Academic literature on the topic 'Elizabeth of Hardwick'

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Journal articles on the topic "Elizabeth of Hardwick"

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Miller, Stephen. "Elizabeth Hardwick: The Mystique of Manhattan." Sewanee Review 121, no. 4 (2013): 600–611. http://dx.doi.org/10.1353/sew.2013.0104.

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Lawson, J. A. "Bess of Hardwick and Elizabeth St Loe." Notes and Queries 61, no. 2 (2014): 206–11. http://dx.doi.org/10.1093/notesj/gju025.

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Banerjee, A. "The Dolphin Letters, 1970–1979: Elizabeth Hardwick. Robert Lowell and Their Circle." English Studies 101, no. 6 (2020): 781–83. http://dx.doi.org/10.1080/0013838x.2020.1777755.

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Seregina, Anna. "News, rumours and gossip in the communication network of an English noblewoman: the correspondence of Bess Hardwick." Adam & Eve. Gender History Review, no. 32 (2024): 6–53. https://doi.org/10.32608/2307-8383-2024-32-006-053.

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The article is focused on gender aspects of the circulation of news and rumours within female patronage and communication systems. The study presents an analysis of the largest and best-preserved epistolary archive of a 16th-century Englishwoman — the correspondence of Elizabeth talbot (born Bess of Hardwick), Countess of Shrewsbury (1522/1527-1608). The studies of the last two decades have shown that women, especially court ladies, were actively involved in the exchange of political information. However, a distance has been thought to separate news/rumours exchanged by men and related to poli
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Morris, Richard K. "‘I was never more in love with an olde howse nor never newe worke coulde be better bestowed’: The Earl of Leicester’s remodelling of Kenilworth Castle for Queen Elizabeth I." Antiquaries Journal 89 (August 14, 2009): 241–305. http://dx.doi.org/10.1017/s0003581509990060.

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AbstractKenilworth, though a castle in name, was converted by Robert Dudley, earl of Leicester, into the first great Elizabethan progress house. This article aims to provide the first thorough account and assessment of his architectural works at Kenilworth. It is based primarily on the author’s long acquaintance with the castle’s building fabric, supplemented by the opportunities afforded by the recent programme of works undertaken by English Heritage and by new documentary information. Among the discoveries are several works (previously attributed to Leicester) which can be assigned to his fa
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Armstrong, T. D. "An Old Philosopher in Rome: George Santayana and his Visitors." Journal of American Studies 19, no. 3 (1985): 349–68. http://dx.doi.org/10.1017/s0021875800015322.

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Rome after the Second World War presented something of an anomaly. Of all the traditional capitals of European civilization it was the least affected by the conflict. Because of the Pope's presence, it had not been bombed, and it had escaped the heavy fighting in the campaigns to the south. Indeed, so easily was it taken that one film was to show the Eternal City captured by a single jeep. Italy was also faster to recover than any of the other combatants. American money flooded into the country, and political life was quickly under way again. All this made it a good place for visitors, a relat
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Gleadhill, Emma. "“For I Asked Him Men's Questions”: Late Eighteenth-Century British Women Tourists’ Contributions to Scientific Inquiry." Eighteenth-Century Life 45, no. 3 (2021): 158–77. http://dx.doi.org/10.1215/00982601-9273034.

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“We endeavoured with some tools our servants had, to carry some pieces of it with us,” Caroline Powys wrote of her visit to Stonehenge in 1759. “Tho’ our party were chiefly female,” she remarked, “we had no more curiosity than the learn'd gentlemen of the Royal Society.” Carolyn was not alone in challenging the gendered demarcation of scientific observation. From the second half of the century, British women travelers carefully packed minerals in cases, filled bags with botanical specimens, and roamed the shores in search of shells and seaweed. This article proposes that British women of the l
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Pritchard, William H. "The Dolphin: Two Versions, 1972–1973 by Robert Lowell, and: The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle ed. by Saskia Hamilton." Hopkins Review 13, no. 3 (2020): 464–68. http://dx.doi.org/10.1353/thr.2020.0070.

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Connor, Elizabeth A., Anna Dunaevsky, David J. G. Griffiths, Jean C. Hardwick, and Rodney L. Parsons. "Transmitter Release Differs at Snake Twitch and Tonic Endplates During Potassium-Induced Nerve Terminal Depolarization." Journal of Neurophysiology 77, no. 2 (1997): 749–60. http://dx.doi.org/10.1152/jn.1997.77.2.749.

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Connor, Elizabeth A., Anna Dunaevsky, David J. G. Griffiths, Jean C. Hardwick, and Rodney L. Parsons. Transmitter release differs at snake twitch and tonic endplates during potassium-induced nerve terminal depolarization. J. Neurophysiol. 77: 749–760, 1997. Twitch and tonic muscle fibers of snake skeletal muscle differ in their synpatic as well as mechanical properties. These experiments were aimed at detemining the basis of the difference in vesicular release properties of nerve terminals at twitch and tonic endplates. Miniature endplate currents (MEPCs) were recorded from voltage-clamped gar
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"INTRODUCTION." Camden Fifth Series 44 (December 2013): 1–45. http://dx.doi.org/10.1017/s0960116313000201.

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Lady Anne Bacon (c.1528–1610) was a woman who inspired strong emotion in her own lifetime. As a girl, she was praised as a ‘verteouse meyden’ for her religious translations, while a rejected suitor condemned her as faithless as an ancient Greek temptress. The Spanish ambassador reported home that, as a married woman, she was a tiresomely learned lady, whereas her husband celebrated the time they spent reading classical literature together. During her widowhood, she was ‘beloved’ of the godly preachers surrounding her in Hertfordshire; Godfrey Goodman, later bishop of Gloucester, instead argued
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Dissertations / Theses on the topic "Elizabeth of Hardwick"

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French, Sara Lillian. "Women, space, and power : the building and use of Hardwick Hall in Elizabethan England /." Online version via UMI:, 2000.

