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Relevant bibliographies by topics / Electronic and guitar music / Books

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Books on the topic 'Electronic and guitar music'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Davidovsky, Mario. Synchronisms: No. 10, guitar and tape. C.F. Peters, 1995.

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2

Reich, Steve. Electric counterpoint: For guitar and tape or guitar ensemble. Hendon Music, 1990.

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3

Fliegler, Ritchie. Amps!: The other half of rock 'n' roll. Edited by Eiche Jon F. H. Leonard Pub. Corp., 1993.

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4

Bob, Ward. MIDI for guitarists. Amsco, 1988.

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5

Bob, Ward. MIDI for guitarists. Amsco Publications, 1988.

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6

Amped: The illustrated history of the world's greatest amplifiers. Voyageur Press, 2012.

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7

Anderton, Craig. Midi for musicians. AMSCO, 1986.

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8

Anderton, Craig. MIDI for musicians. Amsco Publications, 1986.

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9

Canciones para el recuerdo. Magna, 2006.

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10

Tipbook amplifiers and effects: The complete guide. Hal Leonard, 2009.

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11

Bacon, Tony. The bass book: A Complete Illustrated History of Bass Guitars. GPI Books, 1995.

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12

Bacon, Tony. The bass book. Balafon, 1995.

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13

1989, Stubbs Dean d., ed. 87 superstar sounds on a stompbox budget: 87 "Sound F/X" columns. Cherry Lane Music Co., 1995.

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14

Paul, Day, ed. The Gretsch book. GPI Books, 1996.

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15

Paul, Day, ed. The Gretsch book. Balafon, 1996.

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16

Penfold, R. A. Electronic projects for guitar. PC Publishing, 1992.

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17

Aurélien, Budynek, ed. Guitar collection. Hal Leonard, 2011.

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18

Guitar tone: Pursuing the ultimate guitar sound. Course Technology, 2012.

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19

Rodrigo, Joaquín. Music for guitar: 19 pieces for guitar. Schott, 1995.

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20

Guitar Tunings. Taylor and Francis, 2006.

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21

Harrison, Lou. The Lou Harrison guitar book: For guitar. Columbia Music Co., 1994.

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22

arranger, Juber Laurence, ed. Pink guitar. Hal Leonard, 2013.

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23

Guitar: Music, history, players. Dorling Kindersley, 2000.

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24

Guitar: Music, history, players. Dorling Kindersley Ltd., 2000.

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25

Chapman, Richard. Guitar: Music, history, players. Dorling Kindersley Pub., 2000.

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26

Guitar effects pedals: The practical handbook. 2013.

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27

Bacon, Tony, and Paul Day. The Gretsch Book: A Complete History of Gretsch Electric Guitars (Guitar Profile S.). Backbeat Books, 1996.

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28

Wedding & love fake book: Over 400 songs for piano, vocal, guitar, electronic keyboard and all "C" instruments. Hal Leonard Publishing Corp., 1994.

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29

Verbic, Anthony. The Guitar Resource: A Comprehensive Acoustic/Electric Guitar Manual - Music Theory, Tuning, Setup, Repair, Amplifiers, Electronic Effects, Ear Training, Tablature. T R C Pub, 1999.

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30

The Recording Guitarist: A Guide to Studio Hardware and Software (Revised and Updated Edition) (Music Pro Guide Books & DVDs). Hal Leonard, 2010.

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31

Amps!: The Other Half of Rock 'N' Roll. Hal Leonard, 1993.

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32

Moorhouse, Barry, and Tony Bacon. The Bass Book (Guitar Profile). Outline Press Ltd, 1999.

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33

Hunter, Dave. The British amp invasion: How Marshall, Hiwatt, Vox, and more changed the sound of music. 2017.

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34

Ward, Bob, and Marty Cutler. Midi for Guitarists. Music Sales Corporation, 1996.

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35

Sharken, Lisa, and Pete Prown. Gear Secrets of the Guitar Legends: How to Sound like Your Favorite Players. Backbeat Books, 2003.

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36

Hunter, Dave. Guitar Amp Handbook: Understanding Tube Amplifiers and Getting Great Sounds. Rowman & Littlefield Publishers, Incorporated, 2015.

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37

The Guitar Amp Handbook: Understanding Tube Amplifiers and Getting Great Sounds. Backbeat Books, 2005.

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38

The Ultimate Pop/Rock Fake Book: Over 400 Top Chart Hits : For Piano Vocal Guitar Electronic Keyboards & All "C" Instruments : 1955 to Present (Fake Books). Hal Leonard Corp, 1993.

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39

Brosnac, Donald. The Amp Book: A Guitarist's Introductory Guide to Tube Amplifiers. Bold Strummer, 1987.

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40

Pinksterboer, Hugo. Tipbook - Amplifiers and Effects. The Tipbook Company, 2005.

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41

Moorhouse, Barry, and Tony Bacon. The Bass Book. Backbeat Books, 1995.

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42

Bacon, Tony, and Paul Day. The Gretsch Book: A Complete History of Gretsch Electric Guitars. Backbeat Books, 1996.

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43

Belew, Adrian. Electronic Guitar. Alfred Publishing Company, 2003.

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44

Clarke, Eric F., Mark Doffman, David Gorton, and Stefan Östersjö. Fluid practices, solid roles? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0009.

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Abstract:

This chapter investigates the relationship between the fluid practices that frequently characterize the work of contemporary musicians, and the more solid roles of performer and composer that continue to hold sway in contemporary music. Focusing on a case study of the collaborative creation of Forlorn Hope for eleven-string alto guitar and electronics, by Gorton and Östersjö, the chapter analyses the processes that lead from research and experimentation with particular guitar tunings and playing techniques, through a more conventionally compositional phase, to the first public performance of the piece. The chapter demonstrates how the affordances of both the instrument in the hands of Östersjö and the particular tuning specified by Gorton combined with improvised discoveries, and the ‘filtering’ force of a piece by Dowland, result in a piece whose creative ecology is distributed across a variety of timescales and practices.

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45

Guitar Music. Michael Raven, 1991.

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46

Hal Leonard Publishing Corporation (COR). Spanish Guitar Music: Guitar Solo. G. Schirmer, Inc., 1986.

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47

musikkinformasjon, Norsk, ed. Guitar: Contemporary Norwegian guitar music. Norwegian Music Information Centre, 1996.

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48

Penfold, R. A. Electronic Projects for Guitar. Cimino Publishing Group, 1992.

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49

Popular Guitar Music. Prentice Hall, 1986.

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50

Play Guitar (Music). Bookmart, 2001.

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