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Journal articles on the topic 'Elizabeth Bennet'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Gesmaloni, Gesmaloni. "The power and discrimination of women as seen in jane austen’s Pride and prejudice." Jurnal Ilmiah Langue and Parole 1, no. 1 (2017): 105–16. http://dx.doi.org/10.36057/jilp.v1i1.10.

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There is always discrimination against women in any field, as experienced by the main character Elizabeth Bennet in the novel Pride and Prejudice. Because women can not accept the inheritance from their fathers, therefore women are required to marry rich men to improve social class and economic life. Discrimination of women in the inheritance of wealth makes women have to struggle in finding rich men to marry. In the data analysis method the author performs a systematic procedure with a novel understanding, the main character of Elizabeth Bennet and also feminist theory, the technique used in

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2

Diffyanie and Zia Hisni Mubarak. "The Fulfilled of Love and Belonging Needs in Elizabeth as the Main Character of Pride and Prejudice Novel: Psychological Approach." INTERACTION: Jurnal Pendidikan Bahasa 12, no. 1 (2025): 247–56. https://doi.org/10.36232/interactionjournal.v12i1.587.

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This study explores the fulfilment of love and belonging needs in Elizabeth Bennet, the central character of Jane Austen's Pride and Prejudice, using a psychological approach based on Abraham Maslow's Hierarchy of Needs. The research examines how Elizabeth navigates relationships, personal growth, and societal expectations to achieve emotional fulfilment. By analysing her interactions with family members, friends, and Mr. Darcy, the study highlights the challenges and resolutions that shape Elizabeth's journey. Misunderstandings, prejudices, and class differences initially hinder Elizabeth’s a

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3

Alba, Julieta Ojeda. "Elizabeth Bennet and Her Weaknesses." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 3-4-5 (March 5, 1996): 57–71. http://dx.doi.org/10.35869/afial.v0i3-4-5.3401.

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Elizabeth Bennet, la heroína de Pride and Prejudice, ha sido considerada por la crítica y por su misma creadora Jane Austen como uno de los más atractivos personajes de la literatura inglesa de todos los tiempos. Este artículo sostiene que, paradójicamente, son precisamente sus debilidades e inconsistencias las que prestan al personaje su atractivo, convirtiéndolo en el motor de la acción.

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4

Fitzpatrick, Laura. "From Elizabeth Bennet to Barbie." JAMA Dermatology 150, no. 4 (2014): 406. http://dx.doi.org/10.1001/jamadermatol.2013.10436.

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5

Deon Rossato, Bianca. "Elizabeth Bennet: a woman of her time." Cadernos do IL, no. 51 (January 4, 2016): 175. http://dx.doi.org/10.22456/2236-6385.52923.

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Abdulrhman, Saleh Alamoudi, Salim Batarfi Mariam, Mohmmed Fadaq Fatima, Ali Bawafed Maher, Salah Almarfadi Safa, and Saeed Badurais Rasha. "Conversational Implicature in Austen's Pride and Prejudice: A Pragmatic Analysis of the Bennets' Discourse." International Journal of Social Science and Human Research 04, no. 12 (2021): 3463–70. https://doi.org/10.47191/ijsshr/v4-i12-03.

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Studying the implications of literary language is an interesting field of study as its focal analyses are the sophisticated linguistic features used consciously or unconsciously by the authors. Concerning the focus of this paper, the talent of Jane Austen is evident in the domain of literary linguistics. Reviewing the previous literature proves excessive scrutiny of the chief young couples, namely Elizabeth and Darcy. Given that, the present article sheds light on the conversations between the old couple in Pride and Prejudice; Mr. and Mrs. Bennet from a pragmatic perspective. The analysis foc

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7

De Pontes, Francisco Edinaldo, and Francis Willams Brito da Conceição. "Orgulho e Preconceito (1813), de Jane Austen: subversão e submissão a partir das personagens Elizabeth e Jane Bennet." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, no. 1 (2022): 18–37. http://dx.doi.org/10.34019/1982-0836.2022.v26.38070.

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Este trabalho analisa as caracterizações das irmãs Elizabeth e Jane Bennet como representações da subversão e da submissão na Inglaterra oitocentista. No romance Orgulho e Preconceito (1813), de Jane Austen, a investigação se baseou nos aspectos discursivos e comportamentais das personagens irmãs, a partir de leituras de Millett (1970), Muraro (2002), Woolf (2019), dentre outros. Ademais, partiu-se da seguinte hipótese: Elizabeth subverte-se através da fuga do casamento e do apego à leitura, enquanto Jane submete-se pela candura e neutralidade.

