Academic literature on the topic 'Elena Ferrante'

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Journal articles on the topic "Elena Ferrante"

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Ferrante, Elena, Sandro Ferri, Sandra Ferri, Eva Ferri, and Maïra Muchnik. "Entretien Elena Ferrante." Books N° 77, no. 6 (2016): 14–20. http://dx.doi.org/10.3917/books.077.0014.

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Reyes Ferrer, María. "La narrativa de Elena Ferrante: El desequilibrio de Olga, una Medea moderna." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 268. http://dx.doi.org/10.25115/raudem.v3i0.631.

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Resumen: El presente trabajo pretende acercarse a la figura de la enigmática escritora Elena Ferrante y analizar algunas de las características más destacables de su narrativa. Para ello, nos centraremos en una obra en concreto, I giorni dell’abbandono, y las vivencias de Olga, su protagonista, que guiará al lector por los entresijos de su agonía personal tras ser abandonada y traicionada por su marido. Elena Ferrante’s Narrative: Olga’s Instability, a Modern Medea Abstract: The present work aims to approach the image of the enigmatic writer Elena Ferrante and analyze some of the most distinct
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Giorgio, Adalgisa. "Elena Ferrante. Parole Chiave." Italian Culture 37, no. 2 (2019): 177–79. http://dx.doi.org/10.1080/01614622.2019.1683276.

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Haugen, Marius Warholm. "Stranden hos Elena Ferrante." K&K - Kultur og Klasse 48, no. 130 (2020): 209–38. http://dx.doi.org/10.7146/kok.v48i130.123640.

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Colonna Dahlman, Roberta. "Narrazione dell’abbandono tra letteratura e cinema." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 51, no. 1 (2016): 125–46. http://dx.doi.org/10.1075/rro.51.1.05dah.

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This paper aims at offering a comparative analysis of the narrator in the novel I giorni dell’abbandono (2002) by the Italian writer Elena Ferrante, and the narrator in the cinematographic version of the same work I giorni dell’abbandono (2005), directed by Roberto Faenza. The paper focuses on some narrative properties that emerge in Elena Ferrante’s novel and compares the literary narrator to the cinematographic narrator in Roberto Faenza’s movie. Furthermore, the paper discusses different narrative strategies as used in these two different media, literary text and cinematographic work.
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Cane, Tina. "Letter for Elena Ferrante: Devotional." Massachusetts Review 60, no. 4 (2019): 780. http://dx.doi.org/10.1353/mar.2019.0123.

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DEUTSCH, ABIGAIL. "FICTION IN REVIEW: ELENA FERRANTE." Yale Review 103, no. 2 (2015): 158–65. http://dx.doi.org/10.1111/yrev.12272.

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Ferrara, Enrica Maria. "Elena Ferrante as World Literature." Italian Studies 76, no. 3 (2021): 347–49. http://dx.doi.org/10.1080/00751634.2021.1936796.

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DEUTSCH, ABIGAIL. "FICTION IN REVIEW: ELENA FERRANTE." Yale Review 103, no. 2 (2015): 158–65. http://dx.doi.org/10.1353/tyr.2015.0070.

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Gibbons, Alison. "The “dissolving margins” of Elena Ferrante and the Neapolitan novels." Narrative Inquiry 29, no. 2 (2019): 391–417. http://dx.doi.org/10.1075/ni.19017.gib.

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Abstract Using Elena Ferrante’s Neapolitan novels as case study, this article presents a cognitive approach to fictionality and authorial intention using Text World Theory and Mind-Modelling. It investigates two forms of ontological distortion: readers’ (mis)classification of the novels’ genre (as autofiction or autobiography) and the problem posed by the author’s pseudonymic identity. The analysis has three parts: first, I conduct a Text World analysis of the novels’ syntactic/stylistic similarities to autobiography and, in doing so, reveal its ontological structure; second, I consider the on
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Dissertations / Theses on the topic "Elena Ferrante"

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Varricchio, Isabella. "Lacrime di frantumaglia : Verità letteraria nell'opera di Elena Ferrante." Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-160721.

