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Relevant bibliographies by topics / Electronic score / Dissertations / Theses

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Dissertations / Theses on the topic 'Electronic score'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Grove, Benjamin J. "Cruise/Control for Wind Ensemble and Fixed Electronic Media." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524481623531767.

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Schuette, Paul W. "untitled." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689.

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3

Wang, Siying. "Computational methods for the alignment and score-informed transcription of piano music." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/30885.

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This thesis is concerned with computational methods for alignment and score-informed transcription of piano music. Firstly, several methods are proposed to improve the alignment robustness and accuracywhen various versions of one piece of music showcomplex differences with respect to acoustic conditions or musical interpretation. Secondly, score to performance alignment is applied to enable score-informed transcription. Although music alignment methods have considerably improved in accuracy in recent years, the task remains challenging. The research in this thesis aims to improve the robustnes

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4

Ancona, Rachel M. "Modeling Opioid Use Disorder in an Emergency Department Population Using Electronic Medical Records: Machine Learning for Propensity Score Weighting and Data Mining." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1593268439567828.

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5

Huo, Huade. "The Effect of Electronic Health Records Adoption on Patient-specific Health Education Prescription, Time Utilization, and Returned Appointments| A Propensity Score Weighted Analysis." Thesis, Georgetown University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1586131.

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<p> In this analysis, we use National Ambulatory Medical Care Survey data to investigate whether the adoption of the ambulatory electronic health records (EHR) system is associated with changes in patient-specific health education prescription rates, patient-physician interaction time, and returned appointment rates. We estimate the treatment effect of EHR adoption with multinomial propensity score weighting adjusted regressions. We find evidence to suggest that full EHR adoption positively affects patient-specific health education prescription rates. We find no robust evidence to show a signi

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6

Gray, David. "The visualization and representation of electroacoustic music." Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/10561.

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In Chapters 1 and 2 there are definitions and a review of electroacoustic music, and then visualization generally and as applied to music. Chapter 3 is a review of specific and relevant literature as regards to the visualization of electroacoustic music. Chapter 4 introduces the concepts of imagining as opposed to discovering new sound, and what is important to this research about these terms; in addition what is meant and indicated by them. Chapter 5 deals with the responses that composers currently working have made to the enquiry concerning visualization. In this chapter these responses are

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7

Adebomi, OYEKANLU Emmanuel, and JOHN Samson Mwela. "Impact of Packet Losses on the Quality of Video Streaming." Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-4098.

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In this thesis, the impact of packet losses on the quality of received videos sent across a network that exhibit normal network perturbations such as jitters, delays, packet drops etc has been examined. Dynamic behavior of a normal network has been simulated using Linux and the Network Emulator (NetEm). Peoples’ perceptions on the quality of the received video were used in rating the qualities of several videos with differing speeds. In accordance with ITU’s guideline of using Mean Opinion Scores (MOS), the effects of packet drops were analyzed. Excel and Matlab were used as tools in analyzing

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8

Cars, Thomas. "Real-Time Monitoring of Healthcare Interventions in Routine Care : Effectiveness and Safety of Newly Introduced Medicines." Doctoral thesis, Uppsala universitet, Kardiovaskulär epidemiologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-304324.

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Before market authorization of new medicines, their efficacy and safety are evaluated using randomized controlled trials. While there is no doubt about the scientific value of randomized trials, they are usually conducted in selected populations with questionable generalizability to routine care. In the digital data revolution era, with healthcare data growing at an unprecedented rate, drug monitoring in routine care is still highly under-utilized. Although many countries have access to data on prescription drugs at the individual level in ambulatory care, such data are often missing for hosp

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9

Bergström, Sebastian. "En musikskapares navigering bland stilar och uttryck : En resa i elektropop, filmmusik och statistikmusik." Thesis, Kungl. Musikhögskolan, Institutionen för musik- och medieproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3585.

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I det här masterarbetet har jag musik för tre olika musikaliska sammanhang; elektronisk pop i samarbete med kurskollega, kortfilmsmusik i samarbete med filmregissör och musik till statistik i samarbete med SCB. De tre delprojekten rör sig inom olika musikaliska uttryck och har olika instrumentering. En frågeställning som genomsyrar tankegångarna i textens reflektioner är vilka likheter i fråga om uttryck och processer de tre olika verken har även om de har olika estetiska ramar och förutsättningar. Arbetet har genomförts i syfte att undersöka hur de olika inriktningarna påverkar och influerar

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10

Vidiksis, Adam. "Vidiksis-Transfigurations [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/253754.