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Curtis, Lauren Aimee. "A Sonata for two women performance and performativity in the works of Renata Adler and Elizabeth Hardwick." Thesis, 2019. http://hdl.handle.net/10453/137063.

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University of Technology Sydney. Faculty of Arts and Social Sciences.<br>This dissertation examines the correlations between the acts of reading and writing and concepts of performance and/or performativity via case studies of North American authors Renata Adler and Elizabeth Hardwick. I argue that Adler and Hardwick’s literary works, in varying ways, exemplify or illuminate theatrical concepts that underscore the acts of reading and writing, as theorised by Mikhail Bakhtin and Wolfgang Iser. The novels that act as primary texts in this study – Adler’s 𝘚𝘱𝘦𝘦𝘥𝘣𝘰𝘢𝘵 (2013) [1976] and 𝘗𝘪𝘵𝘤𝘩 𝘋𝘢𝘳𝘬 (
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Books on the topic "Elizabeth of Hardwick"

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1932-, Bradbury Malcolm, and Institute of Contemporary Arts, eds. Elizabeth Hardwick with Malcolm Bradbury. ICA Video, 1986.

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1953-, Pinckney Darryl, ed. The New York stories of Elizabeth Hardwick. New York Review Books, 2010.

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Levey, Santina M. An Elizabethan inheritance: The Hardwick Hall textiles. National Trust, 1998.

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M, Levey Santina, and Thornton Peter 1925-, eds. Of houshold stuff: The 1601 inventories of Bess of Hardwick. National Trust, 2001.

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Levey, Santina M. Elizabethan treasures: The Hardwick Hall textiles. The National Trust, 1998.

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Britain), National Trust (Great, ed. The embroideries at Hardwick Hall: A catalogue. National Trust, 2007.

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Hardwick, Elizabeth. Uncollected Essays of Elizabeth Hardwick. New York Review of Books, Incorporated, The, 2022.

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Bess of Hardwick. Little, Brown Book Group Limited, 2006.

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Hardwick, Elizabeth. The collected essays of Elizabeth Hardwick. 2017.

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Hardwick, Elizabeth. New York Stories of Elizabeth Hardwick. New York Review of Books, Incorporated, The, 2011.

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Book chapters on the topic "Elizabeth of Hardwick"

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Wiggins, Alison. "Talbot, Elizabeth, Countess of Shrewsbury, “Bess of Hardwick”." In The Palgrave Encyclopedia of Early Modern Women's Writing. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-030-01537-4_92-1.

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Pethica, James. "William M. Murphy, Family Secrets: William Butler Yeats and His Relatives; Gifford Lewis, The Yeats Sisters and the Cuala; Joan Hardwick, The Yeats Sisters: A Biography of Susan and Elizabeth Yeats." In Yeats Annual No. 13. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-14614-7_18.

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"Elizabeth Hardwick." In Katherine Anne Porter Remembered. University of Alabama Press, 2010. https://doi.org/10.2307/jj.30347205.36.

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Malay, Jessica L. "Elizabeth Hardwick’s material negotiations." In Bess of Hardwick. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526101303.00011.

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"12 Elizabeth Hardwick: West Side Stories." In Walking New York. Fordham University Press, 2014. http://dx.doi.org/10.1515/9780823263172-015.

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Laborde, Katheryn Krotzer. "City Life." In Flannery O'Connor's Manhattan. Fordham University Press, 2024. https://doi.org/10.5422/fordham/9781531506940.003.0003.

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In 1948, Flannery O’Connor was a guest at Yaddo, an artists’ colony in Saratoga Springs. In 1949, thanks to a McCarthy Era scandal involving Yaddo’s director, O’Connor suddenly found herself leaving with Robert Lowell and Elizabeth Hardwick for Manhattan. O’Connor lived there for nearly six months, first staying in Tatham House in Murray Hill, followed by months of renting a furnished room in Morningside Heights. By the fall of that year, O’Connor had followed Robert and Sally Fitzgerald to Redding, Connecticut, where she lived until December 1950. (From 1951 on, she lived in Milledgeville whe
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Frye, Susan. "Sewing Connections: Elizabeth Tudor, Mary Stuart, Elizabeth Talbot, and Seventeenth-Century Anonymous Needleworkers." In Maids and Mistresses, Cousins and Queens. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195117349.003.0011.

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Abstract Material Objects Are Providing new means to recover the alliances of early modern women. Women’s domestic needlework, for example, reveals political and imaginative interconnections among women as they worked within but also sought to expand the prevalent social and symbolic economies of sixteenth- and seventeenth-century England. For highly visible, highly placed women like Elizabeth Tudor, Mary Queen of Scots, and Elizabeth Talbot, Countess of Shrewsbury (“Bess of Hardwick”) in the sixteenth century, and for thousands of largely anonymous women of the merchant and gentry classes in
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"Chapter One. Political Designs: Elizabeth Tudor, Mary Stuart, and Bess of Hardwick." In Pens and Needles. University of Pennsylvania Press, 2010. http://dx.doi.org/10.9783/9780812206982.30.

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French, Sara. "A Widow Building in Elizabethan England: Bess of Hardwick at Hardwick Hall." In Widowhood and Visual Culture in Early Modern Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315234083-10.

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Preston, Claire. "BOTANY, THE TABLE AND HARDWICK NEW HALL." In Music and Instruments of the Elizabethan Age. Boydell & Brewer, 2021. http://dx.doi.org/10.2307/j.ctv136c0x3.10.

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