Relevant bibliographies by topics / Emancipation of the dissonance

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Emancipation of the dissonance'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Emancipation of the dissonance"

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Hailey, Christopher, and Thomas Harrison. "1910: The Emancipation of Dissonance." Notes 53, no. 3 (March 1997): 767. http://dx.doi.org/10.2307/899719.

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Bini, Daniela, and Thomas Harrison. "1910: The Emancipation of Dissonance." Italica 76, no. 4 (1999): 544. http://dx.doi.org/10.2307/480275.

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Spreizer, Christa, and Thomas Harrison. "1910: The Emancipation of Dissonance." German Studies Review 23, no. 1 (February 2000): 152. http://dx.doi.org/10.2307/1431458.

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Hinton, S. "The Emancipation of Dissonance: Schoenberg's Two Practices of Composition." Music and Letters 91, no. 4 (November 1, 2010): 568–79. http://dx.doi.org/10.1093/ml/gcq092.

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O’Donnell, Thérèse. "Designing Versailles: landscapes and the perspectival peace." London Review of International Law 8, no. 1 (March 1, 2020): 121–63. http://dx.doi.org/10.1093/lril/lraa013.

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Abstract This article analyses the 1919 peace treaty’s signing at Versailles, and what the magnificent staging signalled about the peace terms, notably regarding power and emerging notions of self-determination. In 1919, international society appeared to be on the threshold of a new era. However, a dissonance emerged between the peacemakers’ proclamations and the operationalisation of new principles of openness and emancipation. Certain royal houses and empires may have vanished but the remaining power-holders were not about to relinquish their dominance. While the familiar, blunt-edged tools of brazen colonialism were no longer available, some finer instruments and skilled professional expertise would finesse the details of an unequal hegemonic future. In all senses, this was a design project and in acknowledgement of Versailles’s backdrop and the peacemakers’ cartographic approach, landscape architecture’s specialist principles offer a lens for comprehending and critiquing the legal-political practices of Versailles 1919.
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Kovach, Thomas. "Thomas Harrison. 1910: The Emancipation of Dissonance. Berkeley and Los Angeles: University of California Press, 1996. Pp. 264, illus." Austrian History Yearbook 29, no. 1 (January 1998): 307–8. http://dx.doi.org/10.1017/s0067237800015022.

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Brady, Martin. "’Du Tag, wann wirst du sein...’: Quotation, Emancipation and Dissonance in Straub/Huillet’s Der Bräutigam, die Komödiantin und der Zuhälter." German Life and Letters 53, no. 3 (July 2000): 281–302. http://dx.doi.org/10.1111/1468-0483.00166.

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Hailey, Christopher. "Franz Schreker and the Pluralities of Modernism." Tempo, no. 219 (January 2002): 2–7. http://dx.doi.org/10.1017/s0040298200008810.

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Vienna's credentials as a cradle of modernism are too familiar to need rehearsing. Freud, Kraus, Schnitzler, Musil, Wittgenstein, Klimt, Schiele, Kokoschka conjure up a world at once iridescent and lowering, voluptuously self-indulgent and coolly analytical. Arnold Schoenberg has been accorded pride of place as Vienna's quintessential musical modernist who confronted the crisis of language and meaning by emancipating dissonance and, a decade later, installing a new serial order. It is a tidy narrative and one largely established in the years after the Second World War by a generation of students and disciples intent upon reasserting disrupted continuities. That such continuities never existed is beside the point; it was a useful and, for its time, productive revision of history because it was fuelled by the excitement of discovery.
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Bunting, I. "Towards a Pan African political culture: Critical pedagogy, reparative justice and the end of global white supremacy." Contemporary Journal of African Studies 6, no. 1 (May 31, 2019): 138–57. http://dx.doi.org/10.4314/contjas.v6i1.8.

