patrón de interacción social que puede llamarse la"dominación total". Lo característico de este tipo de relación es la omnipotencia de una de las partes y la impotencia de la otra.
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Evans, John Scoville. "Parisina: Literary and Historical Perspectives Across Six Centuries." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4074.

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This thesis explores the relationship between the many literary texts referring to the deaths of Ugo d'Este and Parisina Malatesta, who were executed in Ferrara in 1425 in accordance with an order by Niccolò III d'Este after he discovered their incestuous relationship. The texts are divided in three categories: (1) the fifteenth- and sixteenth-century Italian novellas and their translations; (2) the seventeenth-century Spanish tragedy; and (3) the nineteenth- and twentieth-century Romantic works. Although these categories divide the various texts chronologically, they also represent a thematic grouping as the texts within each category share common themes that set them apart from those in the other groups. While the various texts all tell the same story, each approaches the tragedy slightly differently based largely on the audience for which it was intended. Thus, the time and place of each text greatly affects its telling. Still, the fact that substantial differences exist between texts that were produced in both geographic and temporal proximity suggests that these are not all-determining factors. Although scholarship exists analyzing individual texts, a comprehensive study of the literary accounts relating to the tragedy has never been undertaken. Rather than detracting from the story, the differences put forth in each of the literary texts enrich the global reading experience by offering many perspectives on the tragedy. In addition, these differences influence how the reader reacts to each of the other texts. Familiarity with one version of the story changes the way a reader approaches the others. A parallel reading of the different versions of the story also shows the power culture has on interpretation. Texts referring to a singular event from one time and place sharply contrast with those that are the product of other circumstances.
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Bueno, Guerra Nereida. "Origen evolutivo del sentido de lo injusto y la venganza: estudio comparativo humanos-chimpancés = Evolutionary origins of unfairness and revenge: a comparative study between humans-chimpanzees." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/461705.

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En la presente tesis se aborda el estudio evolutivo del castigo. La tesis se compone de cuatro experimentos: filogenia del castigo funcional (“functional punishment”) (estudio 1); ontogenia de la venganza (“functional spite”) (estudio 2) y filogenia y ontogenia de la emoción Schadenfreude (estudios 3 y 4). En el estudio 1, cuatro parejas de chimpancés jugaron al ultimátum y dictator game de manera iterativa. Nuestro objetivo era ver si se daban rechazos en repartos injustos como recurso para fomentar la futura generosidad del compañero; si los que ofrecían efectivamente variaban su generosidad dependiendo de los rechazos recibidos; si se daba reciprocidad positiva o negativa entre los sujetos participantes y si la generosidad del que ofrecía variaba entre juegos, es decir, dependiendo de la capacidad de respuesta del compañero. En el estudio 2, alrededor de 500 niños de 6 y 10 años jugaron al ultimátum game en una única interacción (one-shot). Nuestro objetivo era ver si los niños rechazaban repartos injustos aunque no pudieran obtener un futuro beneficio derivado de ese rechazo y si los que ofrecían eran capaces de anticipar un posible rechazo y ofrecían de forma generosa desde el principio. También exploramos si la edad y el sexo son factores determinantes en la tasa de rechazos y el comportamiento estratégico en niños. Por último, analizamos si chimpancés y niños de 4.5, 5 y 6 años incurrían gastos para seguir viendo cómo se castigaba a una persona que les había hecho daño previamente antes que para seguir viendo el castigo a una persona que se había portado bien con ellos (estudio 3). El estudio 4 lo llevamos a cabo solo con chimpancés. Repetimos la misma dinámica que en el estudio anterior pero esta vez el sujeto presenciaba cómo los agentes dirigían un daño o beneficio a otro chimpancé. Nuestro objetivo era ver si los chimpancés incurren gastos para disfrutar del castigo ejecutado a agentes que no interaccionaron directamente con ellos. Los estudios con chimpancés se llevaron a cabo en el Wolfgang Köhler Primate Research Center de Leipzig (Alemania) en colaboración con el Max Planck Institute for Evolutionary Anthropology de la misma ciudad. Los estudios con niños se llevaron a cabo en diferentes centros escolares de Cataluña (estudio 1) y en el Max Planck Institute of Human Cognitive and Brain Sciences.
This thesis deals with the evolutionary study of punishment. The thesis consists of four experiments: phylogeny of functional punishment (study 1); ontogeny of revenge (“functional spite”) (study 2) and phylogeny and ontogeny of Schadenfreude (studies 3 and 4). In study 1, four chimpanzee dyads played the ultimatum and dictator games iteratively. Our goal was to see whether there were rejections of uneven distribution as a way to promote proposer’s future generosity; whether proposers consistently changed their behavior towards generosity based on rejections; whether there was positive or negative reciprocity between the members of the dyad and whether the proposr’s generosity varied between games, that is, depending on the recipient’s capacity to respond. In study 2, nearly 500 children aged 6 and 10 played the ultimatum game in a single (one-shot) interaction. Our goal was to see whether children rejected unfair distributions even if they could not obtain future benefits as well as whether the proposers were able to anticipate responder’s potential rejection and offered generously from the very beginning. We also explored whether age and sex were determinant factors for the rejection rate and for the existence of strategic behavior. Finally, we analyzed whether chimpanzees and children (aged 4.5, 5, and 6 years) incurred costs in order to continue watching how an agent who had previously harmed them was punished rather than continue watching an agent who was previously prosocial with them (study 3). Study 4 was only conducted with chimpanzees. We repeated the same procedure of study 3 but this time the subject witnessed how the antisocial and prosocial agents interacted with a conspecific. Our goal was to see whether chimpanzees incurred costs to enjoy watching punishment enacted towards agents who did not directly interact with them. The studies with chimpanzees were carried out at the Wolfgang Köhler Primate Research Center in Leipzig (Germany) in collaboration with the Max Planck Institute for Evolutionary Anthropology located in the same city. The studies with children were carried out in different schools in Catalonia (study 1) and in the Max Planck Institute of Human Cognitive and Brain Sciences.
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Gallégo, Josée. "Le mythe des Argonautes dans le théâtre du Siècle d'or espagnol." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA041.

