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Journal articles on the topic 'Elena Ferrante'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Ferrante, Elena, Sandro Ferri, Sandra Ferri, Eva Ferri, and Maïra Muchnik. "Entretien Elena Ferrante." Books N° 77, no. 6 (June 1, 2016): 14–20. http://dx.doi.org/10.3917/books.077.0014.

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2

Reyes Ferrer, María. "La narrativa de Elena Ferrante: El desequilibrio de Olga, una Medea moderna." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 268. http://dx.doi.org/10.25115/raudem.v3i0.631.

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Resumen: El presente trabajo pretende acercarse a la figura de la enigmática escritora Elena Ferrante y analizar algunas de las características más destacables de su narrativa. Para ello, nos centraremos en una obra en concreto, I giorni dell’abbandono, y las vivencias de Olga, su protagonista, que guiará al lector por los entresijos de su agonía personal tras ser abandonada y traicionada por su marido. Elena Ferrante’s Narrative: Olga’s Instability, a Modern Medea Abstract: The present work aims to approach the image of the enigmatic writer Elena Ferrante and analyze some of the most distinctive features of her narrative. To do so, we will focus on a particular work Il giorni dell ‘abbandono and Olga’s –its protagonist– experiences, which will guide the reader through the in and outs of her own agony after being dumped and betrayed by her husband.
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3

Giorgio, Adalgisa. "Elena Ferrante. Parole Chiave." Italian Culture 37, no. 2 (July 3, 2019): 177–79. http://dx.doi.org/10.1080/01614622.2019.1683276.

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4

Haugen, Marius Warholm. "Stranden hos Elena Ferrante." K&K - Kultur og Klasse 48, no. 130 (December 30, 2020): 209–38. http://dx.doi.org/10.7146/kok.v48i130.123640.

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5

Colonna Dahlman, Roberta. "Narrazione dell’abbandono tra letteratura e cinema." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 51, no. 1 (July 18, 2016): 125–46. http://dx.doi.org/10.1075/rro.51.1.05dah.

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This paper aims at offering a comparative analysis of the narrator in the novel I giorni dell’abbandono (2002) by the Italian writer Elena Ferrante, and the narrator in the cinematographic version of the same work I giorni dell’abbandono (2005), directed by Roberto Faenza. The paper focuses on some narrative properties that emerge in Elena Ferrante’s novel and compares the literary narrator to the cinematographic narrator in Roberto Faenza’s movie. Furthermore, the paper discusses different narrative strategies as used in these two different media, literary text and cinematographic work.
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6

Cane, Tina. "Letter for Elena Ferrante: Devotional." Massachusetts Review 60, no. 4 (2019): 780. http://dx.doi.org/10.1353/mar.2019.0123.

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7

DEUTSCH, ABIGAIL. "FICTION IN REVIEW: ELENA FERRANTE." Yale Review 103, no. 2 (March 11, 2015): 158–65. http://dx.doi.org/10.1111/yrev.12272.

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8

Ferrara, Enrica Maria. "Elena Ferrante as World Literature." Italian Studies 76, no. 3 (June 11, 2021): 347–49. http://dx.doi.org/10.1080/00751634.2021.1936796.

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9

DEUTSCH, ABIGAIL. "FICTION IN REVIEW: ELENA FERRANTE." Yale Review 103, no. 2 (2015): 158–65. http://dx.doi.org/10.1353/tyr.2015.0070.

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10

Gibbons, Alison. "The “dissolving margins” of Elena Ferrante and the Neapolitan novels." Narrative Inquiry 29, no. 2 (October 16, 2019): 391–417. http://dx.doi.org/10.1075/ni.19017.gib.