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This master thesis presents a study of the authorship of the Italian writer Elena Ferrante, focusing on hermain concepts “la frantumaglia” and “la smarginatura” in relation to the question of literary truth. Thepurpose is to examine the fascinating interaction between meta reflection and narration through anintratextual reading of her poetics elaborated in La frantumaglia (2013, 2016) and all novels publishedso far. With references to the theories of Sigmund Freud and Jacques Lacan, la frantumaglia and lasmarginatura are interpreted as the unconscious and different mental disorders that charac
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Restucci, Francesca. "Elena Ferrante in Cina. Traduzione e ricezione de L'amica geniale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20383/.

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Visto lo straordinario successo mondiale della quadrilogia L’amica geniale di Elena Ferrante, questa tesi si pone l’obiettivo di analizzare la traduzione in cinese del primo volume e di spiegare quale sia stata la ricezione di un romanzo italiano di tale valore da parte del pubblico cinese. L’amica geniale è indubbiamente uno dei capolavori della letteratura italiana degli ultimi dieci anni. Pubblicata a partire dal 2011, la quadrilogia è diventata in breve tempo un best-seller in tutto il mondo, ottenendo il primo posto anche nelle classifiche dei libri più letti in Cina. Basato sulla stor
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Moretti, Ilaria. "La page est un miroir : la construction d'une identité littéraire à travers l'étude métabiographique des personnages féminins d'Elena Ferrante." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE3034.

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Cette étude naît de la volonté de répondre à un simple questionnement : est-il possible de reconstruire l’identité littéraire d’un auteur qui choisit délibérément de se cacher au grand public ? Ce concept d’identité littéraire paraît s’inscrire dans une théorisation métabiographique présentant un texte à la fois récit personnel, autofiction et compte rendu littéraire. Notre idée serait de pouvoir examiner comment Elena Ferrante, auteure absente, a pu, grâce à la création de ses protagonistes féminines, réfléchir à son rapport avec autrui, l’écriture, le corps interprété dans son acception fémi
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Fant, Evelina. "Från barndomens Neapel och tillbaks igen : En undersökning av huvudpersonens utveckling i Elena Ferrantes romansvit." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-77972.

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Sandberg, Amanda. "”Da domani [...] te ne vai di nuovo a mettere la ricotta nei cannoli” : La traduzione dei realia culturospecifici dall’italiano allo svedese nella serie dell’Amica geniale di Elena Ferrante." Thesis, Umeå universitet, Institutionen för språkstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-148815.

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This essay focuses on the cultural aspects of translation, mainly on the cultural-specific elements known as realia, when translating from Italian to Swedish. As the realia might be unknown to the reader of the target text and as they often have no exact correspondence in the target language, they often pose a challenge for the translator. The essay examines which strategies the translator has used to translate cultural-specific elements and the question is raised whether the translation, regarding the cultural aspects, is orientated towards the source culture (adequacy-orientated) or towards
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Marchais, Nathalie. "La figure maternelle dans la littérature féminine italienne des quarante dernières années." Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100231/document.

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Depuis l’essor du féminisme dans les années soixante-dix, les écrivaines ont commencé à occuper une place importante dans le panorama littéraire italien. Parmi les thématiques les plus souvent traitées, celle de la mère et de la maternité représentent un intérêt constant. Loin de reproduire l’habituel stéréotype de la mamma italienne, les écrivaines ont contribué à une déconstruction progressive des mythes inhérents à cette figure centrale dans la culture et la société. Les années soixante-dix ont été caractérisées par le refus de la maternité en tant que vocation naturelle de la femme, en lie
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Bergquist, Echo Bray. "La morte e rinascita dell'autrice Elena Ferrante." 2009. http://hdl.handle.net/10090/8587.