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Linkin, Harriet Kramer. "The Moral Obligation to Signal Gratitude in Austen’s Pride and Prejudice." Renascence 77, no. 2 (2025): 107–19. https://doi.org/10.5840/renascence20257727.

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Anglican preacher Robert South’s 1679 sermon on ingratitude provides an unexamined rationale that justifies what Elizabeth Bennet calls her “breach of promise” in thanking Darcy for engineering Lydia’s marriage to Wickham in Pride and Prejudice. This essay argues that Austen alludes to South’s identification of gratitude as a virtue to critique and amend Dr. Gregory’s belief that a woman’s gratitude for an amiable suitor provides a sufficient basis for a happy marriage. When Elizabeth expresses her gratitude to Darcy, she demonstrates agency rather than passive acceptance, in a move that ackno

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9

Stowe, Simon. "Who Betrays Elizabeth Bennet?: Further Puzzles in Classic Fiction (review)." Philosophy and Literature 24, no. 2 (2000): 480–82. http://dx.doi.org/10.1353/phl.2000.0047.

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10

Greenfield, Susan C. "The Absent-Minded Heroine or, Elizabeth Bennet has a Thought." Eighteenth-Century Studies 39, no. 3 (2006): 337–50. http://dx.doi.org/10.1353/ecs.2006.0005.

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Nachumi, Nora. "“I Am Elizabeth Bennet”: Defining One's Self through Austen's Third Novel." Pedagogy 4, no. 1 (2004): 119–24. http://dx.doi.org/10.1215/15314200-4-1-119.

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12

Newman, Emily L. "Illustrating Elizabeth Bennet and Mr Darcy: Jane Austen’s Pride and Prejudice." Journal of Illustration 1, no. 2 (2014): 233–56. http://dx.doi.org/10.1386/jill.1.2.233_1.

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13

Harris, Jocelyn Margaret. "Jane Austen and celebrity culture: Shakespeare, Dorothy Jordan and Elizabeth Bennet." Shakespeare 6, no. 4 (2010): 410–30. http://dx.doi.org/10.1080/17450918.2010.527364.

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14

Kowalska, Magdalena. ""Pride and Prejudice" by Jane Austen: A Timeless Classic that Remains Relevant Review: Jane Austen, Pride and Prejudice, Genre: Classic, Romance, Social Commentary, Publisher: Thomas Egerton, United Kingdom 1813." Media i Społeczeństwo 21, no. 2 (2024): 215–18. https://doi.org/10.5604/01.3001.0054.9533.

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Jane Austen's "Pride and Prejudice" is a celebrated classic of English literature, known for its complex characters, sharp wit, and insightful social commentary. Published in 1813, the novel explores the societal norms of the Regency era, focusing on themes of marriage, class, and gender roles through the story of Elizabeth Bennet and Mr. Darcy. Elizabeth, with her sharp intellect and independence, and Darcy, initially perceived as proud, develop into richly nuanced characters. The novel critiques the institution of marriage, societal expectations, and class structures while providing a timele

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Yunus, Faradiba Islamia, and Yunitari Mustikawati. "THE USES OF POLITENESS IN PRIDE AND PREJUDICE MOVIE." ELITERATE : Journal of English Linguistics and Literature Studies 3, no. 1 (2024): 54. https://doi.org/10.26858/eliterate.v3i1.58782.

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Pride and Prejudice is a movie adaptation of the novel of the same name, Pride and Prejudice. Pride and Prejudice is a film that tells about Elizabeth's family and Elizabeth's love story with Tuan Darcy. Elizabeth was born into a fairly simple family, she has sisters named Jane, Lydia and Marry. Elizabeth's mother, Mrs. Bennet, wanted her daughter to marry a man from a wealthy family. Until one day Elizabeth met Mr. Darcy who came from a wealthy and respected family, fell in love with each other, but at the beginning of their love story they experienced many obstacles, but strong proof of thei

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Dr., Rashi Srivastava. "Feminism in the Nineteenth Century: Elizabeth Bennet's Resilience in Pride and Prejudice." Criterion: An International Journal in English 15, no. 1 (2024): 279–87. https://doi.org/10.5281/zenodo.10795664.

