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Relevant bibliographies by topics / Eliza Haywood

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Academic literature on the topic 'Eliza Haywood'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Eliza Haywood"

1

Spedding, Patrick. "Imagining Eliza Haywood." Eighteenth-Century Fiction 29, no. 3 (March 2017): 345–72. http://dx.doi.org/10.3138/ecf.29.3.345.

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Powell, Manushag N. "Eliza Haywood, Periodicalist(?)." Journal for Early Modern Cultural Studies 14, no. 4 (2014): 163–86. http://dx.doi.org/10.1353/jem.2014.0037.

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Ingrassia, Catherine. "“Queering” Eliza Haywood." Journal for Early Modern Cultural Studies 14, no. 4 (2014): 9–24. http://dx.doi.org/10.1353/jem.2014.0047.

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Case Croskery, Margaret. "Who's Afraid of Eliza Haywood?" Literature Compass 4, no. 4 (July 2007): 967–80. http://dx.doi.org/10.1111/j.1741-4113.2007.00455.x.

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Muse, S. V. "Eliza Haywood and the Jew Bill." Notes and Queries 57, no. 1 (January 28, 2010): 105–8. http://dx.doi.org/10.1093/notesj/gjp258.

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Merritt, Juliette. "A Bibliography of Eliza Haywood (review)." Eighteenth Century Fiction 18, no. 4 (2006): 545–47. http://dx.doi.org/10.1353/ecf.2006.0061.

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Powell, Manushag N. "Introduction: Special Issue on Eliza Haywood." Restoration: Studies in English Literary Culture, 1660-1700 44, no. 1 (2020): 3–8. http://dx.doi.org/10.1353/rst.2020.0003.

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8

Castro Santana, Anaclara. "Introducing Life to “the Young, the Ignorant, and the Idle”: Eliza Haywood and Daniel Defoe as Popular Novelists." Anuario de Letras Modernas 23, no. 1 (October 26, 2020): 48–69. http://dx.doi.org/10.22201/ffyl.01860526p.2020.23.1068.

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The remarkable commercial success of the novels of Daniel Defoe and Eliza Haywood in the first few decades of the eighteenth century testifies to a series of cultural phenomena that merit close critical attention. For instance, setting the overwhelming popularity of both writers during their lifetimes in contrast with the scant—though steadily growing—critical recognition accorded to Haywood in our time provides a succinct and vivid illustration of the vagaries of the literary canon. As can be guessed, the snakes and ladders in Defoe and Haywood’s game of fame had mostly to do with their gender, as well as with the genre of their most celebrated productions. Ironically, however, for good or evil, their contemporaries tended to put both writers together in the same basket. While professional critics belittled their talents in public—and perhaps envied them in private—the reading public seemed to have an insatiable appetite for their fictions. In short, Haywood and Defoe were fully-fledged popular novelists, with all the positive and negative connotations attached to this label. A key to gauging their place in the history of the novel lies, then, in the type of readers for whom they vied. This article reviews some of the correspondences between Haywood and Defoe—emphasizing their equality in terms of cultural relevance in their own time—with a view to complicate conventional assessments of Defoe as a star novelist and Haywood as a minor writer of amatory fiction, and to encourage reflection about literary practices then and now.

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Blouch, Christine. "Eliza Haywood and the Romance of Obscurity." Studies in English Literature, 1500-1900 31, no. 3 (1991): 535. http://dx.doi.org/10.2307/450861.

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10

King, K. R. "Eliza Haywood, Savage Love, and Biographical Uncertainty." Review of English Studies 59, no. 242 (October 25, 2007): 722–39. http://dx.doi.org/10.1093/res/hgm110.

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Dissertations / Theses on the topic "Eliza Haywood"

1

Stuart, Lashea S. Backscheider Paula R. "The arbitress of passion and of contract Eliza Haywood and the legality of love /." Auburn, Ala., 2006. http://hdl.handle.net/10415/1295.

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2

Wilson, Eileen. "Narrative structure in the novels of Eliza Haywood." Thesis, University of Ulster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274036.

