Relevant bibliographies by topics / Elizabeth Grosz

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  2. Dissertations / Theses
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Academic literature on the topic 'Elizabeth Grosz'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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Journal articles on the topic "Elizabeth Grosz"

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Noack, Ruth. "Elizabeth Grosz: Volatile Bodies." Die Philosophin 7, no. 13 (1996): 117–19. http://dx.doi.org/10.5840/philosophin199671314.

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Editors, The. "Elizabeth Grosz, Jacques Lacan." Journal of French and Francophone Philosophy 1, no. 3 (February 11, 1989): 42. http://dx.doi.org/10.5195/jffp.1989.287.

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Jagusiak, Agnieszka. "The Corporeality in Elizabeth Grosz’s Posthumanistic Theory of Two-Dimensional Subjectivity." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Filozofia 12 (2015): 153–65. http://dx.doi.org/10.16926/fil.2015.12.09.

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Bergoffen, Debra B. "Elizabeth Grosz, Jacques Lacan: A Feminist Introduction." Journal of French and Francophone Philosophy 5, no. 1 (March 3, 1993): 108–11. http://dx.doi.org/10.5195/jffp.1993.342.

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Bell, Vikki. "An Interview with Elizabeth Grosz: ‘The Incorporeal’." Theory, Culture & Society 34, no. 7-8 (November 7, 2017): 237–43. http://dx.doi.org/10.1177/0263276417736814.

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In this interview with Vikki Bell, Elizabeth Grosz explains some of the key concepts and arguments in her book The Incorporeal (2017), including how this book sits with her earlier interventions, the appeal of Simondon’s concept of the pre-individual, Ruyer and the notion of directionality, and why reading the Stoics helps us understand current Deleuzian-inspired debates on immanent ethics.
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Varino, Sofia. "Incorporeal Conditions: Elizabeth Grosz’s Ontoethics." Freiburger Zeitschrift für GeschlechterStudien 24, no. 1-2018 (December 3, 2018): 113–15. http://dx.doi.org/10.3224/fzg.v24i1.07.

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Grosz, Elizabeth, Kathryn Yusoff, and Nigel Clark. "An Interview with Elizabeth Grosz: Geopower, Inhumanism and the Biopolitical." Theory, Culture & Society 34, no. 2-3 (February 7, 2017): 129–46. http://dx.doi.org/10.1177/0263276417689899.

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This article is an interview with Elizabeth Grosz by Kathryn Yusoff and Nigel Clark. It primarily addresses Grosz’s approaches to ‘geopower’, and the discussion encompasses an exploration of her ideas on biopolitics, inhuman forces and material experimentation. Grosz describes geopower as a force that subtends the possibility of politics. The interview is accompanied by a brief contextualizing introduction examining the themes of geophilosophy and the inhumanities in Grosz’s work.
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Colebrook, Claire. "Time Travels: Feminism, Nature Power, by Elizabeth Grosz." Journal of the British Society for Phenomenology 39, no. 3 (January 2008): 331–33. http://dx.doi.org/10.1080/00071773.2008.11006656.

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Nelson, Diane M. ": Volatile Bodies: Toward a Corporeal Feminism . Elizabeth Grosz." American Anthropologist 98, no. 4 (December 1996): 918–19. http://dx.doi.org/10.1525/aa.1996.98.4.02a00650.

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Trappes, Rose. "Evaluating Elizabeth Grosz's Biological Turn." Hypatia 34, no. 4 (2019): 736–54. http://dx.doi.org/10.1111/hypa.12487.

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Elizabeth Grosz's interpretation of Darwinian evolutionary theory to ground a feminist ontology of biology has been particularly controversial. Most critics have understood Grosz as supporting her theory with empirical evidence, and they criticize her for being either inaccurate or uncritical of and overly dependent on science. I argue that Grosz reads Darwin as a philosopher in a Deleuzian and Irigarayan sense, and that Grosz's project is therefore better understood in terms of its ethical and political goals rather than in terms of empirical adequacy. Employing this evaluative framework lead
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Dissertations / Theses on the topic "Elizabeth Grosz"

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Collie, Natalie Estelle. "Pieces of a city : the art of making speculative cities, bodies, & texts." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/59618/1/Natalie_Collie_Thesis.pdf.