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This paper is an extension of previous work on African peoples’ experiential knowledge, cognitive interests, contested political and cultural power. African centered critical pedagogy, reparatory justice and Pan African political culture are presented as integral to realizing emancipation from the destruction of imperialist domination. The paper posits that to realize AU Agenda 2063 and the global Pan African aspirations, a Pan African political culture must be inculcated in all institutions of the African world. Challenges related to the Pan African Movement and realization of the AU Agenda 2063 are noted. Rather than a consensus of meaning, ideological clarity and strategic purpose, a dissonant cacophony of ideas and agendas proliferate. The paper notes a disconnect between African governments’ state centric approach to Pan Africanism and the endogenous people centric Pan Africanism, and despite recognition of the need for Pan Africanist institutions and policies there is an absence of cohesive and persistent effort, clarity of purpose and sustainable institutional support. It concludes that there is a general consensus that continental political unity, global Pan African solidarity, participatory democracy and non-capitalist people centered economy are fundamental to the Pan African purpose, and global Pan African organization is necessary for African peoples to regain power of political self-determination, overcome impoverishment, racial based oppression and the structural violence of global white supremacy.
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Woelfel, David. "Dissonance." Books Ireland, no. 232 (2000): 191. http://dx.doi.org/10.2307/20623876.

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Dissertations / Theses on the topic "Emancipation of the dissonance"

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Oliveira, Francisco Zmekhol Nascimento de. "Tonalidade e seus desvios: reconhecimento e elaboração composicional de relações funcionais em meio a procedimentos harmônicos não funcionais." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27022019-153133/.

