Relevant bibliographies by topics / Electric guitar / Dissertations / Theses
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Dissertations / Theses on the topic 'Electric guitar'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Gylling, Martin, and Ruben Svensson. "Robotic Electric Guitar Tuner." Thesis, KTH, Maskinkonstruktion (Inst.), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-226669.

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This report presents the process of building a system thattunes a guitar with the help of an Arduino board, writingalgorithms for processing signals from a microphone andcontrolling the tension of the strings according to the desiredfundamental frequency. The research question for thisproject is how different sample rates affects the accuracy ofthe tuning, different sample rates were examined in orderto find a sample rate that yields the best precision in tuningacross all strings of the guitar.<br>Denna rapport går igenom byggandet av ett system som harsom funktion att stämma en gitarr med hjä
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2

Klčo, Michal. "Electric Guitar to MIDI Conversion." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2018. http://www.nusl.cz/ntk/nusl-385891.

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Automatický přepis hudby a odhad vícero znějících tónu jsou stále výzvou v oblasti dolování informací z hudby. Moderní systémy jsou založeny na různých technikách strojového učení pro dosažení co nejpřesnějšího přepisu hudby. Některé z nich jsou také omezeny na konkrétní hudební nástroj nebo hudební žánr, aby se snížila rozmanitost analyzovaného zvuku. V této práci je navrženo, vyhodnoceno a porovnáváno několik systémů pro konverzi nahrávek elektrické kytary  do MIDI souború, založených na různých technikách strojového učení a technikách spektrální analýzy.
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3

Mohamad, Zulfadhli. "Estimating performance parameters from electric guitar recordings." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/36695.

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The main motivation of this thesis is to explore several techniques for estimating electric guitar synthesis parameters to replicate the sound of popular guitarists. Many famous guitar players are recognisable by their distinctive electric guitar tone, and guitar enthusiasts would like to play or obtain their favourite guitarist's sound on their own guitars. This thesis starts by exploring the possibilities of replicating a target guitar sound, given an input guitar signal, using a digital filter. A preliminary step is taken where a technique is proposed to transform the sound of a pickup into
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Diedova, A. B. "An electric guitar as a small orchestra." Thesis, Sumy State University, 2014. http://essuir.sumdu.edu.ua/handle/123456789/45591.

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I cannot imagine my life without my electric guitar. It is not a thing. It is an extension of myself. It is who I am. Today not many people can tell about creation of this instrument. An electric guitar is a guitar that uses a pickup to convert the vibration of its strings into electrical impulses. Some of the earliest electric guitars adapted hollow bodied acoustic instruments and used tungsten pickups. The first electrically amplified guitar was designed in 1931 by George Beauchamp. George Beauchamp was born in Coleman County, Texas. Beauchamp performed in vaudeville, playing the violin and
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5

Banks, Zane. "The electric guitar in contemporary arts music." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11805.

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Since 1950 the electric guitar has occupied an ever-increasing presence in contemporary art music both as a solo and chamber instrument. Although the electric guitar is still on the fringe of mainstream classical music, the instrument is more popular now amongst contemporary art music composers and contemporary art music ensembles than in previous times. This dissertation is divided into three sections. The first, Section A, is an introduction to the electric guitar, with a focus on its history and role in both western popular music and western art music. Chapters 2 and 3 address the developme
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Karnes, Addison S. "The Development of a Laminated Copolyester Electric Guitar." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2442.

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This thesis is an investigation of the fabrication and assembly methodologies employed in the development of a proof-of-principle prototype electric guitar composed of laminated copolyester. The objective of the project was to develop the processes and procedures to create an optimized physical and visual bond between layers to minimize vibratory dissipation, thus maximizing sustain. A high speed CNC router, abrasive waterjet, laser engraver-cutter, as well as various manual fabrication and assembly methods were investigated in the construction of the guitar prototypes. The lamination processe
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Ledroit, Christien. "Streamlined : for chamber orchestra with electric guitar and digital audio." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79289.

