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Relevant bibliographies by topics / Elegy Written in a Country Churchyard

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Academic literature on the topic 'Elegy Written in a Country Churchyard'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Elegy Written in a Country Churchyard"

1

Edgecombe, Rodney Stenning. "Gray's Elegy Written in a Country Churchyard." Explicator 59, no. 2 (2001): 76–78. http://dx.doi.org/10.1080/00144940109597088.

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VILLA JIMÉNEZ, Rosalía. "Efectos poéticos en “Elegy Written in a Country Churchyard” de Thomas Gray." Hikma 13 (October 1, 2014): 147. http://dx.doi.org/10.21071/hikma.v13i.5230.

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El objetivo que perseguimos en este trabajo es recalar en algunos aspectos de la obra poética del inglés Thomas Gray, tratando de interpretarlos a la luz de las propuestas de la comunicación cognitiva de Sperber y Wilson (1986; 1995) y su principio de Relevancia, que fue aplicado al campo de la traducción por Ernst-August Gutt (1991; 2005). Tal perspectiva pretende explicar el fenómeno de la traducción como un ejemplo de «semejanza interpretativa» en el traslado interlingüístico de un mensaje determinado, ejemplo de comunicación ostensiva inferencial. De forma más concreta, tratamos de dilucid

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3

García Peinado, M. A., and M. Vella Ramirez. "La Elegy Written in a Country Churchyard de Thomas Gray: Traducción Castellana." El Hilo de la Fabula, no. 4 (February 17, 2005): 84–91. http://dx.doi.org/10.14409/hf.v1i4.1768.

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4

Afini, Vivin. "THE LOWER CLASS IN THOMAS GRAY’S “ELEGY WRITTEN IN A COUNTRY CHURCHYARD”." Esteem Journal of English Education Study Programme 2, no. 2 (2019): 108. http://dx.doi.org/10.31851/esteem.v3i2.4583.

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5

Edgecombe, Rodney Stenning. "A Source for the Epitaph in Gray's “Elegy Written in a Country Churchyard”." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 16, no. 3 (2003): 18–19. http://dx.doi.org/10.1080/08957690309598208.

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6

Marangon, Giorgia. "The elegy written in a country churchyard de Thomas Gray en los Sepolcri de Foscolo a través de las traducciones de M. Cesarotti y G. Torelli." TRANS. Revista de Traductología, no. 10 (October 25, 2016): 137. http://dx.doi.org/10.24310/trans.2006.v0i10.1091.

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En este artículo se analizan las influencias que han tenido las traducciones italianas de M. Cesarotti y G. Torelli de la Elegy written in a Country Churchyard de Thomas Gray sobre el poema I Sepolcri de Ugo Foscolo. Un atento análisis temático y textual de la obra original de Gray y de las versiones traducidas de la misma con el “Carme” del poeta italiano pone de manifiesto la, a veces sorprendente, influencia de las temáticas sepulcrales tratadas por el inglés en la literatura y poesía no sólo italiana sino europea.

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7

Hidayati, Hidayati, Zuindra Zuindra, Mayasari Mayasari, Misla Geubrina, and Arifuddin Arifuddin. "The Poor in Thomas Gray’s Elegy Written in a Country Churchyard: Critical Discourse Analysis Approach." LANGUAGE LITERACY: Journal of Linguistics, Literature, and Language Teaching 2, no. 2 (2018): 85. http://dx.doi.org/10.30743/ll.v2i2.717.

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The research deals with the problems of poverty with the aim of revealing the situation of rural people experiencing various shortages throughout their daily needs. This poem is also a personal picture of the poet seeing by firsthand the situation of the marginalized people. Through critical discourse analysis by means of Van Dijk model consisting of three dimensions, namely text, social cognition and social context, the picture of the poor in the poem can be seen clearly. The data used are lines of Stanza No. 13 as a representation of the whole poem. The method used is descriptive qualitative

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8

VELLA RAMÍREZ, Mercedes. "Elegy written in a Country Churchyard de Thomas Gray: la traducción al castellano de Ángel Rupérez." Hikma 2, no. 2 (2003): 119. http://dx.doi.org/10.21071/hikma.v2i2.6766.

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De todas las traducciones al castellano de la conocida obra de Gray una de las más conocidas y acertadas es la de Angel Rupérez, realizada en versos alejandrinos; no obstante, una lectura atenta desvela que el traductor no siempre respeta la métrica. Así pués, y basándonos en esta premisa, intentaremos desvelar esos pequeños desajustes y ofrecer posibles alternativas que se ajusten a la métrica elegida por el traductor.

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9

Villa Jiménez, Rosalía. "«ELEGÍA DE T. GRAY, ESCRITA EN EL CEMENTERIO DE UNA IGLESIA DE ALDEA» (1843): ANÁLISIS PRAGMÁTICO-COGNITIVO." Entreculturas. Revista de traducción y comunicación intercultural, no. 9 (February 1, 2017): 181–97. http://dx.doi.org/10.24310/entreculturasertci.vi9.11262.