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O amplo abandono da tonalidade funcional no início do séc. XX possibilitou, por um lado, a emergência de uma enorme diversidade de procedimentos e abordagens à composição musical, mas implicou, por outro, na abdicação de possibilidades de estruturação formal propiciadas pela tonalidade, tais como as relações funcionais entre seções formais, a representação de regiões tonais por acordes ou notas, ou a ressignificação harmônica de acordes e notas mediante a modulação. O presente trabalho tem por objetivo propor meios pelos quais se possa conciliar tais possibilidades de estruturação formal a procedimentos e abordagens à composição que, ao menos a princípio, independam da tonalidade funcional. Considerando-se que os resultados composicionais de abordagens alternativas à tonalidade tendam a não manifestar os caracteres morfológicos (tais como a base triádica dos acordes, ou a base diatônica das regiões tonais) tradicionalmente atrelados às possibilidades de estruturação formal em que estamos interessados, colocamo-nos duas principais questões que orientam este trabalho. Primeiramente, investigamos quais seriam os princípios em que estariam fundadas as relações funcionais e, nos históricos fundamentos morfológicos da tonalidade, quais seriam seus aspectos cruciais para a manutenção de tais princípios. Assim, visamos verificar como e em que medida tais fundamentos morfológicos seriam passíveis de flexibilização, ou supridos já por fundamentos mais elementares. Em segundo lugar, amparados sobretudo por Schoenberg e por uma concepção estendida de sua noção de \'emancipação da dissonância\', investigamos o desenvolvimento histórico da tonalidade, visando verificar como uma tonalidade expandida poderia dar subsídio para que agregados harmônicos não concebidos funcionalmente pudessem vir a ser a posteriori reportados aos fundamentos da tonalidade funcional. Em meio a esse exame histórico da tonalidade, para além de constatarmos a ampla possibilidade de uma identificação de relações funcionais a posteriori, verificamos ainda: (1) como uma série de procedimentos composicionais a princípio independentes da tonalidade não apenas emergiram ainda em repertório da tradição tonal, como, por vezes, parecem assumir primazia na elaboração de certos acordes e passagens e; (2) como há, em repertório (exemplificamos com Schubert e Strauss), casos em que acordes ou passagens patentemente concebidos por procedimentos alternativos à tonalidade funcional vêm a assumir funcionalidade e a participar, em termos funcionais, da estruturação formal das obras em que se inserem. Na última parte de nosso trabalho, após argumentarmos que funcionalidades assumidas a posteriori tendam a ser ambíguas e dispersas entre si, propomos os meios técnicos pelos quais entendemos: (a) que se possa reconhecer traços de possíveis funcionalidades mesmo em acordes e passagens não concebidos funcionalmente e; (b) como se possa eleger e ressaltar aspectos específicos de tais funcionalidades e elaborá-los composicionalmente, a fim de conceder-lhes participação na estruturação formal das obras em que se insiram. Por fim realizamos relatos composicionais de três peças de minha autoria - duas das quais escritas sobre obras, respectivamente, de Schoenberg e Silvio Ferraz - que exemplifiquem singularmente o tipo de conciliação a que nos propuséramos em nosso objetivo.
The vast abandonment of functional tonality within the first decade of the 20th century has favored the emergence of various new approaches to musical composition. On the other hand, it has also implied in abdicating some possibilities of formal structuring propitiated by tonality itself, such as relating functionally different parts of a piece, representing tonal regions through single chords, or changing the harmonic meaning of chords and notes through modulation. The aim of this work is to offer means of conciliating such possibilities of formal structuring with compositional procedures which would be independent of functional tonality. Taking into consideration that the compositional results of alternative approaches to tonality such as the above mentioned tend to suppress morphological fundamentals (such as the triadic basis of chords, or the diatonic basis of tonal regions) which are traditionally linked to the possibilities of formal structuring that interests us in this thesis, we have set two primary questions which guide this research. Firstly, we have investigated upon which principles functional relations would be founded and, within the historical, morphological fundamentals of tonality, which are the key aspects for the preservation of such principles. Therefore, this research pursues to verify how and to what extent such morphological fundamentals might be susceptible to flexibilization, or even suppressed due to being founded upon more elementary fundamentals. Secondly, supported mostly by Schoenberg and by an extended concept of \"emancipation of the dissonance\", we have investigated the historical development of tonality, aiming to verify by what means a tonality extended to the point it was when abandoned could give subsidy for harmonic aggregates which had not been conceived functionally to become a posteriori reported to the fundamentals of functional tonality. Amidst this historical examination of tonality, beyond concluding that it would be vastly feasible to recognize functional relations a posteriori, we have verified: (1) how a series of compositional procedures initially independent of tonality did not only emerge within tonal-functional repertoire, but also, at times, seem to take precedence over the elaboration of certain chords and passages and; (2) that there would be instances in repertoire (exemplified within this thesis with Schubert and Strauss) in which chords or passages which seem to have been conceived with procedures alternative to functional tonality are not only imbued with more specific functionalities, but also get to participate, in functional terms, in the formal structuring of the work they are inserted in. In the final part of this thesis, after arguing that functionalities only to be recognized a posteriori tend to be ambiguous and divergent from one another, we propose technical means to enable: (a) to recognize, a posteriori, features of possible functionalities even within chords and passages which had not been conceived functionally and; (b) to elect and accentuate specific aspects of such functionalities a posteriori in order to compositionally develop them and to confer to them participation in the formal structuring of the works in which they are to be inserted. Finally, we have reported the compositional process of three pieces I have written during this research - two of which written upon works by Schoenberg and Silvio Ferraz, respectively - which are meant to exemplify the type of conciliation we have proposed as the main objective of this thesis.
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Rodrigue, Shelly L. "Chords of Dissonance." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2637.

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In the preface, I discuss my poetry and poetics such as the free verse form and the narrative mode. I also discuss my influences such as Adrienne Rich, Sylvia Plath, and Sheri L. Wright. The poems in this manuscript attempt to explore the role of trauma, feminism, and memory in poetry.
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Granger-Brown, Alison. "Hope| One prisoner's emancipation." Thesis, Fielding Graduate University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3637593.

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I would like to think that I chose this study to add to the literature on human development in the prison system. However, I would have to say that the study chose me. It became a deep discovery of what is required for human beings to grow within the context of a prison setting and afterwards in the community. The study explored the life history of an Aboriginal woman once considered to be a volatile, violent, and unmanageable female prisoner by the Correctional Service of Canada (CSC). Changing her life she became a valued volunteer within that prison system.

Human growth and development must be considered with attention to the exogenous influences of all the systems people have to negotiate. I walked with Lora for 14 years: 7 while in custody and 7 afterwards until her death in 2013. During that time she became a mother, a volunteer, peer researcher, cancer patient, and always a teacher.

