Relevant bibliographies by topics / Eliot, T. S. 1888-1965 – Influence

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Academic literature on the topic 'Eliot, T. S. 1888-1965 – Influence'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Eliot, T. S. 1888-1965 – Influence"

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Da Universidade Coimbra, Biblioteca Geral. "Vida e obra de T. S. Eliot (1888-1965)." Boletim da Biblioteca da Universidade de Coimbra, no. 46/47 (December 22, 2016): 275–81. http://dx.doi.org/10.14195/1647-8436_46_47_16.

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Da Universidade Coimbra, Biblioteca Geral. "Vida e obra de T. S. Eliot (1888-1965)." Boletim da Biblioteca Geral da Universidade de Coimbra, no. 46/47 (December 22, 2016): 275–81. http://dx.doi.org/10.14195/2184-7681_46_47_16.

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Caldas Filho, Carlos Ribeiro. "teopoética de T. S. Eliot." TEOLITERARIA - Revista de Literaturas e Teologias 12, no. 26 (2022): 12–30. http://dx.doi.org/10.23925/2236-9937.2022v26p12-30.

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A palavra teopoética tem sido usada para designar os diálogos possíveis entre a literatura e a reflexão teológica e/ou os estudos de religião. O presente artigo pretende apresentar um exercício de teopoética a partir da interpretação do poema The Journey of the Magi – “A viagem dos magos”, do poeta e crítico literário T. S. Eliot (1888-1965), um dos mais importantes poetas do século XX, contemplado com o Nobel de Literatura em 1948. Para tanto, o artigo apresentará em primeiro lugar breves notas biográficas de Eliot, seguidas de considerações gerais sobre o poema, com nossa proposta de traduçã
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Phuyal, Komal Prasad. "Chromatic Symbolism in T. S. Eliot’s The Waste Land." BL College Journal 5, no. 2 (2023): 07–16. http://dx.doi.org/10.62106/blc2023v5i2e1.

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T. S. Eliot (1888-1965) employs colors to depict various shades of emotions of the post-World War I in Europe in his ‘The Waste Land’ (1922). On the one hand, the poetic treatment of colors indicates the plight of the world; on the other, the colors embody the myths of the ancient world and help deepen the meaning of the text. The poetic genius employs Tiresias as the persona who can travel through time and space bringing together different hues of the world into a single collage. Eliot’s choice of color reveals to the modern audience the deeper schema that he builds to represent the devastate
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Sharma, Til Kumari. "Crisis of Spirituality in The Waste Land of T. S. Eliot." A Bi-annual South Asian Journal of Research & Innovation 10, no. 2 (2023): 78–83. http://dx.doi.org/10.3126/jori.v10i2.71853.

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The article has tried to depict the spiritual loss in 20th century through the poem The Waste Land. Eliot seems very popular feature of the modern time. He was born in 1888 in America and died in 1965 in England. He is recognized as an American-English author of 20th century. His life had been nourished with many ups and downs of war time. He also had got complexities and tension in his life time. He left his nation for his survival. He has shown the crisis of modern time with his poem in which spiritual value is empty in everybody. Eliot’s life comes with lone struggle. His verse has mirrored
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Ushakova, Olga M. "Wagnerian Contexts and Wagner’s Codes of T.S. Eliot’s Poetry, 1910-20s." Literature of the Americas, no. 10 (2021): 266–309. http://dx.doi.org/10.22455/2541-7894-2021-10-266-309.

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The paper deals with the analysis of reception and poetic transformation of aesthetic concepts and music ideas of Richard Wagner (1813–1883) in the works by T. S. Eliot (1888–1965). The research material includes the poems of the 1910-20s (“Opera”, “Paysage Triste”, “The Love Song of J. Alfred Prufrock”, The Waste Land) as well the essay “Dante” and lectures “The Varieties of Metaphysical Poetry”, “The Music of Poetry”. The research is aimed to solve the problem of genesis of Eliot's Wagnerianism and identify the Wagnerian codes for his poetic texts. Following the representatives of literary W
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Rahmah, Adnan Taher, and Salman Hayder Jasim. "The Significance of Symbolic Devices in Thomas Stearns Eliot's Murder in the Cathedral." International Journal of Language and Literary Studies 6, no. 4 (2024): 140–47. http://dx.doi.org/10.36892/ijlls.v6i4.1901.