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Abstract Using Elena Ferrante’s Neapolitan novels as case study, this article presents a cognitive approach to fictionality and authorial intention using Text World Theory and Mind-Modelling. It investigates two forms of ontological distortion: readers’ (mis)classification of the novels’ genre (as autofiction or autobiography) and the problem posed by the author’s pseudonymic identity. The analysis has three parts: first, I conduct a Text World analysis of the novels’ syntactic/stylistic similarities to autobiography and, in doing so, reveal its ontological structure; second, I consider the ontological liminality of narration and the ways in which readers build an authorial mind-model of Ferrante; thirdly, I explore the assessment of critics and/as readers of the text’s fictionality and the impact of Ferrante’s pseudonym on perceptions of authorial intentionality and the authorial mind-model. Ultimately, I argue that a cognitive approach offers greatest insight into readers’ interpretations of authors and of fictionality.
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11

Galfré, Monica. "La storia «geniale» di Elena Ferrante." PASSATO E PRESENTE, no. 108 (October 2019): 111–29. http://dx.doi.org/10.3280/pass2019-108006.

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12

Benedetti, Laura. "Il linguaggio dell’amicizia e della città: L’amica geniale di Elena Ferrante tra continuità e cambiamento." Quaderni d'italianistica 33, no. 2 (February 9, 2013): 171–87. http://dx.doi.org/10.33137/q.i..v33i2.19423.

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L’ultimo romanzo di Elena Ferrante, L’amica geniale. Infanzia, adolescenza, continua una ricerca linguistica incentrata sulla dicotomia lingua/dialetto già evidente nella produzione precedente della scrittrice, mentre sposta l’attenzione dal rapporto madre-figlia a quello tra amiche, sentimento spesso trascurato nella letteratura, non solo italiana. Il saggio analizza gli elementi di continuità e cambiamento nella narrativa di Ferrante alla luce delle riflessioni elaborate del Gender Criticism (Virginia Woolf, Adrienne Rich, Marianne Hirsch, Janice Raymond e altri) e delle teorie sullo sviluppo della personalità (Diamond).
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13

Zarour Zarzar, Victor Xavier. "Bumping into the Novelistic Scaffolding: Narrative Structure in Elena Ferrante’s Neapolitan Novels." Contemporary Women's Writing 13, no. 2 (July 2019): 186–202. http://dx.doi.org/10.1093/cww/vpz016.

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Abstract This article aims to arrive at a thematics of emplotment by scrutinizing Elena Ferrante’s use of plot in the Neapolitan Novels. It investigates theories of structure and narrative advanced by critics like Hannah Arendt, Peter Brooks, Adriana Cavarero, and Henry James to examine these texts’ narrative complexity. It contends that the novels exhibit a liminal narrative orientation: looking outward, from the inside of the plotted ground, onto the forces that threaten to disintegrate plot. To support this contention, the article finds narrative correlatives for certain phenomena of disintegration that Ferrante has discussed at length, proceeding to examine the novels’ strongest moment of smarginatura (dissolving margins) – the earthquake – in an effort to understand how the novels incorporate or indirectly address forces that are antithetical to plot.
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14

Fernandes, Verônica Daminelli. "“Crônicas do Mal de Amor”: Elena Ferrante e a subversão da “performatividade do gênero feminino”." Diálogo com a Economia Criativa 1, no. 3 (January 13, 2017): 76. http://dx.doi.org/10.22398/2525-2828.1376-91.

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O objetivo deste artigo é analisar como a produção literária se insere no contexto da economia criativa como espaço de luta e denúncia sociais. Para isso, propomos uma leitura do livro “Crônicas do Mal de Amor”, da italiana Elena Ferrante, que ilustra o rompimento do imaginário comum sobre a “identidade natural” das mulheres. Além de mostrar uma literatura que problematiza a subjetividade das mulheres numa atualidade em que o “ser-mulher” continua engessado dentro daquilo que Judith Butler chamou de “performatividade de gênero”, tal trabalho visa ilustrar de que modo a escrita de Ferrante tenta subverter a inteligibilidade do gênero “feminino”.
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15

Jovanović, Irena. "The doll motif in the works of Elena Ferrante." Genero, no. 21 (2017): 19–42. http://dx.doi.org/10.5937/genero1721019j.

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Larangeira da Silva Mello, Luiza. "DESCIDA AO INFERNO." Fênix - Revista de História e Estudos Culturais 18, no. 1 (June 28, 2021): 131–54. http://dx.doi.org/10.35355/revistafenix.v18i1.1054.