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Demarest, Sarah. "Novel authority : Eliza Haywood and the problem of judgment." Thesis, Aberystwyth University, 2016. http://hdl.handle.net/2160/78e6b490-9fab-4766-bda0-55100cce83e5.

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This thesis disrupts competing interpretations about Eliza Haywood’s sexual attitudes and political alliances by focusing on the innovative elements of her work that foster the multiguity that leads to such debates. Specifically, this thesis argues that, throughout her work, Haywood is in dialogue with the maledominated sceptical tradition. Haywood, by employing the narrative elements of various genres that put pressure on the tensions between scepticism and credulity—genres such as apparition narratives, mock-history, travel narratives, and legal discourse—engages with debates about knowledge and judgment that troubled her contemporaries and dominated print culture. By doing so, she unsettles and challenges conventional understandings of scepticism that privilege custom and tradition. Most studies of eighteenth-century scepticism and literature neglect work by women writers, including Haywood; therefore, this study also challenges conventional understandings of what constitutes sceptical literature in the eighteenth century. As a woman writer, Haywood privileges scepticism over credulity even as she challenges custom and seeks to discover a reliable standard of judgment that is functional in a liberal society. To this end, Haywood fosters and develops the judgment and autonomy of her readers by either shifting authority onto them, or by offering model standards of judgment for them. This thesis examines four works from four genres across four decades of Haywood’s career: A Spy Upon the Conjurer (1724), The Adventures of Eovaai (1736), The Female Spectator (1744-1746), and The History of Jemmy and Jenny Jessamy (1753). The first two chapters discuss the nature and development of Haywood’s extreme scepticism in the 1720s and 1730s. Chapters three and four show how, in the 1740s and 1750s, Haywood introduces processes of sociable judgment that begin to mitigate the scepticism of her earlier work.

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Merritt, Juliette. "Beyond spectacle : Eliza Haywood's female spectators /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0014/NQ42865.pdf.

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5

Zvara, Lynn Scarnati. "Eliza Haywood and Her Rebellious Pen in Early Modern England." Youngstown State University / OhioLINK, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=ysu999202295.

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6

Gonda, Caroline Jane. "Fathers and daughters in novels from Eliza Haywood to Mary Brunton." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304031.

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7

Walsh, Jo Ann. "The development of the novel in the prose fictions of Eliza Haywood." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22633.

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Neglected by traditional literary histories or misrepresented in gender-specific criticism, Eliza Haywood is properly a novelist whose innovations can be seen in the works of Defoe and Richardson. This thesis examines selected novels by the London-based Haywood (1693?-1756) in light of their contributions to the novel form. It begins by considering her romance novellas as adaptations of the popular scandal novels of Delariviere Manley. Haywood's early fiction combines the concerns of amatory fiction with the political expediencies of satire. Over the course of her career, Haywood's early romance novellas expanded to become conduct novels. In their endorsement of a prudent conjugal happiness over erotic fulfilment, her later works exemplify the changing proprieties at the heart of the eighteenth-century British novel. The argument of this thesis is the contention that Haywood's prose fiction provides a fresh and significant perspective upon a pivotal period in eighteenth-century British fiction.

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8

Fowler, Joanna E. "Theorizing voice and perspective in the narratives of Eliza Haywood and her contemporaries." Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/6353.

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This thesis traces the career of the prolific eighteenth-century author Eliza Haywood through narratological analysis of some of her key works. It contributes to the new wave of Haywood criticism that is moving away from the thematic, gender based focus that has dominated discussion of her oeuvre since her critical rediscovery in the 1980s. My narratological method demonstrates how understanding at a formal and thematic level is enhanced by the employment of theoretical narrative paradigms. Narratology is interested in the relationship between the events of a narrative (story) and how these events are presented (text). I utilize the narratological terminology of Gérard Genette because it is narrative discourse, rather than the mere events of a story, that provides the basis for a meaningful discussion concerning matters of presentation. Making the topic of narrative discourse central to the study requires analysis of voice, point of view, speech, and temporality, as it covers the ways in which the story is told. Throughout her career, Haywood manipulates these narrative features so as to create inventive texts that adapt to the changing trends of the literary marketplace. Key topics of discussion include Haywood s continuous but developing use both of the embedded narrative and anachronies; the differing levels of intrusion created by her narrators employment of metanarrative commentary; and her progressive use of metalepsis: from her inclusion of simple scene changes in her earlier work, to her emphatic use of explicit diegetic interruptions in her later work that mirror those utilised by Henry Fielding. The thesis follows a chronological structure and is historically and bibliographically informed. This approach enables the thesis to provide extended comparison of Haywood s narrative choices with those of her main forebears and contemporaries, especially Aphra Behn, Delarivier Manley, Samuel Richardson, Tobias Smollett, and Henry Fielding.