Since the 1970s there has been a pervasive decline in recognizing rehabilitation potential in people with lives plagued by addictions and the crimes supporting them. I observed the opposite: hundreds of lives changed for the better. There are interventions that kindle the flame and support a fire in people to build a healthy, productive life. Society has a responsibility to fan that fire, rather than feeding the despondency and hopelessness so prevalent in our prisons.

Information was gathered from interviews with Lora, video and audio recordings, her journals and poetry. Interviews were also conducted with family to gain clarity of her childhood and complex trauma history and with people who walked with her after prison to elucidate her change process.

The study encompassed literature from modern, post-modern, and Aboriginal epistemology, integrating theory from multiple disciplines. What emerged was how powerful the deleterious influences of complex childhood trauma are, in all domains, over the life span. Counteracting this damage most significantly are the mechanisms of hope and the inspiration of believing in the possibility for successful and lasting change: This is the key-stone to the archway through which people re-enter the community from prison.

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Mandic, D. "Copyright and technology : hearing the dissonance." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/96824/copyright-and-technology-hearing-the-dissonance.

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This thesis concerns copyright and technology. It investigates their ever-growing dissonance, currently intensified by the processes of digitisation taking place in society at large. If there is a pressing need to reassess/modify copyright law against the backdrop of digital technology, the thesis argues that a prerequisite of this is that it divorces itself from the limitations in the existing copyright paradigm and, accordingly, recognise technology as a quality and condition for both its emergence and subsistence. In contrast to the prevailing tradition of viewing technology as an extrinsic condition affecting copyright, here its intrinsic quality is traced and emphasised. This is accomplished by means of circumventing copyright’s fundamental orienting principle of property and drawing instead on the notion of communication, which in turn enables us to recognise and reconstitute the ever-present intertwinement of copyright and technology. While communication as an approach is not foreign to the copyright discourse, it has rarely been deployed in investigating the relation between copyright and technology. The thesis advances from an understanding of communication focused on the end points and recognises the middle as a prerequisite and an essential element of communication. This shift in view does not only allow recognition of noise as an intrinsic feature of communication but also becomes a methodological tool through which the dissonance of copyright and technology can be ‘heard’ and comprehended. In doing so, the thesis draws on information theory, the work of the French philosopher Michel Serres, media and sound studies. By traversing different fields of study, in the end, the thesis immerses itself into a soundscape, and thus ‘aurality’ becomes a sensible manner for answering the guiding research question of what is the actual dissonance between copyright and technology. Ultimately, it argues that this manner of displacement provides new passages of investigation that go beyond the limitations of copyright’s normativity, and sets a conceptual basis for addressing the issues and re-articulating the relation between copyright and technology.
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Raymondo, Valérie. "Soumission, dissonance et rationalisation en acte." Aix-Marseille 1, 1997. http://www.theses.fr/1997AIX10022.

