Relevant bibliographies by topics / Elegiac distich

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  2. Dissertations / Theses
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Academic literature on the topic 'Elegiac distich'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Elegiac distich"

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Wesołowska, Elżbieta. "Jak powiedzieć, żeby nie powiedzieć (lub odwrotnie), czyli kłopoty z przekładem elegii wygnańczej Owidiusza „Ex P.” IV 12." Symbolae Philologorum Posnaniensium Graecae et Latinae 32, no. 2 (2022): 77–86. http://dx.doi.org/10.14746/sppgl.2022.xxxii.2.5.

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Aside from its wealth of meaning and contexts, Ovid’s poetry seems to be sometimes difficult to translate into Polish. This paper shows such an extreme situation using the example of Ex P IV 12, where the translator is virtually helpless in the face of the poet’s subtle sense of humor and sophisticated play with a reader on the grounds of the nature of Roman elegiac distich.
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Keyer, Denis. "Inscription on a Roman Stylus from London." Hyperboreus 25, no. 2 (2019): 340–50. https://doi.org/10.36950/wuki8455.

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I interpret the metric inscription on the stylus from the Bloomberg excavations in London (Tomlin 2018a, 5–6) as a polymetron that consists of two iambic senarii and an elegiac distich. In acul[eat]um, if this restoration is correct, -ea- must be scanned monosyllabically with synizesis. In lines 2–3 I punctuate before ut and after rogo, so that the ut clause depends on rogo. In line 4 I restore ut[i], which provides a hexameter: si fortuna daret quo possem largius uti! (si introduces a wish, like utinam). In the word that follows via the third letter must be identified as N (not as V); I sugges
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Witczak, Krzysztof. "Rzymski elegik Serwiusz Sulpicjusz - znany czy nieznany?" Collectanea Philologica 1 (January 1, 1995): 113–18. http://dx.doi.org/10.18778/1733-0319.01.14.

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Libro quarto Corporis Tibulliani continentur ignoti poetae longa elegia, quae Panegyricus Messallae vulgo appeIlatur (IV, I), quinque elegiae auctoris, quem "Sulpiciae laudatorem" voco (IV, 2--6), sex brevia elegidia sub Sulpiciae nomine servata (IV, 7-12) et postremo duae elegiae TibuIlo adiudicatae (IV, 13-14). Multi viri docti iam diu disputant, qui fuerit "Sulpiciae laudator". Qui poeta talem distichi elegiaci structuram adhibere solebat, qualis ante Ovidium exculta est. Constat autem auctorem elegiarum IV, 2--6, quae de amore Sulpiciae erga Cerinthum narrant atque a muItis viris doctis Ti
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Rankin, Susan. "The earliest sources of Notker's sequences: St Gallen, Vadiana 317, and Paris, Bibliothèque Nationale lat. 10587." Early Music History 10 (October 1991): 201–33. http://dx.doi.org/10.1017/s0261127900001133.

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‘This little book has verses of composed modulamen, so that he who wishes to be retentive may hold on to his breath.’ With this elegiac distich Notker Balbulus concluded the preface dedicating his Liber ymnorum to Liutward, Bishop of Vercelli, abbot of Bobbio, archchaplain and chancellor to the then emperor, Charles the Fat. The collection of sequences must have been sent to Liutward during 884, since by December of that year Notker had broken off work on his Metrum de vita sancti Galli, mentioned in the preface to the Liber ymnorum as in the process of preparation. The genesis of the book of
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Wasyl, Anna Maria. "‘Etsi peccaui, sum tamen ipse tuus’. O elegii pokutnej Drakoncjusza (i słówko o pojęciu: barokowa ‘elegia’ pokutna)." Symbolae Philologorum Posnaniensium Graecae et Latinae 33, no. 1 (2023): 417–49. http://dx.doi.org/10.14746/sppgl.2023.xxxiii.1.30.

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Dracontius’s Satisfactio, though undoubtedly a prime example of a very complex literary work, is not really a work that cannot be properly described in generic terms. Upon consideration, the label ‘penitential elegy’ appears to be the most appropriate one, as it clearly indicates the major theme of the poem (the contrition of the sinner who acknowledges his sin above all before the God and, in the second place, before the Vandal king Gunthamund, to whom he pleads guilty to some not fully specified misdeed) as well as its metrical form. As for the latter, what is of particular relevance is not
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Virolainen, Maria N. "Pushkin anthological epigram: Poetics of self-referentiality." Vestnik of Saint Petersburg University. Language and Literature 21, no. 2 (2024): 320–31. http://dx.doi.org/10.21638/spbu09.2024.203.