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O artigo propõe-se a discutir o modo como os temas da formação, identidade e mobilidade social são figurados no romance A vida mentirosa dos adultos [La vita bugiarda degli adulti] (2019), de Elena Ferrante. Assumindo uma perspectiva que coloca no centro do procedimento analítico a historicidade do gênero romanesco, argumenta-se que, ao figurar esses três temas a partir das metáforas da catábase e da Queda, apropriadas às tradições poéticas clássica e judaico-cristã, o romance de Ferrante parodia – e, portanto, subverte – as formas do romance realista moderno e da tradição do Bildungsroman, de modo a levá-las ao limite, inverter seus pressupostos e, eventualmente, rompê-las.
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17

Todesco, Serena. "Maternal Troubling Bodies in Slavenka Drakulić and Elena Ferrante." MLN 136, no. 1 (2021): 164–85. http://dx.doi.org/10.1353/mln.2021.0009.

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18

Cortelazzo, Michele, and Arjuna Tuzzi. "A chi assomiglia Elena Ferrante? Un profilo stilometrico aggior-nato." Italica Wratislaviensia 11, no. 1 (June 30, 2020): 123–41. http://dx.doi.org/10.15804/iw.2020.1.11.5.

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Cortelazzo, Michele, and Arjuna Tuzzi. "A chi assomiglia Elena Ferrante? Un profilo stilometrico aggior-nato." Italica Wratislaviensia 11, no. 1 (June 30, 2020): 123–41. http://dx.doi.org/10.15804/iw.2020.11.1.05.

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Cortelazzo, Michele, and Arjuna Tuzzi. "A chi assomiglia Elena Ferrante? Un profilo stilometrico aggior-nato." Italica Wratislaviensia 11, no. 1 (June 30, 2020): 123–41. http://dx.doi.org/10.15804/iw.2020.11.1.5.

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21

Reyes Ferrer, Maria. "Las relaciones materno-filiales en la obra de Elena Ferrante." Asparkía. Investigació feminista, no. 31 (2017): 47–63. http://dx.doi.org/10.6035/asparkia.2017.31.3.

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22

Dantas, Tatianne Santos, and Simone Zanon Moschen. "Escrita, vestígio e ausência em A amiga genial de Elena Ferrante." Revista Subjetividades 19, no. 2 (July 18, 2019): 1. http://dx.doi.org/10.5020/23590777.rs.v19i2.e9156.

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Neste artigo, pretendemos fazer ressoar, com a psicanálise, efeitos da leitura do livro A amiga genial de Elena Ferrante. Encontramos neste romance, em especial no prólogo Apagar os vestígios, a possibilidade de traçar um percurso que nos permite mobilizar elementos capazes de dar contorno à proposição freudiana de que os traços mnêmicos, de que se constitui o aparelho psíquico, inscrevem-se como fruto de um apagamento. Também interessará à tessitura deste texto os fios que nos chegam do trabalho de Lacan com o romance Robinson Crusoé, de Daniel Defoe – trabalho que mobiliza o movimento de ausência-presença-ausência como condição de um registro simbólico. O desaparecimento da personagem Lila Cerullo, narrado nas páginas iniciais do romance de Ferrante, nos permitirá pensar sobre a relação entre perda e criação literária. O significante vestígio que compõe o título do prólogo de A amiga genial indica a passarela que permite colocar em contato o pensamento da escritora italiana e as formulações freudianas sobre o inconsciente. É no rastro desse significante que espraiamos a relação com a literatura, para entrever o que a ficção contemporânea pode dizer para a psicanálise.
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23

Spinola Pereira Caldas, Pedro, and Kelvin Falcão Klein. "Apresentação." Fênix - Revista de História e Estudos Culturais 18, no. 1 (June 28, 2021): 1–3. http://dx.doi.org/10.35355/revistafenix.v18i1.1048.

