Log in

Relevant bibliographies by topics / Electronic Percussion / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Electronic Percussion.

Dissertations / Theses on the topic 'Electronic Percussion'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 48 dissertations / theses for your research on the topic 'Electronic Percussion.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Thierauf, Andrew. "Percussion and Max: a collection of short works for solo percussion and live electronics." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1774.

Full text

Abstract:

The combination of solo percussion with live electronics is one of the newest genres of music today. An outgrowth of the instrument and fixed media genre, live electronic music combines a musician on stage performing with a computer or other technology performing real-time processes. This document is a collection of five works scored for percussion and the computer program Max intended for the collegiate level. In addition, there are explanations and schematics of the patches to help the performer learn how to use Max. This document could serve as supplemental material for an undergraduate per

APA, Harvard, Vancouver, ISO, and other styles

2

Michael, Carlucci. "The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31376.

Full text

Abstract:

The influence of electronic percussion (in particular, the Simmons Drum Company’s innovations) on the compositions and evolution of 1980s Pop music can be examined through technological advancements as well as stylistic characteristics of drum partitions of the decade. Archived company catalogues in collaboration with Matt Dean’s historical timeline provide a clear understanding of the advancements during the time of the company’s tenure at the top of the electronic percussion industry. Definitions of the terms “style” and “genre” in both the primary and secondary approaches -by Allan Moore an

APA, Harvard, Vancouver, ISO, and other styles

3

Budón, Osvaldo 1965. "Territorios : for percussion ensemble and digital sounds on tape." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23969.

Full text

Abstract:

Territorios is a 15-minute composition for eight percussionists and prerecorded sounds on digital tape. The composer chose this particular instrumentation because of his conviction that percussion and electronic/digital instruments are the most powerful sources of fresh and innovative sound matter that have appeared during this century. This choice also allowed him to challenge the development of a new and consistent rhythmic syntax derived from the internal structure of percussion instruments, which in turn made it possible to establish solid ties between the sound itself and the musical synt

APA, Harvard, Vancouver, ISO, and other styles

4

Tan, Anthony. "--then time killed the wind-- : for percussion quartet and live electronics." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116055.

Full text

Abstract:

...then time killed the wind... is an original musical composition scored for percussion quartet and electronics with a duration of fourteen minutes. This work explores metaphorical relationships between biological processes and musical processes. The primary constructive element in the work is a rhythmic language based upon the assignment of rhythmic cells to genetic sequences. Furthermore, biological models such as inverted repeats, zeitgeber, 2-D representations of DNA and cross-breeding were applied to musical parameters such as form, pitch, harmony and live electronics.

APA, Harvard, Vancouver, ISO, and other styles

5

Sokolov, Yaron. "Atteone significa : for viola, piano and percussion with controllers /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Schryer, Claude. "A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61257.

Full text

Abstract:

Research on the musical language as well as the technical realisation of the tape part to a kindred spirit, for ensemble and tape, was realised at the Electronic Music Studio of McGill University from September, 1984 to September, 1986.<br>The following excerpt from the programme note in the score summarizes the 'spirit' of the composition.<br>"The computer generated sounds on tape form a large body in which instrumental sounds float and from which they appear, like weeds oscillating on a sometimes calm and often turbulent sea of sound.<br>'You're afraid, in the mirror, of the sea, in front of

APA, Harvard, Vancouver, ISO, and other styles

7

Radford, Laurie 1958. "Origophonie : for 2-12 voice choirs (SATB), 6 percussion and tape." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59615.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Andersson, Håkan. "A Co-Simulation Approach for Hydraulic Percussion Units." Licentiate thesis, Linköpings universitet, Mekanik och hållfasthetslära, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-151018.

Full text

Abstract:

This Licentiate of Engineering thesis concerns modelling and simulation of hydraulic percussion units. These units are often found in equipment for breaking or drilling in rock and concrete, and are also often driven by oil hydraulics, in which complex fluid-structure couplings are essential for their operation. Current methodologies used today when developing hydraulic percussion units are based on decoupled analyses, which are not correctly capturing the important coupled mechanisms. Hence, an efficient method for coupled simulations is of high importance, since these mechanisms are critical

APA, Harvard, Vancouver, ISO, and other styles

9

Lee, Brent. "Ribbons of visible air." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0033/NQ38923.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Harrison, William Brady II. "FINDING THE “TECH” IN TECHNIQUE: A PEDAGOGICAL APPROACH TO ELECTROACOUSTIC CONCERT PERCUSSION PERFORMANCE PRACTICE." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/139.