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“Beauty in front of the mirror”, “Statue in Tsarskoye Selo”, “Who grew the tender roses of Theocritus in the snow?” by Pushkin, as well as some anthological epigrams of his contemporaries). The ancient Greek epigram, distinguished by clear formal features and a wide variety of content, recorded, as a rule, only something static or instantaneous. This quality ensured, in the eyes of Pushkin’s contemporaries, the authenticity of the transmission and perception of the object depicted in the epigram. In anthological epigrams of the first third of the 19th century, deviations from such primordial f
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Kazansky, Nikolai N. "Two Latin Epigrams by Daniel Gotlieb Messerschmidt Dedicated to Iohannes Philipp Breyn (1680–1764)." Philologia Classica 15, no. 2 (2020): 230–45. http://dx.doi.org/10.21638/spbu20.2020.204.

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The article presents a publication of two epigrams written by D. G. Messeschmidt and dedicated to I. Ph. Breyn; both are preserved in the latter’s archive. The first epigram is an inscription in verse to Breyn’s portrait and was probably sent to him from Saint Petersburg following Messerschmidt’s return from Siberia, i.e. between 1727 and 1735 (and not 1701–1800 as indicated on the site of Dresden Fotothek). It is very likely that the inscription was meant to accompany the engraving a copy of which is preserved at Staatliche Kunstsammlungen Dresden (SKD, Kupferstich-Kabinett, Signatur/Inventar
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Prikhodko, Elena V. "The Tradition of Quoting Homer as a Way of Identification in the Inscriptions of Southern Asia Minor." Вестник Пермского университета. Российская и зарубежная филология 16, no. 3 (2024): 81–90. http://dx.doi.org/10.17072/2073-6681-2024-3-81-90.

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After the conquests of Alexander the Great, many Greeks migrated to the southern regions of Asia Minor, including Lycia, Pisidia, Pamphylia, and Cilicia. They brought along their cultural traditions, which gradually merged over several centuries with the most enduring aspects of the indigenous culture. The ancient Greek language completely supplanted the Lycian, Pisidian, and other Anatolian languages. Education followed the established Greek canons, with Homer’s poems serving as primary texts. But, while the ruins of cities that have survived to this day provide an opportunity to gain an idea
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Grošelj, Nada. "Angleška elegija in njene antične korenine." Keria: Studia Latina et Graeca 10, no. 2 (2008): 95. http://dx.doi.org/10.4312/keria.10.2.95-114.

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V antiki je bila ‘elegija’ vsaka nekoliko daljša pesem, zložena v elegičnem distihu, tematsko pa je – zlasti v stari Grčiji – lahko obravnavala pestro paleto govorčevih čustev in mnenj. Nasprotno se je v angleški poeziji razvila nova podzvrst, ‘pogrebna elegija’, tako da se je pojem elegije počasi zožil na pesem, ki izraža tožbo ali vsaj kaže resen, zamišljen ton. Drug pomemben odklon angleške elegije od njene antične predhodnice je njena poljubna oblika. Odločilni kriterij ‘elegičnosti’ se je tako prenesel z oblike na vsebino, predvsem pa na razpoloženje.
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McGavran, James. ""The Heavenly Language of Hellas": Pushkin's Elegiac Distichs." Pushkin Review 21, no. 1 (2019): 213–24. http://dx.doi.org/10.1353/pnr.2019.0010.

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Dissertations / Theses on the topic "Elegiac distich"

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Martin, Lucie. "Le poème d'Orientius : introduction, texte critique, traduction et commentaire." Electronic Thesis or Diss., Strasbourg, 2023. http://www.theses.fr/2023STRAK003.

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La Gaule de la première moitié du Ve siècle, en proie aux invasions barbares, a été le lieu d’une floraison poétique bien particulière. À cette époque, plusieurs poèmes, marqués par les troubles de l’actualité, emploient les anciennes formes de la poésie légère pour traiter de la conversion ascétique de diverses manières. Parmi ces « examens de conscience », nous reprenons l’appellation de J. Fontaine, l’on trouve le poème d’Orientius, connu sous le titre générique de commonitorium. Ce poème de 1036 vers, rédigé en distiques élégiaques, est un protreptique à la vie de conuersus, qui invite spé
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LOPOMO, NICOLLE. "Maffeo Vegio, Elegiae, Rusticanalia, Disticha ed Epigrammata: edizione critica e commento." Doctoral thesis, 2013. http://hdl.handle.net/2158/801472.

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VALENTE, LAURA. "GREGORIO NAZIANZENO Eij" ejpiskovpou" [carm. II,1,13. II,1,10] Introduzione, testo critico, commento e appendici." Doctoral thesis, 2018. http://hdl.handle.net/11393/251619.