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Um dos objetivos do dossiê é propor um resgate crítico de um período específico do contexto cultural italiano do século XX, a saber, o período que vai da década de 1960 à década de 1980. Trata-se de um interesse de fundo que contribui para a articulação das diversas contribuições aqui reunidas, propostas de leituras das obras de autores como Leonardo Sciascia, J. Rodolfo Wilcock, Goffredo Parise, Vittorio Sereni, Primo Levi e Elena Ferrante.
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24

Calheiros, Maria Clara. "ELENA FERRANTE AND PATRIARCHY. LESSONS FROM L'AMICA GENIALE (MY BRILLIANT FRIEND)." HUMANITIES AND RIGHTS | GLOBAL NETWORK JOURNAL 1, no. 1 (December 31, 2019): 207–29. http://dx.doi.org/10.24861/2675-1038.v1i1.21.

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The relationship between feminist theories and the law and literature movement is not new and has provided very fruitful analysis over many decades, ever since the 1970s. Twenty-first century literature, which includes L' Amica Geniale (My brilliant friend), even when describing stories and action that are placed in other historical times (in this case, in the historical context of the twentieth century), allows establishing an ever renewed dialogue with feminist theories, in its current expression. The author reviews the recent "rediscovery" of feminism and how some concepts evolved in the context of feminist theories. A concept to which she devotes attention is patriarchy, as it is paramount for understanding the connections that can be perceived to exist between feminist theories and FERRANTE's work. In the author’s opinion, the Neapolitan novels are eloquent in the portrait presented – complex, multifaceted, ambiguous even – of what it ultimately means to be a woman living in a patriarchal society.
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25

Segnini, Elisa. "Local Flavour vs Global Readerships: The Elena Ferrante Project and Translatability." Italianist 37, no. 1 (January 2, 2017): 100–118. http://dx.doi.org/10.1080/02614340.2016.1273649.

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26

Falotico, Caterina. "Elena Ferrante: Il ciclo dell’Amica geniale tra autobiografia, storia e metaletteratura." Forum Italicum: A Journal of Italian Studies 49, no. 1 (March 30, 2015): 92–118. http://dx.doi.org/10.1177/0014585815578573.

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27

Pickard, Susan. "On becoming a hag: gender, ageing and abjection." Feminist Theory 21, no. 2 (July 2, 2019): 157–73. http://dx.doi.org/10.1177/1464700119859751.

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In this article, I explore, through the novels of Elena Ferrante, the role played by the ‘abject’ in mediating ageing in women, focusing on its role in the movement from a disempowered to a more powerful subject position. The article has three sections. The first describes the role of the abject in constituting the feminine, focusing on the place of temporality and ageing in this process. Represented by the symbolic figure of the hag, the old woman is a source of primal fear which forms the foundation of a violently misogynistic gendered (self-)formation. However, following Barbara Creed, there are two representational forms of the hag, that of victim (hag) and that of monster (Hag), which I argue also suggest alternative subjectivities associated with ageing femininity. In the second section, I explore the movement from one form to the other by means of conceptual models drawn from Simone de Beauvoir and Margaret Morganroth Gullette, in which process a battle over the symbolic meaning of abjection is central. Moreover, ageing itself is significant in mediating the shift from an oppressed/fragmented to a powerful/integrated subject position. Whilst the structures of feeling involved in this subjectivity are emergent, fiction and imaginative literature may provide helpful early depictions and in the last section I illustrate the psychosocial domain with material drawn from two early novels by Elena Ferrante.
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28

Lee, Alison. "Feminine Identity and Female Friendships in the ‘Neapolitan’ Novels of Elena Ferrante." British Journal of Psychotherapy 32, no. 4 (October 21, 2016): 491–501. http://dx.doi.org/10.1111/bjp.12232.

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29

Pinheiro, Iara Machado. "Sapatos e ritmos dos passos: notas sobre "Preciosidade", de Clarice Lispector." Revista da Anpoll 51, esp (December 10, 2020): 75–82. http://dx.doi.org/10.18309/anp.v51iesp.1439.

