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Academic literature on the topic 'Elizabethan period'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Elizabethan period"

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Adha, Ruly. "Elizabethan Period (The Golden Age of English Literature)." JADEs : Journal of Academia in English Education 1, no. 1 (June 15, 2020): 84–95. http://dx.doi.org/10.32505/jades.v1i1.2707.

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English literature has been developed in some period. Each period has its own characteristics which portrayed the condition of the age. The period of English literature is started from Old English until Modern English. English literature becomes glorious when Queen Elizabeth I ruled England. This age is known as Elizabethan period. In this period, there are many literary works such as poetry, drama which are produced by famous artists. The literary works produced in Elizabethan period is famous and the existence of the literary works can be seen nowadays. Furthermore, some literary works, such as drama, are reproduced into movie. Therefore, this period is also known as the golden age of English Literature.

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Javed, Muhammad. "A Study of Elizabethan Period (1558-1603)." IJOHMN (International Journal online of Humanities) 6, no. 2 (April 21, 2020): 65–86. http://dx.doi.org/10.24113/ijohmn.v6i2.174.

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In this study, the researcher has mentioned the writers and their major works in Elizabethan age (1558-1603). The researcher has mentioned almost nineteen writers and their famous works. By reading this research paper, any general reader can easily understand that who are the major writers of the age and what are their famous works. The language and method of presenting the data are very easy. The researcher also has mentioned the major contributions of this era’s writers. As we know that University Wits also fall in this era, thus the researcher has mentioned them and their works too. S. Dutta (2014) declared that The University Wits is a phrase used to title a group of late 16th-century English pamphleteers and playwrights who were studied at the universities Cambridge and Oxford. They appeared famous worldly writers. This era has reminisced for its richness of drama and poetry. This era ended in 1603. Elizabeth turns out to be one of the greatest prominent royals in English history, mainly after 1588, when the English beat the Spanish Armada which had been sent by Spain to reestablish Catholicism and defeat England. All the way through the Elizabethan age, English literature has changed from a shell into a delightful being with imagination, creativeness, and boundless stories. It was not about mystery or miracle plays and the poetry was not nearby religion and the principles addressed in the Church.

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WIEBE, HEATHER. "‘Now and England’: Britten's Gloriana and the ‘New Elizabethans’." Cambridge Opera Journal 17, no. 2 (July 2005): 141–72. http://dx.doi.org/10.1017/s0954586705001977.

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During the Coronation of Elizabeth II in 1953, Elizabethan culture was insistently invoked as a source of solidarity and renewal. Through the trope of ‘New Elizabethanism’ members of the press and public reimagined Britain's future on the foundations of a most productive period in its past. This article traces forms of ‘New Elizabethanism’ and other complex negotiations between modernity and the past in the music presented for the Coronation. Its central focus is the debate surrounding Britten's Gloriana, an opera based on the life of Elizabeth I, commissioned for the Coronation Gala by the Arts Council. The opera and the debate it inspired reveal both the stakes placed in the Elizabethan period and a marked anxiety about the status of the past in the remaking of the present – an anxiety that arguably plagued the Coronation as a whole.

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Closel, Régis Augustus Bar. "Fictional Remembrances of Sir Thomas More: Part I - The Sixteenth Century." Moreana 53 (Number 203-, no. 1-2 (June 2016): 171–204. http://dx.doi.org/10.3366/more.2016.53.1-2.8.

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This article focuses on how literary works such as plays in 16th–17th century England dealt with the fictional presence of Sir Thomas More. Among Tudor statesmen, Thomas More had a special appeal as a topic of thought during the Elizabethan–Jacobean period, quite apart from his opposition to the marriage which led to the reign of Queen Elizabeth. The Marian, Elizabethan and Jacobean periods cover the range of the selected works. They compose a heterogeneous and intriguing group in which every piece has its own particular way of remembering Thomas More. Six works are presented here: the dialogue Il Moro (1556), by Ellis Heywood; a late morality play, The Longer Thou Livest the More Fool Thou Art (1569), by William Wager; a novel, The Unfortunate Traveller (1594), by Thomas Nashe; and three plays, Cromwell (1602), by an unknown dramatist, Sir Thomas More (1600–1603/4), by five different dramatists, and Henry VIII (1613), by William Shakespeare and John Fletcher. Due to the scope of this research, the article is written in two parts. This part explores the first three sixteenth century fictional works by Wager, Heywood and Nashe.