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Selon le theorie de la dissonance cognitive de festinger (1957), lorsque les sujets realisent un comportement qui va a l'encontre de leurs convictions ou de leurs motivations, ils ressentent un etat de tension appele dissonance. Pour reduire cette dissonance, les sujets peuvent modifier leurs opinions pour qu'elles s'accordent mieux a leur comportement. Sur les bases de la conception radicale de la theorie de la dissonance cognitive (beauvois, et joule, 1981, 1996), joule (1986b) envisage une nouvelle modalite de reduction de la dissonance : la rationalisation en acte. Selon lui, un comportement contre-attitudinel peut etre rationalise, par la realisation d'un nouveau comportement consistant avec le premier. L'objectif de cette these est d'etudier le processus de rationalisation en acte et de prouver que l'acceptation du second comportement permet bien de reduire la dissonance. Dans le premier chapitre, nous presentons la theorie de la dissonance cognitive de festinger (1957), et les proprietes motivationelles de la dissonance. Nous passons en revue les differents modes de reduction de la dissonance, et analysons s'ils sont utilises de facon complementaire ou alternative. Le second chapitre est consacre a une presentation de la conception radicale de la theorie de la dissonance cognitive et au processus de rationalisation en acte. Notre troisieme chapitre est experimental. Dans nos experiences, nous amenons les sujets a realiser un comportement contre-attitudinel. Immediatement apres, nous leur proposons un second comportement. Nous mesurons le taux d'acceptation du second comportement ainsi que ses effets sur le niveau de dissonance (changement d'attitude). Notre hypothese principale est, que si les sujets rationalisent en acte, ils ne devraient plus eprouver le besoin de rationaliser cognitivement (changement d'attitude). Cette hypothese n'est pas confirmee. Nous n'observons pas difference entre les sujets qui realisent un comportement, et ceux qui en realisent deux. Dans chaque conditions, les sujets eprouvent de la dissonance et modifient leur attitude dans les sens des comportements acceptes. Nous ne pouvons donc pas conclure que l'acceptation du second comportement a permis de reduire la dissonance eveillee par le premier. Nos resultats sont interpretes en terme de consistance comportementale, et d'escalade d'engagement
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O'Flynne, Teresa. "Spiritual Cognitive Dissonance in LGBTQQ People." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/7712.

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Cognitive dissonance between learned spirituality and opposing behaviors is called spiritual cognitive dissonance (SCD). SCD has been successfully proven in former research; however, to date, it has yet to offer descriptions of specific incidents of SCD and/or how it effects the lesbian, gay, bisexual, transgender, queer and questioning (LGBTQQ) individual. A qualitative phenomenological study in which eight participants were interviewed was employed to collect data. The study revealed how SCD manifested in their lives, specifically those who were raised within conservative, heteronormative spiritual homes. All participants were LGBTQQ and believed they had experienced SCD. The data collected during each interview were meticulously analyzed to find similarities with other participant answers and then codified for similar ideas expressed. Each individual experienced SCD in different ways. Most of the participants experienced fear, guilt and/or shame when they began to live authentically as LGBTQQ. Many revealed they had experienced suicidal ideations. Because of the danger of suicide associated with this disorder, it is important that intervention programs be developed to properly recognize and treat this illness. Places of worship should spearhead educational opportunities specifically targeting SCD in the LGBTQQ community. Secular offerings should include education at both the secondary and collegiate levels. Additionally, since SCD is not limited to the LGBTQQ community, this data may also assist therapists who aid heterosexual individuals in coping with spiritual cognitive dissonance.
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Smith, Jayson. "Metric Dissonance in Non-Isochronous Meters." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248499/.

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Although music of the twentieth and twenty-first centuries makes frequent use of non-isochronous meter (meters involving beats of different length, such as 5/4 and 7/8), most studies on meter and metric dissonance focus on isochronous meters (meters involving beats of the same length, such as 4/4 and 9/8). This dissertation bridges this gap by developing two methodologies to account for metric dissonance involving non-isochronous pulses: modified ski-hill graphs and the composite beat attack point system. Modified ski-hill graphs, adapted from Richard Cohn's ski-hill graphs, illustrate metric states involving non-isochronous pulses and reveal degrees of dissonance in musical passages that share time spans, as in 5/4 grouped 3+2 vs. 5/4 grouped 2+3. The composite beat attack point system uses rhythmic notation to illustrate metric states involving any pulse duration or time span, revealing specific points of dissonance and consonance, relative strength of dissonance and consonance, and patterns of dissonance and consonance. The methodology is used to closely examine the treatment of metric dissonance in Holst's "Mars," from The Planets, Ligeti's Hungarian Rock (Chaconne), and Ligeti's Désordre. The analyses focus on passages where the metric dissonance becomes ever more pronounced and ends up obliterating any sense of meter.
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Harris, Mary Margaret. "Unpacking Emotional Dissonance: Examining the Effects of Event-Level Emotional Dissonance on Well-Being Using Polynomial Regression." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1401281006.