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Este artigo propõe uma leitura do conto “Preciosidade”, de Clarice Lispector e parte da coletânea Laços de Família (1960), se detendo na reincidência dos sapatos como imagens de transições e mediações entre o íntimo e o externo, e com o amparo do ensaio Os sapatos rotos, de Natalia Ginzburg, e de um dos capítulos que formam A amiga genial, de Elena Ferrante. A interpretação seria que os sapatos no conto de Clarice possam ser entendidos como o necessário e doloroso deslocamento da casa como referência única de autoridade e o peso de responsabilidade imbuída na liberdade.
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Kobilj Cuic, Sanja. "Rompere il tabù: Il tema dell’abbandono dei figli in Una donna di Sibilla Aleramo e La filgia oscura di Elena Ferrante." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 252. http://dx.doi.org/10.25115/raudem.v3i0.630.

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Riassunto: Questo articolo esamina la maternità rappresentata in due testi, Una donna di Sibilla Aleramo e La figlia osura di Elena Ferrante. L’accento è sul tema dell’ambivalenza materna e sul tema dell’abbandono dei figli da parte delle madri considerato tuttora uno dei tabù nella società e nella letteratura italiane. Attraverso l’analisi di questi due romanzi, si cerca di capire quali siano i motivi emotivi e sociali che portano le madri protagoniste a cercare i propri spazi. Il metodo teorico si basa sul lavoro del gruppo Diotima sull’ambivalenza della maternità. Breaking the Taboo: The Theme of Abandonment of Children Abstract: This article examines motherhood represented in some of the most important novels of Italian female literature. The focus is on the topic of maternal ambivalence and the on theme of abandonment of a child considered one of the taboos in Italian literature and society. Through a close reading of novels Una donna written by Sibilla Aleremo and La figlia oscura and I giorni dell’abbandono by Elena Ferrante, the article analyses the emotional and social motives that bring the women to search for their own freedom and re-establish their own identity. The search for a non-patriarchal motherhood is made possible through the work of Italian theorist gathered around the Italian feminist group of Diotima that through different seminars discuss the exception of a mother and explore the ambivalence of the maternal. Although the changes in better are visible, the narrative of women needs more exploring of the voice of the mother but also a larger autonomy in expressing the dark sides of maternity that still lack of presentation.
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Wehling-Giorgi, Katrin. "Rethinking Constructs of Maternity in the Novels of Elena Ferrante and Alice Sebold." Women: A Cultural Review 30, no. 1 (July 6, 2018): 66–83. http://dx.doi.org/10.1080/09574042.2018.1478541.

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32

Tuzzi, Arjuna, and Michele A. Cortelazzo. "What is Elena Ferrante? A comparative analysis of a secretive bestselling Italian writer." Digital Scholarship in the Humanities 33, no. 3 (January 19, 2018): 685–702. http://dx.doi.org/10.1093/llc/fqx066.

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Burgess, Olenka. "Elevating the Translator: Best practices in promoting international literature." Logos 28, no. 1 (June 8, 2017): 7–18. http://dx.doi.org/10.1163/1878-4712-11112121.

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Enthusiastic readers within and outside the publishing industry have lamented the paucity of international literature translated into English. Despite the widely held belief that translated literature does not sell, small presses and literary organizations have emerged over the past decade to take the lead in advocating for more translated literature and more recognition for translators. Drawing on media coverage and industry panels over the past five years as well as the recent success of translated titles by Clarice Lispector, Valeria Luiselli, and Elena Ferrante, this paper investigates the emerging visibility of translators and identifies opportunities to harness and elevate that visibility in developing a readership for translated literature.
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34

Miller, Martha. "Review of L’amica geniale: infanzia, adolescenza (Rome: Edizioni e/o, 2011), by Elena Ferrante." Eutomia 1, no. 15 (September 18, 2015): 578. http://dx.doi.org/10.19134/eutomia-v1i15p578-583.

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35

Cooper, Howard. "Jonah Unbound." European Judaism 54, no. 2 (September 1, 2021): 84–93. http://dx.doi.org/10.3167/ej.2021.540210.

