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Relevant bibliographies by topics / Electronic Dance Music (EDM)

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Academic literature on the topic 'Electronic Dance Music (EDM)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Electronic Dance Music (EDM)"

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Solberg, Ragnhild Torvanger, and Nicola Dibben. "Peak Experiences with Electronic Dance Music." Music Perception 36, no. 4 (2019): 371–89. http://dx.doi.org/10.1525/mp.2019.36.4.371.

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This paper investigates the role of musical features in shaping peak-pleasurable experiences of electronic dance music (EDM). Typically, large structural and dynamic changes occur in an EDM track, which can be referred to as the break routine, consisting of breakdown, build-up, and drop. Twenty-four participants listened to four EDM excerpts featuring break routines, and one excerpt without a break routine. Measures were taken of skin conductance, self-reported affect, and embodied aspects of subjective experience, and incidence of pleasant bodily sensations. Participants reported intense affe

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Solberg, Ragnhild Torvanger, and Alexander Refsum Jensenius. "Group behaviour and interpersonal synchronization to electronic dance music." Musicae Scientiae 23, no. 1 (2017): 111–34. http://dx.doi.org/10.1177/1029864917712345.

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The present study investigates how people move and relate to each other – and to the dance music – in a club-like setting created within a motion capture laboratory. Three groups of participants (29 in total) each danced to a 10-minute-long DJ mix consisting of four tracks of electronic dance music (EDM). Two of the EDM tracks had little structural development, while the two others included a typical “break routine” in the middle of the track, consisting of three distinct passages: (a) “breakdown”, (b) “build-up” and (c) “drop”. The motion capture data show similar bodily responses for all thr

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Afdhal, Muhammad. "“REPUBLIKEN” MENYATU DALAM PERBEDAAN." Imaji 17, no. 1 (2019): 66–73. http://dx.doi.org/10.21831/imaji.v17i1.25736.

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Republiken adalah penganut ketatanegaraan yang berbentuk republik. Istilah Republiken menunjukkan suatu kesatuan masyarakat yang berbangsa dan berdaulat. Republiken dalam kaitannya dengan karya seni ini adalah suatu bentuk semangat berbangsa melalui seni, dalam hal ini musik, menunjukkan bahwa perbedaan ras atau suku bukanlah masalah untuk bangsa Indonesia menjadi semangat yang satu. Karya komposisi musik yang berjudul “Republiken”, diharapkan dapat menunjukkan semangat berbangsa melalui beberapa karakteristik musik-musik nusantara yang diekspresikan melalui EDM atau Elektronik Dance Music yan

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BUTLER, MARK J. "Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music." Twentieth-Century Music 2, no. 2 (2005): 221–43. http://dx.doi.org/10.1017/s1478572206000272.

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The rhythmic and metrical qualities of electronic dance music (EDM) are clearly among its most prominent and appreciated features. Yet scholarship on rhythm, as well as popular discourse surrounding EDM, often frames the pervasively duple metres that characterize popular dance-based styles as simplistic and limited in capacity. Given the allure of EDM’s temporal qualities, how do musicians devise creative solutions to the constraints of its duple metrical organization? This article addresses this question through a consideration of embedded grouping dissonance, one of several distinctive rhyth

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Kruger, Martinette, and Melville Saayman. "A 3E typology of visitors at an electronic dance music festival." International Journal of Event and Festival Management 7, no. 3 (2016): 219–36. http://dx.doi.org/10.1108/ijefm-04-2016-0027.

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Purpose The purpose of this paper is to determine the motives of visitors to an electronic dance music (EDM) festival in South Africa and clustered the participants according to these motives. Design/methodology/approach Based on a visitor survey at the oldest EDM festival in South Africa, namely, H2O, five motives for attending H2O were identified (fun and dance; novelty; excitement, group identity and entertainment; lifestyle and well-being; and travel and escape), while the results revealed three clusters of EDM festival visitors: enthusiasts, energizers and electros. The results demonstrat

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Ferreira, Pedro Peixoto. "When Sound Meets Movement: Performance in Electronic Dance Music." Leonardo Music Journal 18 (December 2008): 17–20. http://dx.doi.org/10.1162/lmj.2008.18.17.

