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Journal articles on the topic 'Elif Shafak'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Safak, Elif, and Myriam J. A. Chancy. "Migrations: A Meridians Interview with Elif Shafak." Meridians: feminism, race, transnationalism 4, no. 1 (2003): 55–85. http://dx.doi.org/10.1353/mer.2004.0006.

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2

GÜRBÜZ, Nevin Faden. "THE PERCEPTION OF MULTICULTURAL IDENTITY IN ELIF SHAFAK S HONOUR." Journal of International Social Research 12, no. 62 (February 28, 2019): 130–34. http://dx.doi.org/10.17719/jisr.2019.3034.

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3

Chira, Rodica Gabriela. "Intercultural communication and literature: Elif Shafak, The bastard of Istanbul." Journal of Linguistic and Intercultural Education 8 (June 15, 2015): 73–86. http://dx.doi.org/10.29302/jolie.2015.8.5.

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4

Akbar, Nabila, Marium Majeed, Izza Bilal Karori, and Aamir Aziz. "Postmodernity in Elif Shafak’s “The Forty Rules of Love”." Review of Education, Administration & LAW 3, no. 3 (December 31, 2020): 421–28. http://dx.doi.org/10.47067/real.v3i3.88.

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As the term indicates, postmodernity or postmodern condition refers to social, cultural or economic conditions that emerged in western society after modern age. It can safely be considered as counterpart of modern outlook. This research venture has been undertaken to divulge postmodernity in prevailing social structure through “The Forty Rules of Love” by Elif Shafak. This novel has been scrutinized deeper keeping in view postmodernity. The results unlock depiction of the pop culture, hypocrisy, dual standards, quest for meaning and purpose in life, social follies and wavering personalities by the author. This research paper winds up that the author has, by highlighting postmodern elements in the novel, revealed societal and cultural issues prevailing in present times.

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5

Pandya, Dr Digvijay, and Gur Kiran Toor. "The Unifying Power of Storytelling in Elif Shafak’s: The Forty Rules of Love and Three Daughters of Eve." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i11.10130.

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The Research Paper aims to explore the unifying elements of storytelling in The Forty Rules of Love and Three Daughters of Eve by the author, Elif Shafak in the light of Postmodernism. The novels depict the elements of mini-narratives, pluralism, multiplicity and polyphony. The Forty Rules of Love juxtaposes two centuries and blends them, whereas, Three Daughters of Eve juxtaposes two continents. The two novels talk about the cultural, ethnical, religious and individual differences which are the major cause of disagreements and conflicts between people. This research paper focuses on analysing the multiple narratives of the marginalized characters belonging to the minority groups.

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Pandya, Dr Digvijay. "The Unifying Power of Storytelling in Elif Shafak’s: The Forty Rules of Love and Three Daughters of Eve." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i11.10131.

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The Research Paper aims to explore the unifying elements of storytelling in The Forty Rules of Love and Three Daughters of Eve by the author, Elif Shafak in the light of Postmodernism. The novels depict the elements of mini-narratives, pluralism, multiplicity and polyphony. The Forty Rules of Love juxtaposes two centuries and blends them, whereas, Three Daughters of Eve juxtaposes two continents. The two novels talk about the cultural, ethnical, religious and individual differences which are the major cause of disagreements and conflicts between people. This research paper focuses on analysing the multiple narratives of the marginalized characters belonging to the minority groups.

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7

Imran, Muhammad, Nazakat, and Adil Khan. "Psychological Study of Islamic Mysticism in Elif Shafak's The Forty Rules of Love." Global Language Review V, no. II (June 30, 2020): 83–92. http://dx.doi.org/10.31703/glr.2020(v-ii).09.

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Mysticism presents, amidst others, a unique worldview to unfold the cosmic mysteries through experiential ways, often rendering mystical experiences somewhat subjective and elusive. This makes it highly pertinent to delve into the human psyche, which is the fountainhead of such experiences. Psychology offers theoretical tools, thereby enabling researchers to resolve riddles at one hand and enriching their understanding on the other. It is almost in the same vein that the current research is carried out, namely analyzing mystical experience from a psychological perspective. The paper contends that the culmination of a mystic's experience of the Divine is equated with his psychological wellbeing and emotional development. Drawing on Kazimierz Dabrowski's theory of positive disintegration, the researchers study a literary text, The Forty Rules of Love, written by Elif Shafak. The findings of this research lead to a nullification of the confusion of mystical experiences with psychological disorders.