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Parkinson, Anne C. "The Rising of the Northern Earls." Recusant History 27, no. 3 (May 2005): 333–45. http://dx.doi.org/10.1017/s0034193200031472.

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In considering the period from 1559–1603, and the attitudes within the recusant community to the acceptance or rejection of the Elizabethan Settlement, the first major event giving extensive evidence of political attitudes in the northern region is the Rising of the Northern Earls, a crisis which, as elsewhere in Elizabethan England marked the watershed for the fortunes of Catholicism during the reign. An analysis, conducted at some length, of its causes, events and consequences is, indeed, indispensable to understanding Catholic survival in Elizabethan northern England.

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Bars Closel, Régis Augustus. "Fictional Remembrances of Sir Thomas More: Part II/II– Early Seventeenth Century." Moreana 53 (Number 205-, no. 3-4 (December 2016): 143–78. http://dx.doi.org/10.3366/more.2016.53.3-4.10.

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This article focuses on how artistic works such as plays and literature in 16th and 17th-century England dealt with the fictional presence of Sir Thomas More. Among Tudor statesmen, Thomas More had a special appeal as a topic of thought during the Elizabethan–Jacobean period, quite apart from his opposition to the marriage which led to the reign of Queen Elizabeth. The range of works considered covers the Marian, Elizabethan and Jacobean periods. These works compose a heterogeneous and intriguing group in which every piece has its own particular way of remembering Thomas More. Six works are presented here: the dialogue Il Moro (1556) by Ellis Heywood; a late morality play, The Longer Thou Livest the More Fool Thou Art (1569), by William Wager; a novel, The Unfortunate Traveller (1594), by Thomas Nashe; and three plays, Cromwell (1602), by an unknown dramatist, Sir Thomas More (1600–1603/4), by five different dramatists, and Henry VIII (1613), by William Shakespeare and John Fletcher. Due to the scope of this research, the article is written in two parts. This part explores the last three seventeenth-century fictional works by John Fletcher and Shakespeare, an anonymous play and the collaborative play by Anthony Munday, Henry Chettle, with additions by Thomas Heywood, Thomas Dekker and William Shakespeare.

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McLuskie, Kathleen. "The Act, the Role, and the Actor: Boy Actresses On the Elizabethan Stage." New Theatre Quarterly 3, no. 10 (May 1987): 120–30. http://dx.doi.org/10.1017/s0266464x00008617.

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Recent feminist criticism has led to a reassessment of women's roles in the Elizabethan drama, especially in such ‘difficult’ plays asThe Taming of the Shrewor Shakespeare's problem comedies. Yet this has often been with an implicit belief in the appropriateness of ‘psychological’ or ‘interpretive’ approaches to character and gender quite alien to the period in which the plays were first performed. In the following article. Kathleen McLuskie. who teaches in the Department of Theatre at the University of Kent, looks at the different, often conflicting approaches to the sexuality of performance in the Elizabethan and Jacobean periods, at how these were reflected both in theatrical conventions and in contemporary attitudes to the plays and the ‘boy actresses’ – and at some possible implications for modern productions.

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Sands, Kathleen R. "Word and Sign in Elizabethan Conflicts with the Devil." Albion 31, no. 2 (1999): 238–56. http://dx.doi.org/10.1017/s0095139000062724.

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Gloriana, Britomart, Astraea, Belphoebe, the Sun in Splendor, England’s Moses, the new Deborah, the Phoenix—Elizabeth I possessed a generous wardrobe of public personas. Monarchy, chastity, divinity, and other intangibles played in the early modern mind as images, personifications, embodiments—the invisible rendered visible. As Clifford Geertz has observed, the Elizabethan imagination was “allegorical, Protestant, didactic, and pictorial; it lived on moral abstractions cast into emblems.” These emblems were culturally ubiquitous, appearing in books and broadsides, painted and carved portraits, architecture, tapestry, jewelry and clothing, armor and weapons, monumental funerary sculpture, wall and ceiling decoration. University students neglected Aristotle in favor of fashionable continental emblem books, and the taste for embellishing houses with emblems extended from the monarchy and aristocracy to the landed gentry and the rising middle class. Peter Daly stresses the psychological impact of emblems on the early modern mind when he observes that emblems were “as immediately and graphically present in this period as illustrated advertising is today.”