Full text

Abstract:

Premise and Objectives In our increasingly technology driven society, the impact of technology touches nearly every aspect of our lives in some form or another. This has been acutely felt within the world of percussion, with electroacoustic works representing perhaps the most rapidly expanding area of concert percussion over the last twenty years. Electroacoustic music couples electronic technology with traditional acoustic instruments and/or performance practices. Broadly, this paper outlines a systematic approach to teaching electroacoustic performance practice, based on elements found in a

APA, Harvard, Vancouver, ISO, and other styles

11

Traldi, Cesar Adriano. "Percussão e interatividade PRISMA : um modelo de esçao instrumento auto-organizado." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283997.

Full text

Abstract:

Orientador: Jonatas Manzolli<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T23:17:38Z (GMT). No. of bitstreams: 1 Traldi_CesarAdriano_D.pdf: 9145481 bytes, checksum: 4a080f2294a7413c9273c0cc5a467d66 (MD5) Previous issue date: 2009<br>Resumo: O desenvolvimento tecnológico contemporâneo potencializa a criação de modelos com o objetivo de estudar as possíveis correlações entre os estímulos e as sensações sonoras, visuais e espaciais. Muitos compositores já têm criado processos composicionais explorando estas dimensões, mas i

APA, Harvard, Vancouver, ISO, and other styles

12

Williams, Chace Tylor. "Delphinium." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604065986419631.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Chapman, Davis Howard. "Three Ideas, a Collection of Three One-Act (Musical) Plays for Mixed Ensemble." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501209/.

Full text

Abstract:

Three Ideas is a collection of three one-act (musical) plays intended to be performed either as a series or as separate pieces. In order for them to be performable in either of those ways, they need some sort of unifying fabric running throughout the collection, yet they must remain individually strong enough to stand alone outside the context of the series and still seem complete. The concepts Tonal and Nagual, Bell's Theorem, and Breakdown of the Bicameral Mind were chosen because of their theatrical possibilities as well as their philosophical implications. All three of the concepts deal wi

APA, Harvard, Vancouver, ISO, and other styles

14

Smith, Jeffrey B. 1957. "Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279115/.

Full text

Abstract:

This study traces the significant developments in the late nineteenth and early twentieth centuries which led to the development of electronic music and increased writing for percussion. Whether by coincidence or premeditation, the field of percussion in Western culture and electronic music share many parallel aspects in their history. Carlos Chavez, Edgard Varese and John Cage foresaw a time when electronic music would allow composers to realize compositions with ease, provide new sounds to the spectrum of possible material for pieces and aid in the conception of works. Significantly, these

APA, Harvard, Vancouver, ISO, and other styles

15

Welch, Chapman. "Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9723/.

Full text

Abstract:

Three Pieces for Musicians and Computer implements a modular formal structure that allows the performers to experiment with the order and number of movements to arrive at their ideal combination. The piece is a collection of three solo works: Rameaux, Nature Morte, and Moiré for bass flute with b-foot, metal percussion (vibraphone, glockenspiel, and crotales), and clarinet (A and B-flat instruments) respectively. In addition to the original versions, an alternate version of each piece is included. The alternate versions add new performance elements to the original works: live electronics

APA, Harvard, Vancouver, ISO, and other styles

16

Hession, Paul. "Augmenting percussion with electronics in improvised music performance." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/21918/.

Full text

Abstract:

This commentary augments audio and video recordings that should be considered the essence of the study. The sound recordings comprise an original body of work that resulted from my interest in extending the possibilities of a standard drum set by augmenting it with electronics. It developed from an early interest in analogue, electroacoustic devices – such as the Dexion frames used by Tony Oxley and Paul Lytton to an engagement with digital electronics, specifically Max MSP, that was unknown to me at the outset of the study. The digital tools caused me to re-evaluate my thinking; to go beyond

APA, Harvard, Vancouver, ISO, and other styles

17

Stegall, Jermaine Edward. "Till Millennial Kingdom a composition for trumpet, three percussionists, and tape /." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/stegall%5Fjermaine/index.htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Gotlib, Jacob Rudy Paul. "The slow splintering for string quartet, percussion quartet, and electronics /." Diss., UMK access, 2008.

Find full text

Abstract:

Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>"A thesis in music composition." Advisor: Paul Rudy. Typescript. Duration: 12:24. Vita. Includes performance notes. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.