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8

Jovic, Ida. "Narrative technique in the novels Flea Palace and Forty Rules of Love by Elif Shafak." Kultura, no. 149 (2015): 167–75. http://dx.doi.org/10.5937/kultura1549167j.

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9

Mustafa, Gharbi M., and Kawyar Y. Ahmed. "The Representations of Kurdish Women in Selected Turkish Novels." Academic Journal of Nawroz University 9, no. 3 (August 6, 2020): 260. http://dx.doi.org/10.25007/ajnu.v9n3a794.

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The representations of minorities by the mainstream writers have frequently been viewed negatively. The depiction has been of a major concern to the literary writings. However, the representations of Kurdish women in Turkish literary works has rarely been tackled in scholarly papers and researches. Generally, the life of a Kurdish woman is molded by patriarchal practices, traditions, and customs that govern all social zones, rather than the legal rights. The patriarchal ideologies embedded in women’s mind make them believe that they could do nothing but what is expected from them; to be submissive and obedient.This research paper focuses on the representation of the Kurdish women in selected modern Turkish novels by three particular Turkish novelists: Honor (Penguin, 2012) by Elif Shafak written in English language ; Face to Face by Ayşe Kulin (Everest, 2006) written in Turkish ; The Legend of Ararat ( Collins and Harvill Press, 197) by Yashar Kemal written in Turkish . The research aims at selecting a variety of authors based on gender, ethnicity, Language and region. Yashar Kemal, is a Turkish writer of a Kurdish origin from Gökçedam, a village in the southern province of Osmaniya; Elif Shafak, is a Turkish-British writer who lives abroad and Ayşe Kulin, a woman writer from Istanbul. By means of textual analysis, the study investigates the representation of Kurdish women in these texts. Through a comparative approach, the paper endeavors to examine the ways in which the selected authors depict the Kurdish women and their social predicaments in their fictional works. Moreover, it investigates the images and conditions these authors depict to the mainstream Turkish readers as well as to the public readers in the rest of the world. This is portrayed through the construction of specific female characters that enhances a stereotype Kurdish women, who are powerless, submissive, ignorant and victims of the patriarch Kurdish society in southwest Turkey. It also explore the diversity in the authors' representation; the sympathetic to the Kurds, challenging the stereotypes viewpoints of the Kurdish women or the negative image and the harsh representation that includes depicting misconceptions and defects in the construction of the Kurdish identity and social structure. The women in the novels are presented as victims of the gender-based system simply for having been born female; they are marginalized and discriminated against in a variety of ways.

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10

Abd Hassan, Bushra, and Hashim Aliwy Mohammed Alhusseini. "METAPHORICAL EXPRESSIONS IN SHAFAK’S NOVEL “THE FORTY RULES OF LOVE”: A COGNITIVE LINGUISTIC STUDY." International Journal of Research -GRANTHAALAYAH 8, no. 2 (May 28, 2020): 28–38. http://dx.doi.org/10.29121/granthaalayah.v8.i2.2020.181.

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This study attempts to analyse the metaphorical expressions used by the novelist Elif Shafak in her distinct novel The Forty Rules of Love. The core of any metaphorical expression lies in the intellectual conceptual, connotative and symbolic terms which require the readers to encipher such terms and grasp their intended meanings. Metaphors are the prominent linguistic devices which are deeply embedded in linguistic and literary expressions to enforce the suggestive meanings and symbolic meanings of such expressions. The researchers select four representative texts from the English novel The Forty Rules of Love in order to represent and cover all the aspects of Metaphor. To cover all the aspects of metaphor that are used in the novel, the researchers adopt a model which is based on Lakoff and Johnson’s Theory of Metaphor (1980). Based on this adopted model to examine the aspects of metaphor, two levels of analysis are followed the contextual analysis and cognitive linguistic analysis. It is found that the Sufi thoughts and symbolisms are stated by using metaphor as a type of rhetorical devices.