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Equal rights and assertion of individuality have always been key components of feminist movement. Literary works depict the cultural, social and political happenings of the period in which they were created. Many works attributing to the key features of feminism had also been written. Jane Austen, a well-known British author had written several works that portray the manners and society of Eighteenth and Nineteenth century England. Pride and Prejudice published in 1813 depict the female character of Elizabeth Bennet. She tends to assert her identity and defy societal conventions. This paper ai

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Mungan, Eduardus. "PEMIKIRAN KRITIS ELIZABETH BENNET DAN FITZWILLIAM DARCY DALAM PRIDE AND PREJUDICE KARYA JANE AUSTEN [The Critical Thinking of Elizabeth Bennet and Fitzwilliam Darcy in Jane Austen’s Pride and Prejudice]." TOTOBUANG 6, no. 2 (2019): 257. http://dx.doi.org/10.26499/ttbng.v6i2.86.

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This study discussed about the critical thinking of the main characters, Elizabeth Bennet and Fitzwilliam Darcy, in the Jane Austen’s novel Pride and Prejudice. This study aimed to identify the characters’ arguments based on the categories of critical thinking of the characters, the kinds of arguments in critical thinking, and to describe the usage of meaning as discourse strategy and the usage of discourse markers in the characters’ argument in Pride and Prejudice. This study used critical thinking theory and discourse analysis in collecting the data acquired by transcribing the texts in Prid

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Akhtar, Azra, ADIL HUSSAIN, and Khursheed Ahmad Qazi. "Gendered Ink: Femininity and Power in Epistolary Tradition." Naagfani: UGC CARE-listed Peer Reviewed Journal 12, no. 40 (2022): 275–79. https://doi.org/10.5281/zenodo.14878946.

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This paper examines the role of letter writing in <em>Pride and Prejudice</em> (1813), highlighting how it gives women a voice and contributes to the feminization of Mr. Darcy. The analysis explores Darcy’s transformation through letters as he reveals vulnerability, while Elizabeth Bennet’s engagement with letter writing underscores its role as a feminine act. Drawing on feminist literary theory, this study argues that letters in Pride and Prejudice serve as a vital means of gendered communication and self-revelation. Austen’s use of letters reflects a broader tradition of wo

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Rushefsky, Michelle L. "Bloody Petticoats: Performative Monstrosity of the Female Slayer in Seth Grahame-Smith’s Pride and Prejudice and Zombies." Humanities 13, no. 2 (2024): 52. http://dx.doi.org/10.3390/h13020052.

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In 2009, Seth Grahame-Smith published Pride and Prejudice and Zombies, sparking a subgenre that situates itself within multiple genres. I draw from the rebellious nature of nineteenth-century proto-feminists who tried to reclaim the female monster as an initial methodology to analyze Grahame-Smith’s Elizabeth Bennet. I argue that the (white) women in this horror rewriting inadvertently become the oppressors alongside contextualized zombie theory. This article also explores Grahame-Smith’s Charlotte Lucas as a complex female monster, as she is bitten and turned into a zombie, which reflects in

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Dr. Ahmed Elhaj Omer Hamed. "Jane Austen's Pride and Prejudice as a Timeless Dramatic Classical Novel." Journal of Arts, Literature, Humanities and Social Sciences, no. 117 (February 17, 2025): 600–608. https://doi.org/10.33193/jalhss.117.2025.1366.

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In this paper Jane Austen's Pride and Prejudice is treated as a timeless dramatic classical novel. It was first published anonymously in three volumes in 1813. Jane Austen seldom describes characters, but instead she uses the art of dramatic presentation. The characters reveal themselves through what they say. The story involved a previous marriage of Mr. and Mrs. Bennet which was based on physical attraction which soon faded. It included the marriage of Elizabeth and Darcy, the marriage of Jane and Bingley, the marriage of Lydia and Wickham and the marriage of Collins and Charlotte Lucas. The

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Alquraidhy, Khalil. "Human Relations in Jane Austen's novel Pride and Prejudice." International Journal of Language and Literary Studies 4, no. 4 (2022): 314–37. http://dx.doi.org/10.36892/ijlls.v4i4.1146.

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This research study aims to highlight and discuss Human Relations in Jane Austen's novel Pride and Prejudice, in which she has selected the basic unit of human relationship, the family. In the family there are several forms of relationships among them the most fundamental relationship is in terms of love and marriage which form the basic theme of the novel Pride and Prejudice along with the theme of human relations. By a close reading of the novel, the present study will analyse and discuss parents and children's relations, friends' relations, and other minor relations. To discuss parents and

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22

Ni Made, Padmawati, I Gusti Agung Sri Jayantini, and I Wayan Resen. "Exploring Characterization of Main Characters: Elizabeth and Darcy in Pride and Prejudice." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 1, no. 1 (2021): 104–13. http://dx.doi.org/10.36733/elysian.v1i1.1657.