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9

Prescott, Sarah Helen. "Feminist literary history and British women novelists of the 1720s." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361324.

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10

Abreu, Cláudia Regina Leonardo. "The impossiblity lies only in the Will : a conquista feminina de um espaço na obra de Eliza Haywood." Dissertação, Porto : [Edição do Autor], 2004. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000152126.

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Books on the topic "Eliza Haywood"

1

Eliza Haywood. Boston: Twayne Publishers, 1985.

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2

Haywood, Eliza Fowler. Selected works of Eliza Haywood. London: Pickering & Chatto, 2001.

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Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-, Blouch Christine, and Hanson Rebecca Sayers. London: Pickering & Chatto, 2001.

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4

1958-, Pettit Alexander, ed. Selected works of Eliza Haywood. London: Pickering & Chatto, 2000.

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5

A bibliography of Eliza Haywood. London: Pickering & Chatto, 2004.

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6

Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958- and King Kathryn R. London: Pickering & Chatto, 2001.

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7

Hultquist, Aleksondra, and Chris Mounsey. A Spy on Eliza Haywood. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000.

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8

R, Backscheider Paula, ed. Selected fiction and drama of Eliza Haywood. New York: Oxford University Press, 1999.

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9

Wilson, Eileen. Narrative structure in the novels of Eliza Haywood. [S.l: The Author], 2003.

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10

Reid, Heather Anne Rebecca. Eighteenth-century wicked women: Eliza Haywood and Betsy Thoughtless. Roehampton: University of Surrey Roehampton, 2003.

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Book chapters on the topic "Eliza Haywood"

1

Lusin, Caroline. "Haywood, Eliza." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8725-1.

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2

Ingrassia, Catherine. "Eliza Haywood and Captivity." In A Spy on Eliza Haywood, 75–94. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-4.

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Hultquist, Aleksondra, and Chris Mounsey. "Introduction: Spying on Eliza Haywood." In A Spy on Eliza Haywood, 1–16. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-101.

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Vandenberghe, Fauve. "Haywood in Holland: Translating the Passions in the French and Dutch Translation of Idalia; or the Unfortunate Mistress." In A Spy on Eliza Haywood, 232–47. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-12.

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Stuart, Shea. "Having it Both Ways: Bigamy and the Marriage Act in Eliza Haywood's The Life of Madam de Villesache." In A Spy on Eliza Haywood, 219–31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-11.

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6

Marsden, Jean. "Eliza Haywood: A Life in the Theatre." In A Spy on Eliza Haywood, 109–30. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-6.

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7

Harris, Mary Beth. "“The Air of Clock-work”: The Amatory Machine of Masculinity in Eliza Haywood's Fiction." In A Spy on Eliza Haywood, 59–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-3.

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Kvande, Marta. "“I Will Also Give a Copy”: Eliza Haywood and the Developing Authority of Print." In A Spy on Eliza Haywood, 95–107. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-5.

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9

Distel, Kristin M. "“The Shame Would Be Wholly Hers”: Negotiating Gendered Shame and Desire in Eliza Haywood's Love in Excess and The Masqueraders." In A Spy on Eliza Haywood, 32–58. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-2.

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Carnell, Rachel. "Eliza Haywood and the Deluded Heroine Plot." In A Spy on Eliza Haywood, 17–31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-1.

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