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MARSHALL, PETER, and JOHN MORGAN. "CLERICAL CONFORMITY AND THE ELIZABETHAN SETTLEMENT REVISITED." Historical Journal 59, no. 1 (December 9, 2015): 1–22. http://dx.doi.org/10.1017/s0018246x15000199.

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ABSTRACTThis article re-examines the nature and extent of conformity to the Religious Settlement amongst the parish clergy in the first decades of Elizabeth I's reign. The estimate of Henry Gee, made over a century ago, that only around 300 clergymen were deprived for non-conformity to the Settlement has been remarkably influential and durable, and it continues to shape broader assessments of the ways in which religio-political change was implemented and received in this period. Using digital resources such as the Clergy of the Church of England Database, in conjunction with hitherto neglected biographical compilations, the article argues for a significant revision of Gee's figures. More broadly, it reflects on the complex meanings of ‘conformity’ in a period of perplexing change and dramatic institutional disruption, disputing any suggestion that apparent acquiescence signalled pervasive ‘acceptance’ of the alteration in religion among the clergy. In the process, it draws attention to the pitfalls of uncritical deployment of numbers and statistics, and of using them as explanatory short-cuts in understanding the dynamics of Reformation change.

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Gajda, Alexandra. "Henry Savile and the Elizabethan Court." Erudition and the Republic of Letters 6, no. 1-2 (March 17, 2021): 32–60. http://dx.doi.org/10.1163/24055069-06010001.

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Abstract This essay examines Henry Savile’s relationship with the Elizabethan and Jacobean court and the political culture of the period in which he lived. Particular attention is paid to the controversies surrounding Savile’s alleged connection to Robert Devereux, 2nd earl of Essex and the court politics of the 1590s, and variant interpretations scholars have made of the political significance of his historical scholarship. Savile’s Elizabethan literary remains demonstrate his persistent interest in the association between militarism and the arts of civil government, and the frequently problematic relationship of virtuous soldiers and statesmen to princely rulers. These concerns were shared by leading Elizabethan soldiers and statesmen, from the earl of Leicester, William Cecil, Lord Burghley, to the earl of Essex, and may have influenced the latter’s growing alienation from queen and court in the late 1590s. A broader comparison of Savile’s career with those of contemporary Merton scholars, however, confirms that he rejected the public careers pursued by other friends and colleagues. Savile’s political connections seem to have served his scholarly ambitions rather than the other way around, and after the rebellion of the earl of Essex he seems to have retreated from life at court.

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Dissertations / Theses on the topic "Elizabethan period"

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period the case of John Ford /." University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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Kennedy, Barbara Cecily. "Healing music and its literary representation in the early modern period." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/46975/.

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This interdisciplinary thesis explores how music is used in the art of healing in two distinct ways in the early modern period: namely, through the use of performed music accompanying the healing process itself, and as ‘speculative music', the latter providing a philosophical model for understanding the interplay of music with body, mind and soul. Redefining an existing enquiry in a specific way, my research seeks to enhance an understanding of the construction of a therapeutic modality that revitalizes the ancient belief in the healing powers of music, manifest since antiquity through the classical legends of Orpheus and Pythagoras. The Pythagorean hypothesis – that earthly music reflected the celestial harmony of the spheres – was believed to govern the internal music of the human body, giving credence to the notion of the harmonious balancing of the four bodily humours. Tracing the tradition of healing music from antiquity, I argue that Marsilio Ficino's paradigmatic magico-musical philosophy refashions the Pythagorean and Neoplatonic explanations of music's curative potentiality, offering a new interpretat ion of music's effective power to heal the rift between body and soul. I examine how this Ficinian interpretation is discernible in the work of Robert Fludd, Michael Maier, William Shakespeare, Robert Burton and Thomas Campion. I analyse their observations of the body's physical and emotional response to music's healing power. Drawing on early modern models that appropriate the rhetoric of the music of the spheres, I argue that a cultural moment is established in which the motifs and tropes of Neoplatonic love and the healing power of music culminate in allegories of philosophical contemplation and spiritual fulfilment in the Jacobean court masques. In conclusion, my thesis's examination of music as a healing modality provides a historical framework to support the contemporary use of music as a recognized therapeutic intervention.

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Giammarco, Thais Maria. "Dido, rainha de Cartago : uma proposta de tradução para a obra de Christopher Marlowe." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269971.