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Music Composition<br>D.M.A.<br>Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data. The score and patch for this piece are accompanied by an essay describing the audio processing techniques and the compositional processes employed in this work. Programming methods discussed include strategies for data capture, patch structure, user interface, and processor management. All audio processing in the work is realized in realtime. These sounds are derived directly from the orchestra in performanc

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11

House, Kayli. "Pilgrim carnival." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/house%5Fkayli/index.htm.

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Thesis (M.M.)--University of North Texas, 2002.<br>A two-week event in four parts: invitation, installation, reception, and thank-you card. Installation for 2 hosts, 2 ushers, photographer, 4 posers, exerciser, sound persons, and blindfolded guests, with a mix of live and recorded sounds. Includes instructions for performance. Includes bibliographical references (p. 66-67).

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12

Mahesh, Mohan. "Expanding the scope of electron-transfer." Thesis, University of Strathclyde, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424298.

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13

Wang, Hsiao-Lan. "Aesthetic and Technical Analysis on Soar!" Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30522/.

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Soar! is a musical composition written for wind ensemble and computer music. The total duration of the work is approximately 10 minutes. Flocking behavior of migratory birds serves as the most prominent influence on the imagery and local structure of the composition. The cyclical nature of the birds' journey inspires palindromic designs in the temporal domain. Aesthetically, Soar! portrays the fluid shapes of the flocks with numerous grains in the sounds. This effect is achieved by giving individual parts high degree of independence, especially in regards to rhythm. Technically, Soar! explores

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14

McCulloch, Peter. "UNRAVEL: Acoustic and Electronic Resynthesis." Thesis, connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/mcculloch%5Fpeter/index.htm.

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Ludlow, Jennifer C. "Does nasal decongestion affect nasalance scores?" abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442849.

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16

Schryer, Claude. "A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61257.

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Research on the musical language as well as the technical realisation of the tape part to a kindred spirit, for ensemble and tape, was realised at the Electronic Music Studio of McGill University from September, 1984 to September, 1986.<br>The following excerpt from the programme note in the score summarizes the 'spirit' of the composition.<br>"The computer generated sounds on tape form a large body in which instrumental sounds float and from which they appear, like weeds oscillating on a sometimes calm and often turbulent sea of sound.<br>'You're afraid, in the mirror, of the sea, in front of

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17

McCausland, William James. "Distortion free compression of musical scores." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60687.

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Music notation represents what a composer creates. This research is concerned with the problem of compression, without distortion, of complete scores of musical pieces. The musical score source has many interesting characteristics which set it apart from other information sources; for example, it is a collection of parallel 'parts'; the durations of symbols (notes) are variable; and the transitions between notes in different parts need not be simultaneous. These distinguishing features are discussed and incorporated into the procedure described in this work. The research consists of three part

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18

Subba, Rita. "The influence of family structure on the test scores of students." Thesis, Wichita State University, 2012. http://hdl.handle.net/10057/5423.

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This study examined the effect of being raised in one-parent and two parent family structures on the academic achievement of students by looking at the test scores of their standardized composite math/reading tests. The study also looks for the possible influence of gender/race and structural factors like socioeconomic status, school‟s geographic location, and economic resources on the test scores of students. Using a sample of students raised in biological one-parent and two-parent family structures from the Educational Longitudinal Survey 2002 dataset, cross-sex theory, resources theory and

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19

Mayall, Jeremy Mark. "Composition Portfolio." The University of Waikato, 2006. http://hdl.handle.net/10289/2398.

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The works in this portfolio of original compositions cover a wide spectrum of genres, styles, approaches, and musical techniques. The aim was to demonstrate mastery of the various musical languages and techniques characteristic of each genre. The calculatedly low-fi 'alt.rock meets computer games' approach of the concept album They No Longer Sleep Alone is of folk-like simplicity, deliberately eschewing the various polishing processes available to producers now in the digital mastering situation. The intention was to preserve a naturalness of sound and song making. On the other hand, live elec

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20

Fernández, José Miguel. "Vers un système unifié d’interaction et de synchronisation en composition électroacoustique et mixte : partitions électroniques centralisées." Electronic Thesis or Diss., Sorbonne université, 2021. http://www.theses.fr/2021SORUS420.