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Le mythe de la Toison d'or est le récit d'une aventure maritime jusqu'au bout du monde pour y rapporter un emblème de royauté. Chassé par un oncle usurpateur, Jason triomphe des épreuves qui lui sont imposées grâce à l'amour de la magicienne Médée. Tamis des orpailleurs, trésor caché, parchemin sacré, constellation ou Saint-Graal, le bélier volant qui sauva Hellé et Phryxos de la noyade a été l’objet de nombreuses interprétations.En 1430, le duc de Bourgogne, Philippe le Bon, fonde l'ordre de la Toison d'or pour fédérer les princes de la chrétienté. À l'issue de la cérémonie d'intronisation, un collier est remis au nouveau chevalier. Pourtant, l'évêque de Chalon se récrie face au choix de ce héros parjure, et l'on décide de lui adjoindre Gédéon, dont les brebis s'étaient couvertes de rosée mariale, en signe de la victoire prochaine sur les mécréants.Par le jeu des alliances matrimoniales, le titre de Souverain de l'ordre échoit à Charles Quint qui ajoute à ses armoiries le « Plus Oultre ». Lors de la bataille de Lépante, en 1571, la Galera Real Argo proclame, à coups de décorations, fresques, statues et devises, le projet de la monarchie catholique de terrasser le dragon qui s'est emparé des territoires chrétiens, assimilés au mouton doré du mythe.Quand la saga des Argonautes arrive sur les planches du théâtre auriséculaire, elle jouit d'un immense avantage. Le héros est connu dans son aspect le plus lumineux et le traitement bourguignon alimente la résistance face aux hérétiques de toutes sortes.Si le mythe se prête aux innovations les plus spectaculaires et relaie les valeurs de la monarchie, il entretient une singulière relation avec la politique menée par ses princes, tandis que les guerres laissent attendre l'âge d'or tant espéré, que la dette se creuse, que la cour mène un train de vie dispendieux et que la corruption gagne progressivement toute la société.Avec l'Art Nouveau de faire des comédies, Lope de Vega ouvre une brèche qui permet de voir derrière les ors et les fastes de la cour la lente désagrégation de la monarchie
The story of Jason is a most ancient myth and survives in various forms. A more widespread interpretation relates the myth of the fleece to a method of washing gold from streams. More often, the Golden Fleece represents royal power, the spring-hero or a book on alchemy. According to Apollonius of Rhodes, a flying golden ram rescued Phrixus and Helle as their stepmother wantedto kill them. Phrixus safely reached Colchis where he sacrificed the ram and gave its skin to Aetes. Meanwhile, Pelias had usurped the throne of Eson and as his son reclaimed it, sent him to fetch the Golden Fleece. Jason assembled a remarkable group of heroes on board the Argo. At Colchis, the witch Medea helped Jason to complete the mortal tasks. Upon returning, she plotted the death of Jason's uncle, so both took refuge with their children in Corinth. There, the hero betrayed her as he fell in love with Creusa. The witch got rid of this rival, burnt the palace and slaughtered their chidren.In 1430, the Duke of Burgundy founded the Order of the Golden Fleece. As a shield, a sheepskin was suspended from a jeweled collar of firesteel linked by flints. But the choice of Jason caused controversy, so Bishop of Chalon linked it to the fleece of Gideon. As part of the Burgundian inheritance, the Order was a welcomed instrument to the ambitious Habsburgs to strengthen the bonds and Charles V added as a motto « Plus Oultre ».Performances of the Spanish Golden Age Theater were used to develop the ideology of the Catholic Monarchy. When Lope de Vega published el “Arte nuevo”, he introduced the tradition of the « Mirror for Prince » giving opportunity to express one's point of view, despite the censure
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Benavídez, Silva Claudia, and Méndez Nicolás Ortuya. "Sin tv. El castigo de los niños chilenos." Tesis, 2018. http://repositorio.uchile.cl/handle/2250/151829.

