Relevant bibliographies by topics / Eliot t.s. – the waste land

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Academic literature on the topic 'Eliot t.s. – the waste land'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Eliot t.s. – the waste land"

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Brooker, Jewel Spears, and Grover Smith. "The Waste Land by T. S. Eliot." American Literature 59, no. 2 (May 1987): 284. http://dx.doi.org/10.2307/2927050.

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Ryan, Dennis. "T. S. Eliot, cultural criticism, and Multiculture inthe waste land." European Legacy 1, no. 3 (May 1996): 1088–95. http://dx.doi.org/10.1080/10848779608579533.

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Pondrom, Cyrena N. "T. S. Eliot: The Performativity of Gender in The Waste Land." Modernism/modernity 12, no. 3 (2005): 425–41. http://dx.doi.org/10.1353/mod.2005.0098.

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NOH, Jeo-Yong. "Young Eliot: From St Louis to The Waste Land. Robert Crawford." Journal of the T. S. Eliot Society of Korea 25, no. 1 (April 25, 2015): 199–208. http://dx.doi.org/10.14364/t.s.eliot.2015.25.1.199-208.

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Ziater, Walid Ali. "Reality and Mythology, Convention and Novelty in T. S. Eliot's The Waste Land." Theory and Practice in Language Studies 8, no. 9 (September 1, 2018): 1147. http://dx.doi.org/10.17507/tpls.0809.06.

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Eliot's Waste Land , its implications, sources, his treatment of myth, reality, convention and novelty, has received a huge bulk of criticism among Eliot's scholars whose views of the poem are divided into two categories: positive and negative. This article examines these terms against Eliot's fundamental approaches to an individual work of literature in his "Tradition and Talent" essay and the application of the "objective correlative" when applying criticism to the poem. The article argues that Eliot employed myth, allegory and symbols in a very novel way to connect the past with the present; he could criticize without direction and educate and entertain his readers with host of interpretations applicable to the now and then. Another important key to understand Eliot's Waste Land is that his objective correlative is what links the poem which may look fragmentary, but in fact complete in thought with the help of this technique. By so doing Eliot has gained a statutes among the modernists in the realm of poetry – new modes of writing poetry.
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Cechinel, André. "Notas para The waste land: T. S. Eliot e a máquina literária." Letras de Hoje 49, no. 4 (November 19, 2014): 399. http://dx.doi.org/10.15448/1984-7726.2014.4.16954.

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Sterzi, Eduardo. "Terra devastada: persistências de uma imagem." Remate de Males 34, no. 1 (April 28, 2014): 95. http://dx.doi.org/10.20396/remate.v34i1.8635834.

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Alkafaji (Ph.D.), Assist Prof Saad Najim, and Othman Abdullah Marzoog. "The Use of Allusions in T. S. Eliot’s The Waste Land." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (October 24, 2018): 67–88. http://dx.doi.org/10.36473/ujhss.v224i1.249.

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The research summarizes the use of allusions and tries to reveal the hidden meanings and reasons behind their use. It starts with T. S. Eliot’s frame of mind, through an example of advice to a follower. Moreover, it traces the development of his mind along his life. The following part is Eliot and his respect to tradition then how he stands on the shoulders of old writers to produce new ideas. Also myth and Eliot’s use of it in his poetry to represent, compare, contrast, and reconcile the past with the present. In the depth of the research stand allusions and their use in the “Waste Land”; the bits of the broken culture. The allusions divided into classical, biblical and literary according to the type of the reference of the allusion. In the end the conclusion gathers the findings of the reseach.
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Grant, Michael. "Fulcis Waste Land: Cinema, Horror and the Abominations of Hell." Film Studies 5, no. 1 (2004): 30–38. http://dx.doi.org/10.7227/fs.5.3.

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Beginning from a consideration of some ideas on aesthetics deriving from R. G. Collingwood, this essay sets Dreyer‘s Vampyr beside Fulcis The Beyond. The article then goes on to suggest something of the nature of the horror film, at least as exemplified by these two works, by placing them against the background of certain poetic procedures associated with the post-symbolist poetry of T. S. Eliot.
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Thomas Michael LeCarner. "T. S. Eliot, Dharma Bum: Buddhist Lessons in The Waste Land." Philosophy and Literature 33, no. 2 (2009): 402–16. http://dx.doi.org/10.1353/phl.0.0061.