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Streamlined is a musical composition for chamber orchestra. The entire piece was created from four basic musical fragments. These fragments are used melodically and as "roots" for chord progressions, eventually rendering melody and harmonic progression as one entity. These chord progressions move slowly from one chord to the other, through several intermediate chord progressions, metamorphosing into each other through carefully calculated and executed transformative processes.
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8

Douglas, David M. "An improved mechanical vibrato device for the electric bass guitar." Full text, Acrobat Reader required, 1998. http://viva.lib.virginia.edu/etd/theses/douglas98.pdf.

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9

Turner, George. "Electric guitar performance techniques : meaning and identity in written discourse." Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/12685/.

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This thesis presents an in-depth analysis of selected electric guitar performance techniques and technologies, including the power chord, the wah-wah pedal and finger tapping. Employing discourse analysis, the purpose of the thesis is to identify and understand themes within a wide range of written source material pertaining to the electric guitar. I analyse primarily Anglo-American originating, English-language sources that discuss these techniques and technologies, including archival and online materials, popular and trade publications, academic writing and my own participant interviews. Fro
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10

Welch, Chapman. "Tele using vernacular performance practices in an eight channel environment /." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/welch%5Fchapman/index.htm.

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11

Overton, William Ernest. "Digital Circuit-Level Emulation of Transistor-Based Guitar Distortion Effects." Thesis, Georgia Institute of Technology, 2006. http://hdl.handle.net/1853/10566.

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The objective of this thesis was to model the Fuzz Face , a transistor-based guitar distortion effect, digitally at the circuit level, and explore how changes in the discrete analog components change the digital model. The circuit was first simulated using SPICE simulation software. Typically outputs and how they changed based on transistor gains were documented. A test circuit was then constructed in lab to determine true transistor gains. An analog Fuzz Face circuit was then constructed, and physical parameters were recorded. A digital model was then created using MATLAB. Capacitive filterin
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Bergner, David. "Plektrumteknik på elgitarr : en kvalitativ studie om tre elgitarrlärares pedagogik avseende plektrumteknik." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2639.

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Syftet med denna studie var att undersöka hur elgitarrlärare går tillväga när de undervisar i elgitarrspel med plektrum och vilka de största tekniska utmaningarna är som uppkommer för studenten. Datainsamlingen har genomförts genom kvalitativa intervjuer med tre erfarna elgitarrpedagoger. Studien utgår från ett hermeneutiskt perspektiv. Resultatet visar att de tre pedagogerna till stor del låter eleverna själva välja hur de ska spela. Pedagogerna nämner några vanliga fel som eleverna gör, till exempel: de förankrar inte fingrarna eller handen i gitarren, plektrumet trycks för långt in mellan s
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Jones, L. A. "Exploration of unorthodox tunings and muscle memory practice for the electric guitar." Thesis, University of Salford, 2019. http://usir.salford.ac.uk/49778/.

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The following body of research focuses on addressing the use of alternate tunings and muscle memory practice for the electric guitar. An over-reliance on existing muscle memory is commonplace among guitarists and this is often seen as a catalyst by the player to seek out new material using different fretboard patterns and shapes . While this can be effective, it is crucial to realise that often it is the sounds generated by the muscle memory the player wishes to change, not the muscle memory itself. After all, muscle memory provides enormous technical advantages for the guitarist, such as faci
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Hill, Matthew William. "George Beauchamp and the rise of the electric guitar up to 1939." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9489.

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This thesis examines the rise of the electric guitar in the United States – arguably the most iconic and successful musical instrument of the 20th century – and the role of George Beauchamp in its invention and development. It focuses on Beauchamp's invention of the electromagnetic pickup, which is the component that makes an electric guitar an electric guitar. The research is based on examination of surviving instruments as well as archival research. An extensive contextual background is given regarding the historical development of electrical musical instruments in general and electric and e
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Bunnell, Leah M. "SUBHARMONIC FREQUENCIES IN GUITAR SPECTRA." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1624389777728368.

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16

Gilgunn, Paul. "Distillation and synthesis : aesthetics and practice in Rhys Chatham's music for electric guitar." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/22066/.