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Books on the topic "El castigo sin venganza"

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Alejandro, García Reidy, ed. El castigo sin venganza. Barcelona: Editorial Crítica, 2009.

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Díez Borque, José María, 1947-, ed. El castigo sin venganza. Madrid: Espasa-Calpe, 1987.

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Vega, Lope de. El castigo sin venganza. Barcelona: Cátedra, 1990.

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Vega, Lope de. El castigo sin venganza. Archidona, Málaga [Spain]: Ediciones Aljibe, 2001.

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Carreño, Antonio, ed. El castigo sin venganza. 8th ed. Madrid: Cátedra, 2010.

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Antonio, Carreño, ed. El castigo sin venganza. 3rd ed. Barcelona: Cátedra, 1997.

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Vega, Lope de. El castigo sin venganza. Barcelona: Editorial Crítica, 2009.

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Vega, Lope de. El castigo sin venganza. Barcelona: Editorial Crítica, 2009.

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Díez Borque, José María, 1947-, ed. El castigo sin venganza. [Barcelona, Spain?]: Debolsillo, 2003.

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Vega, Lope de. El castigo sin venganza: Tragedia española. [Madrid]: Teatro Español, Ayuntamiento de Madrid, 1985.

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Book chapters on the topic "El castigo sin venganza"

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Müller-Bochat, Eberhard, and KLL. "Vega, Lope de: El castigo sin venganza." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18275-1.

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"Poetry and Painting in Lope’s El castigo sin venganza." In Celestina’s Brood, 66–80. Duke University Press, 1993. http://dx.doi.org/10.1215/9780822396239-003.

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Couderc, Christophe. "Lope de Vega et Bandello : sur la genèse de El castigo sin venganza." In Paradigmas teatrales en la Europa moderna: circulación e influencias, 327–41. Presses universitaires du Midi, 2016. http://dx.doi.org/10.4000/books.pumi.3782.

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"El loco en el espejo: Locura, pecado y gongorismo en El castigo sin venganza." In El loco en el espejo, 217–31. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042027909_008.

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"2. Typologizing Remodeling and Restoration of the exemplum: Lope de Vega’s El castigo sin venganza." In Discursive “Renovatio” in Lope de Vega and Calderón, 28–84. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110556094-002.

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Gutiérrez Gil, Alberto. "Crónica del coloquio sobre la representación de El castigo sin venganza (Compañía Nacional de Teatro Clásico)." In Colección Corral de Comedias. Ediciones de la Universidad de Castilla-La Mancha, 2021. http://dx.doi.org/10.18239/cor_45.2021.10.

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"El concepto de «castigo sin venganza» a la luz de una nueva fuente para el drama lopesco." In Actas del V Congreso Internacional de la Asociación, 302–7. Vervuert Verlagsgesellschaft, 2001. http://dx.doi.org/10.31819/9783964564894-028.

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"«Llanto sobra, y valor falta»: la estructura de la tragedia en El castigo sin venganza de Lope de Vega." In Hacia la tragedia áurea, 81–96. Vervuert Verlagsgesellschaft, 2008. http://dx.doi.org/10.31819/9783865279651-005.

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Couderc, Christophe. "Guardando respeto a Aristóteles: en torno a los versos tachados por Lope al final de El castigo sin venganza." In El siglo de Oro en escena, 227–34. Presses universitaires du Midi, 2006. http://dx.doi.org/10.4000/books.pumi.2096.

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"14. Manuel Vallejo: un actor se prepara. Un comediante del Siglo de Oro ante un texto (El castigo sin venganza)." In En busca del Fénix, 283–308. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954872282-017.

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