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This research pays special attention to the character analysis in the novel Pride and Prejudice, especially the two main characters, namely Elizabeth Bennet and Fitzwilliam Darcy. In accordance with theories explaining types of character and characterization, the data were carefully analyzed. The analysis focuses on how the characterization of Pride and Prejudice’s two main characters is realized. The aim of this research is to explore characterization of the main characters that is expected to contribute to the study of literature, particularly the existence of characters in the novel. Qualit

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Putri Damayanti, Dinda, and Titis Setyabudi. "Female Independence in Pride and Prejudice (2005) Movie: A Feminism Theory." Language Circle: Journal of Language and Literature 19, no. 1 (2024): 238–51. https://doi.org/10.15294/lc.v19i1.5145.

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The purpose of this study is to discover how female independence is portrayed in the Pride and Prejudice (2005) movie and examine the effects of this portrayal. This study applies feminist theory and is classified as a literary study. To analyze the data, researchers used qualitative data analysis. The result reveals that Elizabeth Bennet exemplifies various facets of female autonomy, highlighting the interplay between existential freedom and societal constraints. Her assertiveness, seen in rejecting Mr. Collins and seeking genuine connections over financial stability, underscores the positive

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Mayara, Quadros de Andrade. "THE ROLE OF INTELLIGENCE IN EDUCATED WOMEN IN PRIDE AND PREJUDICE: AN ANALYSIS OF JANE AUSTEN AND HER BELOVED CHARACTER ELIZABETH BENNET." Kur'yt'yba - Revista Científica do Colégio Militar de Curitiba 7 (December 1, 2015): 95–118. https://doi.org/10.5281/zenodo.8040844.

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Os séculos XVIII e XIX foram o cenário de grandes revoluções como a Revolução Industrial (1789 – 1848) na Inglaterra, a  evolução Francesa (1787 – 1799) na França e o Iluminismo (1650 – 1700), também surgido na França. Os valores aristocráticos não mais dominavam e a ascendente sociedade burguesa da época ansiava por novos conceitos sociais. O Iluminismo foi o grande precursor de valores racionais, nele os homens encontraram diversas respostas, porém à mulher e

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Saddeqqa, Hadi Salhb Al Quraishi. "The Effects of Feminism in Pride and Prejudice: A Pragmatic Study." International Journal of Social Science and Human Research 07, no. 11 (2024): 8573–84. https://doi.org/10.5281/zenodo.14199199.

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This study identifies how a feminist perspective has the potential to critique certain aspects of the work "Pride and Prejudice." By analyzing the way Austen deals with her even-spirited heroine, critiques gender roles through the narrative presentation, and offers marriage as a necessary compromise showcasing the unsatisfactory life of women, the study provides pertinent findings to explicate possible reasons for the narrative portrayal of Elizabeth's journey. The findings of the study suggest the feminist interpretation of "Pride and Prejudice" outlines some compelling critiques, including t

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Jordán, Miguel Ángel. "Analysis of Mr. Collins’ proposal: Jane Austen’s realism as a strategy for social criticism." DIGILEC: Revista Internacional de Lenguas y Culturas 8 (December 29, 2021): 83–98. http://dx.doi.org/10.17979/digilec.2021.8.0.8581.

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Jane Austen's novels are a faithful portrait of many of the customs and rules of her time’s society. By depicting her sociocultural environment, Austen confers a greater realism to her works and adds coherence to her characters’ attitudes. She also employs realism as a strategy to make a subtle social criticism, highlighting the negative consequences of some of her time’s laws and rules. In the present article, a sociocultural context is offered about clerics, courtship and marriage proposals, and the legal device of the entailment, which will lead to a better understanding of the subsequent a

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Dinter, Sandra. "Re-Walking the Paths of Pride and Prejudice: Intersectional Perspectives on Pedestrian Mobility in Jo Baker’s Longbourn." Anglia 137, no. 1 (2019): 105–25. http://dx.doi.org/10.1515/ang-2019-0007.