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Thomas Stearns Eliot (1888-1965) was born in St. Louis, Missouri. His family on both sides originally descended from the New England settlers of the seventeenth century. He studied at Harvard University in Massachusetts. He went to Europe in 1910 after he had finished his education. In 1915, he settled in England and earned his living as a schoolmaster and then as a banker in Lloyd's bank in London. He got the British citizenship in 1927. He got a big reputation when he was awarded the Nobel Prize for literature in 1948. He was one of the most important figures in the 20th century literature.
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Valente, Luiz Fernando. "Identidade, história e linguagem na poesia de Salgado Maranhão." ALCEU 24, no. 53 (2024): 75–84. http://dx.doi.org/10.46391/alceu.v24.ed53.2024.423.

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A publicação de (2022) é um momento propício para a reavaliação da vasta obra de Salgado Maranhão (1953–), um dos mais inovadores poetas contemporâneos da língua portuguesa. Este artigo toma como dois pontos de partida teóricos a sugestão de Paul Ricoeur (1913-2005) que a identidade pessoal só pode ser articulada na dimensão temporal da existência humana, e a dialética entre a tradição e o talento individual, proposta no famoso ensaio epônimo de T. S. Eliot (1888-1965). Pedra de encantaria reafirma e, ao mesmo tempo, complexifica as inextricáveis interconexões entre a fluidez da identidade, a
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Salvador, Montaner-Villalba. "The Helpfulness of T.S. Eliot's Critical Ideas in Understanding his Own Poetry." February 6, 2018. https://doi.org/10.5281/zenodo.1167862.

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At the present paper, we aim at explaining T.S. Eliot’s own poetry considering his own essayson the art of writing poetry. Thomas Stern Eliot (1888-1965) was a British essayist, publisher, playwright, literary and social critic, being regarded “one of the twentieth century’s major poets” (Bush, 1999) in the English language. Eliot’s poetry was seen as representative of the Modernist movement, beginning with The Love Song of J. Alfred Prufock(1915) and followed by some of the best-known poems, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1
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A. Mušović, Azra. "OD TRADICIJE DO PSIHOANALIZE – NAGON, STANOVIŠTE I NESVESNO U TUMAČENJU RANOG DELA D. H. LORENSA." Folia linguistica et litteraria, 2024. http://dx.doi.org/10.31902/fll.47.2024.3.

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Slavljen i osporavan, disidentni engleski modernista D. H. Lorens (D. H. Lawrence, 1885–1930) u svom delu istražuje tematiku emocionalnog, vitalnog i nagonskog u ljudskoj prirodi. Stoga ne čudi Lorensovo interesovanje za psihoanalizu, koja je početkom dvadesetog veka bila relativno nova nauka. U kulturološkom kontekstu psihološkog realizma, Lorensov odnos prema psihoanalizi je oduvek bio predmet debate. Zahtevan za kategorisanje i neprogramski orijentisan, on razvija alternativno viđenje frojdijanskog nesvesnog nastojeći da stvori svoju, organsku genealogiju svesti. Tendencija kritike da Loren
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Dissertations / Theses on the topic "Eliot, T. S. 1888-1965 – Influence"

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Fernández, Biggs Braulio. "La mujer en Tierra Baldía, de T. S. Eliot: Un viaje de liberación." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/108849.

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Tesis para optar al grado de Magíster en Lingüística.<br>La tesis propone que el poema La Tierra Baldía es la dolorosa expresión del colapso de una época y la síntesis del derrumbe de la mujer; que T.S. Eliot, apoyándose en la inversión de las leyendas del Grial, logró fusionar con su propia tragedia personal. El poema sería la evidencia de la esterilidad y el fracaso del amor entre un hombre y una mujer, configurada poéticamente teniendo a la base una riquísima simbología sobre la infertilidad, el vacío y la muerte; en la que el sexo, por su radical función generativa y amorosa, ocupa un luga
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Azar, Marie-France. "Les modes de la théâtralité dans l'oeuvre de T. S. Eliot." Paris 3, 2006. http://www.theses.fr/2006PA030156.