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This article discusses the problem of performance in electronic dance music (EDM), considering its specificity in the use of technically reproduced sound to promote a non-stop dancing experience. Instead of a schizophonic rupture between performer and audience, EDM is seen to perform a transducive mediation between machine sound and human movement.

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Cannon, James W., and Alinka E. Greasley. "Exploring Relationships Between Electronic Dance Music Event Participation and Well-being." Music & Science 4 (January 1, 2021): 205920432199710. http://dx.doi.org/10.1177/2059204321997102.

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While an increasing amount of literature highlights the psychological well-being benefits of musical participation, research focusing on electronic dance music (EDM) event contexts remains scarce. This exploratory mixed methods research draws influence from interdisciplinary research on EDM culture and psychological well-being research on music festivals that suggest EDM event attendance may have a positive influence on well-being. Two studies were implemented. Semistructured interviews with regular attendees of EDM events were undertaken and analyzed thematically (Study 1, n = 7). Four main t

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Solberg, Ragnhild Torvanger, and Alexander Refsum Jensenius. "Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music." Empirical Musicology Review 11, no. 3-4 (2017): 301. http://dx.doi.org/10.18061/emr.v11i3-4.5023.

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How do dancers engage with electronic dance music (EDM) when dancing? This paper reports on an empirical study of dancers' pleasurable engagement with three structural properties of EDM: (1) breakdown, (2) build-up, and (3) drop. Sixteen participants danced to a DJ mix in a club-like environment, and the group’s bodily activity was recorded with an infrared, marker-based motion capture system. After they danced, the subjects filled out questionnaires about the pleasure they experienced and their relative desire to move while dancing. Subsequent analyses revealed associations between the group’

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FitzGibbon, Kathleen M., Jose V. Nable, Benjamin Ayd, et al. "Mass-Gathering Medical Care in Electronic Dance Music Festivals." Prehospital and Disaster Medicine 32, no. 5 (2017): 563–67. http://dx.doi.org/10.1017/s1049023x1700663x.

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AbstractIntroductionElectronic dance music (EDM) festivals represent a unique subset of mass-gathering events with limited guidance through literature or legislation to guide mass-gathering medical care at these events.Hypothesis/ProblemElectronic dance music festivals pose unique challenges with increased patient encounters and heightened patient acuity under-estimated by current validated casualty predication models.MethodsThis was a retrospective review of three separate EDM festivals with analysis of patient encounters and patient transport rates. Data obtained were inserted into the predi

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Chakravarty, Devpriya. "Popular Musics of India: An Ethnomusicological Review." Journal of Ethnic and Cultural Studies 6, no. 3 (2019): 111. http://dx.doi.org/10.29333/ejecs/267.

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This article brings into discussion the presence of a contemporary popular music culture amongst globalised, urban, Indian youth which is perpetuated by Electronic Dance Music (EDM) festivals. This paper begins with the argument as to how there is no one monolithic popular music scene in India by presenting a historical analysis of a timeline for popular musics of India, a scene that has received scanty scholarly attention.

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Dissertations / Theses on the topic "Electronic Dance Music (EDM)"

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Gómez, Marín Daniel. "Similarity and style in electronic dance music drum rhythms." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/543841.

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This thesis presents original research carried out in the topic of electronic dance music (EDM) drum sequencing, a fundamental and yet underdeveloped subject in the music production literature. The work undertaken is focused in two main areas: similarity between drum patterns and modeling of drumming style. The study of pattern similarity is rooted in current knowledge on human processing of monophonic rhythms, and is expanded until a model capable of predicting similarity sensations of polyphonic drum rhythms is reached. With this model, RhythmSpace, a graphical system for the continuous real

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Romero, Ruiz Claudia Nicole. "El EDM (Electronic Dance Music), mediante campañas publicitarias, genera determinadas motivaciones hacia un servicio." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656688.

