Relevant bibliographies by topics / Electronic keyboard music, Arranged

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Electronic keyboard music, Arranged'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Electronic keyboard music, Arranged"

1

Fatianova, Elena Alekseevna. "Transcription for a synth keyboard (the case study of the work of A. Artemiev, V.Martynov, Yu. Bogdanov - the disc “Metamorphoses”)." PHILHARMONICA. International Music Journal, no. 5 (May 2021): 41–55. http://dx.doi.org/10.7256/2453-613x.2021.5.36938.

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The author analyzes the experience of transcription of the compositions of J. Bull, C. Monteverdi, J. Bach, C. Debussy and S. Prokofiev for a synth keyboard Synthi 100 done by the Russian composers A. Artemiev, V. Martynov, Yu. Bogdanov in 1980, and released on the disc “Metamorphoses”. The author also considers the composers’ range of artistic tasks and sound solutions and the variants of work with the texture of the original compositions. The electronic interpretations, contained in the “Metamorphoses”, not only demonstrate the examples of tr
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BATUBARA, JUNITA, FINO HARJA MARBUN, and JUBILEZER SIHITE. "KAJIAN MUSIK DAN MAKNA LAGU SIKSIK SIBATU MANIKKAM DICOVER OLEH GRUP JAMRUD." Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni 23, no. 2 (2021): 515. http://dx.doi.org/10.26887/ekspresi.v23i2.2079.

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This study discusses the analysis of the song Siksik Sibatu Manikkam performed by the Jamrud music group. The song Siksik Sibatu Manikkam was arranged and published in 2011 on the third track on the Jamrud music group's ninth album entitled Bumi dan Langit Menangis with Rock style. The theories used in this research are William P. Malm's theory to get a musicological study and Ferdinand de Saussure's semiotic theory to explain the meaning in this song. The song Siksik Sibatu Manikkam is performed in a modern (rock) style with drums, electric guitar, bass guitar, keyboard, and electronic music
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Melnychenko, Vitaliy. "Implementation of sample-engineering as arrangement technology in the training of a future teacher of musical arts." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2020, no. 2 (131) (2020): 166–73. http://dx.doi.org/10.24195/2617-6688-2020-2-21.

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The article considers the possibility of including the technology of sample-engineering in the process of training students - future teachers of Musical Arts. The purpose of the article is to highlight the concept “sample-engineering” in its historical and technical aspects and to determine the possibilities of practical application of the innovative technology for arranging musical material by future teachers of Musical Arts. The main development stages of the technology facilitating the artificial production of non-traditional sound tones are considered, it is associated with the revolutiona
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Tokumitsu, Yoshiki, and Michael Cohen. "Akabeko Ensemble: Cultural multimodal helical computer music installation." SHS Web of Conferences 77 (2020): 04005. http://dx.doi.org/10.1051/shsconf/20207704005.

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In this study, we made “Aka-beko” choral ensemble. It comprises an octave of a chromatic musical scale, arranged in a helix and populated by animated oxen, instances of a regional mascot, who lift their heads and sing when triggered by events from a realtime MIDI keyboard controller. The application installation in the University of Aizu UBIC 3D Theater features stereographic display and spatialized sound.
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Thumlert, Kurt, Jason Nolan, and Stefan Sunandan Honisch. "The disconnected keyboard: Inclusive learning and musicking practice with modular synthesis." Journal of Popular Music Education 7, no. 3 (2023): 343–62. http://dx.doi.org/10.1386/jpme_00128_1.

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Since the 1960s, electronic sound synthesis and the keyboard interface have been so closely associated that many young musicians have come to see them as inseparable components, if not interchangeable terms. In this article, we ‘disconnect the keyboard’ and explore an alternative history of electronic sound synthesis – modular synthesis – that has remained largely overshadowed by keyboard-based synthesizers since the Minimoog. Researchers in music education signal that Eurocentric aesthetic norms, ableist performance ideals and exclusionary practices are interwoven in keyboard technologies, cr
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Duke, Robert A., Carla Davis Cash, and Sarah E. Allen. "Focus of Attention Affects Performance of Motor Skills in Music." Journal of Research in Music Education 59, no. 1 (2011): 44–55. http://dx.doi.org/10.1177/0022429410396093.

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To test the extent to which learners performing a simple keyboard passage would be affected by directing their focus of attention to different aspects of their movements, 16 music majors performed a brief keyboard passage under each of four focus conditions arranged in a counterbalanced design—a total of 64 experimental sessions. As they performed the test passage, participants were directed to focus their attention on either their fingers, the piano keys, the piano hammers, or the sound produced. Complete MIDI data for all responses were digitally recorded by software written specifically for
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JONES, DAVID WYN. "HAYDN'S FORGOTTEN QUARTETS: THREE OF THE ‘PARIS’ SYMPHONIES ARRANGED FOR STRING QUARTET." Eighteenth Century Music 8, no. 2 (2011): 287–305. http://dx.doi.org/10.1017/s147857061100008x.