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Orientador: Fabio Akcelrud Durão
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudo da Linguagem
Made available in DSpace on 2018-08-14T02:37:41Z (GMT). No. of bitstreams: 1 Giammarco_ThaisMaria_M.pdf: 836335 bytes, checksum: b775f67546a5b131746e2e35237bd2f3 (MD5) Previous issue date: 2009
Resumo: Frente à escassez de traduções da obra de Christopher Marlowe para o português, este trabalho tem o objetivo de apresentar uma proposta de tradução da peça Dido, Queen of Carthage, do dramaturgo elisabetano. O primeiro capítulo traz uma breve análise da obra, comparando-a com os dois principais textos que serviram como base para sua composição, a saber, a Eneida, de Virgílio, e As Heróides, de Ovídio, e, à luz do conceito latino de imitatio, defende a originalidade do texto, em detrimento de um caráter tradutório que lhe atribuem alguns críticos, ratificando, dessa maneira, a validade da empresa a que se propõe este trabalho. No segundo capítulo, faz-se uma distinção entre os sistemas poéticos do português e do inglês, bem como uma exposição das dificuldades de tradução que um texto deste tipo acarreta, seguida de uma apresentação das estratégias empregadas na resolução de tais dificuldades, ilustradas por exemplos extraídos da tradução. O terceiro capítulo compõe-se do texto traduzido, interpolado com o original e acrescido de notas de rodapé
Abstract: Due to the lack of works by Christopher Marlowe translated into Portuguese, this paper aims at presenting a translation proposal to the Elizabethan playwright's Dido, Queen of Carthage. Its first chapter brings a brief analysis of the play, comparing it to two of the principal texts that served as bases for its composition, namely, Virgil's epic Aeneis, and Ovid's Heroides, and, based on the latin concept of imitatio, supports the originality of the text, in opposition to a translation work status attributed to it by some critics, thus confirming the validity of this translation. In the second chapter, there is a distinction between the poetic systems of Portuguese and English, as well as an exposition of the difficulties involved in the translation process of a text such as this one, followed by a presentation of the strategies used to solve these difficulties, illustrated by parts of the translation. The third chapter is composed by the translated text into Portuguese, intertwined with the original text in English, furnished with footnotes
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária

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Darling, Elizabeth Ann. "Elizabeth Denby, housing consultant : social reform and cultural politics in the inter-war period." Thesis, University College London (University of London), 1999. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395825.

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Croft, Lyndsay Marie. "Some Women Love to Struggle : A Cultural and Critical Analysis of Dramatic Representations of Rape in the Late Elizabethan and Jacobean Periods." Thesis, Loughborough University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504681.

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Taking a feminist-historicist approach, this thesis analyses representations of rape in the period 1575-1625, drawing on recent work by Chaytor, Baines, Catty, and Bashar. It explores questions of gender, national identity, and the nature of speech. It considers the impact of changes made to the law in the late Elizbabethan period that attempted to define rape as a crime of sexual violation (differing from the medieval definition as a property crime), and assesses whether the result of this was to give more authority to the female voice, or whether rape remained a means of silencing. It investigates how Renaissance constructions of masculinity and femininity relate to the presentation of rapist and 'victim', and it also identifies a trend of using conquering, war language to refer to rape in plays, even when rape is not a central theme. Early-modern legal texts by Lambarde and Dalton, and conduct book literature are used to place the plays in their cultural context. The plays range from the well-known (Shakespeare's TilliS Androniclis and Marlowe's Tambllrlaine) to the more obscure (Peele's David and Bethsabe and Marston's The Tragedy of Sophonisba). The thesis contributes to knowledge by offering original arguments on a range of plays (some so little-read that there are no modern editions, such as The Maid in the Mill and All's Lost by LllSt) and legal texts. The scope of the project and the way in which it draws together cultural, historical, legal and dramatic material to offer both depth and breadth in its arguments, makes it an authority on the presentation of rape in Renaissance drama. Importantly, it stimulates new debates about much discussed plays such as TilliS Androniclis and Tambllrlaine, offering new perspectives, particularly on the presentation ofwomen and female speech.

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Casey-Stoakes, Coral Georgina. "English Catholic eschatology, 1558-1603." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/266215.