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This practice-led doctorate involved the development of a collection – a bricolage – of interwoven fragments of literary texts and visual imagery explor-ing questions of speculative fiction, urban space and embodiment. As a sup-plement to the creative work, I also developed an exegesis, using a combina-tion of theoretical and contextual analysis combined with critical reflections on my creative process and outputs. An emphasis on issues of creative practice and a sustained investigation into an aesthetics of fragmentation and assem-blage is organised around the concept and methodology of brico
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Schütze, Sven. "Biologische Evolutionstheorie." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220911.

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Biologische Evolutionstheorie erklärt die sukzessive Veränderung von Arten durch Vererbung und wurde erstmalig von Charles Darwin umfassend formuliert. Die Rezeption durch die Genderforschung umfasst diskursanalytische Studien und die Methodenkritik feministischer Biowissenschaftler_innen. Konkrete Bezugspunkte stellen dabei die sexuelle Selektion, naturalisierende Thesen der Soziobiologie und der evolutionären Psychologie sowie die Rolle des Essentialismus in der Evolutionstheorie Darwins dar.
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Lavi, Tali, and talilavi@netspace net au. "Tales of Ash: Phantom Bodies as Testimony in Artistic Representations of Terrorism." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080428.114445.

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This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in
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Myshko, Yelena. "A little story about big issues : an introspective account of FEMEN." Thesis, Linköpings universitet, Tema Genus, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-151544.

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This research contributes a detailed personal account of a FEMEN activist. It presents an autophenomenographic analysis of cultural artefacts, including a Retrospective Diary, resulting from the activity of Yelena Myshko in FEMEN between 2012 and 2014. Previously FEMEN has been used as raw material for external analysis by press and academics to fit their individual agendas. To counteract this, Myshko’s research proposes an insider perspective on FEMEN activism. She writes herself in response to academics and FEMEN leader Inna Shevchenko who ignore the contribution of FEMEN Netherlands. Myshko
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Books on the topic "Elizabeth Grosz"

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Maybaum, Mary L. Study guide, Oceanography, a view of earth, 7th edition, M. Grant Gross, Elizabeth Gross. Upper Saddle River, N.J: Prentice Hall, 1996.

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Grosz, A. E. Heavy-mineral concentrations associated with some gamma-ray aeroradiometric anomalies over crataceous sediments in North Carolina: Implications for locating placer mineral deposits near the fall zone / by Andrew E. Grosz, Francisco C. San Juan, Jr., and Jeffrey C. Reid ; prepared in cooperation with Elizabeth City State University and the North Carolina Geological Survey. Reston, VA: U.S. Geological Survey, 1992.

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Grosz, A. E. Heavy-mineral concentrations associated with some gamma-ray aeroradiometric anomalies over crataceous sediments in North Carolina: Implications for locating placer mineral deposits near the fall zone / by Andrew E. Grosz, Francisco C. San Juan, Jr., and Jeffrey C. Reid ; prepared in cooperation with Elizabeth City State University and the North Carolina Geological Survey. Reston, VA: U.S. Geological Survey, 1992.

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Grosz, A. E. Heavy-mineral concentrations associated with some gamma-ray aeroradiometric anomalies over cretaceous sediments in North Carolina: Implications for locating placer mineral deposits near the fall zone / by Andrew E. Grosz, Francisco C. San Juan, Jr., and Jeffrey C. Reid ; prepared in cooperation with Elizabeth City State University and the North Carolina Geological Survey. Reston, VA: U.S. Geological Survey, 1992.

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Wellborn, L. Margaret Holcomb. Part I. William Holcomb (1650-aft. 1705) of England, and New Kent Co., Virginia: His family and descendants through John and Elizabeth (Lawrence) Holcomb of New Kent Co., Virginia, and Surry County, North Carolina. Part II. Simon Gross (b. 1711) of Baden, Germany, and Rowan Co., North Carolina : his family and descendants. Asheville, NC: Ward Pub. Co., 1992.