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EDM son las siglas de Electronic Dance Music, es el género madre de la música electrónica moderna. Actualmente, el género Pop, Rock y Latín utilizan el EDM como género complementario y esto se ha visualizado en la publicidad. Desde los inicios de la publicidad, la música ha estado presente como un complemento de mensajes publicitarios con el fin de generar conexión con los consumidores. En esta investigación cualitativa nace con el objetivo de conocer como el EDM (Electronic Dance Music), mediante campañas publicitarias, genera determinadas motivaciones hacia un servicio. Con el objetivo gener

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Faraldo, Pérez Ángel. "Tonality estimation in electronic dance music: a computational and musically informed examination." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/463079.

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This dissertation revolves around the task of computational key estimation in electronic dance music, upon which we perform three interrelated operations. First, we attempt to detect possible misconceptions within the task, which is typically accomplished with a tonal vocabulary overly centred in Western classical tonality, reduced to a binary major-minor model which might not accomodate popular music styles. Second, we present a study of tonal practises in electronic dance music, developed hand in hand with the curation of a corpus of over 2,000 audio excerpts, including multiple subgenres an

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Hrnčíř, Petr. "Role marketingu v hudebním průmyslu se zaměřením na EDM a DJing." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193347.

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This thesis examines the influence of marketing communication on music industry with focus on electronic dance music. In theoretical part are processed basic terms defining marketing communication. Consequently is described development of electronic dance music from seventies. The main objective of this thesis is define important marketing tools in allotted age group and confirm knowledge of this area of music industry. The practical part is focused on the research of popularity, target group determination and also evaluates interview with specialists and artists. Base on the research results

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Rodgers, Naomi Alice. "“House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs." Thesis, Linköpings universitet, Tema Genus, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

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Berlin is heralded worldwide as being a city that is open, innovative and diverse: a true multicultural metropolis. Music plays a central role in the city’s claim to this title. Go to any one of Berlin’s many notorious alternative nightclubs and you will hear techno, house and electronic dance music blasting out to hoards of enthusiastic partygoers. Many of these clubs and their participants claim that these parties represent diversity, acceptance, equality and tolerance: Spaces within which social divisions are suspended, difference is overcome and people are united. This ubiquitous discursiv

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Röthig, Sabine. "Windowlicker." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17491.

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In der Arbeit wird das Zusammentreffen der aus dem Club kommenden Electronic Dance Music (EDM) mit dem massenmedial konsolidierten Musikvideo untersucht. Diskutiert wird die These eines ästhetischen Paradigmenwechsels, der sich dadurch im Musikvideo vollzieht. Dieser beruht vor allem auf der musikalischen Figur des instrumentalen, modularen Tracks, die sich signifikant von der des Songs unterscheidet. Der originäre Zweck des Musikvideos, den Auftritt des Interpreten auf dem Monitor zu visualisieren, steht also mit dem Track zur Disposition oder wird gar obsolet; das erfordert neue Strategien d

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Motl, Kaitlyne A. "“WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES." UKnowledge, 2018. https://uknowledge.uky.edu/sociology_etds/38.

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The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature a synthesis of jam band and electronic dance music acts – a genre termed jamtronica by its fans. Though gendered violence perpetration and prevention have been widely studied within other party-oriented settings (i.e., sexual violence perpetration on college campuses), very little research exists to address how wider disparities of gender and sexuality permeate a community whose members frequently claim the scene’s immunity

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Cookney, D. "Masked : depictions of anonymity in electronic dance music." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/36101/.

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This thesis explores anonymity as an aspect of identity construction within electronic dance music (EDM). Its specific focus is on the production and control of image within genres that have arisen since the development and expansion of the club scene in the UK from the latter part of the 20th century and, then situated in visual culture and performance research, its examination of anonymity represents an area that, to date, has been overlooked in EDM. As part of this investigation, the thesis’ chapters notably analyse elements that are external to music recordings including record sleeve desi

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Jap, Lilian. "Mapping detected periodic dance movements to control tempo in the music playback of Electronic Dance Music." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-251668.