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The Hebrew Bible is a compilation of literary ‘fictions’ and poetry that evoke ‘the truth of the human condition’ (Elena Ferrante). This article retells the story of the Book of Jonah from the first-person perspective of ‘Jonah’. The fictional narrative is rooted in the language and themes of the original biblical text. Jonah is still angry with God’s forgiveness of the Ninevites, and readers’ complicity in the always-recurring flight from taking responsibility to act against evil in the world. As Jonah tells his story, he regresses into a manic state that parallels chapter 2 of the biblical book. The narrative moves into reflections about humanity’s lack of compassion for the natural world, and Jonah’s fears about the forthcoming ‘ecocide’ of the planet.
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Maranhão, Andreia Pagani. "Giallo & Subversivo - A série napolitana e a fabricação da “Febre Ferrante” no Brasil." Bakhtiniana: Revista de Estudos do Discurso 15, no. 3 (September 2020): 107–27. http://dx.doi.org/10.1590/2176-457343450.

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RESUMO Com diversos best sellers no currículo, Elena Ferrante é uma das escritoras mais influentes da atualidade; não obstante, é anônima. Sua obra é exemplo do que chamamos literatura de transição, pois indica mutações, resquícios e sinais do presente, enfatizando deslocamentos e margens nas metamorfoses sociopolíticas, bem como conflitos civilizacionais e éticos do viver. Neste ensaio, pretende-se explorar alguns elementos do ‘hibridismo pop’ de sua obra, evidenciando aspectos que conformaram sua recepção no Brasil e a adesão febril aos seus escritos. O que ela denomina ‘desmarginação’ é apresentado como potência: permite a reaproximação do passado e o conhecimento de suas implicações na identidade, conduta e ética das pessoas comuns. Ação política munida da experiência histórica, a narrativa possibilita - no presente - alterações de rotas, rupturas prévias, resistências, bloqueios.
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Pinto, Isabella, Stiliana Milkova, and Adriana Cavarero. "Storytelling Philosophy and Self Writing—Preliminary Notes on Elena Ferrante: An Interview with Adriana Cavarero." Narrative 28, no. 2 (2020): 236–49. http://dx.doi.org/10.1353/nar.2020.0006.

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de Gandt-Gauliard, Françoise. "Avec Elena Ferrante, une illustration de la théorie de la sexualité féminine selon Melanie Klein." Le Coq-héron N°241, no. 2 (2020): 83. http://dx.doi.org/10.3917/cohe.241.0083.

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39

Bobicic, Nadja. "Finding one's place in the female history chain: Matrilineality in the opus of Elena Ferrante." Kultura, no. 157 (2017): 20–33. http://dx.doi.org/10.5937/kultura1757020b.

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40

Guzmán, Patricia. "La maternidad en conflicto en The Gathering de Anne Enright y La hija oscura de Elena Ferrante." Inter Litteras, no. 2 (November 30, 2020): 234–50. http://dx.doi.org/10.34096/interlitteras.n2.9737.

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Este trabajo se propone revisar las representaciones sobre la maternidad en dos novelas de autoras contemporáneas, The Gathering, de la irlandesa Anne Enright y La hija oscura, de la italiana Elena Ferrante. La necesidad de rebatir y debatir los discursos patriarcales sobre la maternidad no es patrimonio único de las intelectuales feministas de los siglos XX y XXI, sino que es evidente en la obra de muchas escritoras. En este trabajo se busca indagar los vínculos entre la construcción de la maternidad como relación social y la literatura, en tanto espacio de confluencia de diversos discursos sociales que se resignifican en los diferentes campos en los que circulan. Este trabajo no pretende ser exhaustivo, sino una reflexión sobre las relaciones entre narrativa y maternidad en las obras citadas, dejando abierto el camino para que se amplíe el corpus por analizar en un futuro.
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Wehling-Giorgi, Katrin. "Unclaimed Stories: Narrating Sexual Violence and the Traumatized Self in Elena Ferrante and Alice Sebold's Writings." MLN 136, no. 1 (2021): 118–42. http://dx.doi.org/10.1353/mln.2021.0007.

