Relevant bibliographies by topics / Ellington family

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Academic literature on the topic 'Ellington family'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ellington family"

1

Green, Edward. ""Harlem Air Shaft": A True Programmatic Composition?" Journal of Jazz Studies 7, no. 1 (2011): 28. http://dx.doi.org/10.14713/jjs.v7i1.9.

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<span style="font-size: 12pt; font-family: &quot;Adobe Caslon Pro&quot;;">In 1944, Duke Ellington told a writer from <em>The</em></span><span style="font-size: 12pt; font-family: &quot;Adobe Caslon Pro&quot;;"> <em>New Yorker</em></span><span style="font-size: 12pt; font-family: &quot;Adobe Caslon Pro&quot;;"> that his composition “Harlem Air Shaft,” recorded four years earlier, was inspired by the myriad sounds heard in the air shaft of a Harlem apartment building (“You hear fights, you smell dinner, you hear people making love…”). Many scholars have contended that Ellington invented this “storyline” <em>after</em></span><span style="font-size: 12pt; font-family: &quot;Adobe Caslon Pro&quot;;"> the composition was written. This article addresses the authenticity of “Harlem Air Shaft” as programmatic music. The author finds ample evidence—from unpublished manuscripts, unissued radio broadcasts, analysis of arranging devices and compositional design, and other Ellington testimony—that Ellington did indeed have the sounds and smells of a Harlem air shaft in mind as he wrote the composition.</span>
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2

Gorodilina, M. V. "Time as an integrating factor in a family in foreign researches." Social Psychology and Society 8, no. 1 (2017): 5–16. http://dx.doi.org/10.17759/sps.2017080101.

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The article provides an overview of foreign researches examining family relationships as presented in the family members’ memory. The researches regard the family as a social group represented by the nuclear family’s interpersonal relationships, as well as inter-generational relationships, which determines the mechanism and the establishment of its identity. The family is considered a complex unity of "systems in time". The article describes foreign experience of studying the concepts of family time by analyzing family narratives and autobiographical material. The methods professionals use to study the family time and the involvement of everyone in active construction of family history texts, family practices and rituals of socio-psychological value, are explained in the article. The methodologies of the following questionnaires were analyzed: “The family routines inventory” by E.W. Jensen, S.A. James, W.T. Boyce and S.A. Hartnett; “The family ritual questionnaire” by B.H. Fiesea and C.A. Kline; “Family time questionnaire” by A.S. Ellington.
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3

Green, Edward. "Composers' Voices from Ives to Ellington: An Oral History of American Music. By Vivian Perlis and Libby Van Cleve. New Haven: Yale University Press, 2005." Journal of the Society for American Music 1, no. 2 (2007): 281–83. http://dx.doi.org/10.1017/s1752196307071088.

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This is the inaugural volume of a series of four designed to give a vivid and rounded sense of the vibrant energy that impelled American twentieth-century music. A must-read for anyone who cares about the foundations of that music, Composers' Voices from Ives to Ellington: An Oral History of American Music contains a series of transcriptions from interviews housed at Yale University in their archives of the oral history of American music (OHAM). These interviews were conducted either directly with those composers—Ives, Eubie Blake, Copland, Gershwin, Cowell, Varèse, Ellington, and others—who collectively shaped our nation's music in the first decades of the twentieth century or with others who knew them firsthand. The latter range from persons we might expect (fellow musicians, family members, and business associates) to those who leap from the page as wonderful surprises—for example, Ives's barber! Rarely have five hundred pages of musicological text contained such richness of information combined with such liveliness of presentation. So candid are these interviews, so electric in rhythm, preserving the “jumpiness” of live speech, that it is hard to put the book down.
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4

Novák, János, Michelle Lorenz, and Danilo Harms. "Feaella (Tetrafeaella) obscura sp. nov. – a new pseudoscorpion species from the Maldives (Arachnida, Pseudoscorpiones), and an updated identification key to the subgenus Feaella (Tetrafeaella)." Zoosystematics and Evolution 96, no. 2 (2020): 769–79. http://dx.doi.org/10.3897/zse.96.56885.

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The Feaellidae Ellingsen, 1906 is a small but ancient family of pseudoscorpions with 20 extant species across the Southern Hemisphere, and fossils from the Lower Cretaceous of Myanmar and the Eocoene of Europe. Here, we describe and illustrate Feaella (Tetrafeaella) obscurasp. nov. as a new species from the Maldives archipelago in the Indian Ocean. This is the first record of Feaella from a young oceanic island and may indicate a potential for long-distance dispersal in this lineage. We also elevate Feaella (T.) capensis nana Beier, 1966 to full species rank as F. (T.) nana Beier, 1966 and provide an identification key to the members of the subgenus Feaella (Tetrafeaella), thereby facilitating the identification of species.
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5

Ponzetti, James J. "The Forgotten Kin: Aunts and UnclesBy Robert MilardoAunting: Cultural Practices that Sustain Family and Community LifeBy Laura Ellingson and Patricia Sotirin." Journal of Intergenerational Relationships 9, no. 2 (2011): 213–20. http://dx.doi.org/10.1080/15350770.2011.567920.

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Books on the topic "Ellington family"

1

Turner, Clayton L. The Turner family of Ellington. C.L. Turner, 1991.

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2

Ellington, Paul. Mining memories: Working and living in a coal camp : Ellington's of Kenmont and other families. P. Ellington, 1997.

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Osborn, Sue. Ellingson, Gray, Puckett & Merwin connecting family trails: Genealogy and history. S. Osborn, 1998.

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4

Pollack, Howard. The Ballad of John Latouche. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.001.0001.

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Born into a poor Virginian family, John Treville Latouche (1914–1956), in his short life, made a profound mark on America’s musical theater as a lyricist and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin and Lorenz Hart, but he had too, as Stephen Sondheim noted, “a large vision of what musical theater could be,” and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the history of American musical theater, including Cabin in the Sky (1940), Beggar’s Holiday (1946), The Golden Apple (1954), The Ballad of Baby Doe (1956), and Candide (1956). Extremely versatile, he also wrote cabaret songs, participated in documentary and avant-garde film, translated poetry, and adapted plays. Meanwhile, as one of Manhattan’s most celebrated raconteurs and hosts, he established friendships with many notables, including Paul and Jane Bowles, Carson McCullers, Frank O’Hara, Dawn Powell, Ned Rorem, Virgil Thomson, and Gore Vidal—a dazzling constellation of diverse artists all attracted to Latouche’s brilliance and joie de vivre, not to mention his support for their work. This book draws widely on archival collections both at home and abroad, including Latouche’s diaries and the papers of such collaborators as Leonard Bernstein, Duke Ellington, Douglas Moore, and Jerome Moross to tell for the first time the story of this fascinating man and his work.
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