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Menezes, Cristina Carneiro de. "Entre o conhecimento e o desejo: estratégias de emancipação das personagens Lila e Lenù na tetralogia napolitana de Elena Ferrante." Master's thesis, 2020. http://hdl.handle.net/10362/111126.

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A tetralogia napolitana de Elena Ferrante foi publicada entre 2011 e 2014, na Itália, e rapidamente espalhou-se pelo mundo de uma maneira muito abrangente, popularizando e pautando debates entre leitores, especialmente o público feminino, a partir da história de amizade de Lila e Lenù. Com este trabalho, busco compreender o potencial feminista da obra e como a construção da subjetividade e da identidade da protagonista e narradora, Lenù, através da narrativa, é um caminho viável para ressignificar a existência, criando novas formas de estar no mundo. Para isso, analisei a formação feminista da
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Books on the topic "Elena Ferrante"

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Russo Bullaro, Grace, and Stephanie V. Love, eds. The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7.

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Elena Ferrante. Key Words. Europa Editions, Incorporated, 2019.

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Beebee, Thomas Oliver, and Stiliana Milkova. Elena Ferrante As World Literature. Bloomsbury Publishing Plc, 2021.

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The Works of Elena Ferrante: Reconfiguring the Margins. Palgrave Macmillan, 2016.

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The Works of Elena Ferrante: Reconfiguring the Margins. Palgrave Macmillan, 2018.

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Tiger Hills: For fans of Elena Ferrante, a sweeping saga about family and fortune. Orion Publishing, 2010.

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Fletcher, Judith. Myths of the Underworld in Contemporary Culture. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198767091.001.0001.

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Stories of a visit to the realm of the dead and a return to the upper world are among the oldest narratives in European literature, beginning with Homer’s Odyssey and extending to contemporary culture. This volume examines a series of fictional works by twentieth- and twenty-first century authors, such Toni Morrison and Elena Ferrante, which deal in various ways with the descent to Hades. Myths of the Underworld in Contemporary Culture surveys a wide range of genres, including novels, short stories, comics, a cinematic adaptation, poetry, and juvenile fiction. It examines not only those texts
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Book chapters on the topic "Elena Ferrante"

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Cavanaugh, Jillian R. "Indexicalities of Language in Ferrante’s Neapolitan Novels: Dialect and Italian as Markers of Social Value and Difference." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_3.

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Love, Stephanie V. "“An Educated Identity”: The School as a Modernist Chronotope in Ferrante’s Neapolitan Novels." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_4.

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Gallippi, Franco. "Elena Ferrante’s My Brilliant Friend: In Search of Parthenope and the “Founding” of a New City." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_5.

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Ferrara, Enrica Maria. "Performative Realism and Post-Humanism in The Days of Abandonment." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_6.

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Milkova, Stiliana. "Elena Ferrante’s Visual Poetics: Ekphrasis in Troubling Love, My Brilliant Friend, and The Story of a New Name." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_7.

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de Rogatis, Tiziana. "Metamorphosis and Rebirth: Greek Mythology and Initiation Rites in Elena Ferrante’s Troubling Love." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_8.

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Maksimowicz, Christine. "Maternal Failure and Its Bequest: Toxic Attachment in the Neapolitan Novels." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_9.

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Bullaro, Grace Russo, and Stephanie V. Love. "Introduction: Beyond the Margins: “Ferrante Fever” and Italian Female Writing." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_1.

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Elwell, Leslie. "Breaking Bonds: Refiguring Maternity in Elena Ferrante’s The Lost Daughter." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_10.

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Mandolini, Nicoletta. "Telling the Abuse: A Feminist-Psychoanalytic Reading of Gender Violence, Repressed Memory, and Female Subjectivity in Elena Ferrante’s Troubling Love." In The Works of Elena Ferrante. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57580-7_11.

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