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This is a critical study of music for electric guitars by composer-performer Rhys Chatham (b. 1952), work that distils and synthesises elements from various genres, primarily, minimalism and rock. I investigate the development, realisation, and import of these works, created between 1977 and 2006, in an analytical, biographical, and cultural account that examines unpublished performance directions, scores, and original interviews with this significant, yet under-explored artist and his collaborators. An immanent sublime aesthetic characterises Chatham’s formative experiences in downtown music,
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Jameson, Benjamin Thomas. "Negotiating the cross-cultural implications of the electric guitar in contemporary concert music." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/417404/.

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Despite its ubiquity in rock and popular music, use of the electric guitar has only become commonplace within ‘classical’ concert music in recent decades. This increased prominence is partly due to the expanded sonic possibilities that the instrument offers, but also reflects composers’ greater willingness to engage with popular music practices. Use of the electric guitar in concert music often involves some form of encounter between contemporary compositional approaches and popular forms of cultural expression, presenting creative possibilities and challenges to composers, performers, listene
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Batista, Adriano de Carvalho. "Tetrades : um estudo da harmonia aplicado a guitarra eletrica." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284363.

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Orientador: Marcos Siqueira Cavalcante<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-08T14:36:55Z (GMT). No. of bitstreams: 1 Batista_AdrianodeCarvalho_M.pdf: 713091 bytes, checksum: a2b6db85291dd1dc0d5a08dd668648f8 (MD5) Previous issue date: 2006<br>Resumo: Essa dissertação é um estudo sobre a formação e aplicabilidade das chamadas Tétrades na guitarra elétrica. O presente trabalho descreve o processo de construção de tais acordes, além de sistematizar alguns procedimentos de expansão harmônica levando em consideraçã
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Paarmann, Heraldo 1968. "Jovens guitarristas, aprendizagem autodirecionada e a busca pela orientação musical /." São Paulo, 2016. http://hdl.handle.net/11449/143117.

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Orientador: Margarete Arroyo<br>Banca: Heloísa Feichas<br>Banca: Daniel Marcondes Gohn<br>Resumo: O autoaprendizado de música é uma prática comum entre jovens que desenvolvem processos personalizados de construção de conhecimento a partir dos seus interesses musicais. Por meio desses processos alcançam seus objetivos imediatos, o que torna essa forma de aprendizado uma opção tentadora. A guitarra elétrica é um instrumento frequentemente sujeito ao autoaprendizado. Para validar essa assertiva, apresento ao leitor nove jovens autoaprendizes de guitarra, que participam desta pesquisa qualitativa,
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Hodges, Jeff. ""Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28430/.

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Musical instruments are not static, unchanging objects. They are, instead, things that materially evolve in symmetry with human practices. Alterations to an instrument's design often attend to its ergonomic or expressive capacity, but sometimes an innovator causes an entirely new instrument to arise. One such instrument is the Chapman Stick. This instrument's history is closely intertwined with global currents that have evolved into virtual, online scenes. Virtuality obfuscates embodiment, but the Stick's world, like any instrument's, is optimally related in intercorporeal exchanges. Stickists
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Родін, В. "Ламповий підсилювач". Thesis, Видавництво СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/12553.

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Прімов, К. С. "Підсилювач звуку електрогітари". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/38863.

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В театрах Давньої Греції та храмах Київської Русі було помічено дивну архітектуру будівлі, обумовлену свідомим бажанням древніх архітекторів підсилити звук для великої аудиторії людей. Так почався шлях розвитку підсилювачів.
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Pinto, Rafael Mendonça Lisita. "A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/3392.

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Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2014-10-20T12:27:08Z No. of bitstreams: 2 Dissertacao Rafael Mendonca Lisita Pinto - 2014.pdf: 3410801 bytes, checksum: 568a59b5ffe00961f389baa657ee1671 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-10-20T17:34:24Z (GMT) No. of bitstreams: 2 Dissertacao Rafael Mendonca Lisita Pinto - 2014.pdf: 3410801 bytes, checksum: 568a59b5ffe00961f389baa657ee1671 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (
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Wang, Jennifer. "Wind in her hair for alto flute, vibraphone, electric guitar, voice, piano, violin, violoncello, and tape /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085678411/ucin1085678411.pdf.

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Solti, Endre 1970. "Avaliação do ensino-aprendizagem de guitarra elétrica e violão popular na licenciatura em música na modalidade a distância da Universidade Vale do Rio Verde." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285001.