APA, Harvard, Vancouver, ISO, and other styles

19

Augspurger, Christine Anne. "Transience: An Album-Length Recording for Solo Percussion and Electronics." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/4802.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Suzuki, Kotoka. "Yôei : for six percussion, cd and a dancer /." May be available electronically:, 1999. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

Full text

Abstract:

D.M.A. final project--Department of Music, Stanford University, 1999.<br>For six percussionists, dancer and compact disc of computer-generated sounds. "... a dancer ... triggers and controls the electronic sounds in real-time using the five electric sensors that are attached to his/her body. All the computer generated sound sources derive from the sounds of the percussion instruments used in this piece, and similarly, the percussion often imitates the sound of the computer-generated sound of the cd and the dancer"--P. iv. Includes instructions for performance.

APA, Harvard, Vancouver, ISO, and other styles

21

Rostovtsev, Ilya Y. "Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Full text

Abstract:

Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical identity of the entire composition is achieved through consistent approaches to disparate instrumental materials and a focused investigation of the relationships between the various acoustic timbres and their electroacoustic treatments. The analytical section of this paper builds on contemporary research in electroacoustic arts. The analysis of the work is preceded by a summary of theoretical and aesthetic app

APA, Harvard, Vancouver, ISO, and other styles

22

Johansen, Benjamin David. "Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115100/.

Full text

Abstract:

relent is a sacred work within the genre of interactive electronic music. the 20-minute composition is a multi-movement piece for four instrumentalists (saxophone, double bass, and two percussion) and computer that is inspired by the gospel message. relent is specifically about the gospel message that Christ died for man’s sins, rose from the dead, and through faith in him man can be reconciled to God. This project was an experiment in creating a work with a programmatic extramusical structure. in preparation for writing a piece based on Christian programmatic content, this paper presents an o

APA, Harvard, Vancouver, ISO, and other styles

23

Gedosh, David Mallory. "Augeries for flute clarinet, percussion and tape, aesthetic discussion and theoretical analysis /." connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9851.

Full text

Abstract:

A multi-channel electro-acoustic composition for flute, clarinet, percussion (2 players), and tape. Includes pre-recorded audio and live processing. System requirements: Adobe Acrobat Reader. Includes performance notes. Includes bibliographical references (p. 56-58).

APA, Harvard, Vancouver, ISO, and other styles

24

Sears, Brian Carl. "Beneath the Universal Strife, The Hidden Harmony in All Things." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1453291367.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Gedosh, David. "Augeries, for Flute, Clarinet, Percussion and Tape: Aesthetic Discussion and Theoretical Analysis." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9851/.

Full text

Abstract:

Augeries is a multi-channel electro-acoustic composition for flute, clarinet, percussion, and tape. It is intended to be diffused through an 8-channnel playback system. Inspired by the first four lines of William Blake's Augeries of Innocence, Augeries captures the qualitative aspects of Blake's poetry by presenting the listener with an equally aperspectival aesthetic experience. The small-scale structure reflected on the large-scale form - the infusion of vastness and expansiveness into the fragile and minute. Augeries incorporates techniques of expansion and contraction, metonymic relationsh

APA, Harvard, Vancouver, ISO, and other styles

26

Phillips, Nathaniel Tull. "Horologium du Futur past /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9963667.

Full text

Abstract:

Thesis (Ph. D.--Music)--University of California, San Diego.<br>Vita. For flute, violin, clarinet, violoncello, piano, percussion, and tape. Includes program notes and performance instructions preceding score.

APA, Harvard, Vancouver, ISO, and other styles

27

Brodack, Cory Michael. "Human Becoming." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615923746675136.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Bolles, Marita. "What exit /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3049669.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Wheeler, Robinson Andrew. "The brief nature of the wind, the flower of the air : Elliott Carter's "Allegro Scorrevole" for orchestra and Caeli, for two sopranos, two electric guitars, two percussion, and electronics /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Hoose, Shane. "Correspondances." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237663289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Molnar, Delanie. "Breaking In Torrent ⸺." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616069974460694.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Bragança, Breno Gervásio. "Preparação e performance de obras para percussão e mediação tecnológica: questões e relações entre o percussionista e a eletrônica em tempo real." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7567.

Full text

Abstract:

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-07-06T11:39:27Z No. of bitstreams: 2 Dissertação - Breno Gervásio Bragança - 2017.pdf: 16896954 bytes, checksum: cd58f68997b0f749202787ff6eed6467 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-07-10T14:35:42Z (GMT) No. of bitstreams: 2 Dissertação - Breno Gervásio Bragança - 2017.pdf: 16896954 bytes, checksum: cd58f68997b0f749202787ff6eed6467 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>M

APA, Harvard, Vancouver, ISO, and other styles

33

Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text

Abstract:

Thesis (Ph. D.)--University of California, Los Angeles, 2008.<br>CD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).

