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1

Harrison, Thomas J. 1910, the emancipation of dissonance. Berkeley: University of California Press, 1996.

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2

Orr, Stephen. Dissonance. Kent Town, S. Aust: Wakefield Press, 2012.

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3

Dissonance. London: Simon & Schuster, 2014.

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4

Dissonance in Zion. London: Zed Books, 1986.

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5

Jansen, Michael E. Dissonance in Zion. London: Zed Books, 1987.

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6

Lenard-Cook, Lisa. Dissonance: A novel. Santa Fe, NM: SFWP, 2014.

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7

Dissonance: A novel. Albuquerque: University of New Mexico Press, 2003.

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8

Dissonance and other stories. New Delhi: Katha, 2008.

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9

Robert, Joule, ed. A radical dissonance theory. London: Taylor & Francis, 1996.

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10

War and moral dissonance. Cambridge: Cambridge University Press, 2011.

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11

Emancipation. New York: Crabtree Publishing Company, 2013.

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12

Merino, Noël. Emancipation. Farmington Hills, Michigan: Greenhaven Press, a part of Gale, Cengage Learning, 2015.

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13

Emancipation. Paris: La Dispute/Snédit, 2008.

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14

Jewish emancipation and self-emancipation. Philadelphia: Jewish Publication Society, 1986.

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15

Cognitive dissonance: Fifty years of a classic theory. London: SAGE, 2007.

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16

Foster, Alan Dean. The day of the dissonance. London: Orbit, 1992.

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17

Consonance and dissonance in music. San Marino, CA: Everett Books, 1995.

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18

Foster, Alan Dean. The day of the dissonance. London: Futura, 1985.

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19

Dissonance (if you are interested). Tuscaloosa: University of Alabama Press, 2005.

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20

Foster, Alan Dean. The day of the dissonance. London: Macdonald, 1986.

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21

Hickox, April. April Hickox: Dissonance and voice. Oakville, Ont: Oakville Galleries, 1995.

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22

Brine, Patricia. Deadly dissonance: Musically speaking, dissonance refers to sounds that have an unpleasant effect. Edmonton: Macbee Pub., 2004.

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23

Laclau, Ernesto. Emancipation(s). New York: Verso, 1996.

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24

Of dissonance and shadows: Collected poems. Toronto: Guernica, 2001.

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25

Tenney, James. A history of 'consonance' and 'dissonance'. Toronto: facsimile of self-published manuscript, 1988.

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26

Drees, Burkhard. Asset mispricing due to cognitive dissonance. Washington, D.C: International Monetary Fund, IMF Institute, 2005.

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27

A history of consonance and dissonance. New York: Excelsior, 1988.

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28

The Rastafarians: Sounds of cultural dissonance. Boston: Beacon Press, 1988.

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29

Mattia, Giovanni, Alessio Di Leo, and Ludovica Principato. Online Impulse Buying and Cognitive Dissonance. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65923-3.

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30

Vaidis, David. La dissonance cognitive: Approches classiques et développements contemporains. Paris: Dunod, 2011.

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31

Carey, Charles W. The Emancipation Proclamation. [Chanhassen, MN]: Child's World, 2000.

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32

McComb, Marianne. The Emancipation Proclamation. Washington, D.C: National Geographic Society, 2006.

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33

Woog, Adam. The Emancipation Proclamation. New York: Chelsea House Publishers, 2009.

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34

1915-, Franklin John Hope, ed. The Emancipation Proclamation. 2nd ed. Washington, DC: National Archives and Records Administration, 1993.

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35

Awa, Eme O. Emancipation of Africa. Anthony Village, Lagos: Emancipation Consultants and Publishers, 1996.

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36

1809-1865, Lincoln Abraham, ed. The Emancipation Proclamation. Bedford, Mass: Applewood Books, 1998.

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37

Heinrichs, Ann. The Emancipation Proclamation. Minneapolis, Minn: Compass Point Books, 2002.

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38

Greenwood, R. Emancipation to emigration. London: Macmillan, 2003.

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39

The Emancipation Proclamation. Chicago: Heinemann Library, 2006.

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40

Tenney, James. On the Development of the Structural Potentialities of Rhythm, Dynamics, and Timbre in the Early Nontonal Music of Arnold Schoenberg. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0001.

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In this essay, James Tenney discusses the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg. Beginning with the Three Piano Pieces op. 11, and continuing through Pierrot Lunaire and the Four Songs with Orchestra opp. 21 and 22, Schoenberg developed a style that he later characterized as one based on “the emancipation of the dissonance.” His further descriptions of the developments of the period are almost exclusively in terms of harmonic innovations. Analytical writings by others have reflected this same concern with the harmonic (and, to a lesser extent, the melodic) aspects of the music. Tenney considers the twelve-tone method in music and argues that it is a partial systematization of procedures that Schoenberg had used. He hopes that his observations on rhythm, dynamics, and timbre that are articulated in this essay might later serve as the basis for a broader generalization of the basic ideas underlying twelve-tone music.
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41

Anthony, Shira. Dissonance. Dreamspinner Press LLC, 2014.

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42

Hanna, Christian. Dissonance. Independently Published, 2020.

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43

O'Rourke, Erica. Dissonance. 2014.

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44

Dissonance. Kehrer Verlag Heidelberg, Klaus Kehrer, 2014.

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45

Brassier, Ray, and Mattin. Social Dissonance. Urbanomic, 2020.

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46

Intentional Dissonance. Central Avenue Publishing, 2012.

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47

Braidotti, Rosi. Patterns of Dissonance. Polity Press, 1991.

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48

Dissonance Volume 1. Image Comics, 2018.

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49

Fointiat, Val�rie, Fabien Girandola, and Patrick Gosling. La dissonance cognitive. Armand Colin, 2013. http://dx.doi.org/10.3917/arco.gosli.2013.01.

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50

Joule, Robert-Vincent, and Jean-Leon Beauvois. Dissonance and rationalization. Prentice Hall Europe (a Pearson Education company), 1995.

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