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11

Hina Rafique, Maryam Tariq, and Saadat Ali Khan. "Negotiating the Societal and Cultural Impact on a Perpetrator’s Psyche in Elif Shafak’s Honour." sjesr 4, no. 2 (May 1, 2021): 109–18. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(109-118).

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The present study focuses on investigating the behavioral psychology of the protagonist, Iskender as a killer from the text Honour by Elif Shafak, a renowned Turkish novelist. Albert Bandura's Social Cognitive Theory (1977) presents the importance of Observational Learning, Imitation, and Modeling in an individual's social learning and personality development. He propounds that behavior, cognition, and other environmental influences: all operate as interacting determinants to influence the development of an individual. Hence, by taking the cognitive framework of Bandura, and by tracking the factors behind the felony committed by Iskender in the name of honor, the researchers have analyzed Iskender’s behavioral psychology and guilt-oriented self. The study showed that Iskender was not criminal by nature but had been forced to act on honor ideology. Honor serves as a social code in Turkish Islamic culture and the analysis shed light on the moral principles or ethos in Turkish society implying that moral degradation and honor-killing practices are an everyday phenomenon in Turkish Islamic culture. The arguments in the study provided a lens to the readers to understand the psyche of the accused; Iskender was a victim of culturally transmitted ideology. Society, culture, and immediate relations served as the powerful influences on him in instigating him to commit this felony. Besides, the analysis exposed the subaltern position of women in Turkish culture. The study is a positive addition to Turkish literature and literature on honor killing.

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12

Hermansen, Marcia. "Nahal Tajadod, Rumi: The Fire of Love. New York/London: Overlook Duckworth 2011 Elif Shafak, The Forty Rules of Love." Mawlana Rumi Review 5, no. 1 (January 25, 2014): 204–7. http://dx.doi.org/10.1163/25898566-00501012.

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13

Gimson, Sally, Emilie Pine, Elif Shafak, Kerry Hudson, and Nicholas Hytner. "Cries from the last century and lessons for today: Nadine Gordimer, Václav Havel, Samuel Beckett and Arthur Miller all wrote for Index. We asked modern day writers Elif Shafak, Kerry Hudson and Emilie Pine plus theatre director Nicholas Hytner why the writing is still relevant." Index on Censorship 48, no. 3 (September 2019): 63–67. http://dx.doi.org/10.1177/0306422019875099.

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14

Sedgwick, Mark. "Eclectic Sufism in the Contemporary Arab World." Tidsskrift for Islamforskning 11, no. 1 (December 19, 2017): 65. http://dx.doi.org/10.7146/tifo.v11i1.102873.

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Eclectic Sufism that might be interpreted as a modern form of subjectivity construction has been observed in Morocco and Pakistan. This article reports comparable phenomena elsewhere, using the case of the Arabic translation of Elif Shafak’s novel The Forty Rules of Love. The article argues that, in the wider Arab world as in Morocco and Pakistan, the localization of eclectic Sufism is an instance of the reinterpretation of Islamic traditions to incorporate globally relevant social imaginaries. It questions, however, the association between eclectic Sufism and individualism, and argues that there is also a further form of localization: the application of eclectic Sufism to contemporary political conditions, notably the problem of sectarianism.Eklektisk sufisme, som kan fortolkes som et udtryk for moderne subjektivitetskonstruktion, kan observeres i Marokko og Pakistan. Denne artikel beskriver og diskuterer fænomener fra andre egne med udgangspunkt i den arabiske oversættelse af Elif Shafaks roman The Forty Rules of Love. Artiklen argumenterer for at den lokalt forankrede eklektiske sufisme, man finder i den arabiske verden såvel som i Marokko og Pakistan, bygger på en genfortolkning af islamiske traditioner, som inkorporerer globalt relevante sociale forestillinger. Samtidig rejses spørgsmål om forbindelsen mellem den eklektiske sufisme og individualismen og muligheden for lokal forankring på et yderligere niveau, nemlig samtidige politiske forhold og problemstillinger knyttet til sekularisme.