APA, Harvard, Vancouver, ISO, and other styles

34

Damann, Benjamin A. "herbstlied." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615589042543498.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Lyszczarz, Joseph E. "Among the Voices Voiceless: Setting the Words of Samuel Beckett." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011787/.

Full text

Abstract:

Among the Voices Voiceless is a composition for flute (doubling piccolo), clarinet (doubling bass clarinet), viola, cello, percussion, piano, and electronics, based on the poem "What would I do without this world faceless incurious" by Samuel Beckett. The piece is a setting for disembodied voice: the vocal part exists solely in the electronics. Having no physical body, the voice is obscured as the point of empathy for the audience. In addition, instrumental solos compete for focus during the work's twenty minute duration. In passages including a soloist, the soloist functions simultaneously as

APA, Harvard, Vancouver, ISO, and other styles

36

Tindale, Adam. "Advancing the art of electronic percussion." Thesis, 2009. http://hdl.handle.net/1828/2020.

Full text

Abstract:

The goal of this project is to create a new instrument: the E-Drumset. This new interface addresses the lack of expressivity in current electronic percussion devices. The project combines Electrical Engineering for implementing hardware and digital signal processing, Computer Science for implementing musical and mapping software, and Music to devise new playing techniques and ways to combine them into a pedagogy and language of transmission. Like an acoustic drumset, the E-Drumset consists of different components that can be arranged together as a whole. An acoustic drumset can be thought

APA, Harvard, Vancouver, ISO, and other styles

37

"Performer and Electronic-Activated Acoustics: Three New Works for Solo Percussion and Live Electronics." Doctoral diss., 2015. http://hdl.handle.net/2286/R.I.36396.

Full text

Abstract:

abstract: Technological advancements in computers and audio software and hardware devices in the twenty-first century have led to the expansion of possibilities for music composition, including works for acoustic instruments and live electronics. Electroacoustic composition is rapidly and continually evolving, and much that has been written about compositional techniques for percussion and live electronics is becoming outdated. Live electronics include performer-triggered events, audio processing, electronic responses to various inputs, and electronic decision-making during live performances.

APA, Harvard, Vancouver, ISO, and other styles

38

Mills, John Anderson 1970. "Human-based percussion and self-similarity detection in electroacoustic music." 2008. http://hdl.handle.net/2152/17881.

Full text

Abstract:

Electroacoustic music is music that uses electronic technology for the compositional manipulation of sound, and is a unique genre of music for many reasons. Analyzing electroacoustic music requires special measures, some of which are integrated into the design of a preliminary percussion analysis tool set for electroacoustic music. This tool set is designed to incorporate the human processing of music and sound. Models of the human auditory periphery are used as a front end to the analysis algorithms. The audio properties of percussivity and self-similarity are chosen as the focus because thes

APA, Harvard, Vancouver, ISO, and other styles

39

Ramires, António Filipe Santana. "Automatic transcription of vocalized percussion." Dissertação, 2017. https://repositorio-aberto.up.pt/handle/10216/105309.

Full text

Abstract:

The purpose of this project is to create an application that enables producers to use their voice to create drum patterns. In order to achieve this, a Max for Live device capable of automatically transcribing vocalised percussion will be created and an annotated dataset of vocalised drum kits will be presented. Firstly, a general device trained with the dataset will be developed, followed by a user-specific device that will select the most relevant features to be used for the user vocalisations. This will be done using the sequential forward selection method to adapt extracted features to user

APA, Harvard, Vancouver, ISO, and other styles

40

Ramires, António Filipe Santana. "Automatic transcription of vocalized percussion." Master's thesis, 2017. https://repositorio-aberto.up.pt/handle/10216/105309.

Full text

Abstract:

The purpose of this project is to create an application that enables producers to use their voice to create drum patterns. In order to achieve this, a Max for Live device capable of automatically transcribing vocalised percussion will be created and an annotated dataset of vocalised drum kits will be presented. Firstly, a general device trained with the dataset will be developed, followed by a user-specific device that will select the most relevant features to be used for the user vocalisations. This will be done using the sequential forward selection method to adapt extracted features to user

APA, Harvard, Vancouver, ISO, and other styles

41

Greene, Ethan Frederick. "Triptych for flute, clarinet, baritone saxophone, percussion and live electronics." Thesis, 2013. http://hdl.handle.net/2152/23476.