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Avec l’avènement de l’informatique, de nouveaux champs de recherche compositionnelle et sonore se sont ouverts. Mais si l’on voit depuis des années une pléthore de générateurs de son et de nouvelles techniques de synthèse, il y a peu de propositions d’outils qui adressent le contrôle et la construction formelle musicale électronique à plusieurs niveaux et qui permettent une intégration fine de l’écriture et des processus électroniques. Le travail initié dans cette thèse vise à développer, dans le contexte des musiques interactives mixtes, électroacoustiques et audiovisuelles en temps réel, une

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21

Moore, Lindsey. "Deviance and the conceptual model variables and their effect on test scores." Thesis, Wichita State University, 2007. http://hdl.handle.net/10057/1543.

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This study attempts to identify the variables that affect test scores in high school students. Using the Educational Longitudinal Survey, 2002, variables included in the Conceptual Model (Student Role Performance, School, Family and Peers) are examined to see the overall and individual affects on students' test scores. Univariate and bivariate analysis was performed as well as an ordinary least squares regression analysis for the independent variables on test scores. Deviance was found to lower test scores in students but socio-economic status of the students' family was found to have the larg

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22

Moore, Lindsey Wright David W. "Deviance and the conceptual model variables and their effect on test scores /." Thesis, A link to full text of this thesis in SOAR, 2007. http://hdl.handle.net/10057/1543.

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23

Ilberg, Peter. "Floyd : a functional programming language with distributed scope." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/8187.

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24

Wen, Bihe. "Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

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This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for piano and electronics. By discussing the working process and giving the analysis of the original composition Alchemy for piano and electronics, this paper investigates the relationship between cause, source and spectromorphology, reflecting how the concept of energy-motion trajectory are embodied in this mixed electroacoustic work. Alchemy is a mixed composition for piano solo and 8-channel fixed electronics focusing on the gestural play an

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25

Poilvert, Nicolas (Nicolas Alain Pierre-Yves). "Extending the predictive power and scope of electronic structure theory and quantum transport." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/69668.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Materials Science and Engineering, 2011.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 186-193).<br>The day 1998 Nobel Prize recipient Walter Kohn wrote his first article on Density Functional Theory, he could never have predicted its eventual impact on computational materials science. Almost 50 years after his original article, the field has se

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Malcom, Breanne. "Impressive numbers on the court and in the classroom: evaluating athletic participation and test scores." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3317.

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Every student goes to school; every student takes standardized tests. This research project addresses whether or not being involved in high school athletics can affect test scores. The data is from the Educational Longitudinal Study (2003). Analyses were done in order to see if there is a difference in the relationship between test scores of students that participated in sports compared to those who did not. The overall finding is that participation in sports increased test scores. Students who were involved in sports on average scored .50 points higher on standardized tests. Students who spen

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Zajicek, Daniel James. "A Rhetorical Guide to Ebb." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5236/.

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In the essay A Rhetorical Guide to Ebb I explore the diverse array of influences in art, and music that guided the creation of the composition Ebb, for 13 musicians and electronics. Of those influences, the boxes of the American artist Joseph Cornell played a particularly important role. Having based the conceptual framework for Ebb on ideas taken from Cornell, the essay, instead of being driven by a single thesis, involves the creation of conceptual boxes. These conceptual boxes emphasize the influence of the artist Joseph Cornell, along with the composers Iannis Xenakis and Gérard Grisey. In

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Birmingham, Kellie Sue. "The effect of sustained silent reading on high school student’s lexile scores and attitudes toward reading." Thesis, Wichita State University, 2006. http://hdl.handle.net/10057/254.

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This research attempted to find the relationship between the consistent practice of Sustained Silent Reading (SSR) and a student’s lexile score. Two English I classes in an urban high school completed surveys that focused on a student’s attitude toward recreational and school reading. The Scholastic Reading Inventory (SRI) provided the two English I classes a lexile score. Class A practiced SSR three days a week, while Class B did not. After the research period of twelve weeks, the two English I classes were given post-surveys similar to the pre-surveys and the SRI. The post-surveys from Class

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Lizée, Nicole. "RPM : for large ensemble and solo turntablist." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32896.

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The focal point of the work is the turntable and DJ (or Disk Jockey; one who controls the turntables). This concept not only manifests itself through the utilization of actual turntables, but also much of the acoustic material performed by the ensemble consists of "metaphoric turntables". These are contrasting layers of sound superposed over one another that are played by small groups of specific instruments within the larger ensemble. These instrumental groups simulate the sonorities generated through turntable manipulation such as warping, oscillations, crossfading, transforming, and numerou

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Budón, Osvaldo 1965. "Territorios : for percussion ensemble and digital sounds on tape." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23969.