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Une dimension théâtrale est perceptible dans toute l’oeuvre de T. S. Eliot. Ses poèmes sont souvent construits comme des œuvres théâtrales et inversement son théâtre est structuré par la versification. Le souvenir des minstrel shows et du ragtime dans le Missouri de son enfance peut être relié à une veine burlesque et à l’importance du nonsense. Le Black Hare de Uncle Remus et le March Hare de Lewis Carroll ont laissé des traces dans son écriture. L’interaction entre théâtre populaire et théâtre lettré, entre l’enfance de la langue et la tradition de textes anciens est envisagée par Eliot comm
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EARLS, JOHN PATRICK. "THE MORAL ARGUMENT OF T. S. ELIOT'S "FOUR QUARTETS" (BRADLEY, ETHICS, NEO-HEGELIANISM, ROYCE)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183977.

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This study attempts to establish a connection between the moral philosophy of F. H. Bradley, particularly as expressed in his Ethical Studies and modified in the teaching of Josiah Royce, and the moral thought of Eliot's poetic writings, beginning with "The Love Song of J. Alfred Prufrock," culminating in Four Quartets, and finding a new mode of expression in the dramas. By tracing Eliot's moral thought to the nineteenth century anti-utilitarian moral controversies out of which Bradley's Ethical Studies grew, this study clarifies Eliot's position in the history of moral philosophy. For Bradley
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Adams, Stephen D. (Stephen Duane). "T. S. Eliot's Ash Wednesday: a Philosophical Approach to Empowering the Feminine." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc501042/.

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In his 1916 dissertation, Eliot asserted that individuals were locked into finite centers and that all knowledge was epistemologically relative, but he also believed that finite centers could be transcended through language. In the essay "Lancelot Andrewes,'" Eliot identified Andrewes's "relevant intensity," a method very close to nonsensical verse. Eliot used Andrewes's Word and the impersonality of nonsense verse in Ash Wednesday. The Word, God's logos, embodied the Virgin Mary as its source, and allowed Eliot to transcend the finite center through language. Ultimately, Eliot philosophically
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Laver, Sue 1961. "Poets, philosophers, and priests : T.S. Eliot, postmodernism, and the social authority of art." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37755.

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This comprehensive analysis of T. S. Eliot's literary-critical corpus provides both a long-overdue reassessment of the nature and extent of his commitment to notions of aesthetic autonomy, and an Eliotic critique of the hypostatization of art that characterizes both philosophical postmodernism and its literary-theoretical derivatives.<br>The broader context for these two primary objectives is the "ancient quarrel" between the poets and the philosophers and its various manifestations in the work of a number of prominent post- and anti-Enlightenment thinkers. Accordingly, I begin by highlighting
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Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the read
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Barr, A. F. M. Abdul. "Text and sub-text in T.S. Eliot : a general study of his practice, with special reference to the origins and development through successive drafts of 'The Confidential Clerk'." Thesis, University of St Andrews, 1985. http://hdl.handle.net/10023/15142.

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This thesis explores Eliot's allusive method, that is his use of Judaeo-Christianity with its analogues (and sometimes sources) in pre-Biblical primitive myths and legends. The first chapters study The Confidential Clerk and the draft material of the play which contains overt allusions-subsequently expurgated - to Sargon and Dionysos'as pre-Biblical archetypes of Moses and Christ respectively. I discuss the growth and development of the two legends of Sargon and Dionysos and their Biblical counterparts through successive drafts of the' play. In adapting the Sargon-Moses legend, Eliot was influ
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McAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.