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Orientador: Ricardo Goldemberg<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T13:54:34Z (GMT). No. of bitstreams: 1 Solti_Endre_M.pdf: 1385908 bytes, checksum: 8837f9ad693b4254e16313c234d43d49 (MD5) Previous issue date: 2015<br>Resumo: O objetivo deste trabalho é avaliar o ensino dos instrumentos guitarra elétrica e violão popular nas disciplinas de instrumento da licenciatura em música com habilitação em instrumento - modalidade à distância, oferecida pela Universidade Vale do Rio Verde (UninCor). Para isso, foi ut
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Андріяш, Д. О. "Електрогітари". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/38885.

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Складно уявити наше життя без музики. Гітара, мабуть, найпоширеніший і найпопулярний музичний інструмент у всьому світі. Її застосовують як для сольного або акомпануючого інструменту в різних музичних напрямках і стилях, при всьому цьому є лідируючим інструментом в таких стилях як: кантрі, блюз, рок-музика, фламенко, джаз та інші.
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Roberts, Samuel Christian. "A portfolio of compositions expanding the role of the electric bass guitar in contemporary Western art music." Thesis, Oxford Brookes University, 2013. https://radar.brookes.ac.uk/radar/items/2170e787-93d7-4739-a7cd-ef6105beab6d/1.

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My original contribution to knowledge is a portfolio of work that, through composition, improvisation and performance, expands the role of the electric bass guitar in contemporary Western art music. More specifically, these works address three areas that were hitherto underexplored in existing repertoire: • Works for solo bass guitar and electronics. • Works for bass guitar and ensemble that incorporate the instrument as an equal and important part of an overall sound. • The use of the bass guitar in sonic arts idioms. This research, as well as challenging the role of the bass guitar, also aim
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Dantas, Leonardo Meira. "O ensino da guitarra elétrica nos cursos de música da Universidade Federal da Paraíba: reflexões a partir de demandas discentes." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8438.

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Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-07-25T17:06:02Z No. of bitstreams: 1 arquivototal.pdf: 59847296 bytes, checksum: c986a87278ba6919e1c3ca6066356966 (MD5)<br>Made available in DSpace on 2016-07-25T17:06:02Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 59847296 bytes, checksum: c986a87278ba6919e1c3ca6066356966 (MD5) Previous issue date: 2015-04-16<br>Nowadays musical education has taken part of a diversity of themes and points related to multiple contexts of music formation that constitute the contemporaneous society. In this universe the studies about p
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Canales, Pulache Jose Daniel, Vargas Manuel Esteban Estrada, de la Cruz Frank David Giraldo, Obando Camila Lucia Leon, and Diaz Valeria Ruiz. "MALLKU." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/651783.

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El presente trabajo de investigación se basa en una propuesta de negocio en la industria de accesorios musicales dirigida a personas que toquen guitarra y bajo, y que se encuentren entre los NSE A, B y C en Lima Metropolitana. Para investigar y validar varios supuestos, se ha creado la marca “Mallku”, una empresa que diseña uno de los accesorios más conocidos, pero, a la vez, difícil de encontrar en el mercado, el pedalboard. Este accesorio sirve como una herramienta que ordena los pedales que usan guitarristas y bajistas, y permiten ahorrar tiempo al poder llevarlos ya armados a una grabación
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Mariano, Anderson de Sousa. "A Guitarra Elétrica em Gruppen Für Drei Orchester Karlheinz Stockhausen." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/6591.

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Made available in DSpace on 2015-05-14T12:52:25Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 4782954 bytes, checksum: 0e9b1c26253c1035c620d5c9470c1f33 (MD5) Previous issue date: 2011-03-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This researsh analyses the participation of the electric guitar in the work Gruppen für drei orchester of the German composer Karlheinz Stockhausen. The work is subdivided in three chapters. The first deals history aspects of the instrument and its use in the avantgarde concert music of the twentieth century, featuring a selec
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Rocha, Marcel Eduardo Leal. "A tecnologia como meio expressivo do guitarrista atuante no mercado musical pop." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284480.