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15

Jawad, Tayyaba. "Food: An Expression of Turkish Culture and Tradition in Elif Shafak’s." International Journal of English Literature and Social Sciences 3, no. 4 (2018): 680–85. http://dx.doi.org/10.22161/ijels.3.4.27.

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16

IŞIK, Emrah. "LOST CHARISMA: THE OTHER(ED) HEROES IN ZADIE SMITHS WHITE TEETH AND ELIF SHAFAKS HONOUR." International Journal of Social Humanities Sciences Research (JSHSR) 5, no. 25 (January 1, 2018): 1920–26. http://dx.doi.org/10.26450/jshsr.572.

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17

Al-Jumaili, Yasir A., Shaymaa F. Hasan, and Safeen N. Arif. "A Cognitive Approach to the Metaphors of Postpartum Depression in Elif Shafak’s Black Milk." Koya University Journal of Humanities and Social Sciences 4, no. 1 (June 30, 2021): 35–44. http://dx.doi.org/10.14500/kujhss.v4n1y2021.pp35-44.

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Despite the fact that postpartum depression has been explicitly referred to in Elif Shafak’s novel Black Milk (2007), there are many implicit references to this negative mental state. This paper aims to examine the metaphorical representations which are used to conceptualize the experience of postpartum depression. The study attempts to understand how the experience of postpartum depression is metaphorically constructed and conveyed via the use of conceptual metaphors. This study differs from previous studies which examined Shafak’s Black Milk; the current study attempts a cognitive approach to its metaphorical language. The study applies insights from Conceptual Metaphor Theory (CMT) by George Lakoff and Mark Johnson (1980; 2003) to selected metaphors from Shafak’s novel Black Milk. The study is the first of its kind; it offers a stylistic examination of the metaphors of postpartum. The application of conceptual metaphor theory, in our opinion, serves as a useful tool that allows better understanding of how the abstract state of postpartum depression is understood and communicated through the course of the novel. The study also discusses the cross-domain mapping process to see how conceptual structures are selected from different source domains and mapped onto the target domain of postpartum depression to unveil the negative effects of this distressing experience.

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18

R. Ahmed, Hawzhen, and Roshna Rasheed Sabry. "Alienation on Move: The Postmodern Status of Estrangement in Elif Shafak’s The Forty Rules of Love." Twejer 3, no. 2 (August 26, 2020): 10001–1048. http://dx.doi.org/10.31918/twejer.2032.22.

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19

MEŞE, İlknur. "Motherhood Creating Its Killer: Based On Elif Shafak's Novel "Alexander" Questioning The Femininity And Masculinity In Turkey." Journal of Turkish Studies Volume 8 Issue 3, no. 8 (2013): 399–411. http://dx.doi.org/10.7827/turkishstudies.4558.

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20

Atayurt-Fenge, Zeynep Z. "“This Is a World of Spectacles”: Cyclical Narratives and Circular Visionary Formations in Elif Shafak’s The Gaze." Critique: Studies in Contemporary Fiction 58, no. 3 (October 18, 2016): 287–99. http://dx.doi.org/10.1080/00111619.2016.1230534.

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21

Aladaylah, Majed. "Negotiating Space and Time: Knowing the Past in the Present in Elif Shafak’s "The Forty Rules of Love"." International Journal of Critical Cultural Studies 15, no. 1 (2017): 31–37. http://dx.doi.org/10.18848/2327-0055/cgp/v15i01/31-37.

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22

Alakhdar, Ghada Mohamad Ali. "Literary Autobiography and Subject Formation: A Comparative Study of Mona Enamouri’s A Chat upon Thames and Elif Shafak’s Black Mil." مجلة وادی النیل للدراسات والبحوث الإنسانیة والاجتماعیة والتربویه 25, no. 3 (January 1, 2020): 1–30. http://dx.doi.org/10.21608/jwadi.2020.84950.

