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Journal articles on the topic 'Elegiac poetry, English English literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Abdel-Daem, Mohamed Kamel. "Postcolonial Elements in Early English Poetry." Khazar Journal of Humanities and Social Sciences 17, no. 1 (2014): 25–41. http://dx.doi.org/10.5782/2223-2621.2014.17.1.25.

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In this article, the writer highlights certain elements in Anglo-Saxon and Anglo-Norman verse, that can unsurprisingly be a precursor of postcolonial writing. These marks are: heroic spirit, religious devotion, chivalric pride and elegiac vein. All these topics were nothing but aids to the early English poets' attempt to coin a unified English identity. This study manifestly assumes that nineteenth and twentieth century, imperial England had once been a colonized nation that produced postcolonial culture and literature. This article proposes that postcolonialism is not restricted just to moder

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2

Gigante, Denise. "Forming Desire: On the Eponymous In Memoriam Stanza." Nineteenth-Century Literature 53, no. 4 (1999): 480–504. http://dx.doi.org/10.2307/2903028.

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Since In Memoriam first appeared in 1850, critics have been trying to come to terms with the unusual verse form of the poem and the nature of the desire it seems to encode. This essay roots these two critical preoccupations in the one formal unit-virtually unique in the history of English prosody-so distinctive to the poem that it bears its name: the eponymous In Memoriam stanza. Repeated endlessly, almost relentlessly, seven-hundred-and-twenty-five times, the stanza itself contains hermeneutic potential yet to be unpacked. For while Tennyson claims to have originated the verse form on his own

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3

Zhuk, Alexandra D. "The Problem of Genre in the Hymns by the Lake Poets and Thomas Moore." Imagologiya i komparativistika, no. 15 (2021): 7–30. http://dx.doi.org/10.17223/24099554/15/1.

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Though there are many seminal works on early Romanticism and Thomas Moore’s poetry, their hymns remain understudied. This article focuses on the genre problem in the hymns by the Lake Poets (S.T. Coleridge, W. Wordsworth, R. Southey) and Thomas Moore, whose poetry is studied in context of English Literature and German Romanticism. The characteristics of the hymn are emotionality, associative composition, abundance of repetitions and parallelisms, archaic grammatical forms of verbs and pronouns, and the use of verb contractions. The combination of genres in hymns results in such variants as the

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4

Markova, E. A. "THE TRADITION OF ENGLISH-LANGUAGE ELEGY AND J. BRODSKY’s POETRY." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 1030–36. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1030-1036.

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In the present article J. Brodsky’s poetry is analyzed in the context of a particular elegiac tradition associated with some key figures of English-language poetry of the mid-to-late 20th century. These are W.B. Yeats, T.S. Eliot, W.H. Auden and S. Heaney. The aim of the article is to examine the continuity of the 20th century English poetry by the example of a sequence of dedication poems (elegies), in which each subsequent poem alludes to the previous one(s). The comparative method allows us not only to show the features of modern English-language poetry (for instance, the link between elegi

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5

Jacobs, Nicolas. "Celtic saga and the contexts of old English elegiac poetry." Etudes Celtiques 26, no. 1 (1989): 95–142. http://dx.doi.org/10.3406/ecelt.1989.1906.

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6

Griffith, Mark. "Old English poetic diction not in Old English verse or prose – and the curious case of Aldhelm's five athletes." Anglo-Saxon England 43 (November 26, 2014): 99–131. http://dx.doi.org/10.1017/s0263675114000040.

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AbstractThree contexts characterized by the occasional appearance of Old English poetic diction outside of Old English poetry — debased verse, rhythmical prose, and prose passages with rhetorical heightening — have been surveyed by previous scholars, but no serious consideration has been given to the use of poetic lexis to be found in the surviving glosses and glossaries. The article first looks at some examples in these non-poetic texts of poetic words used as markers of the heroic, the elegiac, the sublime, the exotic and the monstrous, before moving on to a detailed analysis of a significan

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7

Sen, Sudeep. "Recent Indian English Poetry." World Literature Today 74, no. 4 (2000): 783. http://dx.doi.org/10.2307/40156088.

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8

Attridge, Derek. "Rhythm in English Poetry." New Literary History 21, no. 4 (1990): 1015. http://dx.doi.org/10.2307/469197.

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9

Perry, John Oliver, and Makarand Paranjape. "Indian Poetry in English." World Literature Today 68, no. 3 (1994): 635. http://dx.doi.org/10.2307/40150579.

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10

Alexander, M. J. "Old English Poetry into Modern English Verse." Translation and Literature 3, no. 3 (1994): 69–75. http://dx.doi.org/10.3366/tal.1994.3.3.69.

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11

Khan, Almas. "Poetic Justice: Slavery, Law, and the (Anti-)Elegiac Form in M. NourbeSe Philip’sZong!" Cambridge Journal of Postcolonial Literary Inquiry 2, no. 1 (2014): 5–32. http://dx.doi.org/10.1017/pli.2014.22.