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Dissertations / Theses on the topic "Eliot t.s. – the waste land"

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Sallis, E. K. "Looking to death for what life cannot give : the Waste Land and F.H. Bradley /." Title page and contents only, 1991. http://web4.library.adelaide.edu.au/theses/09ARM/09arms168.pdf.

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Irish, Bradley J. "Hieronimo in The Waste Land." Thesis, Boston University, 2005. https://hdl.handle.net/2144/32870.

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Thesis (B.A.)--Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-01
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Tsoi, Sze-pang Pablo. "Modes of intertextuality in The waste land and Ulysses two contrasted cases /." Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31381467.

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Li, Mun-wai Julie. "Narration in Heart of Darkness, The Waste Land and Lolita." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161707.

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Cook, Corina K. "Hollow at the core apocalyptic visions in Joseph Conrad's Heart of darkness and T.S. Eliot's The waste land /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2002. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2002.
Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves 1-2. Includes bibliographical references (leaves 81-86).
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Silva, Tania de Fátima da. "A intertextualidade do mito pagão e cristâo em The Waste Land, de T. S. Eliot." Universidade Presbiteriana Mackenzie, 2006. http://tede.mackenzie.br/jspui/handle/tede/2292.

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Made available in DSpace on 2016-03-15T19:46:52Z (GMT). No. of bitstreams: 1 Tania Silva.pdf: 938904 bytes, checksum: efb439849ca426d433027ef04bdbc492 (MD5) Previous issue date: 2006-02-24
This work aims at analysing the Anglo-American poet and essayist Thomas Stearns Eliot s use of intertextuality in his poem The Waste Land, published in 1922.Our analysis focuses on myth and its function within the poem. We have chosen four myths, three of them Pagan (Sibila, Tiresias and The Fisher King) and one Christian (The Holy Grail). The latter has a deep relationship to The Fisher King myth. We will mention theoretical concepts referring to intertextuality and myth and will present a survey of the poem as a whole. We will also report form briefly on the political-social situation of Europe at the time in which the poem was written, and the poet s main achievements in his career. Our next focus will be the analysis of the above mentioned myths as well as their function and relevance within the context of the poem.
O presente trabalho tem por objetivo analisar a intertextualidade no poema The Waste Land, do poeta e ensaísta anglo-americano Thomas Stearns Eliot, publicado em 1922. Focaliza o mito e sua função dentro do poema. Foram escolhidos particularmente quatro mitos, três pagãos (Sibila, Tirésias e Rei Pescador) e um cristão (Santo Graal), sendo que este último tem uma relação estreita com o mito do Rei Pescador. Examinar-se-ão postulados teóricos sobre o mito, a intertextualidade e a situação político-social da Europa, na época em que Eliot compôs o poema, bem como da trajetória do poeta.
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Fernández, Biggs Braulio. "La mujer en Tierra Baldía, de T. S. Eliot: Un viaje de liberación." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/108849.

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Tesis para optar al grado de Magíster en Lingüística.
La tesis propone que el poema La Tierra Baldía es la dolorosa expresión del colapso de una época y la síntesis del derrumbe de la mujer; que T.S. Eliot, apoyándose en la inversión de las leyendas del Grial, logró fusionar con su propia tragedia personal. El poema sería la evidencia de la esterilidad y el fracaso del amor entre un hombre y una mujer, configurada poéticamente teniendo a la base una riquísima simbología sobre la infertilidad, el vacío y la muerte; en la que el sexo, por su radical función generativa y amorosa, ocupa un lugar eminente aunque no exclusivo.
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Aberkane, Idriss Jamil. "Ballade de la conscience entre Orient et Occident : une perspective soufie sur la conscience occidentale, connectant "The Kasidah" de R.F. Burton et "The Waste Land" de T.S. Eliot." Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC005/document.