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23

Turan, Ayşegül. "Spaces of memory and memories of space in Alaa al-Aswany’s The Yacoubian Building and Elif Shafak’s The Flea Palace." Neohelicon 46, no. 2 (September 11, 2019): 485–96. http://dx.doi.org/10.1007/s11059-019-00501-5.

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24

Furlanetto, Elena. "“Safe Spaces of the Like-Minded”: The Search for a Hybrid Post-Ottoman Identity in Elif Shafak’s The Bastard of Istanbul." Commonwealth Essays and Studies 36, no. 2 (April 1, 2014): 19–31. http://dx.doi.org/10.4000/ces.5172.

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25

"Migrations: A MeridiansInterview with Elif Shafak." Meridians: feminism, race, transnationalism 4, no. 1 (October 2003): 55–85. http://dx.doi.org/10.2979/mer.2003.4.1.55.

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26

"Firuze: A Perfect Victim of Suppressed Female Talent in Elif Shafak." International Journal of Science and Research (IJSR) 5, no. 4 (April 5, 2016): 1948–50. http://dx.doi.org/10.21275/v5i4.nov163053.

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27

Akbar, Nabila, Marium Majeed, and Izza Bilal Karori. "Depiction of Postmodern culture in Elif Shafak’s “The Bastard of Istanbul”." Journal of Language, Culture and Civilization 3, no. 1 (March 31, 2021). http://dx.doi.org/10.47067/jlcc.v3i1.35.

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Postmodern culture or postmodernity speaks of social, economic or cultural conditions which made an appearance in western society after the modern age. It functions opposite to the modern outlook. This research has been carried out to represent postmodern culture in contemporary social structure through “The Bastard of Istanbul” written by a Turkish author Elif Shafak. The novel has been investigated deeper keeping in view the concept of postmodern culture. The results unfold that the author exhibits pop culture, social hypocrisy, dual standards, social follies and wavering personalities in the novel. This research concludes that the author has, by incorporating postmodern elements in the novel, highlighted social and cultural issues which are a reflection of our contemporary society.

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"The Experience and the Overcoming of Female Anxiety of Authorship in Elif Shafak." International Journal of Science and Research (IJSR) 5, no. 4 (April 5, 2016): 1213–17. http://dx.doi.org/10.21275/v5i4.nov162746.

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29

Iskandaryan, N. "THE PROBLEM OF HISTORICAL MEMORY IN THE NOVEL “THE BASTARD OF ISTANBUL” BY ELIF SHAFAK." Herald of Russian-Armenian (Slavonic) University: humanities and social sciences, no. 1 (2021). http://dx.doi.org/10.48200/1829-0450_2021_1_126.

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30

AL,MRAYAT, Reem Khlaıf Abdullah, and Ahmed Awad Zayed ALKARAK. "THE TERMS WALI AND DIGNITY IN THE NOVEL (THE FORTY RULES OF LOVE) BY THE TURKISH AUTHOR ELIF SHAFAK." RIMAK International Journal of Humanities and Social Sciences, November 1, 2020, 79–89. http://dx.doi.org/10.47832/2717-8293.5-2.5.

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31

Gray, William. "Rumi, Sufi spirituality and the teacher–disciple relationship in Elif Shafak’s The Forty Rules of Love." Scripta Instituti Donneriani Aboensis 29 (June 14, 2020). http://dx.doi.org/10.30674/scripta.84280.

