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Books on the topic 'Eliza Haywood'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Eliza Haywood. Boston: Twayne Publishers, 1985.

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2

Haywood, Eliza Fowler. Selected works of Eliza Haywood. London: Pickering & Chatto, 2001.

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3

Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958-, Blouch Christine, and Hanson Rebecca Sayers. London: Pickering & Chatto, 2001.

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4

1958-, Pettit Alexander, ed. Selected works of Eliza Haywood. London: Pickering & Chatto, 2000.

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5

A bibliography of Eliza Haywood. London: Pickering & Chatto, 2004.

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6

Haywood, Eliza Fowler. Selected works of Eliza Haywood. Edited by Pettit Alexander 1958- and King Kathryn R. London: Pickering & Chatto, 2001.

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7

Hultquist, Aleksondra, and Chris Mounsey. A Spy on Eliza Haywood. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000.

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8

R, Backscheider Paula, ed. Selected fiction and drama of Eliza Haywood. New York: Oxford University Press, 1999.

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9

Wilson, Eileen. Narrative structure in the novels of Eliza Haywood. [S.l: The Author], 2003.

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10

Reid, Heather Anne Rebecca. Eighteenth-century wicked women: Eliza Haywood and Betsy Thoughtless. Roehampton: University of Surrey Roehampton, 2003.

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11

Masquerade novels of Eliza Haywood: The masqueraders (1724-25), Fantomina (1724), The fatal secret (1723), Idalia (1724) : facsimile reproductions. Delmar, N.Y: Scholars' Facsimiles & Reprints, 1986.

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12

How eighteenth-century women fended-off sexual violence by writing and talking: A study of four British novels by Delarivier Manley, Jane Barker, Eliza Haywood, and Samuel Richardson. Lewiston: The Edwin Mellen Press, 2014.

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13

M, Firmager Gabrielle, ed. The Female spectator: Being selections from Mrs Eliza Haywood's periodical, first published in monthly parts (1744-6). Bristol, UK: Bristol Classical Press, 1993.

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14

Hughes, Sian. Sensibility and the implied female reader in Eliza Haywood's "Love in Excess" and "The History of Miss Betsy Thoughtless. Birmingham: University of Birmingham, 1991.

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15

Pettit, Alex. Selected Works of Eliza Haywood II (Selected works of Eliza Haywood). Pickering & Chatto Publishers, 2002.

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16

King, Kathryn R. Political Biography of Eliza Haywood. Taylor & Francis Group, 2016.

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17

Stewart, Carol. Invisible Spy: By Eliza Haywood. Taylor & Francis Group, 2016.

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18

Invisible Spy: By Eliza Haywood. Taylor & Francis Group, 2015.

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19

Pettit, Alex. Selected Works of Eliza Haywood. Pickering & Chatto Ltd, 2000.

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20

Spedding, Patrick. A Bibliography of Eliza Haywood. Routledge, 2016. http://dx.doi.org/10.4324/9781315476216.

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21

Political Biography of Eliza Haywood. Taylor & Francis Group, 2012.

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22

King, Kathryn R. A Political Biography of Eliza Haywood. Routledge, 2015. http://dx.doi.org/10.4324/9781315653013.

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23

Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood. BiblioBazaar, 2006.

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24

Marie, Wright Lynn, and Newman Donald J. 1947-, eds. Fair philosopher: Eliza Haywood and The female spectator. Lewisburg, PA: Bucknell University Press, 2006.

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25

Whicher, George Frisbie. The Life And Romances Of Mrs. Eliza Haywood. IndyPublish.com, 2004.

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26

Whicher, George Frisbie. The Life And Romances of Mrs. Eliza Haywood. IndyPublish.com, 2005.

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27

Approaches to Teaching the Works of Eliza Haywood. Modern Language Association of America, 2020.

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28

Rash Resolve and Life's Progress: By Eliza Haywood. Taylor & Francis Group, 2016.

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29

Approaches to Teaching the Works of Eliza Haywood. Modern Language Association of America, 2020.

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30

Whicher, George Frisbie. The Life And Romances of Mrs. Eliza Haywood. IndyPublish.com, 2005.

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31

Potter, Tiffany. Approaches to Teaching the Works of Eliza Haywood. Modern Language Association of America, 2020.

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32

Whicher, George Frisbie. The Life And Romances Of Mrs. Eliza Haywood. Kessinger Publishing, 2004.

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33

Potter, Tiffany. Approaches to Teaching the Works of Eliza Haywood. Modern Language Association of America, 2020.

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34

Rash Resolve and Life's Progress: By Eliza Haywood. Taylor & Francis Group, 2015.