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ABSTRACTIn 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the original orchestral version, a quartet arrangement prepared by the composer and a keyboard arrangement sanctioned by him. A year later, in September 1788, Artaria issued three of the recent ‘Paris’ Symphonies, Nos 84, 85 and 86, in an arrangement for quartet. While the quartet version of The Seven Last Words has always been accepted as part of the canon, the three quartet arrangements of the symphonies have been ignored. Sympathetic consideration of a range of evidence, including the biblio
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Juwita, Lily, Erfan Erfan, and Irdhan Epria Darma Putra. "ARANSEMEN MUSIK SEKOLAH DENGAN JUDUL “RUMAH KITA”." Jurnal Sendratasik 8, no. 1 (2019): 35. http://dx.doi.org/10.24036/jsu.v8i1.106416.

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This artwork aims to express an idea that is poured through music performances in the form of music arrangement. In this song, arranger worked in the form of school music arrangement. The band Combo at SMK N 7 Padang corresponds to the ability of ensembles studied by students. Here arranger arranged song our house is played with some vocal music accompaniment, keyboard, bass, guitar, drums. The arransemen in this piece of music contains lyrics that explain that as bad and cruel as any of this country we must remain grateful and devoted to the homeland. By building new things through some devel
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Finney, Steven A. "Auditory Feedback and Musical Keyboard Performance." Music Perception 15, no. 2 (1997): 153–74. http://dx.doi.org/10.2307/40285747.

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In an investigation into the role of auditory feedback guidance in musical performance, musically experienced subjects performed on an electronic keyboard under altered feedback conditions that included pitch and timing manipulations, as well as absence of auditory feedback. The results largely replicated the data reported by Gates and Bradshaw (1974): performance in the absence of auditory feedback showed no impairment, whereas performance under delayed auditory feedback showed significant impairment. In an extension of the Gates and Bradshaw study, however, it was found that altered pitch fe
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Yücetoker, İzzet. "Pedagogical Analysis of the Baroque Period Piano Repertoire: Example of Italy." International Education Studies 14, no. 11 (2021): 19. http://dx.doi.org/10.5539/ies.v14n11p19.

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The aim of this study is to access editions of Italian Baroque works in place; to examine the availability of these works in terms of gaining techniques for playing in piano education, to gain new works aimed at different pedagogical stages in the field and to acquire new but unknown works in piano education repertoire. This research was carried out with the literature review model. During the first three months of the research, 158 baroque period composers were found among 2173 Italian composers. 50 composers composing on keyboard instruments were reached among 158 baroque composers. For this
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Dissertations / Theses on the topic "Electronic keyboard music, Arranged"

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Daniel, Andrew. "Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862826/.

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There is a puacity of original works from the Baroque Era for the guitar. Transcriptions, especially music originally for harpsichord, complement the guitarist's repertoire. Dominating the priviledged space in the guitar canon, represented by Baroque transcriptions, are the composers Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. Underrepresented in the Baroque guitar canon is the music of Spanish composers, most noteworthy, the harpsichordist Padre Antonio Soler, who composed more than 120 sonatas for his instrument. Music is culturally defined and it is clear, through
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Vera, Fernand Toribio. "Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9727/.

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Due to the limited repertoire for the guitar from the Baroque period, classical guitarists who wish to perform music from this era have to work primarily with transcriptions. Guitarists draw from various sources from this period such as vocal and instrumental music for the five-course guitar, lute and the harpsichord. Of these sources, the repertoire for the harpsichord is perhaps the most frequently arranged for various guitar formations because its textures are greatly similar to those of the guitar repertoire. As a result, harpsichord music tends to transfer well to the guitar. Baroque har
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"Five Keyboard Sonatas: R. 48, 50, 60, 106 and 114 by Antonio Soler, Arranged for Two Guitars." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.25072.

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abstract: Arrangements of music from other instruments have always played a key role in expanding the guitar repertoire. This project investigates the life and work of eighteenth-century composer Antonio Soler (1729-1783), specifically his sonatas for solo keyboard. This study carries out a formal inquiry on Soler's influences, including a background of Soler's life and training, his connection with Domenico Scarlatti (1685-1757), and an overview of the eighteenth-century sonata in Spain. Timbres, articulations, tessitura, and other aspects of Spanish folk music are discussed as related to Sol
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Shadel, Nick. "A reflexive analysis of an original composition for Mellotron using transcriptions of the MKII rhythms and fills presets as a compositional tool." Diss., 2017. http://hdl.handle.net/10500/23827.