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In William Patrick Patterson’s Struggle of the Magicians, a detailed study of the relationship between the prominent figures of Western esotericism, G. I. Gurdjieff and P. D. Ouspensky, he writes ‘Only in a time as confused as ours could one think that the teacher–student relationship – an archetypal and sacred form – exists as an option, rather than a necessary requirement, a station on the way’ (1997: 92). My paper examines the numerous ways in which the famous teacher–disciple relationship that existed between Muhammad Jalal ad-Din, known to the anglophone world as Rumi, and his spiritual guide and mentor, Shams of Tabriz, is represented in Elif Shafak’s novel The Forty Rules of Love (2010) and how her depiction of this relationship is predicated upon her knowledge of, and belief in, the general principles of what can be termed ‘Western Sufism’. Although she had previously thematised elements of Sufi dialectics in her earlier fiction and clear, if minor, references to Sufi philosophy permeated novels such as The Bastard of Istanbul (2007), Shafak’s fascination with the teachings of Rumi and Shams of Tabriz reaches its culmination and most significant artistic expression in The Forty Rules of Love. Published in 2010, the novel situates a fictionalised representation of the relationship between Rumi and Shams at the centre of the narrative and provides an overt depiction of the emanationalist, perennialist and universalist ethics contained within Sufi dialectics. In addition, given that Shafak’s text represents one of the more prominent and commercially successful contributions to what Amira El-Zein (2010: 71–85) has called ‘the Rumi phenomenon’ my paper examines how, in privileging the aesthetics and the interests of American readers over conveying a more complete and more nuanced image of Sufism, Shafak succumbs to the oversimplification and decontextualisation of Rumi’s teachings perpetrated by the Western popularisers of his work.

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32

Ikram, Faiza, and Sadia Waheed. "Inferiority Complex: A Character Analysis of Elif Shafak’s Honour." International Journal of Scientific and Research Publications (IJSRP) 8, no. 10 (October 6, 2018). http://dx.doi.org/10.29322/ijsrp.8.10.2018.p8202.

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33

Jarrar, Dr Sana' Mahmoud. "ELIF SHAFAK'S FORTY RULES OF LOVE PRESENTS THE SOLUTION TO COMBAT TERRORISM." Research result. Theoretical and Applied Linguistics 3, no. 4 (December 30, 2017). http://dx.doi.org/10.18413/2313-8912-2017-3-4-43-48.

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34

TEKALP, Selen. "Ecocriticism and Translation: A Descriptive Study on Elif Shafak’s Bit Palas." Çeviribilim ve Uygulamaları Dergisi, May 18, 2021. http://dx.doi.org/10.37599/ceviri.903813.

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35

"Representing Eastern Spirituality in Elif Shafaks’ Novel “Forty Rules of Love”: A Critical Discourse Analysis." Journal of Xidian University 14, no. 4 (April 4, 2020). http://dx.doi.org/10.37896/jxu14.4/029.

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36

Tuğlu, Begüm. "Bodies (Re) Gained: Gender and Identity in Elif Shafak’s Pinhan and Virginia Woolf’s Orlando." International Journal of Languages, Literature and Linguistics, September 2016, 90–95. http://dx.doi.org/10.18178/ijlll.2016.2.3.73.

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37

YILMAZ KURT, Zeynep. "MYSTICAL TRANSGRESSION OF THE BODY IN JEANETTE WINTERSON’S SEXING THE CHERRY AND ELIF SHAFAK’S PINHAN [SUFI]*." Cankaya University Journal of Humanities and Social Sciences, May 31, 2021. http://dx.doi.org/10.47777/cankujhss.829431.

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38

Shchoka, Olha. "Women’s images as representing different views on feminism in the Elif Shafak’s novel “Three Daughters of Eve”." Synopsis: Text, Context, Media, no. 4(24) (2018). http://dx.doi.org/10.28925/2311-259x.2018.4.4.

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39

"Panopticons Migrate too and Give Birth to Criminals: A Case Study of a Turkish Muslim 'Sultan' in Elif Shafak's Honour." American Research Journal of English and Literature 4, no. 1 (2018). http://dx.doi.org/10.21694/2378-9026.18002.

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40

"Self-Transformation through Love in Elif Shafak's The Forty Rules of Love with Relevance to the Character of Desert Rose the Harlot." مجلة الدراسات الإنسانية والأدبية 19, no. 7 (July 1, 2019): 452–67. http://dx.doi.org/10.21608/shak.2019.135822.

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41

"Female Historiography: Re-writing Armenian-Turkish Conflict from a Historical and Meta-fictional Point of View in Elif Shafak’s The Bastard of Istanbul (2007)." Journal of Language and Literature Education, March 15, 2014. http://dx.doi.org/10.12973/jlle.11.237.

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