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James Walvin has called theZongcase stemming from a 1781 incident in which the crew of an English slave ship willfully “destroyed” more than one-third of the “cargo” (i.e., slaves) aboard the vessel “[t]he most grotesquely bizarre of all slave cases heard in an English court.” While the judges locked themselves within the discourse of maritime law in evaluating the case’s merits, M. NourbeSe Philip unlocks the legal language inZong!(2008), which limits itself to the words included in the official narrative but contrastingly uses experimental poetry to suggest a poignant counter-narrative. My a

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12

Thornton, R. K. R., and Tim Kendall. "Modern English War Poetry." Modern Language Review 103, no. 4 (2008): 1119. http://dx.doi.org/10.2307/20468059.

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13

Patke, Rajeev S. "Poetry in English from Singapore." World Literature Today 74, no. 2 (2000): 293. http://dx.doi.org/10.2307/40155573.

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14

Nazareth, Peter, and Bruce King. "Modern Indian Poetry in English." World Literature Today 76, no. 2 (2002): 138. http://dx.doi.org/10.2307/40157314.

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15

Perry, John Oliver, and Bruce King. "Modern Indian Poetry in English." World Literature Today 62, no. 1 (1988): 180. http://dx.doi.org/10.2307/40144251.

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16

Perry, John Oliver. "Contemporary Indian Poetry in English." World Literature Today 68, no. 2 (1994): 261. http://dx.doi.org/10.2307/40150140.

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17

Hudriati, Andi, and Najihuddin Sain. "Investigating the Ability of the English Literature Department Students in English Poetry Reading Skill." Tamaddun 19, no. 1 (2020): 68–73. http://dx.doi.org/10.33096/tamaddun.v19i1.76.

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The objectives of this study are: (1) To know students’ ability in reading English Poetry. (2) To know the difficulties that the student find in reading English Poetry. The data was analyzed by using a quantitative descriptive method. The study data was collected by using some research instruments, such as reading test and interview. The data were tabulated into students’ average scores in five indicators and mean scores. Then, the authors explained the data descriptively. Based on the data findings, the students’ ability to read English Poetry was qualified as “poor”. This was indicated by th

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18

Sekhar, G. Raja. "The significance of poetry in english literature." ACADEMICIA: An International Multidisciplinary Research Journal 6, no. 11 (2016): 1. http://dx.doi.org/10.5958/2249-7137.2016.00080.x.

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19

DeWeese, Christopher. "Poetry." English: Journal of the English Association 66, no. 253 (2017): 124–25. http://dx.doi.org/10.1093/english/efx006.

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20

Dorsey, David, and John Haynes. "African Poetry and the English Language." World Literature Today 62, no. 3 (1988): 497. http://dx.doi.org/10.2307/40144449.

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21

HARESNAPE, GEOFFREY. "SOUTH AFRICAN ENGLISH POETRY AND JERUSALEM." English Studies in Africa 46, no. 2 (2003): 13–26. http://dx.doi.org/10.1080/00138390308691008.

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22

Moran, M. "The English Association Fellows' Poetry Prize." English 58, no. 221 (2009): 106–8. http://dx.doi.org/10.1093/english/efp015.

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23

Hossack, I. "The Cambridge History of English Poetry." English 60, no. 230 (2011): 261–63. http://dx.doi.org/10.1093/english/efr005.

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24

Pandey, Sapana. "Interaction Through Poetry in English Literature Class Rooms." Quest-The Journal of UGC-ASC Nainital 6, no. 2 (2012): 435. http://dx.doi.org/10.5958/j.0974-5041.6.2.032.

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25

Hart, Jonathan Locke. "Poetry in English as Comparative and World Literature." University of Toronto Quarterly 88, no. 2 (2019): 229–45. http://dx.doi.org/10.3138/utq.88.2.10.

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26

Edwards, A. "Memorabilia. Fifteenth-century English poetry." Notes and Queries 48, no. 4 (2001): 359. http://dx.doi.org/10.1093/nq/48.4.359.

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27

Howe, N. "Maxims in Old English Poetry." Notes and Queries 49, no. 4 (2002): 506–7. http://dx.doi.org/10.1093/nq/49.4.506.

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28

Howe, Nicholas. "Maxims in Old English Poetry." Notes and Queries 49, no. 4 (2002): 506–7. http://dx.doi.org/10.1093/nq/490506.

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29

STANLEY, E. G. "LATE MIDDLE ENGLISH ALLITERATIVE POETRY." Notes and Queries 37, no. 3 (1990): 261—b—261. http://dx.doi.org/10.1093/nq/37-3-261b.

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30

Williams, A. "The Poetry Toolkit: The Essential Guide to Studying Poetry." English 58, no. 223 (2009): 367–69. http://dx.doi.org/10.1093/english/efp036.

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31

Thormählen, Marianne. "Edward Marsh and Modern English Poetry." English Studies 101, no. 6 (2020): 727–40. http://dx.doi.org/10.1080/0013838x.2020.1820710.

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32

Perry, John Oliver, and Vilas Sarang. "Indian English Poetry since 1950: An Anthology." World Literature Today 63, no. 4 (1989): 739. http://dx.doi.org/10.2307/40145752.