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Miller, Ruth A. Feminist Theory and the Politics of Life. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190638351.003.0002.

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This chapter reviews recent writing in feminist theory on the problem that reproductive life has conventionally posed to democratic engagement. Setting the work of feminist philosophers alongside the writing of both historic and contemporary natural historians and biologists—Elizabeth Grosz alongside Charles Darwin and Rudolf Leuckart, Claire Colebrook in conversation with Cell, and Rosi Braidotti with Alain Prochiantz, among others—the chapter demonstrates that feminist theorists have already begun to describe the political influence of nonhuman thought and, or as, nonhuman reproduction. The
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Tulloch, John, and Belinda Middleweek. Desire, Intimacy, Transgression, and the Gaze in the Work of Andrea Arnold and Lynne Ramsay. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0013.

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Chapter 11 revisits feminist screen studies notions of the filmic gaze through the simulated, high-impact sex films made by female directors Andrea Arnold and Lynne Ramsay. With particular emphasis on Arnold’s Red Road and Ramsay’s Morvern Callar, the chapter explores the work of Laura Mulvey, Lynn Williams, Anne Kaplan, Elizabeth Grosz, Slavoj Žižek, and Elena del Rio in light of Horeck and Kendall’s “unsayable” and Grønstad’s “unwatchable” concepts to shift emphasis from the gaze to the role of the sensory and the affective in extreme cinema. Overall, this chapter brings into dialogue the co
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Laskey, Elizabeth. Gross and Gory (Laskey, Elizabeth, Wild Nature.). Heinemann, 2004.

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9

Rohman, Carrie. Choreographies of the Living. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.001.0001.

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Animals seem to be everywhere in contemporary literature, visual art, and performance. But though writers, artists, and performers are now engaging more and more with ideas about animals, and even with actual living animals, their aesthetic practice continues to be interpreted within a primarily human frame of reference—with art itself being understood as an exclusively human endeavor. The critical wager in this book is that the aesthetic impulse itself is profoundly trans-species. Rohman suggests that if we understand artistic and performative impulses themselves as part of our evolutionary i
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C, San Juan Francisco, Reid Jeffrey C, Geological Survey (U.S.), Elizabeth City State University, and North Carolina. Geological Survey Section., eds. Heavy-mineral concentrations associated with some gamma-ray aeroradiometric anomalies over crataceous sediments in North Carolina: Implications for locating placer mineral deposits near the fall zone / by Andrew E. Grosz, Francisco C. San Juan, Jr., and Jeffrey C. Reid ; prepared in cooperation with Elizabeth City State University and the North Carolina Geological Survey. Reston, VA: U.S. Geological Survey, 1992.

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Book chapters on the topic "Elizabeth Grosz"

1

Roffe, Jon, and Hannah Stark. "Deleuze and the Nonhuman Turn: An Interview with Elizabeth Grosz." In Deleuze and the Non/Human, 17–24. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137453693_2.

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"Elizabeth Grosz." In Gender Space Architecture, 226–38. Routledge, 2002. http://dx.doi.org/10.4324/9780203449127-32.

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"Elizabeth Grosz EXPERIMENTAL DESIRE: RETHINKING QUEER SUBJECTIVITY." In The Routledge Queer Studies Reader, 211–28. Routledge, 2012. http://dx.doi.org/10.4324/9780203720776-19.

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Grosz, Elizabeth, and Rebecca Hill. "Onto-Ethics and Difference: An Interview with Elizabeth Grosz." In Philosophies of Difference, 5–14. Routledge, 2020. http://dx.doi.org/10.4324/9780429461590-2.

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Paris, Václav. "Afterword." In The Evolutions of Modernist Epic, 167–78. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868217.003.0006.