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Rathod, Ashish. "A messaging system to handle semantic dissonance /." Online version of thesis, 2006. https://ritdml.rit.edu/dspace/handle/1850/3335.

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Zhang, Yang Sunny. "Professional wushu athletes| Potential athletic/personal dissonance." Thesis, San Jose State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1568016.

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The success of Chinese professional athletes is attributable to the government-run elite sport system; it is seen as one of the most effective and successful systems at nurturing high-skilled athletes. However, within the Chinese professional sport system, tensions between athletes' athletic skills and overall personal development have been widely documented. Among all studies, very few have employed in-depth interviews with professional wushu athletes. In this study, the researcher utilized in-depth semi-structured interviews with professional wushu athletes from three of the 25 professional wushu teams in mainland China. The study was conducted in order to understand the potential conflicts between athletes' athletic skills development and overall personal development. Findings revealed that athletes bear the training at great cost to their future potential as self-sufficient members of Chinese society. Their academic, social, and vocational skills are subject to deep neglect that negatively impacts their post-competition careers. The system considers investment in preparation for the post-competitive lives of the athletes to be a distraction from, or even an impediment to, their success in competition. It is suggested that the Chinese sport system undertake a review and reformation of its approach to wushu training to provide athletes with the skills needed to successfully navigate a life outside of athletics.

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Books on the topic "Emancipation of the dissonance"

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Harrison, Thomas J. 1910, the emancipation of dissonance. Berkeley: University of California Press, 1996.

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Orr, Stephen. Dissonance. Kent Town, S. Aust: Wakefield Press, 2012.

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Dissonance. London: Simon & Schuster, 2014.

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Dissonance in Zion. London: Zed Books, 1986.

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Jansen, Michael E. Dissonance in Zion. London: Zed Books, 1987.

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Lenard-Cook, Lisa. Dissonance: A novel. Santa Fe, NM: SFWP, 2014.

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Dissonance: A novel. Albuquerque: University of New Mexico Press, 2003.

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Dissonance and other stories. New Delhi: Katha, 2008.

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Robert, Joule, ed. A radical dissonance theory. London: Taylor & Francis, 1996.

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War and moral dissonance. Cambridge: Cambridge University Press, 2011.

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Book chapters on the topic "Emancipation of the dissonance"

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Stockwell, Peter. "Dissonance." In The Language of Surrealism, 71–89. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-39219-0_5.

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Suzina, Ana Cristina. "Dissonance." In Communicating for Change, 145–54. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42513-5_13.

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Levesque, Roger J. R. "Emancipation." In Encyclopedia of Adolescence, 815. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-1695-2_467.

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Levesque, Roger J. R. "Emancipation." In Encyclopedia of Adolescence, 1146. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-33228-4_467.

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Reidy, Joseph P. "Emancipation." In A Companion to the Civil War and Reconstruction, 277–95. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998717.ch16.

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Eichhorn, Niels. "Emancipation." In Atlantic History in the Nineteenth Century, 121–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27640-9_8.

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Beiser, Frederick. "Emancipation." In Key Concepts in the Study of Antisemitism, 93–104. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51658-1_8.

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Kolasi, Klevis. "Emancipation." In The Palgrave Encyclopedia of Global Security Studies, 1–4. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-74336-3_197-1.

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Schwartz, Bar. "Emancipation." In Leadership in a Time of Continuous Technological Change, 35–53. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6300-6_3.

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Aronson, Elliot. "Cognitive dissonance." In Encyclopedia of psychology, Vol. 2., 141–42. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10517-054.

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Conference papers on the topic "Emancipation of the dissonance"

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Verner, June, Sarah Beecham, and Narciso Cerpa. "Stakeholder dissonance." In the 2010 Special Interest Group on Management Information System's 48th annual conference on Computer personnel research. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1796900.1796918.

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Lathia, Neal, Kiran K. Rachuri, Cecilia Mascolo, and Peter J. Rentfrow. "Contextual dissonance." In UbiComp '13: The 2013 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2493432.2493452.