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33

Woodman, Ross, and Morton D. Paley. "Apocalypse & Millennium in English Romantic Poetry." Studies in Romanticism 41, no. 3 (2002): 474. http://dx.doi.org/10.2307/25601575.

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34

Frost, William, and George DeForest Lord. "Classical Presences in Seventeenth-Century English Poetry." Comparative Literature 41, no. 4 (1989): 395. http://dx.doi.org/10.2307/1770729.

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35

Toliver, H. "Classical Presences in Seventeenth-Century English Poetry." Modern Language Quarterly 48, no. 3 (1987): 285–87. http://dx.doi.org/10.1215/00267929-48-3-285.

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36

Perry, John Oliver, and Makarand Paranjape. "An Anthology of New Indian English Poetry." World Literature Today 69, no. 3 (1995): 646. http://dx.doi.org/10.2307/40151575.

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37

Woods, G. "The English Association Fellows' Poetry Prize 2010." English 59, no. 227 (2010): 315–18. http://dx.doi.org/10.1093/english/efq030.

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38

Draycott, J. "THE ENGLISH ASSOCIATION FELLOWS' POETRY PRIZE 2011." English 60, no. 230 (2011): 194. http://dx.doi.org/10.1093/english/efr024.

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39

Lyons, R. "A Companion to Fifteenth-Century English Poetry." English 63, no. 242 (2014): 246–47. http://dx.doi.org/10.1093/english/efu006.

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40

Islam, Mohammad Shafiqul. "Bangladeshi Poets Writing in English." Journal of World Literature 6, no. 1 (2020): 65–83. http://dx.doi.org/10.1163/24056480-20201003.

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Abstract This article observes that Kaiser Haq has made an immense contribution to Bangladeshi poetry in English, leading the school of English poetry of the country from the front. A relatively new field, Bangladeshi writing in English has started becoming a part of world literature, and its scope, no doubt, is expanding rapidly. The article also focuses on the legacy of Bangladeshi writing in English to demonstrate how Bangladeshi poetry in English has simultaneously progressed. The article argues that Haq’s enormous contributions justify his position as the best English-language poet in Ban

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41

Dance, Richard, and H. Momma. "The Composition of Old English Poetry." Modern Language Review 94, no. 4 (1999): 1067. http://dx.doi.org/10.2307/3737239.

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42

Liuzza, R. M., and Peter Orton. "The Transmission of Old English Poetry." Modern Language Review 98, no. 1 (2003): 154. http://dx.doi.org/10.2307/3738184.

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43

Guibbory, Achsah, and George Parfitt. "English Poetry of the Seventeenth Century." Modern Language Review 83, no. 3 (1988): 671. http://dx.doi.org/10.2307/3731309.

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44

Allen, Rosamund S., Carol Braun Pasternack, and Peter Clemoes. "The Textuality of Old English Poetry." Modern Language Review 92, no. 3 (1997): 682. http://dx.doi.org/10.2307/3733397.

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45

Miller, A. "TIM KENDALL. Modern English War Poetry." Review of English Studies 58, no. 236 (2007): 595–96. http://dx.doi.org/10.1093/res/hgm036.

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46

Robinson, P. "Fellows' Poetry Prize 2008." English 58, no. 221 (2009): 112–15. http://dx.doi.org/10.1093/english/efp019.

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47

Skoulding, Zoë. "Poetry in Expanded Translation." English: Journal of the English Association 69, no. 267 (2020): 305–9. http://dx.doi.org/10.1093/english/efaa038.

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48

Brookman, Helen, and Olivia Robinson. "Creativity, Translation, and Teaching Old English Poetry." Translation and Literature 25, no. 3 (2016): 275–97. http://dx.doi.org/10.3366/tal.2016.0259.

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This article explores the benefits to undergraduate learning, and the broader critical significance of, the ‘creative translation’ of Old English literature. First-year students of English language and literature at Oxford University were encouraged to inhabit and understand poetic texts by producing creative, free modern versions that responded to the content, form, style, and sound of the source text. How far this approach helps students is analysed through their own perspectives on the process, gathered via interviews. Their writing is explored as a visible product of their learning, and as

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49

Oliveira, Solange Ribeiro de. "Literature and the other arts: postmodern poetry in English." Aletria: Revista de Estudos de Literatura 19, no. 1 (2009): 43–60. http://dx.doi.org/10.17851/2317-2096.19.1.43-60.

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Resumo: Partindo da tendência pós-moderna para a eliminação de fronteiras entre as artes e mídias, o artigo analisa as relações intermidiáticas frequentes na poesia pós-moderna de expressão inglesa.Palavras-chave: intermidialidade; literatura e as outras artes; poesia pós-moderna de expressão inglesa.Abstract: Starting from the postmodern tendency towards the erasing of frontiers between the arts and the media, the essay analyses the frequent intermedial relations in postmodern poetry in English.Keywords: intermediality; literature and the other arts; postmodern poetry in English.

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50

Robinson, F. C. "The Transmission of Old English Poetry." Notes and Queries 49, no. 2 (2002): 262–63. http://dx.doi.org/10.1093/nq/49.2.262-a.

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