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En este trabajo se va a analizar la traducción del célebre poema prerromántico «Elegy Written in a Country Churchyard» de Thomas Gray, llevada a cabo por José de Urcullu, traductor de principios del siglo XIX. Para ello, se recurrirá al enfoque pragmático-cognitivo de la traducción propuesto por Ernst-August Gutt (1989), que radica en el Principio cognitivo de Relevancia de Dan Sperber y Deirdre Wilson (1986). En concreto, se estudiará aquellos recursos interpretativos a los que el traductor recurre para, primero, inferir y después, comunicar al receptor meta las mismas proposiciones y semejan

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10

Manugeren, M., Jumino Suhadi, and pardi pardi. "Literature as a Medium of Exposing Social Problem through Thomas Gray’s “Elegy Written in A Country Churchyard." Journal of Language and Literature 20, no. 1 (2020): 150–58. http://dx.doi.org/10.24071/joll.v20i1.2431.

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Books on the topic "Elegy Written in a Country Churchyard"

1

The consolation of otherness: The male love elegy in Milton, Gray, and Tennyson. McFarland & Co., 2002.

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2

Elegy Written in a Country Churchyard. Everyman Ltd, 1996.

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3

Gray, Thomas. An Elegy Written in a Country Churchyard. Beech Publishing House, 1991.

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4

Gray, Thomas. An Elegy Written in a Country Churchyard. Beech Publishing House, 2003.

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Gray, Thomas. An Elegy Written In A Country Churchyard - Pamphlet. Kessinger Publishing, LLC, 2006.

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6

Harold, Bloom, ed. Thomas Gray's Elegy written in a country churchyard. Chelsea House Publishers, 1987.

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7

Young, John. Criticism of the Elegy Written in a Country Churchyard. HardPress, 2020.

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Gray, Thomas. Elegy in a Country Churchyard 20 P. Phoenix Press, 1996.

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9

Tovey, D. C. Thomas Gray: Ode on the Spring and Elegy in a Country Churchyard. University of Cambridge ESOL Examinations, 2015.

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10

Young, John. Criticism on the Elegy Written in a Country Church Yard: Being a Continuation of Dr. J----N's Criticism on the Poems of Gray. HardPress, 2020.

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Book chapters on the topic "Elegy Written in a Country Churchyard"

1

Tomasello, Dario. "The Fragile Nature of Human Glory: Death and Poetry in Thomas Gray’s Elegy Written in a Country Churchyard." In Perspectives in Pragmatics, Philosophy & Psychology. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55759-5_23.

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Kaul, Suvir. "Thomas Gray, Elegy Written in a Country Church Yard." In A Companion to Eighteenth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996638.ch21.

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"Thomas Gray, “Elegy Written in a Country Churchyard”." In Heart Beats. Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400845156.123.

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Robson, Catherine. "Thomas Gray, “Elegy Written in a Country Churchyard”." In Heart Beats. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691119366.003.0004.

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This chapter addresses some of the later psychological dimensions inherent within adolescents' and adults' internalization of a poem. It sets Thomas Gray's “Elegy Written in a Country Churchyard” within a very specific institutional and emotional history, directing attention to the mingled pain and pleasure that can exist within the possession of a cultural object. This chapter considers how the highest-achieving elementary-school pupils might have felt when they read and recited a work that dubs the poor both unlettered and mute. Further, it speculates about the ability of the memorized poem to stay within those individuals for the remainder of their days, and to act as a constant reminder of the educational and social processes that moved them out of one class and into another—an elevation the eighteenth-century poem deems impossible.

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Stewart, Dustin D. "Interlude." In Futures of Enlightenment Poetry. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857792.003.0007.

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The book as a whole emphasizes a productive discontinuity between various eighteenth-century poets and both their Miltonic sources and their Romantic successors. Two interludes, however, qualify this picture by showing how a mortalist poetics, shared by the late Milton and some early Romantic writers, persisted in between the two in certain quarters of Enlightenment England. The second interlude interprets Thomas Gray’s Elegy Written in a Country Churchyard (1751), still perhaps the eighteenth century’s most famous poem, alongside William Cowper’s Sapphic lyric “Hatred and Vengeance, My Eternal Portion” (1774). While Gray’s elegy presents a disembodied heaven as no freer or happier than a common burial site, and worse for being more isolated, Cowper’s bleak poem imagines that hell offers his soul a kind of protection that he lacks during his embodied life on the earth’s surface.

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6

"IX. Designs for Elegy Written in a Country Church-Yard." In The Answer to the Lyre. University of Pennsylvania Press, 1990. http://dx.doi.org/10.9783/9781512803228-012.

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