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Dissertations / Theses on the topic 'Ellison, Ralph – Invisible man'

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Published: 4 June 2021

Last updated: 4 February 2022

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1

Sharp, Matthew T. "A heap of signifying narrative, materiality, and reification in Ralph Ellison's Invisible man /." Connect to the thesis, 2002. http://hdl.handle.net/10066/632.

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2

Butcher, Kenton Bryan. "Ralph Ellison's Mythical Method in Invisible Man." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461407953.

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3

Neves, Maria Natália Amaro Almeida Castro. "A busca da eloquência em Invisible Man de Ralph Ellison." Dissertação, Porto : [Edição do Autor], 2009. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000196734.

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Neves, Maria Natália Amaro Almeida Castro. "A busca da eloquência em Invisible Man de Ralph Ellison." Master's thesis, Porto : [Edição do Autor], 2009. http://hdl.handle.net/10216/20410.

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5

Hera, Culda Lucia. "Invisible Power : Electricity and Social Visibility in Ralph Ellison's Invisible Man." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32220.

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This essay will investigate the role of electricity in Ralph Ellison's Invisible Man, in connection to the concept of Otherness, as a result of race differences. It will argue that electricity in the novel is used as a metaphor in discourses of power by the oppressive white society, as well as a means of resistance for the protagonist/narrator, who is socially invisible because of his race. This will be done by performing a close reading of the novel focusing on the way Ellison uses the metaphor of electricity to deconstruct the hierarchy between black and white on several levels. Three main e

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6

Monteverde, Maria Isabel. "As dimensões do tempo em Invisible Man : Ralph Ellison e a geometria da invisibilidade." Dissertação, Porto : [Edição do Autor], 2008. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000222397.

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Esta dissertação realça as tensões temporais do romance na condição existencial de um jovem negro americano, após a segunda guerra mundial, destinado vocacionalmente à expressão verbal. Invisible Man, personagem criada pelo escritor Ralph Ellison, idealiza na metáfora do buraco um espaço conceptual do processo criativo, na circularidade do sonho e na esteira do conhecimento. A importância do transcendentalismo emersoniano na tradição literária americana e a adesão ao existencialismo sartriano, problematizam a temática da identidade. As relações metafísicas entre tempo e luz reflectem a agonia

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7

Monteverde, Maria Isabel. "As dimensões do tempo em Invisible Man : Ralph Ellison e a geometria da invisibilidade." Master's thesis, Porto : [Edição do Autor], 2008. http://hdl.handle.net/10216/67109.

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Esta dissertação realça as tensões temporais do romance na condição existencial de um jovem negro americano, após a segunda guerra mundial, destinado vocacionalmente à expressão verbal. Invisible Man, personagem criada pelo escritor Ralph Ellison, idealiza na metáfora do buraco um espaço conceptual do processo criativo, na circularidade do sonho e na esteira do conhecimento. A importância do transcendentalismo emersoniano na tradição literária americana e a adesão ao existencialismo sartriano, problematizam a temática da identidade. As relações metafísicas entre tempo e luz reflectem a agonia

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8

Mohamed, Ifrah. "Ralph Ellison's Invisible Women: A Comparison of Invisibility Between the Invisible Man and Selected Female Characters in Ralph Ellison's Invisible Man (1952)." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-33707.

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9

LoVerde, Andrew Jack. "A literature of change: Slave narrative rhetoric in Ralph Ellison's Invisible Man." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1234.

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10

Turner, Tracy Peterson. "Themes of Exodus and Revolution in Ellison's Invisible Man, Morrison's Beloved, and Doctorow's Ragtime." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2689/.

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In my dissertation I examine the steps in and performance of revolution through the writings of three Postmodern authors, Ralph Ellison, Toni Morrison, and E. L. Doctorow, in light of the model of the biblical Exodus journey and the revolution which precipitated that movement. I suggest that the revolution which began with the Israelites' bondage in Egypt has provided the foundation for American literature. I show that Invisible Man, Beloved, and Ragtime not only employ the motif of the Exodus journey; they also perpetuate the silent revolution begun by the Israelites while held captive in Egy

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11

Wilcox, Eliot J. "The Absurd in the Briar Patch: Ellison's Invisible Man and Existentialism." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2305.

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This article claims that Ralph Ellison's use and then revision of French existential themes is essential to understanding his overriding message of Invisible Man: Ellison's hope for a more polyglot American democracy that transcends the white democracy of mid twentieth century America. Specifically, I argue that Ellison, after demonstrating his ability to understand and engage in the traditional ideology of European existentialism, deviates from its individualistic conclusions demanding that the larger community, not just the solitary individual, must become ethically responsible if the classi

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12

Kidd, Nina. "CULTURAL COLLISION AND CONSEQUENCE: REDEFINING THE INVISIBLE IN RALPH ELLISON’S INVISIBLE MAN." Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1400090957.