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Le rapprochement du Waste Land de T. S. Eliot et de la Kasidah de R. F. Burton produit une théorie littéraire. Cette théorie est fondée sur le principe de l'Unité de la Conscience (Wahdat al Wayy) d'après l'exégèse d'Ibn Arabi (Wahdat al Wujud et Wahdat al Adyân). Elle postule également que toute vie n'est qu'un courant de conscience. L'action est une forme d'écriture de la conscience dans le monde, et l'expérience vécue est une forme d'écriture du monde dans la conscience. Or l'expression de la conscience en perspective est un invariant profond des littératures, qui relie The Waste Land et The Kasidah mais également Al Aaraaf de Poe, le Voyage de Baudelaire, le Testament de Villon ou encore le Canto Notturno de Leopardi. Un autre invariant, fondé par le précédent, est l'invariant de la gâtine, que l'on peut résumer par le mythe de l'Ortolano Eterno : Homo : locatus est, damnatus est, humatus est, renatus est : in Horto. Or la Septième sourate du Coran est une expression notable de l'invariant de la gâtine. Ainsi comme il existe une cartographie dynamique des connexions cérébrales, la connectomique, il existe une connectomique des littératures et une biologie des littératures. Une partie du corps calleux des littératures, le faisceau de connexions directes entre Orient et Occident, est la "chaîne de la gâtine", un linéament de textes qui se fascinent pour l'interaction entre le monde et la conscience. Concernant Eliot, ses influences soufies directes vont de Omar Khayyam à Guénon ou Schuon, et ses influences indirectes relèvent de l'influence soufie sur les troubadours. Eliot influence lui-même la poésie de l'aire musulmane depuis au moins 1950
Connecting T. S. Eliot's Waste Land to R. F. Burton's Kasidah produces a literary theory. The founding principle of this theory is the Unity of Consciousness (Wahdat al Wayy), after the exegesis of Ibn Arabi (Wahdat al Wujud and Wahdat al Adyan). It also postulates that any life is but a stream of consciousness. Action is thus the way by which consciousness writes in the world, and experience is the way the world writes in consciousness. The expression of consciousness in perspective is in turn a profound literary invariant, connecting The Waste Land and The Kasidah but also Poe's Al Aaraaf, Baudelaire's Voyage, Villon's Testament or Leopardi's Canto Notturno. Another invariant, based on the precedent, is the invariant of the wasteland, which can be summed up by the myth of the Ortolano Eterno : Homo : locatus est, damnatus est, humatus est, renatus est : in Horto. Now the seventh surah of the Quran is a notable expression of the invariant of the wasteland. In the same way that there is a connectomics of the human brain, there is a connectomics and also a biology of literatures. A sample of its corpus callosum, connecting the Western and Eastern literatures, is the "chain of the wasteland", a lineament of texts which leitmotiv is the interaction between consciousness and the world. Regarding Eliot his direct sufi influences range from Omar Khayyam to Guénon and Schuon, and his indirect ones regard the known sufi influence over the troubadours. In turn Eliot has been influencing the contemporary poetry of the muslim area since at least 1950
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Khosravi, Robab. "The generic affiliations of T. S. Eliot's The Waste Land." Thesis, Keele University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484900.

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This thesis explores the generic affiliations ofT. S. Eliot's The Waste Land, investigating the logic of the text's fragmentary aesthetics, while also highlighting the political ends met by literary genres. Eliot's avant-garde experimentation with genres.i.n The Waste Land makes the. poem generica.1ly obscure. Yet the key to the text's generic.. rationale could be its very fragmentariness. The building blocks ofthe historical . romance can be sought in the poem's fnigmentary passages, while a tendency to 'exceed' temporal and aesthetic boundaries makes it a 'post-modem romance'. The text also parodies certain elements of romance; used in its post-modem sense, the technique of 'parody' connotes a stylistic confrontation with the past - one that establishes a dialogUe with the historical 'other' - and challenging its intimidating legacy, re-writes the present in a self-reflexive enterprise. Echoes ofromance are then 'historicized' to map the poem's 'political unconscious', as the scattered, irrepressible corpses throughout the poem's psychological landscape embody the aftermath of a destructive' war, hinting at the relationship between literary form and the socio-'political milieu. .':fragmentation as incarnated in the poem's proliferating mini-narratives thus' becomes an anticipation ofthe eclipse ofmeta-narrative inthe 'post-modem condition'. A structuralist perspective also allows establishing the poem's affinities with Menippean satire, the genre through which the logic of carnival is transmitted to literature. The notion of 'carnival' is used as. an analytic metaphor for examining the implications of . the premeditated suspension ofgeneric hierarchies in the poem: The carnivalesque also proves a useful cultural analytic for mapping domains of 'transgression' in Eliot's theory and practice. Constantly undermining the 'law ofgenre', the text also encapsulates the ultimate non-fixity of generic boundaries. The. thesis takes literary genres beyond their traditional role as taxonomic categories, and demonstrates their communicative value as a means ofpolitical representation.
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Wen, Chen Arnold Wei, and 陳偉文. "Disclosing the Modern Human Psyche in T. S. Eliot''s The Waste Land." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/22369659583935816263.