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Territorios is a 15-minute composition for eight percussionists and prerecorded sounds on digital tape. The composer chose this particular instrumentation because of his conviction that percussion and electronic/digital instruments are the most powerful sources of fresh and innovative sound matter that have appeared during this century. This choice also allowed him to challenge the development of a new and consistent rhythmic syntax derived from the internal structure of percussion instruments, which in turn made it possible to establish solid ties between the sound itself and the musical synt

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31

Adamcyk, David. "Balbuzard : for solo clarinet, wind symphony and electronics." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111504.

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Balbuzard is a musical composition of approximately twelve minutes in length, scored for solo clarinet, wind symphony and electronics. It focuses on cluster-like sound masses and explores ways of using these to give the music a clear sense of direction. To this end, tools were developed using a variety of computer applications or programming languages, such as Lisp, OpenMusic and Cubase. These tools made possible a kind of graphic composition where diagrams of different shapes were entered into a computer interface and converted into source material. The generated source material consisted of

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32

Ramaswamy, Muruga Perumal. "Combating challenges in E-business : scope and limitations of international law and national legal measures in USA and China and the role of Hong Kong as a hub /." View the Table of Contents & Abstract, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43877655.

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33

MacCallum, John. "Tiempos del caos." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79279.

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Tiempos del caos is a composition in five sections for chamber orchestra (28 players) and real-time computer-generated sounds, with a duration of approximately 15 minutes. A performer is required to control the computer-generated sounds which are produced using the software jMax. The inspiration for the form of the piece comes from my reading of the novel One Hundred Years of Solitude by Gabriel Garcia Marquez. The harmonic material is derived mainly from analyses of the acoustical properties of recorded instrumental sounds.

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Chatham, Rick 1962. "Constellations: For Wind Ensemble and Computer Music." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc1038771/.

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Constellations is a single movement work that explores the color between acoustic instruments and computer generated sounds. It is scored for four flutes (two doubling on piccolos), two oboes, two bassoons, eight B-flat clarinets, two bass B-flat clarinets; two alto saxophones, tenor saxophone, baritone saxophone; four trumpets in B-flat, four horns in F; three trombones, bass trombone; two tubas;piano; six percussionists; and contrabass. The duration of the work is nine minutes and twenty-eight seconds. Mapping of stellar constellations provide the primary material for all pitch and harmonic

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35

Tan, Anthony. "--then time killed the wind-- : for percussion quartet and live electronics." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116055.

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...then time killed the wind... is an original musical composition scored for percussion quartet and electronics with a duration of fourteen minutes. This work explores metaphorical relationships between biological processes and musical processes. The primary constructive element in the work is a rhythmic language based upon the assignment of rhythmic cells to genetic sequences. Furthermore, biological models such as inverted repeats, zeitgeber, 2-D representations of DNA and cross-breeding were applied to musical parameters such as form, pitch, harmony and live electronics.

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Anderson, Jonathan Douglas. "The Creative Process in Cross-Influential Composition." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28386/.

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This dissertation describes a compositional model rooted in cross-influential methodology between complementary musical compositions that share generative source material. In their simultaneous construction, two composition pairs presented challenges that influenced and mediated the other's development with respect to timbre, transposition, pitch material, effects processing, and form. A working prototype first provides a model that is later developed. The first work Thema is for piano alone, and the companion piece Am3ht is for piano and live computer processing via the graphical programming

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Antoniu, Dan A. Mr. "Integrating Ghosts." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616258287308046.

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Brancamp, Tami Urbani. "Correspondence between nasalance scores and nasality ratings with equal appearing intervals and direct magnitude estimation scaling methods." abstract and full text PDF (free order & download UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3307133.

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Lackey, William Joseph Mobberley James. "Ritual of the body electric a multimedia work scored for soprano, chamber ensemble and electronics /." Diss., UMK access, 2009.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009.<br>"Five dances and nineteen musicians are featured in the work"--p. ii. "A dissertation in music composition." Advisor: James Mobberley. Duration: 30:00. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 25, 2009. Online version of the print edition.

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Chapman, Davis Howard. "Three Ideas, a Collection of Three One-Act (Musical) Plays for Mixed Ensemble." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501209/.

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Three Ideas is a collection of three one-act (musical) plays intended to be performed either as a series or as separate pieces. In order for them to be performable in either of those ways, they need some sort of unifying fabric running throughout the collection, yet they must remain individually strong enough to stand alone outside the context of the series and still seem complete. The concepts Tonal and Nagual, Bell's Theorem, and Breakdown of the Bicameral Mind were chosen because of their theatrical possibilities as well as their philosophical implications. All three of the concepts deal wi

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Cary, Tristram. "Portfolio of original compositions." Title page and table of contents only, 2000. http://web4.library.adelaide.edu.au/theses/09MUD/09mudc333.pdf.