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Abstract This paper examines the appropriation of the pedestrian theme from Jane Austen’s famous novel Pride and Prejudice (1813) in Jo Baker’s rewriting Longbourn (2013). First, it analyses walking in Austen’s novel, where it appears as a mild but harmless form of female rebellion and emancipated courtship in a coherent pastoral landscape. Subsequently, it moves on to Longbourn, which, by focusing on the walking of the servants who remain marginal in Austen’s pretext, recasts this pedestrian theme as a mode of intersectional critique and subjectivises and fragments the topography of Pride and

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Dooley, Gillian. "Jane Austen: The Musician as Author." Humanities 11, no. 3 (2022): 73. http://dx.doi.org/10.3390/h11030073.

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Jane Austen was a practising musician, and my intention in this paper is to investigate the significance of that fact for her writing practice. Beginning with the comparison between Elizabeth and Mary Bennet in Pride and Prejudice, I will consider contemporary attitudes to virtuosity and aesthetics in an attempt to understand the implications in Austen’s fiction of the distinction between ‘playing well’ and ‘being listened to with pleasure’. My recently completed project of cataloguing in detail each piece of playable music in the Austen Family Music Books facilitates the study of Austen’s per

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Jina Kim. "The Value of Elizabeth Bennet: Pride and Prejudice as a Courtship Novel and the Autonomous Female Subject." English & American Cultural Studies 9, no. 2 (2009): 69–97. http://dx.doi.org/10.15839/eacs.9.2.200908.69.

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Choi, Jungsun. "English Garden in English Novel." Korean Society for Teaching English Literature 26, no. 2 (2022): 351–75. http://dx.doi.org/10.19068/jtel.2022.26.2.13.

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This essay tries to prove that an English novel is a good textbook, in teaching English Garden, one of the major English cultural issues. English Garden, specifically, English Landscape Garden or Picturesque Garden is a critical issue in that it contributed to forming English Identity as rural England in the period of Industrial Revolution and Enclosure. To achieve that goal, it first examines the ideas and major characteristics of eighteenth century English Garden, including Lancelot Brown’s picturesque landscape design which was very popular from mid-eighteenth to the late eighteenth century

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Lourenço, Daiane Da Silva. "LITERATURA COMO TECNOLOGIA DE GÊNERO: REPRESENTAÇÕES ALTERNATIVAS DE MULHER POR ESCRITORAS INGLESAS NO SÉCULO XIX." Revista X 15, no. 7 (2020): 470. http://dx.doi.org/10.5380/rvx.v15i7.75006.

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No início do século XIX, na Inglaterra, as mulheres estavam sob rígidas convenções de gênero. A educação feminina era voltada a preparar as jovens para atenderem a um ideal de mulher normalizado. Apesar das barreiras existentes devido aos padrões de gênero, escritoras publicaram romances focados em experiências femininas.Este artigo discute como essas obras são tecnologias de gênero que contribuíram para (re)construir as identidades de leitoras. A partir da crítica feminista e dos estudos culturais, representações de mulheres em Orgulho e Preconceito (1813), de Jane Austen, são analisadas. A a

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Masiur, Rahaman. "Lalita vs Elizabeth: A Postcolonial Comparison of Chadha's film Bride and Prejudice and Austen's novel Pride and Prejudice." Literary Enigma 1, no. 3 (2025): 85–92. https://doi.org/10.5281/zenodo.15316330.

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Abstract   Jane Austen’s Pride and Prejudice (1813) remains a cornerstone of English literature and has inspired numerous adaptations across media and cultures. Among these, Gurinder Chadha’s Bride and Prejudice (2004) offers a unique postcolonial reinterpretation of Austen’s classic through a South Asian lens. Chadha, a British filmmaker of Indian descent, relocates the story to contemporary India, blending Indian traditions, music, and family dynamics with Austen’s original themes. This paper presents a comparative study of the characters Elizabeth Bennet and Lal

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Debarati Saha. "Identity and Self-Discovery in the Novels of Jane Austen." International Journal for Research Publication and Seminar 15, no. 3 (2024): 232–38. http://dx.doi.org/10.36676/jrps.v15.i3.1486.