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Early modern English Catholic eschatology, the belief that the present was the last age and an associated concern with mankind’s destiny, has been overlooked in the historiography. Historians have established that early modern Protestants had an eschatological understanding of the present. This thesis seeks to balance the picture and the sources indicate that there was an early modern English Catholic counter narrative. This thesis suggests that the Catholic eschatological understanding of contemporary events affected political action. It investigates early modern English Catholic eschatology in the context of proscription and persecution of Catholicism between 1558 and 1603. Devotional eschatology was the corner stone of individual Catholic eschatology and placed earthly life in an apocalyptic time-frame. Catholic devotional works challenged the regime and questioned Protestantism. Devotional eschatology is suggestive of a worldview which expected an impending apocalypse but there was a reluctance to date the End. With an eschatological outlook normalised by daily devotional eschatology the Reformation and contemporary events were interpreted apocalyptically. An apocalyptic understanding of the break with Rome was not exclusively Protestant. Indeed, the identification of Antichrist was not just a Protestant concern but rather the linchpin of Reformation debates between Catholics and Protestants. Some identified Elizabeth as Jezebel, the Whore of Babylon. The Bull of Excommunication of 1570 and its language provided papal authority for identifications of Elizabeth as the Whore. The execution of Mary Queen of Scots was a flashpoint which enabled previously hidden ideas to burst into public discourse. This was dangerous as eschatology and apocalypticism was a language of political action. An eschatological understanding of contemporary events encouraged conspiracy. The divine plan required human agents. Catholic prophecy and conspiracy show that eschatology did not just affect how the future was thought about but also had implications for the present. This thesis raises questions about Catholic loyalism which other scholars have also begun to challenge. Yet attempts to depose or murder the monarch was not the only response which could be adopted. Belief that one was living in the End also supported what this thesis terms ‘militant passivity’. Martyrs understood their suffering as a form of eschatological agency which revealed and confirmed the identities of the Antichrist and the Whore. The Book of the Apocalypse promised that they would be rewarded at God’s approaching Judgement and the debates of the Reformation would be settled by the ultimate Judge. As martyrs came to symbolise the English Catholic community, it came to understand itself eschatologically. This thesis argues that acknowledging the eschatological dimensions of Catholic perception and action helps us to re-think the nature of early modern English Catholicism.

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Gibson, Alanna Marie. "Salome: Reviving the Dark Lady." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398693802.

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Hwei, Huang Yai, and 黃雅慧. "The English Virginal Variations in Elizabethan Period." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/27646613024289911267.

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碩士
國立中山大學
音樂研究所
86
This thesis aims to deal with the virginal music prevailing in England frommid of the 16th to the 17th century. Characterized by the variations, the musicreached its peak during the reign of Queen Elizabeth. The thesis is divided into four chapters. The first chapter tries to make a survey of the background ofthe virginal music, including its development, collections, distinguished composers and the development of keyboard variations during the Renaissance Era.The second chapter discusses two types of virginal variations, including cantus firmus variations and dance variations. The third chapter goes into the performance practice issues of virginal music, concentrating on ornamentation and fingering. The final chapter concludes and command on the three chapters above. Virginal variations in England was chiefly under the influence of Italian composers and Spanish composers. The four traditional composition techniques of variations in the cantus firmus variations and six-section form in the dance variations were uniquely developed by virginal music composers. All these together with virtuoso as a way of creativity, the virginal music was elevated to asubtle artistic world. As to the problems of performance practice, because of incomplete sources,we can only use the limited information to decide how toornament and to use the fingering according to the remaining manuscripts and the researches of contemporary scholars'. In order to understand the development of keyboard music and accurate articulation for early keyboard music, to study virginal music is essential for keyboardists.

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Lentz, Susan Ann. "The municipal government of Dublin, Ireland during the Elizabethan and early Stuart periods." 1988. http://catalog.hathitrust.org/api/volumes/oclc/19252428.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1988.
Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 294-302).

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Books on the topic "Elizabethan period"

1

Berlemont, Simon. The sources of secular keyboard music in England between the end of the Elizabethan period and the Restoration. Norwich: University of East Anglia, 1991.

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Period: Mary Elizabeth Salzmann. Edina, Minn: ABDO Pub., 2001.

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Three golden ages: Discovering the creative secrets of Renaissance Florence, Elizabethan England, and America's founding. Lanham, Md: Madison Books, 1998.

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Drama, play, and game: English festive culture in the medieval and early modern period. Chicago: University of Chicago Press, 2001.