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Ook Lee. "Structuration, Emancipation and Democracy." In Proceedings of the 39th Annual Hawaii International Conference on System Sciences (HICSS'06). IEEE, 2006. http://dx.doi.org/10.1109/hicss.2006.441.

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Awadallah, Rawia, Maya Ramanath, and Gerhard Weikum. "Harmony and dissonance." In the fifth ACM international conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2124295.2124359.

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Fontanari, J. F., L. I. Perlovsky, M. C. Bonniot-Cabanac, and M. Cabanac. "Emotions of cognitive dissonance." In 2011 International Joint Conference on Neural Networks (IJCNN 2011 - San Jose). IEEE, 2011. http://dx.doi.org/10.1109/ijcnn.2011.6033206.

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Purzer, Senay, Jonathan C. Hilpert, and Ruth E. H. Wertz. "Cognitive dissonance during engineering design." In 2011 Frontiers in Education Conference (FIE). IEEE, 2011. http://dx.doi.org/10.1109/fie.2011.6142792.

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"LOCAL DISSONANCE MINIMIZATION IN REALTIME." In International Conference on Security and Cryptography. SciTePress - Science and and Technology Publications, 2007. http://dx.doi.org/10.5220/0002138800930100.

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Dunne, Daniel. "Multimodality or Ludo-Narrative Dissonance." In IE2014: Interactive Entertainment 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2677758.2677785.

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Chefitz, Meira, Jesse Austin-Breneman, and Nigel Melville. "Designing Conversational Interfaces to Reduce Dissonance." In DIS '18: Designing Interactive Systems Conference 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3197391.3205439.

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Bai, Jie, Qingchao Kong, Linjing Li, Lei Wang, and Daniel Zeng. "Exploring Cognitive Dissonance on Social Media." In 2019 IEEE International Conference on Intelligence and Security Informatics (ISI). IEEE, 2019. http://dx.doi.org/10.1109/isi.2019.8823262.

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Reports on the topic "Emancipation of the dissonance"

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Tomczak, Robert J. The Emancipation of Airpower. Fort Belvoir, VA: Defense Technical Information Center, March 1992. http://dx.doi.org/10.21236/ada250822.

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Guvenen, Fatih, and Michelle Rendall. Women's Emancipation Through Education: A Macroeconomic Analysis. Cambridge, MA: National Bureau of Economic Research, April 2013. http://dx.doi.org/10.3386/w18979.

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Mullainathan, Sendhil, and Ebonya Washington. Sticking with Your Vote: Cognitive Dissonance and Voting. Cambridge, MA: National Bureau of Economic Research, January 2006. http://dx.doi.org/10.3386/w11910.

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Levin, Andrew T., J. David López-Salido, Edward Nelson, and Tack Yun. Macroeconometric Equivalence, Microeconomic Dissonance, and the Design of Monetary Policy. Federal Reserve Bank of St. Louis, 2008. http://dx.doi.org/10.20955/wp.2008.035.

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Micheli, Giuseppe A., and Laura Bernardi. Two theoretical interpretations of the dissonance between fertility intentions and behaviour. Rostock: Max Planck Institute for Demographic Research, February 2003. http://dx.doi.org/10.4054/mpidr-wp-2003-009.

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Kim, Hye-Shin. No problem, I'll just return it! Purchase effort, product returns, and cognitive dissonance. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-185.

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Clarke-Ritter, Alexander. Continuity vs. Discontinuity: The Issue of Race and Forced Labor After Emancipation in the American South. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.203.

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Rolling, Virginia, Christin Seifert, Veena Chattaraman, and Amrut Sadachar. Real Fur or Fake Fur? Animal Fur-Free Luxury Brands, Cognitive Dissonance, and Environmentally-Conscious Millennial Consumer Response. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8814.

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Brandy Joy, Brandy Joy. "Hog Meat en Rabbit en Fish en Such as Dat": Pre- and Post-Emancipation Foodways in the South Carolina Lowcountry. Experiment, February 2018. http://dx.doi.org/10.18258/10770.

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You might also be interested in the extended bibliographies on the topic 'Emancipation of the dissonance' for particular source types:
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