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The intricate themes of self-discovery and identity in Jane Austen's books, with an emphasis on the characters' struggles to evolve as individuals within the societal norms of Regency England. Examining classics like Pride and Prejudice, Emma, and Sense and Sensibility, the course delves into the protagonists' paths to self-discovery and moral growth throughout Austen's novels. Austen skilfully shows the complex relationship between social duties and individual identity via her characters' battles to balance societal expectations with their own wants. The interior struggles and changing self-p

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Анікіна, Інесса, та Тетяна Мельник. "ЕВОЛЮЦІЯ ЖІНОЧОГО ОБРАЗУ В КЛАСИЧНІЙ ЗАРУБІЖНІЙ ЛІТЕРАТУРІ". Journal of Cross-Cultural Education, № 6 (10 червня 2025): 64–77. https://doi.org/10.31652/2786-9083-2025-6(1)-64-76.

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The article presents a comprehensive analysis of the evolution of the female image in classical foreign literature through the lens of shifting artistic archetypes, value orientations, and sociocultural context. The study focuses on William Shakespeare’s tragedy Othello, Jane Austen’s novel Pride and Prejudice, Gustave Flaubert’s Madame Bovary, Virginia Woolf’s Mrs. Dalloway, and Sylvia Plath’s The Bell Jar. Within the analysis of Shakespeare’s Othello, special attention is paid to the polysemous nature of Desdemona’s character, which simultaneously embodies loyalty, naivety, and self-sacrific

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Karina, Ria, and Zaenal Arifin. "POSITIVE POLITENESS AND NEGATIVE POLITENESS STRATEGIES PERFORMED BY MAIN CHARACTER OF PRIDE AND PREJUDICE NOVEL BY JANE AUSTEN." INFERENCE: Journal of English Language Teaching 5, no. 3 (2023): 180. http://dx.doi.org/10.30998/inference.v5i3.7169.

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<p>The objective of this study is aimed to (1) know the use of positive politeness and negative politeness use by main character in Pride and Prejudice by Jane Austen and (2) identify the function of the strategies. This study was conducted by using descriptive qualitative method to describe the positive politeness and negative politeness used by main character in the novel. The instrument of this study is the writer herself by reading the novel and coding the intended data related to positive politeness and negative politeness. The result of this study shows that there are 12 positive p

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Zhang, Grace, and Tulin Ece Tosun. "Pride and Prejudice Book vs. Play." International Journal of English Literature and Social Sciences 8, no. 1 (2023): 015–18. http://dx.doi.org/10.22161/ijels.81.3.

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Since first published in 1813, Jane Austen’s novel Pride and Prejudice has remained to be a timeless classic and has continued to inspire many adaptations in different artistic forms. The novel explores pride in Mr. Darcy’s character and prejudices in Elizabeth Bennet’s nature. In the beginning, excessive pride and prejudices prevent them from admiring each other’s virtue and beauty. As the story progresses, though, readers see both their growth and, finally, a happy ending after pride and prejudices fade. Because it tells one of the most cherished love stories in English literature, the origi

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Leclair, Jean. "Jane Austen and the Council of the Federation." Constitutional Forum / Forum constitutionnel 15, no. 1, 2 & 3 (2011): 2006. http://dx.doi.org/10.21991/c91q1w.

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As I was preparing this article1 about the Council of the Federation, about the manner in which it differed from its predecessor, the Annual Premiers’ Conference, my thoughts were constantly harking back to my favorite English author, Jane Austen. Although the titles of her novels are different, and despite the fact that Elizabeth Bennet is not an exact replica of Elinor Dashwood,2 Jane Austen always writes the same story: the battle between reason and emotion, between sense and sensibility. Now, quite frankly, as do Alain Noël and others before me, I believe that the Council of the Federation

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Suryanovika, Citra, and Novita Julhijah. "Directive Speech Acts and Hedges Presented by Female Main Characters of Jane Austen’s Novels." Lingua Cultura 12, no. 4 (2018): 345. http://dx.doi.org/10.21512/lc.v12i4.4118.

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This research aimed at identifying the category of directive speech acts found in the utterances of six female characters of six Jane Austen’s novels (Elinor Dashwood of Sense and Sensibility, Elizabeth Bennet of Pride and Prejudice, Fanny Price of Mansfield Park, Emma Woodhouse of Emma, Anne Elliot of Persuasion, and Catherine Morland of Northanger Abbey), and explaining the hedges used in directive speech acts. The research employed a descriptive qualitative method to collect, analyze, and discuss the findings which closely related to the classification of directive speech acts of female mai

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Ali, Wesal. "Revisiting Classical Literature Through the Lens of Modern Feminism." Academic Journal of Research and Scientific Publishing 6, no. 67 (2024): 06–34. http://dx.doi.org/10.52132/ajrsp.e.2024.67.1.