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Graham, Fisher. Your Majesty: The life & reign of Elizabeth II. 2nd ed. London: Hale, 1992.

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A, Anselment Raymond, ed. The remembrances of Elizabeth Freke, 1671-1714. Cambridge, UK: Cambridge University Press for the Royal Historical Society, 2001.

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Bluejackets on the Elizabeth: A maritime history of Portsmouth and Norfolk, Virginia from the colonial period to the present. White Stone, Va: Brandylane Publishers in cooperation with the Friends of the Portsmouth Naval Shipyard Museum, 1998.

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Quilting and braiding: The feminist christologies of Sallie McFague and Elizabeth A. Johnson in conversation. Collegeville, Minn: Liturgical Press, 1998.

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Straightening the altars: The ecclesiastical vision and pastoral achievements of the progressive bishops under Elizabeth I, 1559-1579. New York: P. Lang, 2000.

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1842-1933, Custer Elizabeth Bacon, and Merington Marguerite, eds. The Custer story: The life and intimate letters of General George A. Custer and his wife Elizabeth. Lincoln: University of Nebraska Press, 1987.

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Book chapters on the topic "Elizabethan period"

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Barton, Robert. "Elizabethan period style." In Style For Actors, 101–62. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429197185-7.

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Young, Harvey. "Cultural anxieties in the Elizabethan period." In Theatre & Race, 25–36. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-0-230-39097-3_3.

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Öğütcü, Murat. "Elizabethan Audience Gaze at History Plays: Liminal Time and Space in Shakespeare's Richard II1." In Audience and Reception in the Early Modern Period, 54–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003132141-3.

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Waters, Mary A. "Elizabeth Moody (1737–1814)." In British Women Writers of the Romantic Period, 17–22. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09821-4_2.

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Waters, Mary A. "Elizabeth Inchbald (1753–1821)." In British Women Writers of the Romantic Period, 60–78. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09821-4_5.

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Waters, Mary A. "Letitia Elizabeth Landon (1802–1838)." In British Women Writers of the Romantic Period, 178–203. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09821-4_14.

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Pearson, Meg. "The Perils of Political Showmanship: Marlowe’s Tamburlaine the Great." In Leadership and Elizabethan Culture, 175–90. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137340290_11.

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Hammer, Paul E. J. "The Perils of War: operations and developments, 1585–1588." In Elizabeth’s Wars, 121–53. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-0-230-62976-9_5.

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Gajda, Alexandra. "The Elizabethan Church and the antiquity of parliament." In Writing the history of parliament in Tudor and early Stuart England, 77–105. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9780719099588.003.0004.

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Modern historians have long recognised that conceptions of the ‘ancient’ history of both parliament and the Protestant Church were vital to the political, legal and religious argument of the period, but the relationship between these two types of historical thinking has rarely been established. This article contends that the need to establish a pre-Reformation history of the Royal Supremacy, so as to counter Catholic challenges of religious innovation, required Elizabethans to create related myths of kings-in-parliament through the ages, exercising jurisdiction over the national Church. It was therefore under Elizabeth that the antiquity of parliament, its centrality to an ‘ancient constitution’, was first asserted by Elizabethan divines to validate the parliamentary framework of the English Protestant Church. It is argued that historical argument about parliament’s origins and evolution derived from the polemical battles fought by various religious interest groups on both sides of the confessional divide who defended, criticised or denounced the type of Church established in 1559. The history of parliament, then, first emerged in the war of ideas waged around the Royal Supremacy.

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Jack, Alison M. "The Prodigal Son in Elizabethan Literature." In The Prodigal Son in English and American Literature, 27–46. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817291.003.0002.

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This chapter considers the influence of Roman comedies, such as those of Terence, on the development of a Prodigal Son tradition in Elizabethan literature. It is argued that the potential danger of rebellion against authority, and fears about change and its consequences in a period of stability following religious and economic upheaval, offer a context in which the parable might be meaningfully adapted. The ubiquity of the paradigm is explained in the light of this historical setting, and the tendency for writers to identify with the figure of the Prodigal is explored.

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Reports on the topic "Elizabethan period"

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Houston, Johnny L., and James C. Turner. Year III. National Association of Mathematicians (NAM)-Elizabeth City State University (ECSU) high performance computing initiative. Final report for period September 15, 1999 - September 14, 2000. Office of Scientific and Technical Information (OSTI), September 2002. http://dx.doi.org/10.2172/804449.

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