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Orientador: José Eduardo Ribeiro de Paiva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T07:57:29Z (GMT). No. of bitstreams: 1 Rocha_MarcelEduardoLeal_D.pdf: 1511252 bytes, checksum: 31cce2dc1a1f22d0663cd62cde894493 (MD5) Previous issue date: 2011<br>Resumo: A guitarra elétrica é um instrumento musical que nasceu das tentativas de se aumentar a projeção sonora de instrumentos como o violão, a guitarra havaiana e a guitarra acústica archtop. As primeiras guitarras elétricas foram guitarras havaianas e archtops às quais for
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Harris, Joshua Kimball. "“Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407859/.

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Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of music to the canvases of the action painters of the American Abstract Expressionists, and contrasted it with the work’s subject, or organizational structure. Composers’ transition toward a focus on surface through indeterminate compositional techniques, according to Feldman, parallels the development of modernist abstract art. “Sunken Monadnock: Composing with Visual Metaphors” is a companion critical essay that takes the surface/su
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Goldman, Josh. "Biomes." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393236887.

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Nicodemo, Thaís Lima 1981. "Terra dos passaros : uma abordagem sobre as composições de Toninho Horta." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284055.

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Orientador: Antonio Rafael Carvalho dos Santos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T17:39:53Z (GMT). No. of bitstreams: 1 Nicodemo_ThaisLima_M.pdf: 13934238 bytes, checksum: 281fc15e7ad9facb623a1f559b0763ff (MD5) Previous issue date: 2009<br>Resumo: Toninho Horta é compositor, guitarrista, violonista e arranjador, nascido em Belo Horizonte, em 1948. Projetou-se como instrumentista e compositor em âmbito nacional a partir do final década de 1960, acompanhando artistas da música popular brasileira em shows e
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Widén, Kalle. "Speltekniska framsteg : En självstudie i elgitarrteknik." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-38387.

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Syftet med studien är att undersöka olika gitarrtekniker samt min egen tekniska utveckling med tonvikt på metodik och progression. Studiens teoretiska perspektiv är designteori och dess frågeställningar lyder: Vilka resurser använder jag när jag övar på några specifikt utvalda gitarrtekniker? På vilka sätt kan jag använda dessa resurser i undervisning? Under 8 veckor fokuserade jag intensivt på min egen teknikutveckling och att övningen skulle vara kvalitativ. Jag använde mig av loggbok, metronom, video och uppsatta mål för att nå en teknisk utveckling. Resultatet presenteras med hjälp av två
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Sosa, Ortega Jorge Raymundo Rudy Paul. "Refractions a collection of three pieces for solo instruments and fixed electronic media /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>First piece for amplified clarinet and fixed electronic media, the second piece for electric guitar and fixed electronic media, and the third piece for amplified high voice (soprano or tenor) and fixed electronic media. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.
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Kvarnbrink, Johannes. "Klang, form, struktur eller funktion? : En kvalitativ studie i hur gitarrlärare och gitarrelever ser på ackordundervisning på elgitarr." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2949.

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The purpose of this study was to investigate how a small selection of guitar teachers go about to teach chords on electric guitar, as well as how a small selection of guitar students have experienced the phenomena during their studies. To answer the research questions, two experienced guitar teacher and two guitar students were subjects to qualitative interviews. The theoretical perspective of the study was hermeneutic. The results showed that the methods employed by the teachers to a high degree related to how they have been taught and also learned by themselves. Another result is that the co
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Zafani, José Tadeu Dutra 1985. "Ensino de guitarra e violão : uma construção social e pessoal." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285242.

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Orientador: Jorge Luiz Schroeder<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T08:52:08Z (GMT). No. of bitstreams: 1 Zafani_JoseTadeuDutra_M.pdf: 1521384 bytes, checksum: d4a69db7865b421e48a41970b8a89f5a (MD5) Previous issue date: 2014<br>Resumo: Utilizando conceitos sociológicos de Pierre Bourdieu (1996,1998,2004) e Bernard Lahire (2002,2004,2010) e da sociologia da educação de Maria da graça Setton (2002, ,2007,2008, 2010, 2011,2012), o presente trabalho tem como objetivo esboçar o "retrato sociológico musical" d
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Martins, André Lopes. "A guitarra elétrica na música experimental: composição, improvisação e novas tecnologias." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-13112015-094517/.