Full text

Abstract:

Triptych is a thirty-minute work in three movements for flute, clarinet, baritone saxophone, percussion and live electronics. Rhythmically intricate musical “tessellations” are juxtaposed with long, evolving drones amidst an electronic backdrop of environmental found sound, granular clouds, procedurally generated rhythmic sequences, and simple oscillators. The piece examines conceptions of pattern, pitch and period in the environment, highlighting the musical elements and structures of creatures and machines – the “almost-human” musical beings all around us. Each “panel” of the triptych is des

APA, Harvard, Vancouver, ISO, and other styles

42

Hou, Wen-Hsuan, and 侯彣璇. "The Development and Influence of Electronic Music in Percussion Since 1950～2010." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/44231138676981403119.

Full text

Abstract:

碩士<br>輔仁大學<br>音樂研究所<br>99<br>This thesis discusses the changes of electronic music and their impacts upon the application of percussion in the course of the development of electronic music. Does percussion have to change to meet electronic music? Are the traditional techniques of percussion able to keep abreast of the development of electronic music? What is special about this new combination of electronic music and percussion? Will this combination be a trend? Or, will it be just a sparkle, die out, and then regenerate from its combination with other arts? All the above are what this thesis a

APA, Harvard, Vancouver, ISO, and other styles

43

Weng, Ying-Han, and 翁映涵. "An Analysis and Interpretation of《Time and Money》for percussion, video and electronic, 2006 by Pierre Jodlowski." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/s93vvj.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Trail, Shawn. "Non-invasive gesture sensing, physical modeling, machine learning and acoustic actuation for pitched percussion." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9345.

Full text

Abstract:

This thesis explores the design and development of digitally extended, electro- acoustic (EA) pitched percussion instruments, and their use in novel, multi-media performance contexts. The proposed techniques address the lack of expressivity in existing EA pitched percussion systems. The research is interdisciplinary in na- ture, combining Computer Science and Music to form a type of musical human- computer interaction (HCI) in which novel playing techniques are integrated in perfor- mances. Supporting areas include Electrical Engineering- design of custom hardware circuits/DSP; and Mechanical

APA, Harvard, Vancouver, ISO, and other styles

45

Snowden, Steven 1981. "Long distance : for solo percussion, wind ensemble, and electronics." Thesis, 2014. http://hdl.handle.net/2152/25254.

Full text

Abstract:

Long Distance is a work for solo percussion (marimba and vibraphone), wind ensemble, and electronics consisting of four movements and lasting approximately twenty minutes. Each movement is designed to be able to stand on its own and, when multiple movements are performed, their order is flexible. A version of this piece with no wind ensemble also exists and was commissioned by a consortium of 33 percussionists. From its inception, this solo version was composed with the possibility of expansion to a larger instrumentation in mind. In this paper, I will discuss and analyze many of the factors

APA, Harvard, Vancouver, ISO, and other styles

46

Banks, Rusty Kubík Ladislav. "Jasper chamber music for vocalise, percussion, violoncello and sound file /." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-09172003-160832/.

Full text

Abstract:

Thesis (M.M.) -- Florida State University, 2003.<br>Advisor: Ladislav Kubik, Florida State University, School of Music. Title and description from thesis home page (viewed 9-27-04). Document formatted into pages; contains 31 pages. Includes biographical sketch.

APA, Harvard, Vancouver, ISO, and other styles

47

HSIEH, HSIEN-TE, and 謝賢德. "An Analysis and Interpretation of 《Crossing》for multiple percussions and electronic, 2015 Tseng, Yu-Chung." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/5j6459.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Davis, D. Edward. "Nowhere Landscape, for Clarinets, Trombones, Percussion, Violins, and Electronics and “The Map and the Territory: Documenting David Dunn’s Sky Drift”." Diss., 2016. http://hdl.handle.net/10161/12134.

Full text

Abstract:

<p>1. nowhere landscape, for clarinets, trombones, percussion, violins, and electronics</p><p>nowhere landscape is an eighty-minute work for nine performers, composed of acoustic and electronic sounds. Its fifteen movements invoke a variety of listening strategies, using slow change, stasis, layering, coincidence, and silence to draw attention to the sonic effects of the environment—inside the concert hall as well as the world outside of it. The work incorporates a unique stage set-up: the audience sits in close proximity to the instruments, facing in one of four different directions, while th

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!