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Engaging in the music set of one’s favorite artist or DJ is oftentimes leading to the result of a powerful and euphoric felt experience, a sensation partly also induced from dancing in beat to the music. In an attempt to simulate a similar dance experience, a user-study was designed in order to investigate when a user is let to dance in rhythm to a music playback and in addition, in control of a music playback tempo through the induced dance movements. A proof-of-concept prototype was built and tested in an initial study, followed by a main study where the prototype had been modified and 12 pa

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Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.

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Books on the topic "Electronic Dance Music (EDM)"

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Electronic dance music DJs. ReferencePoint Press, 2017.

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The evolution of electronic dance music. Backbeat Books, 2011.

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The electronic music scene: The stars, the fans, the music. Enslow, 2009.

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Dance music manual: Tools, toys and techniques. Elsevier/Focal Press, 2004.

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Kosmicki, Guillaume. Musiques électroniques: Des avant-gardes aux dance floors. Mot et le reste, 2009.

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Musiques électroniques: Des avant-gardes aux dance floors. Mot et le reste, 2009.

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Electronica, dance, and club music. Ashgate, 2012.

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Dance music manual: Tools, toys, and techniques. Focal Press, 2014.

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The story of techno and dance music. Smart Apple Media, 2014.

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Jóri, Anita, and Martin Lücke, eds. The New Age of Electronic Dance Music and Club Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39002-0.

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Book chapters on the topic "Electronic Dance Music (EDM)"

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Filoseta, Roberto. "Electronic Dance Music in Narrative Film." In Foundations in Sound Design for Linear Media. Routledge, 2019. http://dx.doi.org/10.4324/9781315106335-13.

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Faraldo, Ángel, Emilia Gómez, Sergi Jordà, and Perfecto Herrera. "Key Estimation in Electronic Dance Music." In Lecture Notes in Computer Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30671-1_25.

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Trandafoiu, Ruxandra. "Cluj-Napoca, Romania: Electronic Dance Music and Local Policy (2015–2020)." In Electronic Cities. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_13.

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Auricchio, Nino. "Natural Highs: Timbre and Chills in Electronic Dance Music." In Popular Music Studies Today. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_1.

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Yiu, Alex, and Damien Charrieras. "On the Fence: Electronic Dance Music Cultures in Hong Kong and Shenzhen." In Electronic Cities. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_14.

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Adu-Gilmore, Leila. "Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)." In Electronic Cities. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_15.

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Fry, Andrew. "EDM, meet AI." In The Evolution of Electronic Dance Music. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501366390.0011.

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Ptatscheck, Melanie. "Avicii and mental health of EDM stars." In The Evolution of Electronic Dance Music. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501366390.0013.

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Jóri, Anita. "The meanings of ‘electronic dance music’ and ‘EDM’." In The Evolution of Electronic Dance Music. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501366390.0008.

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Perry, Mark E. "Mixing a DJ Set (Intermediate)." In The Music Technology Cookbook. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197523889.003.0007.

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This chapter describes an activity that takes place over a semester, where students learn to mix a DJ set of electronic dance music (EDM). No previous musical experience is necessary, only the ability to recognize the beat in dance music. DJs utilize multiple sound sources in conjunction with a mixer to create continuous dance music. Students create a DJ set by mixing previously recorded music, which is not simply playback. By adjusting track selection in the course of performance, aspiring DJs learn how to make musical decisions and manipulate pre-recorded sound to construct continuous dance music, crafting a musical set.

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Conference papers on the topic "Electronic Dance Music (EDM)"

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Eigenfeldt, Arne, and Philippe Pasquier. "Evolving structures for electronic dance music." In Proceeding of the fifteenth annual conference. ACM Press, 2013. http://dx.doi.org/10.1145/2463372.2463415.

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Rietveld, Hillegonda C. "(Dis)placing musical memory: Trailing the acid in electronic dance music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.45.

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