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Books on the topic 'Elizabethan dramas'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Higgs, Catherine Jane. Kabuki and Elizabethan drama. [Derby]: Derbyshire College of Higher Education, 1986.

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2

Rupert, Brooke. John Webster & the Elizabethan drama. Toronto: McClelland, Goodchild & Stewart, 1996.

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3

Jarrett, Joseph. Mathematics and Late Elizabethan Drama. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26566-3.

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4

Elizabethan Shakespeare. Ave Maria, FL: Sapientia Press of Ave Maria University, 2007.

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5

Aliens and Englishness in Elizabethan drama. New York: Cambridge University Press, 2009.

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6

Barbato, Guido. Mannerism in Elizabethan literature and drama. [S.l: The Author], 2003.

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7

Prayer, despair, and drama: Elizabethan introspection. Urbana: University of Illinois Press, 1996.

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8

Janicka-Swiderska, Irena. The dance in Elizabethan and Stuart drama. Berlin: De Gruyter, 1987.

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9

The Elizabethan stage. Oxford: Clarendon Press, 2009.

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10

Matsui, Yuko. Elizabethan underworld as cultural myth in contemporary drama. Birmingham: University of Birmingham, 1996.

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11

Elizabethan mythologies: Studies in poetry, drama, and music. Cambridge [England]: Cambridge University Press, 1994.

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12

Surveillance, militarism, and drama in the Elizabethan era. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1996.

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13

Breight, Curtis C. Surveillance, Militarism and Drama in the Elizabethan Era. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230373020.

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14

Saunders, Graham. Elizabethan and Jacobean Reappropriation in Contemporary British Drama. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-44453-0.

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15

Elizabethan Seneca: Three tragedies. London: Modern Humanities Research Association, 2012.

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16

Elizabeth Rex. Toronto: HarperPerennial Canada, 2003.

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17

The Elizabethan theatre. Milano: Cooperativa libraria I.U.L.M., 1986.

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18

Chambers, E. K. The Elizabethan stage. Oxford: Clarendon Press, 2009.

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19

Nardo, Don. Great Elizabethan playwrights. San Diego [Calif.]: Lucent Books, 2003.

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20

Bassnett-McGuire, Susan. Shakespeare, the Elizabethan plays. New York: St. Martin's Press, 1993.

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21

Bassnett, Susan. Shakespeare, the Elizabethan plays. New York: St. Martin's Press, 1993.

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22

Anderson, Maxwell. Elizabeth the queen. Studio City, CA: Players Press, 2007.

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23

McRae, Andrew. Renaissance drama. London: Arnold, 2003.

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24

Lucas, F. L. Seneca and Elizabethan tragedy. Cambridge: Cambridge University Press, 2009.

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25

Reflection of Africa in Elizabethan and Jacobean drama and poetry. Lewiston, N.Y: E. Mellen Press, 2002.

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26

(Editor), Wendy Wall, and Jeffrey Masten (Editor), eds. Dramas of hybridity: Performance and the Body. Northwestern University Press, 2000.

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27

Egendorf, Laura K. Elizabethan Drama. Greenhaven Press, 2000.

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28

Harold, Bloom, ed. Elizabethan drama. Philadelphia: Chelsea House Publishers, 2004.

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29

1973-, Egendorf Laura K., ed. Elizabethan drama. San Diego, CA: Greenhaven Press, 2000.

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30

Shakespeare, William. Romeo and Juliet Annotated Tragic Dramas and Plays. Independently Published, 2020.

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31

Blakemore, Evans G., ed. Elizabethan-Jacobean drama. London: A & C Black, 1988.

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32

1912-, Evans G. Blakemore, ed. Elizabethan-Jacobean drama. London: A & C Black, 1987.

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33

1912-2005, Evans G. Blakemore, ed. Elizabethan-Jacobean drama. London: A & C Black, 1989.

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34

John, Gassner, and William Green. Elizabethan Drama: Eight Plays. Applause Books, 2000.

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35

Harrison, G. B. Story of Elizabethan Drama. University of Cambridge ESOL Examinations, 2012.

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36

Crow, John. Folklore In Elizabethan Drama. Kessinger Publishing, LLC, 2007.

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37

1903-1967, Gassner John, and Green William 1926-, eds. Elizabethan drama: Eight plays. New York, NY: Applause Theatre Book, 1989.

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38

1903-1967, Gassner John, Gassner John 1903-1967, and Green William 1926-, eds. Elizabethan drama: Eight plays. New York: Applause Theatre Book, 1990.

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39

Sykes, H. D. Sidelights on Elizabethan Drama. Taylor & Francis Group, 2016.

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40

Publicover, Laurence. Staging Romance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0003.

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This chapter explores the mostly overlooked history of romance on the early modern stage. Analysing the geographies of two little-known plays, Clyomon and Clamydes (1580s?) and Guy of Warwick (early 1590s?), it argues that, in its imaginative openness and its flexible staging of space, the early modern theatre was the ideal environment in which to stage romance’s extravagant spatial and ethnographical imaginings. Further, the chapter demonstrates how a theatrical tradition of clowning enabled these late-Elizabethan dramas to contest the values of the very romance-worlds they had established. It closes with a fresh reading of Francis Beaumont’s parody of romance, The Knight of the Burning Pestle, arguing that the play satirizes dramatic romance’s spatial grammar as well as its narrative strategies.

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41

Meyer, Edward. Machiavelli And The Elizabethan Drama. Kessinger Publishing, LLC, 2007.

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42

The Induction in Elizabethan Drama. University of Oregon Press, 2001.

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43

Harrison, George Bagshaw. The Story of Elizabethan Drama. Reprint Services Corporation, 1992.

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44

Jarrett, Joseph. Mathematics and Late Elizabethan Drama. Palgrave Macmillan, 2019.

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45

Machiavelli and the Elizabethan Drama. Lenox Hill Pub, 1997.

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46

Bloom, Harold. Elizabethan Drama (Bloom's Period Studies). Chelsea House Publications, 2003.

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47

Meyer, Edward. Machiavelli And The Elizabethan Drama. Kessinger Publishing, LLC, 2007.

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48

Harold, Bloom. Elizabethan Drama (Bloom's Period Studies). Chelsea House Publications, 2003.

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49

Meyer, Edward. Machiavellia and the Elizabethan Drama. Gordon & Breach Science Pub, 1987.

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50

Publicover, Laurence. Turks and Tournaments. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0005.

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This chapter analyses Thomas Kyd’s little-known play Soliman and Perseda (1588–91), focusing on how Kyd shapes his Mediterranean world through literary and dramatic traditions. Contesting one critic’s reading of Soliman and Perseda as a play that critiques chivalric values and takes a significant interest in Mediterranean geopolitics, it argues instead that Kyd adapts his source, a prose romance, so as to bring it into line with late-Elizabethan dramatic fashions. Kyd’s emphasis on private values over national interests, it argues, partially—though by no means fully—unanchors the play from the Mediterranean world contemporary with its staging. Finally, the chapter explores how clowning in Soliman and Perseda and in some later Mediterranean dramas unsettles both the generic and the spatial decorum of the plays in which it operates.

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