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My dissertation is an investigation of the rhythm and fills presets on the Mellotron MKII (1964) through a series of compositions. All the sounds used in these compositions are Mellotron sounds from the MKII, which were edited and arranged using a digital audio workstation (DAW). In this study I dissect the instrument, and outline every aspect of the rhythms and fills presets. In the process, I develop an expanded model of performance practice on the instrument, presenting new playing and compositional possibilities. These are made possible through comprehensively documented analysis of the
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Copeland, Warren. "Time for bee: a recital of compositions." Thesis, 1994. http://hdl.handle.net/2429/5123.

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Time for Bee consists of a series of ten original musical/theatrical compositions created between September 1992 and January 1994, first performed on the evening of January 28, 1994 in the Recital Hall of the University of British Columbia. While each of the works can be performed individually, it was the composer’s intent to create a recital which is logical in its progression. This should suggest that in some way the pieces belong together as a larger whole. The concept of “waiting” circulates throughout all the works, in the sense that the actual material is either minimalist (and so
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Books on the topic "Electronic keyboard music, Arranged"

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Haines, Nicholas. Composing at the electronic keyboard. Cambridge University Press, 1996.

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Walker, Sarah. Sarah Walker's electronic keyboard basics. Faber Music., 1998.

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Shipton, Alyn. Keyboards and electronic music. Raintree Steck-Vaughn, 1994.

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Wong, David Tze Wan. Music of the Chinese in Sabah: The keyboard culture. Opus Publications, 2009.

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Wong, David Tze Wan. Music of the Chinese in Sabah: The keyboard culture. Opus Publications, 2009.

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Danes, Emma. Learn to play keyboards. Usborne, 1997.

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Carden, Joy. A piano teacher's guide to electronic keyboards. H. Leonard Pub. Corp., 1988.

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E, Ross Robert. A new music system especially for electronic keyboards: A quicker and easier method for learning to play keyboard instruments. Keyboard Music Pub. Co., 1992.

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Gwynne, Hugh. Defnyddio'r allweddell electronig. Gomer, 1989.

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Marais, Marin. Five old French dances =: (Cinq danses fran̨caises anciennes) : viola (or violin or cello) and keyboard. Petrucci Music Press, 1990.

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Book chapters on the topic "Electronic keyboard music, Arranged"

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Townsend, Peter. "Development of Fixed Frequency Keyboards." In The Evolution of Music through Culture and Science. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848400.003.0008.

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The role of science has been to structure a variety of ever more powerful keyboard instruments. The mechanics of their actions are sketched from clavichords to modern pianos. The benefits of more power become a problem when playing music written for quieter and softer sounding pianos, especially in trio or quartet music. This implies a definite market for electronic keyboards that have a variety of sounds from harpsichord or fortepiano to a powerful modern concert grand tone and power. Note that a modern grand can deliver roughly 1000 times more power than a fortepiano.
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Glinsky, Albert. "The Abominatron." In Switched On. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197642078.003.0007.

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Abstract Bob prepares for Herb Deutsch’s visit. Precedents for Bob’s work are Cahill’s Telharmonium, RCA’s Mark I and II, and Harald Bode’s “System Synthesizer,” the latter being a particular inspiration to Bob, with its modular design and voltage controlled amplifier. Bode’s invention led Bob to a key stroke of insight concerning the exponential relationships in both music and engineering. From there, it was clear to Bob how to proceed: he would build a system with modular design, driven by voltage control. When Herb arrived in Trumansburg, Bob showed him his setup of two voltage controlled o
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Nakai, You. "Amplified Piano." In Reminded by the Instruments. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190686765.003.0003.

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The introduction of electronic amplification to the piano, which began as an innocent bluff by a teenage composer living in the Arctic Circle, had a devastating consequence for Tudor’s virtuosity on the keyboard instrument: it dissolved his control of escapement mechanism, opening up instead the world of feedback where a sound once activated could potentially never end. A detailed examination of Tudor’s idiosyncratic realization of John Cage’s Variations II in 1962 shows what previous scholars, as well as the composer himself, have failed to see: the specific nature of the amplified piano that
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Koukia, Spiridoula, Maria Rigou, and Spiros Sirmakessis. "Content Personalization for Mobile Interfaces." In Human Computer Interaction. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-87828-991-9.ch061.

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The contribution of context information to content management is of great importance. The increase of storage capacity in mobile devices gives users the possibility to maintain large amounts of content to their phones. As a result, this amount of content is increasing at a high rate. Users are able to store a huge variety of content such as contacts, text messages, ring tones, logos, calendar events, and textual notes. Furthermore, the development of novel applications has created new types of content, which include images, videos, MMS (multi-media messaging), e-mail, music, play lists, audio
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