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13

Lowney, Douglas. "Blues Socrates : on the conversion from rhetoric to philosophy in Ralph Ellison's invisible man /." May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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14

Aymar, Lindsay Ellyn-Megan. "Performing transcendence| Tracing the evolution of the jazz aesthetic in Ralph Ellison's Invisible Man." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102591.

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<p>Music has always been an essential part of the African American experience and takes center stage in Ralph Ellison?s Invisible Man. Musicality flows through every line of the novel and the impact the jazz aesthetic has on the text is undeniable. This project seeks to examine the various ways in which specific elements of the jazz aesthetic appear in the text and represent the emotional journey of the novel?s narrator. Focusing specifically on the techniques of vamping, call and response, and improvisation, this project will trace the ways in which these techniques assist the narrator in ove

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15

Reuven, Genuyah S. "Commission of Two Narratives of the Psyche: Reading Poqéakh in Nella Larsen’s Quicksand and Ralph Ellison’s Invisible Man." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2019. http://digitalcommons.auctr.edu/cauetds/170.

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This study focuses on the novels of Quicksand by Nella Larsen and Invisible Man by Ralph Ellison to explore the phenomenon of poqéakh (פֹּקֵחַ) through the fictionalized lived experiences of their protagonists, Helga Crane and invisible man. Each novelist’s representation of poqéakh offers a portrait of the protagonists’ psyches. The narratives reveal an unsettling truth for the protagonists, who are members of a population often targeted, stigmatized, and fashioned or re-fashioned by Americans and various environs in American society, that they must assimilate—not only their bodies, but their

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16

Burris, Lyttron Phillecia. "The psychological castration and emasculation of the black male characters in Ralph Ellison's short fiction and Invisible Man." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1412938749.

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17

Budd, Patricia Anne. "Sound and Storytelling—An Auditory Angle on Internalized Racism in Invisible Man and The Lone Ranger and Tonto Fistfight in Heaven." Cleveland State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=csu1599777953098973.

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18

Lacy, Sarah M. "Writing Through the Lower Frequencies: Interpreting the Unnaming and Naming Process within Richard Wright's Native Son and Ralph Ellison's Invisible Man." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1494341009717745.

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19

Feder, Peter H. "Mythic reinscriptions in W. E. B. Du Bois's The souls of black folk, James Weldon Johnson's The autobiography of an ex-coloured man, and Ralph Ellison's invisible man." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39042.pdf.

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20

Dadey, Bruce. "Rhetorics Rising: The Recovery of Rhetorical Traditions in Ralph Ellison's Invisible Man and N. Scott Momaday's House Made of Dawn." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2789.

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This study suggests, through a rhetorical analysis of the role of orators and oration in Ralph Ellison's <em>Invisible Man</em> and N. Scott Momaday's <em>House Made of Dawn</em>, that literature can be a valuable resource for the study of comparative and contrastive rhetoric; conversely, it also demonstrates that a knowledge of culturally-specific rhetorical and narrative practices is important for understanding ethnic-American novels and their social significance. Written during periods of intense racial upheaval in the United States, <em>Invisible Man</em> and <em>House Made of Dawn</em

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21

VanMeter, Bryan A. "The Color of Invisibility." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2650.

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This thesis is an analysis of Ralph Ellison’s use of color terminology in his novel, Invisible Man. By taking an in depth look at the circumstances in which Ellison uses specific color terms, the reader can ascertain the author’s thoughts on various historical events, as well as the differences between characters in the novel such as Ras, Dr. Bledsoe, and Rinehart.

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22

Frampton, Sara. "“I Bid My Hideous Progeny Go Forth and Prosper”: Frankenstein’s Homosocial Doubles and Twentieth Century American Literature." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24370.

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This dissertation explores the reoccurrence of Mary Shelley’s Frankenstein within twentieth-century American novels. While the inaccurate 1931 film version by James Whale remains the best known adaptation of Frankenstein, I argue that Willa Cather, Ralph Ellison, Toni Morrison, and Chuck Palahniuk return to Shelley’s 1818 novel to critique racist and misogynistic responses to anxieties about gender and racial power in the age of industrial consumer culture. In doing so, I extend existing scholarship on the American Gothic to demonstrate that The Professor’s House, Invisible Man, Beloved, and F

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23

Ljungholm, Jonas. "African American Education and Progression in Raplh Ellison's Invisible Man." Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131384.