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35

Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood. Aeterna, 2011.

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36

Spedding, Patrick, Alex Pettit, Margo Collins, Jerry Beasley, and Christine Blouch. Selected Works of Eliza Haywood, Part I Vol 1. Taylor & Francis Group, 2000.

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37

Pettit, Alex. Selected Works of Eliza Haywood, Part II Vol 3. Taylor & Francis Group, 2001.

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38

Spedding, Patrick, Alex Pettit, Margo Collins, Jerry Beasley, and Christine Blouch. Selected Works of Eliza Haywood, Part I Vol 2. Taylor & Francis Group, 2000.

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39

Spedding, Patrick, Alex Pettit, Margo Collins, Jerry Beasley, and Christine Blouch. Selected Works of Eliza Haywood, Part I Vol 3. Taylor & Francis Group, 2000.

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40

Pettit, Alex. Selected Works of Eliza Haywood, Part II Vol 2. Taylor & Francis Group, 2001.

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41

Pettit, Alex. Selected Works of Eliza Haywood, Part II Vol 1. Taylor & Francis Group, 2001.

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42

Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood (Large Print Edition). BiblioBazaar, 2006.

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43

1965-, Saxton Kirsten T., and Bocchicchio Rebecca P. 1967-, eds. The passionate fictions of Eliza Haywood: Essays on her life and work. Lexington: University Press of Kentucky, 2000.

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44

(Editor), Kirsten T. Saxton, and Rebecca P. Bocchicchio (Editor), eds. The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work. University Press of Kentucky, 2000.

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45

(Editor), Lynn Marie Wright, and Donald J. Newman (Editor), eds. Fair Philosopher: Eliza Haywood And the Female Spectator (Bucknell Studies in Eighteenth-Century Literature and Cultur). Bucknell University Press, 2006.

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46

Oakleaf, David. Testing the Market. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.008.

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Like their imitators, Eliza Haywood and even Daniel Defoe have been called mercenaries who wrote to formula for low readers with limited intellects. Yet Love in Excess and Robinson Crusoe inaugurated a decade of lively, market-driven narrative experiment aimed at sophisticated gentry readers. When low scandal titillated, it originated in high life. Highly inventive, Jane Barker, Mary Davys, Penelope Aubin, and some authors of the many lives and surprising adventures in the Crusoe manner read their rivals with professional care. They adapted and contested as well as adopted Defoe’s distinctive fictional memoir, Haywood’s equally modern amatory sublime. So did Jonathan Swift when he parodied Robinson Crusoe’s strategies in Gulliver’s Travels, an anonymous narrative that matched its commercial triumph. Swift hastened the vogue’s end, but these novelists’ commercial and literary legacy endures.

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47

Passion and Language in Eighteenth-Century Literature: The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke. Palgrave Macmillan, 2014.

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48

Wilputte, Earla. Passion and Language in Eighteenth-Century Literature: The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke. Palgrave Macmillan, 2014.

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49

Wall, Cynthia. Bunyan and the Early Novel. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.35.

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The Pilgrim’s Progress (1678; 1684) is not a novel, but it comes from the same cultural swirl that produced the early novel. This chapter highlights both Bunyan’s influence on the early novel, and a seventeenth-century English culture that influenced Bunyan alongside the early novelists. The proliferation of things, the realized spaces, the vivid characters, their emblematic names, their pungent dialogues, and the metatextualities of marginalia, interpolated narratives, and self-reflexivity, all find descendants—direct, collateral, or cultural—in the deliberate repetitions of Daniel Defoe, the detailed descriptions of Eliza Haywood, the interrupting narrators of Henry Fielding, and the rhetorical patterns of every other literary genre (newspapers, histories, poems, drama) digested by the early novel.

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50

Sabor, Peter. ‘Labours of the Press’. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.010.

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The impact of Samuel Richardson’s best-seller, Pamela (1740), on eighteenth-century novel-writing cannot be exaggerated. It was a prime target for pirated editions, some of which included unauthorized additional material and illustrations, and for spurious continuations. Henry Fielding, Eliza Haywood, and John Cleland were among the many contemporary authors who wrote novels responding to Pamela: Shamela (1741), Anti-Pamela (1741), and Memoirs of a Woman of Pleasure (1748–9). The controversy over its merits which raged in the early 1740s was still alive in the early 1800s. Richardson’s attempts to manage the controversy through repeated textual revisions were ultimately futile: the text read by many nineteenth-century and twentieth-century readers was one not prepared by Richardson but an abridgement, first published by the entrepreneurial bookseller Charles Cooke.

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