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42

Mauger, Gérard. "Histoires d’amour Elena Ferrante, La Vie mensongère des adultes, traduit de l’italien par Elsa Damien, Paris, Éditions Gallimard, 2020." Savoir/Agir N°53, no. 3 (2020): 138. http://dx.doi.org/10.3917/sava.053.0138.

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43

Sciacovelli, Antonio. "Restare o partire? Sulle rappresentazioni non stereotipate di Napoli." Italianistica Debreceniensis 25 (March 29, 2020): 36–53. http://dx.doi.org/10.34102/itde/2019/5553.

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L'immagine letteraria di Napoli, "Capitale del Sud", che vede periodiche alternanze di crisi e splendore nelle arti, è sicuramente dicotomica: da un lato il locus amoenus in cui fiorisce l'inventiva e diverse tradizioni culturali si intersecano e convivono; dall'altro, il luogo simbolico di immense disparità sociali, uno scoppio di epidemie e la culla di una mentalità rilassata e reazionaria. L'immagine usata da Benedetto Croce per definire la città, "un paradiso abitato dai diavoli", risale al Medioevo, e viene negata di volta in volta dagli autori che intendono costruire un mito positivo di napoletanità, ma già agli inizi 20° secolo, e quindi soprattutto nel periodo dal 1943 (ai giorni nostri), ci sono accenti sempre più critici nei confronti di questa immagine, che risultano - più che nell'odio o nel disprezzo per la città e i suoi abitanti - nella tendenza ad allontanarsi da Napoli, per abbandonare una realtà contraddittoria che non risolve i suoi problemi, ma come una foresta vergine ricresce distruggendo ogni elemento del progresso. Gli autori esaminati nell'articolo sono: Carlo Bernari, Anna Maria Ortese, Raffaele La Capria, Fabrizia Ramondino, Ermanno Rea, Giuseppe Montesano, Elena Ferrante.
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Vermeulen, Pieter. "New York, Capital of World Literature? On Holocaust Memory and World Literary Value." Anglia 135, no. 1 (March 1, 2017): 67–85. http://dx.doi.org/10.1515/ang-2017-0005.

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AbstractThe question of how world literary value is produced has been central to recent debates. While Pascale Casanova’s influential account of a relatively autonomous ‘world literary space’ follows the work of Pierre Bourdieu in applying economic metaphors to processes of world literary value production, this essay argues that Casanova’s 1999 account needs to be updated in light of recent economic and cultural developments: the economic and the literary sphere are no longer separate but fundamentally entwined, which means that processes of world literary value creation cannot be modeled as a pseudo-market. The essay traces ongoing debates on the transcultural circulation of Holocaust memory to put forward a more flexible and multifaceted model for the production of world literary value. To demonstrate the claim that world literary value is today articulated with other forms of value, the essay investigates the role of Holocaust memory in the recent world literary consecration of Roberto Bolaño, Karl-Ove Knausgaard, and Elena Ferrante. Concentrated around New York-based publishers and media, these three cases not only demonstrate the crucial role of Holocaust memory in articulating literary value, they also show the recent shift from Paris to New York as a primary center of world literary value production.
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45

Risi, Alessia. "Elena Ferrante’s Neapolitan Novels." Journal of Romance Studies 18, no. 3 (January 2018): 317–40. http://dx.doi.org/10.3828/jrs.2018.20.

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Brunello, Yuri. "Elena Ferrante’s key words." Journal of Modern Italian Studies 25, no. 2 (March 14, 2020): 221–24. http://dx.doi.org/10.1080/1354571x.2020.1723381.

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Olivia Santovetti. "Melodrama or Metafiction? Elena Ferrante's Neapolitan Novels." Modern Language Review 113, no. 3 (2018): 527. http://dx.doi.org/10.5699/modelangrevi.113.3.0527.

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Mullenneaux, Lisa. "Burying Mother's Ghost: Elena Ferrante's Troubling Love." Forum Italicum: A Journal of Italian Studies 41, no. 1 (March 2007): 246–50. http://dx.doi.org/10.1177/001458580704100118.