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Abstract Literary portraits of African Americans’ struggles in the United States for a more equal society have provided valuable insights into the pain and hardship they had to endure for a large portion of the United States’ existence. Ralph Ellison’s famous novel Invisible Man is one of those novels and is the primary source for this study. In this novel the unnamed African American protagonist tries to find a place of his own within a segregated society and has to succumb to the white man’s will to be part of American society. Despite the segregation and subjugation, the protagonist believe

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24

Gunning, Roxane. "Knowledge of self : identidy negociation and invisible man." Thèse, 2005. http://hdl.handle.net/1866/17586.

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25

Wang, Shu-hua, and 王淑華. "Re-vision of the Invisible Other: A Reading of Ralph Ellison's Invisible Man." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/02630503242715774055.

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碩士<br>國立政治大學<br>英國語文學系<br>84<br>Deeply inculcated by double cultural heritages, Ellison's literary status and achievement are beyond question. Though both attacked and applauded, his artistic works impregnated with profundity move beyond the racial boundary. His Invisible Man both microscopically touches on the sorrowful black history and macroscopically lays bare mankind's invisibility to intersubjectivity and the obscurity between reality and appearance in the cosmos. Through the analy

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26

Quieto, Michael Theodore. "Queerly invisible queer readings, theories of the fetish and signifyin(g) in Ralph Ellison's Invisible Man /." 2002. http://catalog.hathitrust.org/api/volumes/oclc/50862958.html.

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27

Fan, Mei-chin, and 范美琴. "Traversing the Boundary: (Dis-)placement and (Re-)location in Ralph Ellison's Invisible Man." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/40588139093210754224.

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碩士<br>國立中興大學<br>外國語文學系<br>87<br>Abstract Racial inequality in American society often manifests itself in the hegemonic power’s demarcation of boundaries between cultures, races, and spaces. This thesis studies the black-and-white relationships in Ellison’s Invisible Man by delving into the problematic of space in the novel. In this thesis, my study is focused on examining the protagonist-narrator’s dis-placement and re-location. As a Southern black youth, he is mis-placed and dis-placed in the racist society. Physically, he is kept moving from place to place; socially, he is rej

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28

Piňosová, Alžběta. "Pojem sebedefinování: emersonovské principy v Neviditelném Ralpha Ellisona a Synovi černého lidu Richarda Wrighta." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-297604.

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The works of the nineteenth-century American thinker Ralph Waldo Emerson continue to be inspiring particularly due to their empowering effect on the individual. It is especially Emerson's concepts of the sovereignty of the individual, the importance of self-definition, the view of life as a transitory flow, and the relationship between freedom and fate which can be practically and usefully applied in the life of an individual. It is possible, then, to understand and evaluate Emerson's works through the practical effects of his concepts, in other words through the prism of pragmatism. Emerson's

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29

Wang, Yuan-Yang, and 王遠洋. "From Aesthetics, Politics to Afro-American Expression: A Critique of the Criticisms on Ralph Ellison's Invisible Man." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/43225054446054449839.

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碩士<br>國立交通大學<br>外國語文學系外國文學與語言學碩士班<br>97<br>This thesis mainly discusses the linkage between Ralph Ellison’s Invisible Man and Afro-American expression to explore the aporia of aesthetics and politics in the Black Aesthetic of the 1960s since the Harlem renaissance. Art and protest in the history of Afro-American literature is an inherent issue, and it engages the aesthetic goal and political goal for the black writers. On the one hand, Ellison is defined as a “life-world modernist” who emphasizes the role of the reader in a sense of Hans Robert Jauss’s reception theory in this thesis. From a m

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30

Ardeneaux, Edward John. "Textual (dis)connections electrification, narrative failure, and the bildgungsroman in Ralph Ellison's Invisible man and E.L. Doctorow's The book of Daniel /." 2008. http://purl.galileo.usg.edu/uga%5Fetd/ardeneaux%5Fedward%5Fj%5F200808%5Fma.

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31

Feder, Peter H. "Mythic reinscriptions in W.E.B. Du Bois's The souls of Black folk, James Weldon Johnson's The autobiography of an ex-coloured man, and Ralph Ellison's Invisible man." Thesis, 1999. http://spectrum.library.concordia.ca/703/1/MQ39042.pdf.

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Those mythic structures which have significantly defined and supported the idea of "America" have consistently ignored the contribution, or even the very existence of the American black population. Meaningful participation in the promise of these myths, loosely bound up in the notion of The American Dream, and defined in texts such as the Declaration of Independence and the Constitution, has been systematically denied to America's black population. W. E. B. Du Bois's The Souls of Black Folk initiated a vigorous literary attempt to recuperate black self-esteem, to independently fashion black id

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