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This thesis addresses the impact of religious conversion on the later works of Eliot and Auden, and the manner in which they responded to each other as they developed a Christian poetics. Following an introduction which discusses the nature of their relationship as well as their basic theological positions, Chapter One examines their postconversion criticism, and particularly their stance on what is typically formulated as "the problem of belief in poetry," which focuses on how ideology influences a work's creation and reception. Chapter Two considers their transitional poetry, wherein their n
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Cattle, Simon Matthew James. "Myth, allusion, gender, in the early poetry of T.S. Eliot." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/8986.

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T.S. Eliot's use of allusion is crucial to the structure and themes of his early poetry. It may be viewed as a compulsion, evident in even the earliest poems, rather than just affectation or elitism. His allusions often involve the reversal or re-ordering of constructions of gender in other literature, especially in other literary treatments of myth. Eliot's "classical" anti-Romanticism may be understood according to this dual concern with myth and gender, in that his poetry simultaneously derives from and attacks a perceived "feminised" Romantic tradition, one which focuses on female characte
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Pollard, Jacqueline Anne. "The gender of belief: Women and Christianity in T. S. Eliot and Djuna Barnes." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10333.

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x, 175 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This dissertation considers the formal and thematic camaraderie between T. S. Eliot and Djuna Barnes. The Waste Land 's poet, whom critics often cite as exemplary of reactionary high modernism, appears an improbable companion to Nightwood 's novelist, who critics, such as Shari Benstock, characterize as epitomizing "Sapphic modernism." However, Eliot and Barnes prove complementary rather than antithetical figures in their approaches to the collapse of
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Books on the topic "Eliot, T. S. 1888-1965 – Influence"

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1945-, Klein Jürgen, and Iser Wolfgang, eds. T.S. Eliot, poeta doctus: Tradition und die Konstituierung der klassischen Moderne. Lang, 2003.

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Manganiello, Dominic. T.S. Eliot and Dante. St. Martin's Press, 1989.

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Manganiello, Dominic. T.S. Eliot and Dante. Macmillan, 1989.

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Giovanni, Cianci, and Harding Jason, eds. T.S. Eliot and the concept of tradition. Cambridge University Press, 2007.

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Shyamal, Bagchee, ed. T.S. Eliot annual. Macmillan P., 1990.

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Foster, Paul. The Golden Lotus: Buddhist Influences in T.S. Eliot's Four Quartets. Trans-Atlantic Publications, 1998.

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Manganiello, Dominic. T. S. Eliot and Dante. Palgrave Macmillan, 1989.

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Manganiello, Dominic. T. S. Eliot and Dante. Palgrave Macmillan, 1989.

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Harding, Jason, and Giovanni Cianci. T. S. Eliot and the Concept of Tradition. Cambridge University Press, 2009.

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D'Ambrosio, Vinnie-Marie. Eliot Possessed: T. S. Eliot and FitzGerald's Rubaiyat (Gotham Library of the New York University Press). New York University Press, 1988.

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Book chapters on the topic "Eliot, T. S. 1888-1965 – Influence"

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McEwan, Neil. "T. S. Eliot 1888–1965." In The Twentieth Century (1900–present). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_32.

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"T. S. Eliot (1888–1965)." In London. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.122.

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"T. S. Eliot (1888–1965)." In London. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674273702-209.

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Newton, K. M. "T. S. Eliot (1888-1965)." In Introducing Literary Theories. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-089.

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Hirsch, Jerrold. "T. S. Eliot, B. A. Botkin, and the Politics of Cultural Representation." In Race and The Modern Artist. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195123234.003.0002.

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Abstract T. S. Eliot (1888-1965) and B. A. Botkin (1901-1975). What can be the purpose of juxtaposing these two individuals, the former the most famous of twentiethcentury poets, the latter a folklorist unfamiliar to most readers? Readers who recognize Botkin’s name—probably as the author of a series of popular folklore treasuries—will still no doubt wonder about the purpose of such a seemingly awkward contrast. Few are likely to know Botkin began his career as a poet interested in folklore. And those who know some biographical data about these two figures, one the descendant of an old New Eng
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