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49

Moiseev, S., J. W. Cohen Tervaert, Y. Arimura, D. Bogdanos, C. Elena, J. Damoiseaux, M. Ferrante, et al. "AB0511 INTERNATIONAL CONSENSUS ON ANCA TESTING AND INTERPRETATION BEYOND SYSTEMIC VASCULITIS." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 1553.2–1553. http://dx.doi.org/10.1136/annrheumdis-2020-eular.219.

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Background:ANCA can be detected in sera from patients with autoimmune, inflammatory, infectious or neoplastic diseases.Objectives:To issue a Consensus Statement on ANCA testing and interpretation beyond systemic vasculitis.Methods:This Statement was prepared by a group of experts, based on the results of a comprehensive search in PubMed.Results:In certain settings beyond systemic vasculitis, ANCA may have diagnostic, clinical, and/or prognostic relevance. Testing for PR3- and MPO-ANCA by specific immunoassays should be performed in any patient with clinical features suggesting ANCA-associated vasculitis and in patients with anti-GBM disease and idiopathic interstitial pneumonia. Routine ANCA testing is not recommended in patients with connective tissue diseases (CTD), autoimmune liver diseases, inflammatory bowel diseases, infections, and/or malignancy unless there is evidence for small vessel vasculitis. ANCA testing by specific immunoassays may be useful in patients with rheumatoid arthritis, systemic sclerosis or primary Sjögren’s syndrome who have kidney disease with a nephritic sediment or in patients with systemic lupus erythematosus if a kidney biopsy shows prominent necrotizing and crescentic lesions or proliferative lupus nephritis. ANCA testing may be justified in patients with suspected autoimmune hepatitis type 1, who do not have conventional disease-related autoantibodies, or in patients with inflammatory bowel diseases in case of diagnostic uncertainty to discriminate ulcerative colitis from Crohn’s disease. In these cases, ANCA should be tested by indirect immunofluorescence since target antigens are not well characterized. ANCA against bactericidal/permeability-increasing protein may be a biomarker for deteriorating lung function and a poor prognosis in patients with cystic fibrosis.Conclusion:ANCA testing is clinically relevant not only in patients with manifestations suggesting systemic vasculitis, but also in patients with certain other disorders, particularly in patients with anti-GBM disease or idiopathic interstitial pneumonia.Disclosure of Interests:Sergey Moiseev Grant/research support from: This work was supported by the 5-100 Project, Sechenov University, Moscow, Jan Willem Cohen Tervaert: None declared, Yoshihiro Arimura: None declared, Dimitrios Bogdanos: None declared, Csernok Elena: None declared, Jan Damoiseaux: None declared, Marc Ferrante: None declared, Luis Felipe Flores-Suárez: None declared, Marvin Fritzler: None declared, Pietro Invernizzi: None declared, David Jayne Grant/research support from: ChemoCentryx, GSK, Roche/Genentech, Sanofi-Genzyme, Consultant of: Astra-Zeneca, ChemoCentryx, GSK, InflaRx, Takeda, Insmed, Chugai, Boehringer-Ingelheim, J. Charles Jennette: None declared, Mark Little: None declared, Stephen P. McAdoo: None declared, Pavel Novikov Grant/research support from: This work was supported by the 5-100 Project, Sechenov University, Moscow, Charles D. Pusey: None declared, Antonella Radice: None declared, Alan D. Salama: None declared, Judith Savige: None declared, Mårten Segelmark: None declared, Yehuda Shoenfeld: None declared, Renato Alberto Sinico: None declared, Maria Jose Rego de Sousa: None declared, Ulrich Specks: None declared, Benjamin Terrier: None declared, Athanasios Tzioufas: None declared, Severine Vermeire: None declared, Ming-hui Zhao: None declared, Xavier Bossuyt: None declared
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Bobičić, Nađa. "The theme of motherhood in Elena Ferrante's early novels." Genero, no. 21 (2017): 1–18. http://dx.doi.org/10.5937/genero1721001b.

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