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碩士
靜宜大學
英語學系
86
My theis is to investigate the modern human psyche in T. S. Eliot''s The Waste Land. He uses the Tarot cards, sex, and ancient myth as the centeral theme in his poem to reflect the degradation of the modern humanity, and to demonstrate the despair, the fear, and the anxiety of human beings. It Beems as if human beings live in the purgatory as Dante describes, so they suffer the torment of spiritual emptiness. Eliot has the intention of accusing the modern result from their civilization. He thinks that human beings'' suffering disbelief in God. In The Waste Land, there is an expectation of resurrection. Eliot ends "The Fire Sermon" of the poem with Sanskirt words, expecting the wisdom of Indian Philosophy to help human beings find the value of religion. This is the only way to convert the modern world into "the Promised Land" as the Bible says. Eliot has a strong belief that human beings'' salvation is not dependent on any particular religion, but on the sel-awareness. Human beings can be reborn from the ashes only by persisting in this idea.In the first chapter, I introduce the composing process of The Waste Land and Eliot''s invention applied to the poetics. The second chapter explains the contents and the history of the Tarot cards, which project Jung''s "the collective unconscious." With the help of the cards, Eliot opens the gate to human beings''inner world, demonstrating the darkness of humanity.The fourth chapter leads the readers to the origin of sex. In the primitive culture, sex is not only an initiation ceremony, but also the symbol of vitality and the sacred ritual of fertility myth. The fifth chapter concludes the viewpoints as mentioned above in the hope that the readerswill ponder over the meaning of civilization.
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Books on the topic "Eliot t.s. – the waste land"

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Revisiting The waste land. New Haven, Conn: Yale University Press, 2005.

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Gish, Nancy K. The waste land: A poem of memory and desire. Boston: Twayne, 1988.

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T.S. Eliot and hermeneutics: Absence and interpretation in The waste land. Baton Rouge: Louisiana State University Press, 1985.

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Eliot, T. S. The waste land. [Leuven]: Kritak, 1986.

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Eliot, T. S. The waste land. San Francisco: Arion Press, 2007.

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Eliot, T. S. The waste land. 7th ed. San Diego: Harcourt Brace & Co., 1997.

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Eliot, T. S. The annotated waste land with Eliot's contemporary prose. 2nd ed. New Haven: Yale University Press, 2006.

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T.S. Eliot's The waste land. New York: Harvester Wheatsheaf, 1994.

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Eliot, T. S. The waste land: Authoritative text, contexts, criticism. New York: W.W. Norton, 2001.

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Eliot, T. S. The waste land: A facsimile and transcript of the original drafts including the annotations of Ezra Pound. San Diego: Harcourt Brace, 1994.

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Book chapters on the topic "Eliot t.s. – the waste land"

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Pinion, F. B. "The Waste Land." In A T. S. Eliot Companion, 119–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_12.

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Pinion, F. B. "To The Waste Land." In A T. S. Eliot Companion, 17–26. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_2.

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Pinion, F. B. "Preliminaries to The Waste Land." In A T. S. Eliot Companion, 96–108. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_10.

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Haffenden, John. "T. S. Eliot: The Waste Land." In A Companion to Twentieth-Century Poetry, 381–91. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch30.

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Chinitz, David. "T. S. Eliot: The Waste Land." In A Companion to Modernist Literature and Culture, 324–32. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch36.

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Wicht, Wolfgang. "Eliot, T. S.: The Waste Land." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8463-1.

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D’Ambrosio, Vinnie-Marie. "Tzara in The Waste Land." In T. S. Eliot Annual No. 1, 103–16. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-07790-8_6.

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Reeves, Gareth. "The Waste Land and the Aeneid." In T. S. Eliot: A Virgilian Poet, 28–58. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20221-8_3.

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Frank, Armin Paul. "The Waste Land: A Drama of Images." In T. S. Eliot: A Voice Descanting, 28–50. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10104-7_2.

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Longenbach, James. "Radical Innovation and Pervasive Influence: The Waste Land." In A Companion to T. S. Eliot, 449–59. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444315738.ch37.

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Conference papers on the topic "Eliot t.s. – the waste land"

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Sulaiman, Maha Qahtan. "The Image of Woman in T. S. Eliot’s The Waste Land." In 8TH INTERNATIONAL VISIBLE CONFERENCE ON EDUCATIONAL SCIENCE AND APPLIED LINGUISTICS. Ishik University, 2017. http://dx.doi.org/10.23918/vesal2017.a22.

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