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This study embarks on a critical exploration of classical literature through the lens of modern feminist theory, focusing on iconic works such as Pride and Prejudice by Jane Austen, Othello by William Shakespeare, and Great Expectations by Charles Dickens. By employing feminist literary criticism, the research seeks to reveal the underlying patriarchal frameworks embedded within these texts and examine the ways in which gender roles are both constructed and contested. This analysis delves deeply into the lives and struggles of central female characters, including Elizabeth Bennet, Desdemona, a

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Cananosque Neto, Henrique, and Lauro Roberto Martiniano Gomes. "AFINIDADES ENTRE AS OBRAS-PRIMAS DE JANE AUSTEN E LOUISA MAY ALCOTT: SIMILITUDES DO PROTAGONISMO FEMININO EM “PRIDE AND PREJUDICE” E “LITTLE WOMEN”." Revista Contemporânea 4, no. 1 (2024): 3136–52. http://dx.doi.org/10.56083/rcv4n1-175.

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Introdução: A literatura clássica frequentemente aborda a força do protagonismo feminino. As obras de Jane Austen, como "Pride and Prejudice", e de Louisa May Alcott, como "Little Women", são exemplos emblemáticos desse protagonismo. Este estudo busca analisar as similitudes entre essas obras, focando na representação do papel das mulheres. Objetivo: O objetivo principal é identificar e comparar as semelhanças na representação das protagonistas femininas em "Pride and Prejudice" de Austen e "Little Women" de Alcott. Busca-se compreender como as autoras abordaram questões de autonomia, relacion

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Nurhamidah, Idha, Sugeng Purwanto, and Nur Ekaningsih. "A literary work as self-reflection of the author: Why and how it is manifested." EduLite: Journal of English Education, Literature and Culture 4, no. 2 (2019): 194. http://dx.doi.org/10.30659/e.4.2.194-203.

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Anyone on earth may at one time or another reflects him or herself in a way he or she feels comfortable—be it as simple as writing up a phrase “Go to Hell with Communism!” on a wall of an old building. In this respect, he or she has reflected him or herself that he or she does not agree with the ideology of communism. The current study investigated to justify that literary works reflect the ‘selves’ of the authors in one or more possible ways. A poet may, to reflect him or herself, be characterized as employing particular styles or diction. A novelist may try to involve in one of the character

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Ramadhanty, Cindy Belinda. "Resistansi terhadap Objectification dalam Novel Mash-Up Pride and Prejudice and Zombies dari Novel Klasik Pride and Prejudice." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 3, no. 1 (2020): 33–45. http://dx.doi.org/10.30872/diglosia.v3i1.30.

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This study deals with objectification, especially towards Elizabeth Bennet (Lizzy), in the classic novel Pride and Prejudice (1813) and the mash-up novel Pride and Prejudice and Zombies (2009) which were written by Jane Austen and Seth Grahame-Smith. This study aims to examine how the resistance towards objectification is pictured in the mash-up novel Pride and Prejudice and Zombies using Nussbaum’s theory of objectification. As a comparative study, there are some things that will be compared in this study, such as the different time period when both novels were first published, the way the au

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Peters, Christian Helge. "(Neu-)Politisierungen in feministischen New Materialisms: Elizabeth Grosz, Jane Bennett und Rosi Braidotti." Freiburger Zeitschrift für GeschlechterStudien 24, no. 1-2018 (2018): 15–30. http://dx.doi.org/10.3224/fzg.v24i1.02.

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In Auseinandersetzung mit Materialitäten entwickeln feministische New Materialisms ein neues Verständnis politischer Praxen. Materialitäten, insbesondere Körper, werden als aktiv verstanden, mit einer eigenen agency. Im Anschluss an Gilles Deleuze werden hier drei zentrale Theoretikerinnen der feministischen New Materialisms mit ihren je unterschiedlichen (Neu-)Politisierungen von Materialitäten diskutiert: Elizabeth Grosz schließt an die Gedanken von Deleuze zur Kraft des Lebens an und politisiert sie. Die Intuition ist hier eine Erfahrung und Partizipation in den Lebensprozessen der Material

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Grabow, Sven, Dominique Poulot, Emma Waterton, Sheila K. Hoffman, and Masaaki Morishita. "Books." Museum Worlds 6, no. 1 (2018): 160–76. http://dx.doi.org/10.3167/armw.2018.060112.