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O presente trabalho tem a intenção de, primeiramente, estudar a guitarra elétrica como interface de composição e improvisação através da utilização de novas tecnologias digitais na música experimental; em um segundo momento, propõe uma composição musical utilizando alguns aparatos tecnológicos acoplados à guitarra. Essas ferramentas foram escolhidas após um extensivo mapeamento individual e através de experimentações de suas potencialidades do processamento sonoro quando abordadas com o instrumento. O material composicional foi posteriormente construído a partir de observações e reflexões do a
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Paarmann, Heraldo [UNESP]. "Jovens guitarristas, aprendizagem autodirecionada e a busca pela orientação musical." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/143117.

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Submitted by HERALDO VERIDIANO DOS SANTOS null (heraldoguitar@hotmail.com) on 2016-08-22T17:06:41Z No. of bitstreams: 1 DISSERTACAO DE MESTRADO - HERALDO PAARMANN - VERSÃO DIGITAL.pdf: 4220163 bytes, checksum: 7ef6883b01524af17741f5353fcd9cd1 (MD5)<br>Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-08-23T20:00:23Z (GMT) No. of bitstreams: 1 santos_hv_me_ia.pdf: 4220163 bytes, checksum: 7ef6883b01524af17741f5353fcd9cd1 (MD5)<br>Made available in DSpace on 2016-08-23T20:00:23Z (GMT). No. of bitstreams: 1 santos_hv_me_ia.pdf: 4220163 bytes, checksu
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Garcia, Marcos da Rosa. "Ensino e aprendizagem de guitarra em espaços músicoeducacionais diversos de João Pessoa." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6590.

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Made available in DSpace on 2015-05-14T12:52:25Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 5880968 bytes, checksum: 683b86422ab5c2b4db84b95151e3c8b5 (MD5) Previous issue date: 2012-12-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The teaching and learning of the electric guitar have been consolidated from a conjuncture of factors related to the historical, cultural and interpretative development of the instrument. Thus, the formation of the guitar player was developed in different spaces and from individual strategies related to the practice and the so
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Pinheiro, Cicero Wagner Oliveira. "Ensino e aprendizagem de guitarra elÃtrica no TriÃngulo Crajubar â Ce." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=19893.

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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico<br>A presente dissertaÃÃo teve como objetivo geral compreender as prÃticas pedagÃgicas e metodolÃgicas no ensino e aprendizagem de guitarra elÃtrica no triÃngulo CRAJUBAR e fomentar aquelas consideradas fundamentais para um ensino de mÃsica democrÃtico. Para tanto, foi necessÃrio, alÃm de investigar alguns espaÃos de ensino e aprendizagem de guitarra no curso de Licenciatura em MÃsica da UFCA, apresentar um breve histÃrico da guitarra no CRAJUBAR sob a perspectiva da histÃria de vida de alguns agentes. A fim de iluminar as
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Wright, Brian F. "How the Electric Bass Became the Norm: An Alternative History of American Popular Music, 1951-1964." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case151084623256552.

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Kalodimos, Andreas. "Hur låter det? : Elgitarrlärares syn på att undervisa i sound och utrustning." Thesis, Karlstads universitet, Musikhögskolan Ingesund, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-14964.

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Föreliggande uppsats har som syfte att ta reda på vilken syn elgitarrlärare på estetiska gymnasieprogram har kring förmedling av sound och utrustning och vilka metoder de tillämpar för att lyfta fram dessa moment i sin undervisning. Sound kan definieras på många sätt, men i detta arbete har det en innebörd av vilka klanger som olika instrument, förstärkare och diverse hjälpmedel kan producera. Målet är att ge nuvarande och blivande instrumentpedagoger en inblick i hur elgitarrlärare arbetar med dessa moment i undervisningen idag. Förhoppningen är även att studien ska kunna ge inspiration till
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Willett, Toby T. "California as Music to American Ears: Migration, Technology, and Rock and Roll in the Golden State, 1946-2000." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/264.