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The afterword evaluates the potential ranges of the methodology for reading comparative modernism proposed in The Evolutions of Modernist Epic. Many more epic works than those discussed in detail could be analyzed in relation to the eclipse of Darwinism in the early twentieth century. These include, for instance, Marcel Proust’s In Search of Lost Time. In addition, there are a number of benefits promised by a thorough understanding of biocentric modernism. Hitherto, however, little attention has been paid to the eclipse and its impact on modernism. One reason for this is that for many years the eclipse was regarded as a scientific mistake. The afterword describes how scholars of evolution, including Lynn Margulis, Elizabeth Grosz, and others, have come to reconsider its place in relation to Neo-Darwinism. It is within this larger reconsideration that it is worthwile returning to modernist epic as a source for radical thinking about human and literary evolution.
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Bryant, Jan. "Political-Aesthetics and Contemporary Artists: Introduction." In Artmaking in the Age of Global Capitalism, 71–86. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456944.003.0016.

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As introduction to the four essays on contemporary practice, this chapter opens with some examples of political despondency at the turn of the century. Two films from the 1960s, Soy Cuba and Winter Soldier, are closely examined as a way to understand the hopefulness for a renewed future that must have inspired their making. From a contemporary perspective, hope has faded with the unfolding of history and the intensification of class inequality. While this seems to support an ‘end of history’ thesis, it is the point where Andrew Benjamin’s structuring of hope in the present becomes a potent retort. The chapter concludes with a consideration of how political-aesthetics is informed this century by a renewed interest in materials and their effects, while also considering the materialist approaches of Marx, Walter Benjamin, and Elizabeth Grosz. A materialist approach means that focus on the sensate realm determines that a portion of any interpretation of artwork will include a subjective dimension. [154]
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Hanson, Clare. "A Catastrophic Universe: Lessing, Posthumanism and Deep History." In Doris Lessing and the Forming of History. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414432.003.0013.

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This chapter explores the shift in Lessing’s work from social realism to an experimental approach to genre and argues that it is inseparable from the expansion of the scope of her later fiction, from the specifics of contemporary history to a concern with evolutionary and planetary time. A recurring tension in her writing is identified, between a trans-humanist ethos (expressed through the protagonists’ engagement with the prospect of ‘enhancing’ humanity) and post-humanist perspectives that offer a radical challenge to human exceptionalism. Taking the figure of the evolutionary ‘throwback’ in The Fifth Child (1988) as a starting point, the chapter argues that the novel opens up a landscape in which ‘the human’ in its current incarnation is no longer the structuring norm. It goes on to consider the relationship between humans and other animals in Lessing’s work, charting an emerging critique of anthropocentric ideology and an innovative mapping of inter-species subjectivities. Drawing on the neo-vitalist philosophy of Rosi Braidotti and Elizabeth Grosz, it argues that a post-humanist perspective is articulated in Lessing’s fiction, but that it is complicated by a transhumanism which is in part impelled by her continued commitment to Sufism. The chapter concludes by locating Lessing’s space fiction and late fables such as Mara and Dann (1999) in the context of Dipesh Chakrabarty’s concept of ‘deep history’, an approach that he argues is mandatory at a time of planetary crisis.
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"The Body of Signification: Elizabeth Gross." In Abjection, Melancholia and Love, 88–111. Routledge, 2012. http://dx.doi.org/10.4324/9780203120545-13.

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Heffernan, David. "Complaint, reform and conflict: Treatise writing in late Elizabethan Ireland, 1579–1594." In Debating Tudor policy in sixteenth-century Ireland. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526118165.003.0005.

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This chapter proposes a revision of our understanding of political discourse in late Elizabethan Ireland and public policy there more generally. Previously it has largely been contended that officials in Ireland at this time began to believe that the country was beyond ‘reform’ and that a harsh brand of military subjugation would have to be employed to create a tabula rasa on which an English society could be constructed. Converse to this the chapter argues that officials were actually deeply critical of Tudor policy in Ireland itself at this time. Accordingly they argued that what was needed was a more conciliatory approach to the governance of the country and reformation of the gross levels of militarisation and corruption which had become endemic there. These views were clearly laid out in a literature of complaint which emerged in the ‘reform’ treatises being written at this time. The chapter is primarily an exploration of this literature of complaint. It also examines the treatises attendant upon the inception of the Munster Plantation. Finally, it examines attitudes towards the problem posed by Ulster in the 1580s and early 1590s and queries what policies were promoted for the province in the years preceding the outbreak of the Nine Years War in 1594.
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