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Book Review EssaysSustaining the Past into the Future: Some Reflections on Mechanisms to Keep Heritage Meaningful and SustainableTheory and Practice in Heritage and Sustainability: Between Past and Future. Elizabeth Auclair and Graham Fairclough, eds. London: Routledge, 2015.Crowdsourcing our Cultural Heritage, Mia Ridge, ed. Farnham, UK: Ashgate, 2014.Museums, Power, Knowledge: Selected Essays. Tony Bennett. London: Routledge, 2018.Book ReviewsCollecting, Ordering, Governing: Anthropology, Museums, and Liberal Government. Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, I

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Guaglianone, Fiorella. "Los feminismos y lo meramente material: una aproximación al problema desde algunos aportes de las teorías queer, los nuevos materialismos y el feminismo materialista francófono." Eikasía Revista de Filosofía, no. 113 (March 2, 2023): 7–24. http://dx.doi.org/10.57027/eikasia.113.493.

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Este trabajo indaga en algunas discusiones alrededor del problema de la materia, marcando puntos de encuentro y divergencias entre algunos elementos presentes en las teorías queer, los nuevos materialismos y el feminismo materialista francófono. Más específicamente, se preguntará por qué consecuencias teóricas y políticas podrían tener las diversas conceptualizaciones de la materia y lo material en las elaboraciones de cinco referentes indiscutidas de esas corrientes de pensamiento: Judith Butler, Paola Tabet y Nicole-Claude Mathieu y Elizabeth Wilson y Jane Bennett.

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Agisheva, Yuliya. "Composer Elizabeth Lutyens: Contribution to Serialism." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (2019): 147–60. http://dx.doi.org/10.36340/2071-6818-2019-15-4-147-160.

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The article concerns some aspects of the career and life of British composerElisabeth Lutyens (1906-1983). Her name is almost unknown in Russia. The composer’soutput embraces the 20-80s of the 20th century and consists of lots of genres: instrumental,chamber, vocal music, opera, incidental music for cinema and broadcasting. The serialismcompositional technique is one of the key points of the composer’s idiom. Lutyens was one of the first to begin to use it in Great Britain. The composer insisted she had invented serialism before discovering the music of the Second Viennese School (A. Schoenber

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Hilola Shavkatovna, Akhmedova. "Depicting a national calorie and a female image in the translation of Jane Austen's “Pride and Prejudice”." International Journal on Integrated Education 2, no. 6 (2019): 42–46. http://dx.doi.org/10.31149/ijie.v2i6.196.

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Jane Austen was not yet twenty-one years old when she began writing the novel, “Pride and Prejudice”. At the center of the work are two people from various walks of life - Elizabeth Bennett and Mr. Darcy. The plot of the novel is based on a dual “Pride and Prejudice”, whose reasons are hidden in the veil of heredity and property. Female portray and women depiction was the main theme of Jane Austen’s works. All her characters have their own traits, different from each other with colorful description of the author.

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Bennett, Bradley C. "Hunting for Sustainability in Tropical Forests. John G. Robinson , Elizabeth L. Bennett." Quarterly Review of Biology 76, no. 3 (2001): 375–76. http://dx.doi.org/10.1086/394064.

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Pacovská, Kamila. "Love and the Pitfall of Moralism." Philosophy 93, no. 2 (2017): 231–49. http://dx.doi.org/10.1017/s0031819117000559.

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AbstractIn what sense does love presuppose appreciation of the other's character? First, I argue that loving appreciation is more often a source of truthful vision than of bias and idealisation. Second, using the example of Elizabeth Bennett, I show that the tendency to forfeit love for those who lose our good opinion can be an expression of undue moralism and pride. Nonjudgmental responses to the other's flaws show how virtuous love can combine both realistic vision of the other's flaws and appreciation of the other that does not stand on balancing flaws with qualities. Such love is in the en

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Wheeler, Belinda. "Gwendolyn Bennett's “The Ebony Flute”." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 744–55. http://dx.doi.org/10.1632/pmla.2013.128.3.744.

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IntroductionGwendolyn Bennett (1902-81) is often mentioned in books that discuss the harlem renaissance, and some of her poems Occasionally appear in poetry anthologies; but much of her career has been overlooked. Along with many of her friends, including Jessie Redmond Fauset, Langston Hughes, and Countee Cullen, Bennett was featured at the National Urban League's Civic Club Dinner in March 1924, an event that would later be “widely hailed as a ‘coming out party’ for young black artists, writers, and intellectuals whose work would come to define the Harlem Renaissance” (McHenry 383n100). In t

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