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Invitato a Costantinopoli da una delegazione nicena, che ne chiedeva l’intervento a sostegno della comunità ortodossa locale, Gregorio di Nazianzo accantonò il desiderio di dedicarsi alla vita contemplativa e si recò nella Neja ÔRwvmh: non poteva certo immaginare che negli anni trascorsi nella capitale (dagli inizi del 379 al luglio del 381) avrebbe conosciuto, a distanza di breve tempo, l’apice e il fallimento della sua attività politico-ecclestiastica. Alla guida di un piccolo gruppo di fedeli, radunati in una sala udienze privata ribattezzata Anastasia, Gregorio esercitò con impegno i suoi
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Books on the topic "Elegiac distich"

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Giuseppe, Catanzaro, Santucci Francesco, and Accademia properziana del Subasio. Centro studi poesia latina in distici elegiaci., eds. La Favolistica latina in distici elegiaci: Atti del convegno internazionale, Assisi, 26-28 ottobre 1990. Accademia properziana del Subasio, 1991.

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Smith, Kirby Flower. Some Irregular Forms of the Elegiac Distich. Gorgias Press, LLC, 2009.

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Contributions to the History of Latin Elegiac Distich. Brepols Publishers, 2019.

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Tate, James. Introduction to the Principal Greek Tragic and Comic Metres. with an Appendix on Syllabic Quantity in Homer and Aristophanes, to Which Are Now Added Treatises on the Sapphic Stanza and the Elegiac Distich. Creative Media Partners, LLC, 2018.

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Tate, James. Introduction to the Principal Greek Tragic and Comic Metres. with an Appendix on Syllabic Quantity in Homer and Aristophanes, to Which Are Now Added Treatises on the Sapphic Stanza and the Elegiac Distich. Creative Media Partners, LLC, 2018.

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Introduction to the Principal Greek Tragic and Comic Metres. with an Appendix on Syllabic Quantity in Homer and Aristophanes, to Which Are Now Added Treatises on the Sapphic Stanza and the Elegiac Distich. Creative Media Partners, LLC, 2022.

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Narrare in distici: L'elegia greca arcaica e classica di argomento storico-mitico. Edizioni Quasar, 2011.

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Poesia umanistica latina in distici elegiaci: Atti del convegno internazionale, Assisi, 15-17 maggio 1998. Accademia Properziana del Subasio, Centro studi poesia latina in distici elegiaci, 1999.

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Lewis, Maxine. Gender, Geography, and Genre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0006.

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This chapter offers a new reading of Catullus’ Lesbia by examining the poet’s spatial poetics. These poetics play a crucial role in shaping the worlds created in the poems. Catullus’ collection features three distinct poetics of place: topical, neoteric, and abstracted, clustered in specific groups of poems: the polymetrics, the carmina maiora, and the elegiac epigrams, respectively. As Lesbia is the only character (apart from the ‘Catullus’ persona) who appears in each group, she presents the ideal subject for examining how Catullus’ distinct poetics of place shape characterization in differe
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La poesia cristiana latina in distici elegiaci: Atti del convegno internazionale, Assisi, 20-22 marzo 1992. Accademia properziana del Subasio, Centro studi poesia latina in distici elegiaci, 1993.

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Book chapters on the topic "Elegiac distich"

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Ceccarelli, Lucio. "The Metrical Forms of the Elegiac Distich in Late Antiquity. Ovid in Venantius Fortunatus." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.115156.

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Ceccarelli, Lucio. "Il distico della commedia elegiaca latina. L’eredità di Ovidio." In Giornale Italiano di Filologia - Bibliotheca. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.gifbib-eb.5.127594.

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"4. Synaloepha in the classical elegiac distich." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117350.

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"7. The late antique elegiac distich. Conclusions." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117358.

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"III—Some Irregular Forms Of The Elegiac Distich." In Some Irregular Forms of the Elegiac Distich. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463222062-001.

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"Frontmatter." In Some Irregular Forms of the Elegiac Distich. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463222062-fm.

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"1. The late antique elegiac distich. Preliminary considerations." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117352.

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"5. Synaloepha in the late antique elegiac distich." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117356.

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"3. The verbal metre of the classical elegiac distich." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117349.

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"5. The elegiac distich in the classical period. Summarising conclusions." In Studi e testi tardoantichi. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.stta-eb.5.117351.

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Conference papers on the topic "Elegiac distich"

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APOPEI, Alla. "Nicolae Dabija and Nichita Stănescu: the dialogue between non-words and pre-words." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p190-194.

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The poetic interferences of Nicolae Dabija with Nichita Stănescu are evident in many poems of the leader for "third eye" generation, which I analyze in this study using the comparative method of some well-known poetic texts, written by these two famous poets from both sides of the Prut river, who met in Chisinau in 1976. Through the dialogue of the texts, my article aims to reveal the similarities of their poetry and their personal perspectives on creation and the role of the word, identified in unique images such as Nicolae Dabija's "third eye", Nichita Stănescu's "tooth-eyed" vision or the c
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