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Includes comprehensive bibliography the composer's works. Biographical notes and list of works -- The ladykillers: a suite for orchestra in three movements based on the music composed for the 1955 Ealing comedy -- Contours and densities at First Hill: fifteen landscapes for orchestra -- I am here, for soprano and tape -- Scenes from a life, for orchestra - one movement with three sections. Apart from Contours and densities at First Hill, which was commissioned by the University of Adelaide, these works submitted for D. Mus have not ben published commercially.

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Lee, Brent. "Ribbons of visible air." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0033/NQ38923.pdf.

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Elezovic, Ivan. "Echoes : [for] tenor, chamber ensemble & computer." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33369.

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Echoes is an interactive composition for amplified chamber ensemble and computer. The entire research that led to this piece was based on the exploration of the evolution of the sound produced initially by the acoustic instruments and then interpreted by the computer. Why "Echoes"?<br>As a sonic phenomenon the echo has several fairly distinct dimensions. These are commonly understood to include the following: the repetition of a sound by reflection of sound waves from a surface; any repetition or imitation of words, style or ideas; the sympathetic sound response; and, in music, a soft repetiti

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Bartley, Wende. "Ellipsis." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61973.

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Radford, Laurie 1958. "The crying wave : (1996)." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34535.

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The Crying Wave is a twenty minute music composition for an amplified ensemble of fifteen instruments combined with a prerecorded electroacoustic audio component and live signal processing. The composition explores the use of fundamental electroacoustic music techniques such as additive, subtractive, and granular synthesis as models for the creation and manipulation of materials and structure in both the instrumental and electroacoustic aspects of the work. Two series of harmonies underlie the piece and serve as both harmonic and melodic resources. Procedures including additive/subtractive dur

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Shikhukhulo, Georgina. "Electronic Health Records : Can the scope of deploying Electronic Patient Records in Pre-Hospital Care be augmented through Participatory Design Approach at an Ambulance Service in England." Thesis, Blekinge Tekniska Högskola, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-15320.

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Introduction and background: The use of Electronic Health Records (EHRs) sometimes referred to as Electronic Patient Care Records (ePCRs) amongst health and social care providers is increasing. Many countries are anticipating the benefits of maintaining patients’ records in one place to facilitate real time access by clinicians and other health and social care providers at the point of need; thereby saving resources, seeking to work more efficiently and indeed taking advantage of the rapid advancement in technology to enhance communication. Objectives: Investigate challenges facing implem

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Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of California, Los Angeles, 2008.<br>CD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).

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Fieldsteel, Eli Mulvey. "Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28418/.

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Fractus I is a composition for trumpet in C and live electronic sound. The electronics were primarily created using SuperCollider, an environment and programming language for real time audio synthesis. This project investigates SuperCollider's pattern and task functionality as a means of supporting and enriching the compositional process. Fractus I develops several different code architectures in order to randomize as well as synchronize various musical elements. The piece exploits SuperCollider as both an audio synthesis tool and a performance conduit. Additionally, the nature of SuperCollide

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Khajehzadeh, Iman. "Gradual: A Sound-Based Composition for Tenor Saxophone and Fixed Electronics, with Critical Essay." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538746/.

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In the first half of the twentieth century, sporadic attempts of avant-garde composers to include sounds other than pitch in musical composition paved the way for the composers in the second half to embrace the sound of all types in their creative works. The development of technology since the mid-past century has facilitated composers' inclusive use of sound. The recent achievements in electronics and computers have led to cost-effective tools for today's composers to explore new possibilities in sound design and manipulation. Gradual for tenor saxophone and fixed electronics is primarily con

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Tulchak, L. V., A. S. Alieksieienko, Л. В. Тульчак, and А. С. Алєксєєнко. "Oscilloscope in science and engineering." Thesis, Вінницький національний аграрний університет, 2015. http://ir.lib.vntu.edu.ua/handle/123456789/7680.

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An oscilloscope, previously called an oscillograph, and informally known as a scope, CRO (for cathode-ray oscilloscope), or DSO (for the more modern digital storage oscilloscope), is a type of electronic test instrument that allows observation of constantly varying signal voltages, usually as a two-dimensional plot of one or more signals as a function of time. Non-electrical signals (such as sound or vibration) can be converted to voltages and displayed

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