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Migrations and technological advances in California following World War II, spurred radical changes in the production and development of popular music, most notably rock and roll. California largely lacked the entrenched traditions of the American Northeast, and in many ways its exploding population translated into the growth of a culture built around embracing newer methodologies, whether technological innovations or radical artistic departures. In large part owing to its increasing ethnic diversity during the economic expansion, California was uniquely poised to become a center of incredibl
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Almqvist, Tobias, and David Nordberg. "Noise-free distortion pedal for electric guitars : Designing and constructing a unique distortion pedal for live playing guitarists." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-259749.

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Guitarists using effect pedals to alter the way their guitar sounds often face the problem of loud noise when they want their guitars to be completely silent. This can be the result of using a distortion pedal which works well when you’re playing, but not when you have a brief pause. This project focuses on developing a complete prototype of a distortion pedal that has an adjustable mute circuit, also known as a noise gate, built into it. The project pedal consists of some functions which commercially available effect pedals have; 6.3 mm input jack, on and off switch, both a battery connector
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Gunnarsson, Andreas. "Hur får man tyst på en gitarrist? : En observationsstudie i a-°©‐vistaläsning." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-33162.

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Studiens syfte är att se ifall det är möjligt att under en kortare tid bli en bättre a-vistaläsare. För att undersöka detta har jag under en åttaveckorsperiod övat a-vista 15 minuter per dag, med hjälp av en bok just för a-vistaläsning. Ett urval av dessa övningstillfällen har jag videofilmat. Jag har också använt mig av loggbok för att dokumentera mina upplevelser av min egen process. Som teoretisk utgångspunkt har jag valt ett multimodalt designteoretiskt perspektiv. I resultatet visas hur olika resurser hanteras, samt hur progression i lärandet har varit. Det framkommer att jag under denna
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Bittencourt, Alexis da Silveira. "A guitarra Trio inspirada em Johnny Alf e João Donato : uma abordagem do estilo de interpretação de Johnny Alf e João Donato ao piano, direcionada a performance da guitarra em contexto instrumental trio (guitarra, contra-baixo e bateria/percussão)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284740.

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Orientador: Marcos Siqueira Cavalcante<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-07T17:47:31Z (GMT). No. of bitstreams: 1 Bittencourt_AlexisdaSilveira_M.pdf: 1695226 bytes, checksum: 92231c6957e04d697fa545b4571049d8 (MD5) Previous issue date: 2006<br>Resumo: Este trabalho parte da tese de que o estilo interpretativo ao piano, em contexto instrumental Trio (piano, contra-baixo e seção rítmica), de Johnny Alf e João Donato, constitui uma espécie de elo norteador à interpretação da música popular brasileira a partir
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Gunnarsson, Andreas. "Notskrift – En akilleshäl? : En observationsstudie i att undervisa i noter på elgitarr på kulturskolan." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-44446.

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Studiens syfte är att få inblick i hur elgitarrlärare arbetar för att få sina elever att lära sig notskrift. I bakgrundskapitlet beskrivs tidigare forskning om notläsning och notskrift. Som teoretisk utgångspunkt används ett designteoretiskt perspektiv, vilket fokuserar på hur människor använder olika tecken för att designa sin kommunikation och sitt lärande. Studien vilar på en kvalitativ forskningsansats med videoobservation som metod. Sex elgitarrlärare på olika kulturskolor har videoobserverats. Det inspelade materialet har sedan transkriberats och analyserats med fokus på de teckenskapand
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Módolo, Thiago Grando. "A formação musical e pedagógica em quatro cursos superiores de guitarra elétrica no Brasil." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1550.

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Made available in DSpace on 2016-12-08T17:06:46Z (GMT). No. of bitstreams: 1 122554.pdf: 5508877 bytes, checksum: f97f2bda66223295aa3d1b278d2f208a (MD5) Previous issue date: 2015-03-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A pesquisa intitulada A Formação Musical e Pedagógica em Quatro Cursos Superiores de Guitarra Elétrica no Brasil teve como objetivo principal investigar a formação musical oferecida em quatro cursos superiores que incluem a guitarra elétrica no Brasil e de que maneira as questões pedagógicas fazem parte da formação oferecida. A pesquisa adotou u
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